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TOURAINE MISSAL, SIXTEENTH CENTURY MANUSCRIPT. 
(See No. 2496.) 4 


CATALOGUE OF 


Che Library of 
Robert Wor 


of Wew Bork 


ILLUMINATED MANUSCRIPTS, INCUNABULA, HISTORICAL 
BINDINGS, EARLY ENGLISH LITERATURE, RARE 
AMERICANA, FRENCH ILLUSTRATED BOOKS, 
EIGHTEENTH CENTURY ENGLISH AUTHORS, 
AUTOGRAPHS, MANUSCRIPTS, ETC. 


v 


PaRT II—L TO Z 


TO BE SOLD BY AUCTION 


BEGINNING ON MONDAY, JANUARY 15 |" 
1912 


BY . Ler | 


Che Anderson Auction Company 


Mapison AVENUE AT ForRTIETH STREET 


awe 


New York 
TELEPHONE, Bryant 7990 


(SEE ORDER OF SALES ON PAGE 3) 


BOOKS AND AUTOGRAPHS. 


Conditions of Sale. 


1. All bids to be per Lot as numbered in the Catalogue. 


2. The highest bidder to be the buyer; in all eases of disputed bids 
the lot shall be resold, but the Auctioneer will use his judgment as to the 
good faith of all claims and his decision shall be final. 


3. Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots 
purchased to be immediately resold. 


4. Goods bought to be removed at the close of each sale. If not so 
removed they will be at the sole risk of the purchaser, and subject to 
storage charges, and this Company will not be responsible if such goods 
are lost, stolen, damaged or destroyed. 


5. Terms Cash. If accounts are not paid at the conclusion of 
each Sale, or, in the case of absent buyers, when bills are rendered, this 
‘Company reserves the right to recatalogue the goods for immediate sale 
without notice to the defaulting buyer, and all costs of such resale will 
be charged to the defaulter. This condition is without prejudice to the 
rights of the Company to enforce the sale contract and collect the 
amount due without such resale at its own option. Unsettled accounts 
are subject to interest at the rate of six per cent. per annum. 


6. All books are sold as catalogued, and are assumed to be in good 
ondition. If material defects are found, not mentioned in the catalogue, 
the lot may be returned. Notice of such defects must be given 
promptly and the goods returned within ten days from 
the date of the sale. No exceptions will be made to this rule. 


7. Autograph Letters, Documents, Manuscripts and Bindings are sold 
as they are without recourse. The utmost care is taken to authenticate 
and correctly describe items of this character, but this Company will not 
be responsible for errors, omissions, or defects of any kind. 


8. Bids. We make no charge for executing orders for our cus- 
tomers. We use all bids competitively and buy at the lowest price per- 
mitted by other bids. 


Part II (L to Z) 


ORDER OF SALES 


Afternoons and Evenings of January {5 to 19, 1912: 


Beginning at 2.30 and 8.15 o'clock 


Monpay AFTERNOON, Lots 1855-2041 
Monpay EVENING, “2042-2231 
TuEspAY AFTERNOON, << 2939-2416: 
TurEspAyY EVENING, ‘o.  9417-2518 
WEDNESDAY AFTERNOON, ‘“ 2519-2700: 
WEDNESDAY EVENING, ‘¢ 2701-2880: 
THurspAY AFTERNOON, “2881-3060 
THurRspAyY EVENING, ‘“ — 8061-8250- 
Fripay AFTERNOON, «3251-3425. 
FripaAy EVENING, ‘< - 8426-3621 


Following the sale a full list of prices will be printed. 


The Ltbrary of 
Robert Hoe 


PART II—L To Z. 


THIRTIETH SESSION, MONDAY, 2:30 P. M. 


1855. T ABE (LOUISE). (éuvres, revues et corrigées 
par la dite Dame. 8vo, green morocco gilt, 

doublure of red morocco richly gilt, gilt edges, by Thou- 
venin. Lion: Ian de Tournes, 1556 


* The Nodier copy of this very scarce book, with his name on 
front cover. 


1856. LABORDE (ALEXANDRE, COMTE DE). Col- 
lection des Vases grecs de M' le Comte de Lamberg, expli- 
quée et publiée. 154 plates, many of them in color, chiefly 
in the Hiruscan manner, and 31 vignettes and culs-de-lamps. 
2 vols. large folio, half blue levant moroceo gilt, gilt 
tops, uncut. Paris: Didot, 1813-24 


1857. LABORDE (LEON, COMTE DE). Histoire de la 
gravure en maniére noire. Facsimile, 3 woodcuts on India 
paper, 9 lithographs, 3 on India paper, and marks, etc., in 
the text. hh 8vo, original covers, uncut. 

Paris: Didot, 1839 


* er arce paper copy. One of 300 printed. Presentation copy 
from the author, with inscription. 


1858. LABORDE (LEON, COMTE DE). Commentaire 
eéographique sur l’Exode et les Nombres. With 13 large 
and small maps. Folio, red straight-grain morocco, gilt, 
with monogram E.B., gilt edges. Paris et Leipzig, 1841 

* First EDITION, Printed on papier vélin, 


287 


1859. LABORDE (LEON, COMTE DE). De ]’Organisa- 
tion des Bibliothéques dans Paris. Quatriéme lettre. 
With 6 plates on India paper and numerous woodcuts 
(slightly foxed). FIRST EDITION, of the first part. Royal 
8vo, red straight-grain morocco gilt, with monogram E.B., 
gilt edges. Paris, 1845 


1860. LABORDE (LEON, COMTE DE). La Renaissance 
des Arts ala Cour de France, Etudes sur le seiziéme Siécle. 
8vo, green straight-grain morocco gilt, with monogram E.B., 
gilt edges. Paris, 1850 

* One of 105 copies on papier vélin. 


1861. LABORDE (LEON, COMTE DE). Les Dues de 
Bourgogne. Etudes sur les lettres, les arts et l’industrie 
pendant le XV® siécle et plus particuliérement dans les 
pays-bas et le duché de Bourgogne. 3 vols. 8vo, half scored 
russia, gilt tops, uncut. Paris, 1849-18 52 


* One of 25 copies containing the frontispiece woodcut ‘‘ Min- 
iature du Froissard de Breslau,” with duplicate proof before 
letters. Le Roux de Lincy’s copy, with an autograph letter 
from La Borde in Volume III. 


1862. LABORDE (LEON, COMTE DE). Athénes aux 
XVe, XVIe et XVII¢ siécles par le Cte de Laborde. First 
EDITION. 40 plates and numerous woodcuts (some tinted). 
2 vols. 8vo, half blue morocco, gilt tops, uneut. Paris, 1854 


1863. LABORDE (LEON, COMTE DE). De l’Union 
des Arts de l’Industrie. Passé et Avenir. 2 vols. royal 
8vo, red levant morocco, blind tooled fillets, gilt edges, by 
Capé. Paris, 1856 

* First Edition. Oneof 100 copies printed on Holland paper. 


1864. LABORDE (LEON, COMTE DE). Les Archives 
de la France, leurs vicissitudes pendant la Révolution, leur 
régénération sous l’Empire. First EDITION. Printed on 
India paper. 12mo, red levant morocco, gilt edges, by 
Thibaron. Paris, 1867 


1865. LA BORDE (VIVIEN DE). Du Témoignage de 
la Vérité dans ’Eglise. Dissertation Théologique, Ow l’on 
examine, quel est ce témoignage, tant en général qu’en 
particulier, au regard de la derniere Constitution. Pour 
servir De précaution aux Fidéles, & d’apologie a |’ Eglise 
Catholique contre les reproches des Protestans. 12mo, old 
red morocco, with the Longepierre device of the Golden 
Fleece, gilt edges. | Paris], 1714 

* First EDITION. From the Yemeniz collection. 


1866. LA BROUSSE (JOACHIM BERNIER DE). Les 
CEvvres Poétiques dv Sievr Bernier de La Brovsse. [Les 
Bergeries et Eclogves dv Sievr Bernier de La Brovsse.] Hn- 
graved title. One volume in 2. 12mo, red morocco, gilt edges, 
probably by Padeloup. Poictiers: Julian Thoreau, 1618 


288 


1867. LA BRUNE (JEAN DE). La Vie de Charles V, 
due de Lorraine et de Bar, Generalissime des Troupes Im- 
périales. Divisée en cing Livres. SECOND EDITION revie 
& corrigée. Portrait and frontispiece ; ruled in red ink. 
12mo, red morocco gilt, doublure of red morocco, gilt edges, 


by Boyet. Amsterdam: Jean Garrel, 1691 
*From the library of Baron de la Roche Lacarelle, with 
bookplate. 


1848 [LA BRUYERE (JEAN DE).] Les Caractéres de 
Théophraste. Traduits du Gree: avec Les Caractéres ou Les 
Moeurs de ceSiéecle. TROISIEME EDITION. 12mo, red levant 
morocco, gilt edges, by Cuzin. Paris: Estienne Michallet, 1688 


1869. LABRUYERRE (L.). Les Ruses du Braconage, 
Mises a découvert; or Mémoires et Instructions sur la 
Chasse et le Braconage. Avec quelques figures en taille de 
bois. 12mo, levant morocco, emblematic tooling, gilt edges, 
by Duru. Paris 1771 


1870. LA CALPRENEDE anp PERE D’ORTIGUE DE 
VAUMORIERE. Faramond, ou Il’Histoire de France. 
With 7 frontispieces and 36 plates by Chauveau and Julié. 
12 vols. small 8vo, citron morocco gilt, with the ARMS OF 
BEATRIX DE CHOISEUL-STAINVILLE, DUCHESSE DE GRAM- 
MONT, gilt edges, by Padeloup. (Pages 517-520 in Vol. II 
and title to Vol. IV are lacking.) 

* FIRST EDITION. Paris: Ant. deSommaville, 1661-70 


1871. LACE BOOK. Eyn New kunstlich Boich dairyn. 
C. und XX XVIII figuren, monster ad stalen befonden wie 
man na der rechter art, Lauffer werck, Spansche stiche, 
mit der naelen, ete. Tvtle within a woodcut border, in the 
lower part two women sitting at aloom, full-page portrait of 
Emperor Charles V in state, on the back, and 46 full page 
woodcuts of fine lace and embroidery designs, and initials 
for marking linen. Small 4to, contemporary stamped calf. 
(Title slightly torn, but nothing missing. ) 

K6ln: Peter Quentell, 1527 


* EXTREMELY RARE. Good copy of one of the oldest books 
on lace and embroidery. In the same volume is bound the fol- 
lowing rare book, also on lace: 

‘‘LA FLEUR DES PATRONS DE LINGERIE A DEUX ENDROITZ, A 
POINT CROISE, A POINT COUCHE, ET A POINT PICQUE, EN FIL D’OR, 
FIL D’'ARGENT ET FIL DE SOYE, etc. ‘‘ Title within a woodcut 
border and 21 woodcut designs of laces and embroideries.” 
Lyon Claude Nourry dict le Prince [ca. 1540]. 


1872. LACE BOOK. Patrons de diuerses manieres In- 
uentez tressubttlement Duysans a Brodeurs et Lingieres Et 
a celuy lesquelz vrayement Veullent par bon entendement 
User Dantique, et Roboesque Frize et Moderne proprement 
En comprenant aussi Moresque. Title in Gothic letter within 

289 


an ornamental border, and 47 full-page woodcut designs 
of laces, embroideries, etc., including a large woodcut repre- 
senting Orpheus surrounded by animals, with a monogram 
composed of the letters M. T. H. P. 4to, old vellum (first 
leaf in facsimile). Lyon: Pierre de Saincte Lucie [ca. 1540] 


1873. LACE BOOK. Patrons de lingerie (Livre nouveau 
dit): cestassavoir a deux endroitz a point ecroisé, point 
couché et point picqué, ete.. 43 pages of lace designs. Lyon 
[ca. 1549]. 4to, red levant morocco, gilt edges. Facsimile 
reprint. [n. p.—n. d., cu. 1870] 


1874. LACE BOOK. La Gloria et Vhonore de ponti 
tagliati, e ponti in aere, opera nova, & con somma dili- 
gentia posta in luce. Title within a woodcut border, in the 
lower part three women engaged in the making of lace, and 
29 full-page woodcuts of lace designs. Ato, citron levant 
morocco, the sides in mosaic compartments of green mo- 
rocco, richly tooled and gilt with flowers and foliage, doub- 
lure of red levant, gilt borders, gilt edges, by The Club 
Bindery, in a case. Venetia: Mathio Pagan, 1558 

* PROBABLY THE ONLY KNOWN Copy. From the dedication 


the printer Mathio Pagan appears to have been the author of 
the book, or at least to have collected the models. 


1875. LACE BOOK. Spendore delle virtvose Giovani 
Doue si contengono molte, & varie mostre a fogliami. Cio 
é pvnti in aere, et pvnti tagliati, belissimi, & con tale arti- 
ficio, che li punti tagliati serueno alli punti inaere. Etda 
qvella ch’e sopragasi far si possono, medesimamente molte 
altre. Title within an architectural woodcut border, and 
29 full-page woodcuts, fine designs of Venetran point lace. 
4to, dark green levant morocco, gilt panels, gilt edges, by 
David. Venetia: Appresso Jeronimo Calepino, 1563 


1876. LACE BOOK. Vecellio (Cesare). Corona delle 
nobili et virtuose donne libro primo (secondo, terzo, 
quarto). Nel quale sidimostra in varii disegni; tutte le 
sorti di mostre di punti tagliati, punti aria, & punti a reti- 
cello. 102 fine full-page woodcuts of lace designs on black 
ground. 4 parts in one volume. Oblong 4to, brown levant 
morocco, gilt panels, doublure of light brown levant, gilt 
ornamental borders, gilt edges, by David. (Titles of parts 
2 and 8 in facsimile.) 

Venetia: Appresso Cesare Vecellio, 1593 


1877. LACE BOOK. Fiori di Ricami nvovamente posti 
in lvee: nei qvali sono varii, et diversi disegni di lavori. 
Come Merli, Bauari Manichetti, & altre sorti di opere, che 

290 . 


al presente sono in vso vtilissimi ad ogni stato di Donne. 
31 woodcut plates of beautiful lace designs on a black ground. 
Oblong 4to, blue levant morocco, panelled side borders, gilt 
edges. (Title in excellent facsimile. ) 

Siena: Matteo Florimi, 1593 


1878. LACE BOOK. Vinciolo (Federico). Les Singu- 
liers et nouveaux pourtraicts, du seigneur Federie de Vin- 
ciolo Venetien, pour toutes sortes d’ouvrages de lingerie. 
Portrait of Henry III and Queen Louise of Lorraine, and 
94 woodcut plates of fine lace designs. 2 parts in one vol. 
4to, red levant morocco, blind panelled. sides, with gilt 
ornamental borders, gilt edges, by Thierry. (Title, three 
following leaves and last leaves in facsimile.) 

Paris: Jean Le Clerc, 1598 


1879. LACE BOOK. Veeellio (Cesare). Corona delle 
nobili et virtuose donne, libro primo (secondo, terzo, quarto). 
Nel quale si dimostra in varii disegni tutte le sorti di 
mostre di punti tagliati, punti, ete. 109 plates of fine and 
interesting lace designs. 4 parts in 1 volume. Oblong 4to, 
old brown morocco, richly tooled and gilt, the old covers 
inlaid (several leaves scribbled on margins or back). 

Venetia: Appresso Cesare Vecellio, 1601 


1880. LACK BOOK. Les Singuliers et Nouveaux Por- 
traicts, du Seigneur Federiec Vinciolo, Venitien, pour toutes 
sortes d’ouvrages de Lingerie. Woodcut portrait of Henry 
IV and over 100 designs of laces, &éc. 2 parts in 1 vol. 
4to, citron levant morocco, gilt centre ornaments, gilt 
edges, by Trautz-Bauzonnet. Lyon: L. Odet, 1603 


1881. LACE BOOK. Vavassore (Giovanni Andrea). 
- Opera noua universal intitulata corona di racammi: doue 
le venerande donne ¢@ fanciulle trouaranno di varie opere 
per far colari di camisiola: z torniamenti di letti, ete. Title 
within an ornamental woodcut border, and 56 pages of lace 
designs. Ato, brown levant morocco, gilt ornamental bor- 
ders, gilt edges, in a case, by The Club Bindery. 

Vineggia: Giouanni Andrea Vauassore [XVIth Century] 


1882. LA CHAU aAanpd LE BLOND. Description des 
principales Pierres Gravées du Cabinet de S. A. 8. Mon- 
seigneur le Duc d’Orléans, premier Prince du Sang. Front- 
asprece containing portrait, vignettes, and 178 plates of an- 

tique gems, mainly by St. Aubin. 2 vols. folio, red morocco 
’ gilt, gilt edges, probably by Derome. Paris, 1780-84 


* THICK HOLLAND PAPER. This copy contains original im- 
pressions of six of the seven suppressed plates (Volume II, 
page 64 and at the end) known as ‘‘ médailles spintriennes,” 
containing thirty-four subjects designed and engraved by St. 
Aubin, and rarely found in copies of this work. 


291 


1883. LA CHAUSSEE (PIERRE CLAUDE NIVELLE 
DE). Cuvres. Portrait by Ingouf, after La Tour. 6 vols. 
in 5. 12mo, ealf, gilt, blind tooled borders, gilt edges, by 
Thouvenin. Paris: Prault, 1762 


1884. LACHIZE (HENRI). Une Amazone sous le Pre- 
mier Empire. TJllustrée de 36 compositions par Charles 
Thévenin. 8vo, red levant morocco, mosaic interlacing of 
darker red with branches of roses in gold, red silk linings 
with gilt borders, gilt over rough edges, original covers 
bound in, by The Club Bindery. In ease. Paris, 1902 


* Only 75 copies printed on Japan it with the plates in 
three extra states. 


1885. LACKINGTON (JAMES). Memoirs of the Forty- 
Five First Years of the Life of James Lackington, the 
present Bookseller in Chiswell-street, Moorfields, London. 
Written by himself in forty-seven Letters to a Friend. 
With a triple Dedication. . . . SECOND EDITION. 4 por- 
traits of Lackington, and a colored print of his shop inserted. 
8vo, half green levant morocco gilt, gilt top, uncut, by 
Allo. London, 1794 


1886. LA CROIX-LAVAL. Mes Cent Reliures. With 
12 allustrations. 4to, gray cloth portfolio. Paris, 1882-1902 
* One of 75 copies printed. 


1887. LA CROIX-LAVAL. Album de Reproductions 
de Reliures d’Art. Wiuth 171 plates. 4to, cloth portfolio. 
Paris, 1902 


1888. LACTANTIUS. Divinarum institutionum libri 
septem; de ira Dei, liber I, ete. FIRST ALDINE EDITION. 
8vo, brown morocco, gilt Aldine anchor on the sides, gilt 
edges. Venetiis: in edibus Aldi et Andre soceri, 1515 


*The W. H. Crawford copy. APPARENTLY PRINTED ON 
THICK PAPER. 158 mm. 


1889. LA FARRE (MARQUIS DE). Memoires et Ré- 
flexions sur les principaux évenemens du Regne de Louis 
XIV, & sur le caractere de ceux qui y ont eu la principale 
part. 12mo, red levant morocco, gilt edges, by Hardy- 
Mennil. Amsterdam: J. F. Bernard, 1755 


1890. LA FARRE (MARQUIS DE). Poésies. /rontis- 
piece by Delaunay, after Mariler. 24mo, green morocco 
gilt, gilt edges, by Derome. Londres | Paris, Cazin], 1781 


1891. LE FEBURE (FRANCOIS). Livre de fleures et de 
feuilles pour servir a l’art d’orfeverie. Title and 5 copper- 
plates of leaves and flowers engraved by Baltazar Moncor- 
net, from the drawings of Le Febure for the use of jewelers 
and goldsmiths. 4to, blue morocco, gilt edges, by The Club 
Bindery. [Paris], 163& 

292 


1892. LAFENESTRE (GEORGES). Le Livre d’Or du 
Salon de Peinture, et de Sculpture, ete. Wath 107 etchings, 
proofs before letters. 7 vols. imperial 8vo, half red morocco, 
gilt top, uncut, original covers bound in, by Stikeman. 
Paris, 1879-85 
* One of 100 numbered copies on Holland paper. 


1893. LA FIZELIERE (ALBERT DE). L'(uvre Orig- 
inale de Vivant Denon. Collection de 317 eaux-fortes dessi- 
nées et gravées par ce célébre artiste reunion formant l’ album 
le plus complet et le plus varié pour l'étude de la gravure a 
Peau-forte avec une notice trés-détaillée sur sa vie intime. 2 
vols. royal 4to, half red levant morocco gilt, gilt tops, 
uncut, by Petit. Paris, 1873 

* 500 copies printed, with portrait by C. Guérin. 


1894. LA FONTAINE (JEAN DE). Fables choisies, mises 
en vers. 118 vignettes by Francois Chauveau. 4to, red 
levant morocco, gilt back, and side corners ‘‘a l’oiseau,”’ 
gilt edges,by Trautz-Bauzonnet. Paris: Denys Thierry,1668 


* ONE OF TWO ISSUES OF THE FIRST EDITION of the first 6 
books. The other was published by Claude Barbin the same 
year, 


1895. LA FONTAINE (JEAN DE). Les Amours de 
Psiché et de Cupidon. 8vo, citron levant morocco, in a 
rich mosaic of blue and red in compartments tooled and 
gilt with floral ornaments and studded outlines, doublure 
of blue morocco, wide dentelle borders, gilt edges, in a 
levant case, by Thibaron-Joly (corner of one leaf torn). 

* First EDITION. Paris: chez Denys Thierry, 1669 


1896. LA FONTAINE (JEAN DE). Fables Nouvelles, 
et Autres Poésies. 8 vignettes by Chauveau. 12mo, red 
levant morocco gilt, gilt edges, by Trautz-Bauzonnet. 

Paris: Claude Barbin, 1671 


* This volume contains 8 new Fables, 


1897. LA FONTAINE (JEAN DE). _ Fables Choisies 
mises en vers. Hngraved title, portraits of La Fontaine by 
Ficquet, and of Lowis de France (inserted) and 119 copper- 
plate vignettes. 2 parts in 1 vol. 12mo, green levant mo- 
rocco gilt,gilt edges. Amsterdam: Daniel De la Feuille,1700 


1898. LA FONTAINE (JEAN DE). Piéces de Théatre, 
de Monsieur de La Fontaine. 12mo, green levant morocco 
gilt, gilt edges, by Bedford. La Haye, 1702 

* Contains 4 plays. by La Fontaine, each with a title-page 
dated 1701, although the pagination is continuous. 


1899. [LA FONTAINE (JEAN DE).|] Two Tales: An 
Impossible Thing, and The Peasant in Search of His Heifer. 
Small 4to, half brown levant morocco. 

*Attributed to La Fontaine. London: J. Roberts, 1720 


293 


¥ 


1900. LA FONTAINE (JEAN DE). Fables Choises. 
Frontispiece by Oudry, finished by Dupuis and engraved by 
Cochin. Portrait of Oudry by Tardieu after Largilliére, 
275 plates by Aubert, Aveline, Aliamet, Baquoy, Cochin, 
Flipart, Gaillard, Lemire, Legrand, Lempereur, Lebas, 
Prevost, Tardieu and others, after Oudry, under the super- 
vision of Cochin. 4 vols. folio, old brown morocco gilt, 
gilt edges. 

Paris: de l’imprimerie de Charles Antoine Jombert, 1755 


* LARGE PAPER COPY. This edition was edited by de Monte- 
nault, who wrote the prefatory life of La Fontaine. 


1901. LA FONTAINE (JEAN DE). Contes et Nouvelles 
en vers. fortrais of La Fontaine engraved by Ficquet 
after Rigaud, of Hisen by Ficquet after Vispré, and of 
Choffard by himself; 80 fine plates by Aliamet, Baquoy, 
Choffard, Delafosse, Flipart, Lemire, Leveau, De Longueil 
and Ouvrier, after EISEN. 2 vols. small 8vo, brown mo- 
rocco, gilt dentelle borders in the Derome manner, silk 
linings, gilt edges, in cases, by The Club Bindery. 

Amsterdam [Paris], 1762 


* THE FAMOUS EDITION CALLED ‘‘ DES FERMIERS GENERAUX,’”’ 
ONE OF THE MOST BEAUTIFUL ILLUSTRATED BOOKS OF THE 18TH 
CENTURY. The plate entitled ‘‘ Le cas de conscience” is in the 

’ uncovered state. The introduction was written by Diderot. 


1902. LA FONTAINE (JEAN DE). Contes et Nouvelles. 
The whole series of the 80 charming plates of the Fermiers- 
Généraux edition, 1762, by Eisen, in contemporaneous col- 
oring by a good artist. In one volume. 8vo, old green 
morocco gilt, gilt edges. [1762] 

* This beautiful set is probably the only one known with con- 
temporary ool 


1903. LA FONTAINE (JEAN DE). Fables Choisies. 
Frontispieces, coat of arms, 243 vignettes, 229 culs-de-lampe, 
and 244 plates. 6 vols. in 3, 8vo, green morocco gilt, gilt 
edges, by Joublin. Paris: l?Auteur Graveur, 1765-75 


1904. LA FONTAINE (JEAN DE). Fables Choisies, 
mises en vers. Frontispiece and 275 plates by Vinkelés and 
Punt. 6 vols. 8vo, red levant morocco gilt, uncut, by 
Chambolle-Duru. ~ Leiden, 1786 


1905. LA FONTAINE (JEAN DE). Contes et Nouvelles 
en vers. 42 plates in from 1 to 3 states, including engraver’s 
etchings. Hach title has u vignette by Choffard, the first in 
duplicate, PROOF BEFORE LETTER IN COLORS. 2 vols. 4to, 
half red morocco gilt, uneut. Paris: P. Didot, lainé, 1795 


* Inserted are a portrait of La Fontaine by Le Mire after 
Moreau, and 6 plates, 5 by Chevry, after Monnet, in one or 
two states, and one after Jouse. Printed on papier vélin, 


294. 


1906. LA FONTAINE (JEAN DE). Les Amours de 
Psyché et de Cupidon, suivies d’Adonis, Poéme. Hdition 
ornée de gravures d’aprés les dessins de Gérard, peintre. 
Royal 4to, half red morocco, gilt top, uncut. Paris, 1797 

* Inserted is a portrait of La Fontaine, proof on India paper. 


1907. LA FONTAINE (JEAN DE). Fables (with Life). 
Portrait of the author by St. Aubin. 2 vols. 12mo, russia, 
gilt panels, uncut, by Thouvenin. In half red morocco 
cases. Paris: P. Didot, ’ainé, 1813 

* ONE OF 2 COPIES PRINTED ON VELLUM, 


1908. LA FONTAINE (JEAN DE). Fables Inédites du 
XIIe, et XIII®, et XIV® Siécles et Fables de La Fontaine. 
Engraved title with a portrait of La Fontaine by Cathelin 
after Rigault, proof on India paper; 90 plates engraved by 
Paul Legrand; facsimiles (one missing). 2 vols. 8vo, red 
levant morocco gilt, emblematic designs in panels, dentelle 
borders, gilt edges, by Trautz-Bauzonnet. Paris, 1825 


1909. LA FONTAINE (JEAN DE). Fables. Ilustra- 
tions by J. J. Grandville. 2 vols. 8vo, red straight grain 
morocco gilt, gilt edges, by Clarke and Bedford. Paris,1838 


<.1910. LA FONTAINE (JEAN DE). Contes et Nouvelles. 
Fidition ulustrée par MM. Tony Johannot, Cam, Roqueplan, 
Devéria, C. Boulanger, Fragonard pére, Janet-Lange, 
Francais, Laville, Hd. Vattier et Adrien Féart. Royal 
8vo, half red levant morocco gilt, gilt top, uncut, by Brany. 
; Paris, 1839 

* The full-page illustrations are on India paper. 


1911. LA FONTAINE (JEAN DE). Contes et Nouvelles. 
Portrait by David and Varin after Rigault. 12mo, half 
citron levant morocco gilt, gilt top, uncut, by All6. 

Paris: A. Delahays, 1861 


* Extra-illustrated with 38 plates after Leroux, Adams, Bosc 
and others. 


1912. LA FONTAINE (JEAN DE). Fables de La Fon- 
taine publiées par D. Jouaust avec une introduction par 
Saint-René Taillandier. Ornées de douze dessins originaux 
de Bodmer, J. L. Brown, F. Daubigny, Detaille, Gérome 
and others. 2 vols. imperial.8vo, red levant morocco, un- 


eut, original covers bound in, by Carayon. Paris, 1873 
*One of 25 copies on India paper with the plates in two 
states. 


1913. LA FONTAINE (JEAN DE). Contes de La Fon- 
taine publiés par D. Jouaust avee une préface de Paul 
Lacroix. Dessins d’EHd. de Beaumont graves a leau-forte 
par Boilvin. 2 vols. 12mo, original covers, uncut. 

| Paris, 1885 
* One of 20 copies on Whatman paper, with the portrait and 
11 plates in two states, proofs before and after letters. 


295 


1914. LAFOREST. L’Art de soigner les pieds. 2 fold- 


ing plates. 12mo. Paris, 1782 

* Old French red morocco, THE ARMS OF QUEEN MARIE- 

ANTOINETTE stamped in gold on the centre of each cover, gilt 

back and edges, by Derome. From the library of Baron 
Pichon. 


1915. LA FOSSE (ANTOINE-DE) ann DUCHE DE 
VANCY (JOSEPH FRANCOIS). Q£uvres choisies. 12mo, 
green vellum, uncut, in a slip case. Paris, 1811 

*PRINTED ON VELLUM. The Syston Park copy, with bookplate. 


1916. LA GRANGE-CHANCEL (JOSEPH DE). Théatre 
de Monsieur de La Grange-Chancel. Revu & corrigé par 
lui-méme. NOUVELLE EDITION. [rontispieces and vignettes 
by P. Tanjé and Picart, and 10 other plates. 2 vols. 16mo, 
blue levant morocco gilt, gilt edges, by Hardy-Mennil. 

: Amsterdam, 1746 

1917. LA GRANGE-CHANCEL (JOSEPH DE). Ciuvres 
choisies de La Grange-Chancel. 12mo, green vellum, uncut, 
in a half red morocco case. Paris, 1810 

* PRINTED ON VELLUM. The Syston Park copy. 


1918. LAMARTINE (ALPHONSE DE). Méditations 
Poétiques. 8vo, blue levant morocco, gilt side panels, 
doublure of citron levant morocco, wide gilt dentelle 
borders, gilt over uncut edges, by Thibaron-Joly. Paris, 1820 


: * FIRST EDITION. From the library of Eugéne Paillet, with 
autograph. 


1919. LAMARTINE (ALPHONSE DE). History of the 
Girondists; or, Personal Memoirs of the Patriots of the 
French Revolution. From unpublished sources. ‘Trans- 
lated by H. T. Ryde. 3 frontispiece portraits. 3 vols. 12mo, 
flexible red morocco, gilt tops, uncut London, 1883. 


* EXTRA-ILLUSTRATED by the insertion of three plates, and an 
autograph letter of Mirabeau. 


1920. LA MARTINIERE (ANTOINE AUGUSTIN 
BRUZEN DE—KEditor). Nouveau Recueil des Epigram- 
matistes Francois, anciens et modernes. Contenant ce qui 
s’est fait de plus excellent dans le Genre de l’Epigramme, 
du Madrigal, du Sonnet, du Rondeau, & des Petits Contes en 
Vers, depuis Marot jusq’é present. Avec la Vie des Auteurs, 
des Notes, ete. Frontispiece and portrait. 2 vols. 12mo, red 
morocco, gilt tops, probably by Derome. Amsterdam, 1720 


1921. LA MARTINIERE (ANTOINE AUGUSTIN 
BRUZEN DE). Fables Héroiques, Ot sont renfermées les 
plus importantes maximes de la Politique & de la Morale; 
Avee des Discours Historiques sur chaque Fable. Fronts- 
piece and 60 vignettes. 2 vols. in 1, small 8vo, red levant 
morocco, blind-tooled fillets, gilt edges, by Capé. 

Amsterdam: Jean Pauli, 1720: 


296 


1922. LAMB (CHARLES). Elia. Essays which have 
appeared under that signature in the London Magazine. 
London: Printed for Taylor and Hessey, Fleet-Street, 1823. 
The Last Essays of Elia. Being a sequel to essays pub- 
lished under that name. London: Edward Moxon, 1833. 
FIRST ISSUES of the FIRST EDITION. 2 vols. 12mo, olive 
morocey gilt, gilt tops, uncut (lacking the advertisements, 
but with half-title in the second series, the first having been 
issued without one), by Bedford. London, 1823-33 


1923. LAMB (CHARLES). Works. A_ new Edition. 
Portrait. 5 vols. 8vo, blue leather backs, gilt tops, uncut. 
*LARGE PaPpER copy. Only 100 printed. Boston, 1565 


1924. LAMBERT (M.). Nouveau Manuel, Simplifié du 
Pécheur-Praticien; suivi de ]’Art de Faire les Filets, par 
Me Charles B..... 10 woodcuts and 4 folded plates. 12mo, 
red levant morocco gilt, gilt edges, by Capé. Paris [ca. 1850] 


1925. LAMBERT (OSMUND). Angling Literature in 
England; and Descriptions of Fishing by the Ancients: 
with a notice of some books on other piscatorial subjects. 
Small 8vo, half red levant morocco, gilt top, uncut, orig- 
inal vellum covers bound in, by Zaehnsdorf. London, 1881 


_ 1926. LAMBORN (ROBERT H.). Mexican Painting and 

Painters. A Brief Sketch of the Development of the 

Spanish School of Painting in Mexico. With 3 allustrations. 

Ato, cloth, uncut. New York, 1891 
* Presentation copy, with autograph letter inserted. 


1927. LA METTRIE (JULIEN OFFRAY DE). Méuvres 
Philosophiques. First EDITION. 4to, old red morocco 
gilt, gilt edges. Londres [Berlin], 1751 


1928. LAMMENAIS (HUGUES FELICITE ROBERT 
DE). Paroles d’un Croyant. FIRST EDITION. 8vo, red 
levant morocco, gilt edges, by Thibaron. Paris, 1334 


1929. LA MONNOYE (BERNARD DE).  (éuvres 
Choisies. NOUVELLE EDITION. 12mo, red levant morocco, 
gilt edges, uncut, by Hardy. Bouillon, 1780 


1930. LA MOTTE (ANTOINE HOUDART DE). Fa- 
bles Nouvelles, dediées au Roy. Frontispiece by Tardieu 
after OC. A. Coypel, title-vignette by Simoneau after Vleu- 
ghels, and one hundred vignettes engraved by Cochin, Gillot, 
Tardieu, B. Picart, Simoneau and Edelinck, after Gillot, 
Coypel, Edelinck, B. Picartand Rane. 4to, old olive mo- 
rocco, corner and centre ornaments of gilt and mosaic in 
red, brown and citron morocco, delicately tooled, gilt edges. 

Paris: Gregoire Dupuis, 1719 
* Large Holland paper copy, ruled in red ink. From the 
library of the Marquis Le Tellier de Courtanvaux. 


297 


1931. LA MOTTE (ANTOINE HOUDART DE). Cuvres 
Choisies. 2 vols. 12mo, green vellum, uncut. Paris, 1811 


* PRINTED ON VELLUM, The Syston Park copy, with book- 
plate. 


19382. LAMOTTE-VALOIS (COMTE DE). Affaire du 
Collier. Mémoires inédits du Comte de Lamotte-Valois sur 
sa vie et son epoque (1754-1830) publiés d’aprés le manu- 
serit autographe avec un historique préliminaire, des piéces 
justificatives et des notes par Louis Lacour. HOLLAND PA- 
PER COPY. 12mo, half red levant morocco, gilt top, uncut, 
by Bedford. Paris, 1858 


19338. LANCE (ADOLPHE). Excursion en Italie. 15 
etchings by L. Gaucherel. 8vo, half red morocco gilt, gilt 


top, uncut. Paris, 1873 
* One of 500 copies on Holland paper. 


1934. LANCELOT DU LAC. Le premier [second et 
tiers] volume de Lancefot du lac nouuellement imprimé a 
Paris. Letlres bdtardes, double columns, titles within wood- 
cut borders, and a large woodcut. 3 vols. in one, folio, 
brown levant morocco, gilt, doublure of red levant, gilt 
edges, by Thibaron-Joly. Paris: Pour Philippele Noir, 1533 

* RARE EDITION of the most famous of the Arthurian Ko- 
mances, described by Brunet as more beautiful than the 
editions of 1518 and 1520; the work, in part, at least, of Walter 


Map, English ecclesiastic of the 12th Century, who wrote in 
French. 


1935. LANCIANI (RUDOLFO). Ancient Rome in the 
Light of Recent Discoveries. Wath 100 illustrations. 8vo, 
half vellum, gilt top, uncut. Boston and New York, 1889 


1936. [LANDO (ORTENSIO).]| Paradoxes ou Sentences, 
debatues, & elegamment deduites contre la commune 
opinion. Traité non moins plein de doctrine, que de re- 
creation pour toutes gens. Reueu, & augmenté. 16mo, 
red levant morocco, gilt edges, by Bauzonnet (stamp on 
title-page). Lyon: Thibauld Payan, 1555 


1937. LANDON (LETITIA E.). Poetical Works.: Por- 
trait and 4 plates. 4 vols. 12mo, cloth, uneut. London, 1839 


1938. LANDOR (WALTER SAVAGE). Imaginary Con- 
versations of Literary Men and Statesmen. SECOND EDI- 
TION. Corrected and enlarged. 3 vols. 8vo, red levant 
morocco gilt, gilt tops, wide dentelle borders, uncut, by 
The Club Bindery. London, 1826-28 


1939. LANDOR (WALTER SAVAGE). Gebir, Count 
Julian, and other Poems. FIRST EDITION. 12mo, calf gilt, 
gilt edges, by Bedford. London, 1831 

298 


1940. LANDOR (WALTER SAVAGE). Pericles and 
Aspasia. FIRST EDITION. 2 vols. 12mo, half red levant 
morocco gilt, gilt tops, uncut, by Krafft. London, 1836 


1941. LANDOR (WALTER SAVAGE). Andrea of 
Hungary, and Giovanna of Naples. FIRST EDITION. 8vo,half 
red levant morocco, gilt top, uncut, by Krafft. London, 1839 


1942. LANDOR (WALTER SAVAGE). Fra Rupert, 
the last part of a Trilogy. The first being Andrea of 
Hungary, the second being Giovanna of Naples. FIRST 
EDITION. 8vo, half red levant morocco, gilt top, uncut, 


by Krafft. London, 1840. 
19438. LANDOR (WALTER SAVAGE). Works. 2 vols. 
8vo, original cloth, uncut. London, 1846 


1944. LANDOR (WALTER SAVAGE). Hellenics. En- 
larged and completed. 12mo, cloth, uncut. London, 1847 


1945. LANDRIN (ARMAND). Les Plages de la France. 
Illustré de 107 vignettes par A. Mesnel. 12mo, half cloth, 


uneut. Paris, 1868 
* Printed on India paper. 


1946. LANE (EDWARD WILLIAM—Translator.) Ar- 
abian Nights. The Thousand and One Nights, commonly 
ealled, in England, the Arabian Nights’ Entertainments. 
A new translation from the Arabic, with Copious Notes. 
Illustrated with many hundred engravings on wood, from 
original designs by William Harvey. FIRST EDITION. 3 
vols. royal 8vo, polished calf gilt, gilt edges, by Bedford. 

London, 1839-40-41 


1947. [LANGLAND (ROBERT).] The Vision of Pierce 
Plowman, now fyrste imprynted by Roberte Crowley, 
dwellyng in Ely rentes in Holburne. Anno Domini 1550. 
Printed in Gothic type. Title in woodcut border. Small 
4to, russia, blind tooled, gilt edges (with autograph of 
former owner (1750) on last page). [Colophon] Imprinted 
at London by Roberte Crowley, dwellyng in Ely Rentes in 
Holburne. The yere of our Lord, M.D.L. [1550] 

* FIRST EDITION, 


1948. LANGLAND (ROBERT). The vision of Pierce 
Plowman, nowe the seconde time imprinted by Roberte 
Crowley ... Whereunto are added certayne notes and co- 
tations in the mergyne, geuynge light to the Reader. And 
in the begynning is set a briefe summe of all the principall 
matters spoken of in the boke, ete. Small 4to, brown levant 
morocco, delicate gilt scroll tooling, inside gilt morocco 


299 


borders and joints, gilt edges, in morocco solander case, 
by Stikeman. (Small hole in last leaf injuring a word. 
Autograph of John Glanville on title.) 

London: Roberte Crowley, 1550 


* PROBABLY THE THIRD EDITION, having variations from 
another edition by the same printer, also called ‘‘second.”’ 
Most of the errors of pagination have been corrected, and other 
changes show the type had been re-set. 


1949. LA PERRIERE (GUILLAUME DE). Le Theatre 
des bons engins, auquel sont contenuz cent Emblemes 
moraulx. Hach page within elegant woodcut borders, in 
the style of the French Renaissance, and 99 emblematic 
woodcuts. 8vo, brown levant morocco, gilt panelled sides, 
gilt edges, by Riviere. 

[Paris]: De ’imprimerie de Denys Ianot [ 1539] 

1950. LA PERRIERE (GUILLAUME DE). Les Con- 
siderations des quatre mondes, a savoir est: Divin, An- 
gelique, Celeste, & Sensible: comprinses en quatre centuries 
de quatrins. Hach page within a woodcut border, and 
woodcut portrait of the author. 8vo, brown levant morocco, 
gilt tooled borders, gilt back, by Trautz-Bauzonnet. 

Lyon: Macé Bonhomme, 1552 

1951. [LA PEYRERE (ISAAC DE).] Relation du 
Groenland. Vignette on title, folding map and plate on 
copper. FIRST EDITION. 12mo, green levant morocco gilt, 
leaf spray borders, gilt edges, by Joly. Paris, 1647 


1952. LAPIERRE (J. DE). Le Grand Empire de l’vn 
et lavtre monde divisé en trois Royavmes, Le Royaume 
des Aueugles, des Borgnes, & des Clair-voyants. Le tout 
enrichi de curieuses inuentions & traicts d’eloquence 
Franecoises. FIRST EDITION. _ Engraved title and 3 plates 
by Crispin de Pass. 8vo, brown levant morocco gilt, side 
panels, gilt edges, by Riviere. Paris: Denis Moreau, 1625 


1953. LA PLACE (P. A. DE). Lettres a Myladi * * * 
et autres GEuvres Mélées, tant en prose qu’en vers. With 
music. 38 vols. 12mo, old French red morocco gilt, THE ARMS 
or A. R. J. GUALBERT-GABRIEL DE SARTINES, lieutenant- 
general of police, on the covers, giltedges. Bruxelles, 1773 

* HOLLAND PAPER COPY OF THE FIRST EDITION. 


1954. L-ARIVEY (PIERRE DE). Les Comedies Face- 
cieuses a l'imitation des anciens Grees, Latins, et Modernes 
Italiens. 12mo, original vellum. 

Rouen: Raphaél du Petit Val, 1601 


1955. LA ROCHEFOUCAULD (FRANCOIS (VI) DUC 
DE). Reflexions ov Sentences et Maximes morales. 12mo, 
green levant morocco, gilt ornaments, gilt edges, by Thiba- 
ron. Paris: Claude Barbin, 1665 

* THE SECOND EDITION, entirely reset, and with corrections, 
issued the same year as the first edition. 


300 


1956. LA ROCHEFOUCAULD (FRANCOIS (VI) DUC 
DE). Reflexions ou Sentences et Maximes Morales. F'ront- 
isprece by S. Picart. 12mo, red levant morocco, gilt edges, 
by Trautz-Bauzonnet. Paris: Claude Barbin, 1671 


1957. LA ROCHEFOUCAULD (FRANCOIS (VI) DUC 
_DE). Reflexions ou Sentences et Maximes Morales. 12mo, 
red levant morocco, gilt edges, by Trautz-Bauzonnet. 
Paris: Claude Barbin, 1675 
* The last edition published during the author’s life, with 
his additions and corrections. 


1958. LA ROCHEFOUCAULD (FRANCOIS (VI) DUC 
DE). Maximes et Réflexions morales. Folio, red straight- 
grain morocco, gilt borders. arms in the centre, gilt edges, 
by Hering. Parme: Bodoni, 1811 

* One of 125 copies printed on vellum paper. 


1959. LA ROQUE (S. G. DE). Les Premiéres (Zuvres 
du Sieur de la Roque de Clermont en Beauuoisis. Rouen, 
1596. Les Amours de Caristée, 1595. Continuation de 
VAngelique d’Arioste, 1595. Les Heureuses Amours de 
Cloridan, 1594. Four works in 1 vol. 12mo, blue levant 
morocco gilt, gilt edges, by Trautz-Bauzonnet. 

Rouen, 1596-94 


1960. LAS CASAS (BARTHOLOMEO DE). Complete 
set of the Tracts of Las Casas: 


I. Breuissima relacion de la destruyeion de las Indias: 
ecolegida por el Obispo do fray Bartolome de las Casas 
[Colophon]. Impressa... en Seuilla en casa de Sebastian 
Trugillo...Aftio de M D.Lij. 


II. (Second part of the first tract.) Aqui se contiene 
vna disputa... entre el obispo do fray Bartholome de las 
Casas... y el doctor Gines de Sepulveda sobre q el doctor 
eontendia: q las conquistas de las Indias contra los Indios 
eran licitas, ete. Seuilla: Trugillo, x dias del mes de 
Setiembre [1552]. . 


III. Aqui se cotiene treynta proposiciones muy juridi- 
eas...al derecho q la yglesia y los principes christianos 
tienen o puede tener sobre los infie!es, ete. Seuilla: Tru- 
gillo [1552]. 

IV. Este es vn tratado q el obispo de la ciudad Real de 
Chiapa do fray Bartholome de la Casas... compuso por 
comission del Consejo Real de las Indias. Seuilla: Tru- 
gillo, 1582. 


V. Entre los remedios q d6 fray Bartolome de las casas 
... referio por mandado del Emperador... en los ayunta- 


301 


miétos q mado hazer sumagestad... en Valladolid... 
para reformacio de las Indias. ... Seuilla: J. Croberger, 
1552. 


VI. Aqui se cotiené vnos auisos y reglas para los confes- 
sores q oyeren en confessiones de los Espanolos que son 0 
han sido en cargo a los Indios de las Indias. Seuilla: Tru- 
gillo, 1552. 

Vil. Principia queda ex quibus procedendum est in dis- — 
putatione ad manifestandam et defendendam iusticiam 
Yndorum. Hispali (Seville): Trugillo, n. d. 


VIII. Tratado coprobatorio del Imperio soberano y prin- 
cipado vniuersal que los Reyes de Castilla y Leon tienen 
sobre las Indias. Seuilla: Trugillo, 1553. 


Bound in one volume 4to, with the separate titles to each 
part, brown levant morocco gilt, gilt edges, in brown mo- 
rocco case, by F. Bedford. Seville, 1552-53 


* FIRST EDITIONS, THE LAST TRACT BEING THE FIRST ISSUE, 
where two lines of text on two leaves were omitted by the 
printer, but have been supplied by a contemporary hand. 
The first tract commences a new chapter on sig. gi, which has 
sometimes been counted as a separate publication, making nine 
in all, but is merely a continuation of the preceding pages. 


1961. LAS CASAS (BARTHOLOMEO DE). Narratio 
Regionum Indicarum per Hispanos quosdam devastatarum 
verissima. Hngraved title border and 16 other copper-plates 
depicting Spanish crueltces to Indians, by De Bry, after 
Jode a Winghe. Ato, russia gilt and blind tooled, gilt 
edges. Francofurti: Theo. de Bry & Joannes Saurius, 1598 


* FirsT LATIN TRANSLATION of Las Casas’ ‘‘ Brevissima Re- 
lacion, etc.” 


1962. LA SABLIERE (ANTOINE RAMBOUILLET DE), 
Madrigaux. 12mo, half brown morocco, uncut. 

Paris [| Didot], 1825 

*One of 500 copies printed for Charles Nodier and N. Delangle. 


1963. LA SALE (ANTOINE DE). La Salade nouuel- 
lement imprimée a Paris. Laquelle fait mention de tous 
les pays du monde, et du pays de la belle Sibille. Lettres 
bdtardes. Title in red and black, within an historiated 
woodcut border, 2 large woodcuts (repeated), 19 cuts and 3 
folding plates (Mont de la Sibille, map of the world, and 
genealogical tree of the kings of Aragon). Folio, maroon 
levant morocco, gilt edges, by Chambolle-Duru. (Gene- 
alogical tree slightly shaved.) Paris: Philippe le Noir, 1527 


1964. LA SERRE (JEAN PUGET DE). Le Tombeau 
des Delices du Monde. Portrait of Jean, Comte de Tilly, 
by L. Vorsterman, 6 plates by Galle, Collaert and P. de Jode, 
after Van der Horst, and a vignette on the title-page. 8vo, 
old green morocco, elaborately tooled, gilt edges. 

Bruxelles: F. Vivien, 1632 
302 


1965. LA SERRE (JEAN PUGET DE). Examen de la 
Religion, dont on cherche |’Eclaircissement de bonne Foy. 
Attribué [a] Mr. de St. Evremond. 12mo, blue morocco 
gilt, red silk linings, gilt edges, by Derome. Trevoux, 1745 


* The Parliament of Paris ordered this book to be burned. 
De La Serre confessed to its authorship on his death-bed. 


1966. LATHAM (SIMON). I. Latham’s Falconry, or, 
The Fauleons Lure, and Cure. II. Latham’s New and 
Second Booke of Falconry; concerning the ordering and 
training up of such Hawkes as was omitted, &c., in his 
printed Booke of the Haggard, Falcon and Gerfaleon. 32 
woodcuts in the second part, many repeated. Two works in 
one volume, 4to, green levant morocco gilt, gilt edges, by 
The Club Bindery. (A few leaves with worm-holes. ) 
London: Printed by I. B. for R. Jackson, 1615-1618 
* First EDITION OF EACH BOOK. Between the two books 
are 3 leaves not found in the British Museum copy; the first 


contains the matter of pages 69-70 of first part, but differently 
arranged, and numbered 69-150. 


1967. LATIMER (HUGH). <A Notable Sermo of § reu- 

erende father Maister Hughe Latemer, whiche he preached 

_in ¥ Shrouds at paules churche in Londo, on the xviii. daye 

of January. 1548. 16mo, brown levant morocco gilt, gilt 
edges, by Bedford (title and several corners repaired). 

Imprinted at London by Jhon Daye [ca. 1548] 

* ONE OF TWO ISSUES OF THE FIRST EDITION of the famous 

Plough Sermon. Although the title of this issue is similar to 

the other of 1548 and the collation is the same, the colophon 


differs in spelling and in the kind of type used. It is impossi- 
ble to tell which is the earlier of the two. 


1968. LAUDONNIERE (R. G.). Histoire notable de la 
Floride située es Indes Occidentales, contenant les trois 
voyages faits en icelle par certains Capitaines et Pilotes 
Francois . . . ala quelle a esté adiousté un quatriesme 
voyage fait par le Capitaine Gourgues. Mise en lumiére 
par M. Basanier. 8vo, red levant morocco, gilt panelled 
sides with blind-tooled ornamental borders, gilt edges, by 
Lortic. Paris: chez Guillaume Auvray, 1586 

* FIRST EDITION of one of the earliest works relating to 


Florida, and dedicated to Sir Walter Raleigh. Translated into 
English in 1587 by Hakluyt. 


1969. [LAUJON (PIERRE).] Les A Propos de Société ou 
Chansons de M. L****; Les A Propos de la Folie ou Chan- 
sons, Grotesques, Grivoises et Annonces de Parade. Frontis- 
pieces, plates and vignettes by Moreau. 3 vols. 8vo, citron 
levant morocco gilt, gilt edges, by Cuzin. [ Paris, | 1776 


* The illustrations in this work are among Moreau’s most 
charming designs. 


303 


1970. LAUTERBACH (JOHANN). Enchiridion Veteris 
et Novi Testamenti, avtore Iohanne Lavterbachio, poeta 
ecoronato, Lib. VI. comprehensum. With 4 title-pages and 
167 woodcuts by J. Amman. Text in Latin and German. 
4 Parts in 1 vol., small 8vo, brown levant morocco, gilt 
ornaments, gilt edges, by Thompson. Franeckfurt, 1573 


1971. LAUZUN (A. L. DE GONTAUT-BIRON, DUC DE). 
Mémoires. Edition compléte, précédée dun étude sur 
Lauzun ses Mémoires par G. d’Heylli. With 3 engravings. 
8vo, dark blue morocco, wide borders, with ducal coronets, 
gilt top, uncut, original pictorial covers bound in, by All. 


Paris, 1880 
* One of 12 copies on Japan paper, with the etchings in 3 
states. 

1972. LA VIGNE (DAVID DE). Spiegel om wel te 
Sterven, aanwyzende met beeltenissen van het lyden onses 
zaligmaakers Jesu Christi alles wat een zieke moet doen om 
gelukkig te Sterven. Hngraved text and 42 fine full-page 
copper-plates,all brilliant impressions, by Romeyn deHooghe. 
4to, brown levant morocco, gilt panelled sides, emblematic 
tools in the corners and panels of the back, gilt edges, by 
Allo. Amsterdam, 1694 


1973. LE BRUN (MARIE LOUISE ELISABETH VIGEE). 
Souvenirs. 3 engraved portraits by Belliard. 3 vols. 8vo, 
half blue levant morocco, gilt tops, uneut, by Alld. 

Paris, 1835-37 


1974. LE BRUN (MARIE LOUISE ELIZABETH VIGEEB). 
Souvenirs. 2 vols. 12mo, half green levant morocco, gilt 
tops, uneut, by Hardy. Paris, 1869 

* Extra-illustrated by the insertion of 120 portraits and 
views, many proofs on India paper. 


1975. LECONTE DE LISLE (C.M.). Poémes Antiques. 
30 etchings by Louis Muller. Royal 8vo, dark green levant 
morocco, wide inside borders, gilt over rough edges, original 
covers bound in. Paris: Société des Amis des ae 1908 

* One of 110 copies on papier vélin. 


1976. LEDERER (JOHN). The Discoveries of John 
Lederer In three several Marches from Virginia, to the 
West of Carvlina, and other parts of the Continent: Begun 
in 1669 and ended in September 1670. Translated by Sir 
William Talbot, Baronet. Holded map engraved by Cross. 
Small 4to, red levant morocco, tooled in the manner of Le 
Gascon, doublure of red levant, gilt borders, gilt over rough 
edges, by The Club Bindery. 

London: J. C. for Samuel Heyrick, 1672 
* FIRST EDITION, With the leaf of License facing the title. 


304 


1977. LEE (NATHANIEL). The Tragedy of Nero, Em- 
perour of Rome: As it is Acted at the Theatre-Royal By 
His Majesties Servants. FIRST EDITION. Small 4to, dark 
blue levant morocco gilt, gilt edges, by The Club Bindery. 
(Several corners repaired. ) 

London: Printed by T. R. and N. T. for James Magnus, 
ete., 1675. 


1978. LEE (NATHANIEL). Gloriana, or the Court of 
Augustus Cesar. Acted at the Theatre Royal, by their 
Majesties Servants. FIRST EDITION. Small 4to, ealf gilt, 
gilt edges, by Pratt. (Piece in margin of page 59 restored.) 

London: Printed for J. Magnes and R. Bentley, 1676 


1979. [LEE (NATHANIEL).} ‘Piso’s Conspiracy, A 
Tragedy Acted at the Duke's Theatre. Small 4to, red 
Straight-grain morocco, gilt edges, by The Club Bindery. 

London: Printed by T. M. for W. Cademan, 1676 


1980. LEE (NATHANIEL). Sophonisba, or Hannibal’s 
Overthrow. A Tragedy. FIRST EDITION. Small 4to, red 
straight-grain morocco, gilt edges, by The Club Bindery. 

London: Printed for J. Magnes and R. Bentley, 1676 


1981. LEE (NATHANIEL). The Rival Queens, or the 
Death of Alexander the Great. FIRST EDITION. Small 
4to, red levant morocco, gilt edges, by Mercier. In mo- 
rocco slip-case. 

London: Printed for James Magnes and Richard Bentley, 
1677. 


* Contains a commendatory poem by Dryden. 


1982. LEE (NATHANIEL). Cesar Borgia; son of Pope 
Alexander the Sixth: a Tragedy Acted at the Duke’s The- 
atre by Their Royal Highnesses Servants. FIRST EDITION. 
Small 4to, calf gilt, gilt edges, by Pratt. 

London: R. E. for R. Bentley, 1680 
* Contains a Prologue by Dryden. 


19838. LEE (NATHANIEL). Lucius Junius Brutus; 
Father of his Country. A Tragedy. Acted at the Duke’s 
Theatre, by their Royal Highnesses Servants. FIRST EDI- 
TION. Small 4to, calf gilt, gilt edges, by W. Pratt. 

London: Richard Tonson and Jacob Tonson, 1681 


1984. LEE (NATHANIEL). Constantine the Great; a 
Tragedy. Acted at the Theatre Royal, By their Majesties 
Servants. Epilogue by Dryden. FIRST EDITION. Small 
Ato, calf gilt, gilt edges, by Pratt. 

London: Printed by H. Hills, Jun., for R. Bentley, 1684 


1985. LEE (NATHANIEL). Theodosius: or, The Force of 
Love, a Tragedy. Acted by Their Royal Highnesses Servants, 
at the Duke’s Theatre. SECOND EDITION. Small 4to, brown 
levant morocco, gilt side ornaments, gilt edges, by Riviére. 

London: Printed for R. Bentley and 8. Magnes, 1684 


305 


1986. LEE(NATHANIEL). Mithridates, King of Pontus, 

a Tragedy. Acted at the Theatre Royal, by their Majestie’s 

Servants. SECOND EDITION, with the Epilogue by Dryden. 

Small 4to, maroon levant morocco, gilt borders, gilt edges, 
by Pratt. 

London: Printed by R. E. for Richard Bentley, 1685: 


1987. LEE (NATHANIEL). The Massacre of Paris: a 
Tragedy. As it is Acted at the Theatre Royal by their 
Majesties Servants. FIRST EDITION. Small 4to, calf gilt, 
gilt edges, by Pratt. 

London: Printed for R. Bentley and M. Magnes, 1690 


1988. LEE (NATHANIEL). The Works of Mr. Nathaniel 
Lee, containing Mithridates, King of Pontus, Cesar Borgia, 
Constantine, Duke of Guise, Sophonisba, Nero, Gloriana, 
Rival Queens, The Massacre of Paris. 3 vols. 12mo, 
sprinkled calf, gilt, by F. Bedford. . 

‘London: Printed for M. P., 1722 


* The John Delaware Lewis copy. 


1989. LEGENDE DES FLAMENS. La legende des 
Flamens, artisiens et haynuyers. Ou autrement leur cron- 
ique abregée en la quelle sont contenues plusieurs hystoires 
de France Angleterre et Allemaigne. Lettres bdtardes. 
Title in red and black. With 30 woodcuts. 4to, red levant 
morocco, tooled in a rich design of mosaic compartments, 
in green and citron morocco with pointillé ornaments in the 
manner of Le Gascon, doublure of green levant, gilt bor- 
ders tooled in pointillé, silk linings, gilt edges, in a morocco 
slip case, by Riviere. 

Nouuellement imprimé a Paris [Francois Regnaut], 1522 


* FIRST EDITION. 


1990. LEGOUVE (GABRIEL M. J. B). Le Mérite des 
Femmes. 8vo, brown straight-grain morocco, blind-tooled, 
uncut, by Bozerian jeune. Paris, 1813 

* ONE OF THREE COPIES PRINTED ON VELLUM. Besides the 
three plates after Moreau, Desenne, and Guerin, belonging in 
the book, twenty-four plates after Moreau, Coiny, Desenne, 
Isabey, and others have been added, some in three and four 
states, also THE ORIGINAL DRAWING OF THE ILLUSTRATION BY 
GUERIN, and an autograph letter of the author to the publisher. 

From the library of Antoine Augustin Renouard, 


1991. LEGOUVE (GABRIEL M. J. B.). Le Mérite des 
Femmes. Nouvelle édition augmentée de Poésies Inédites. 
Engraved title, and & plates, proofs before letters, by Lecomte 
after Devéria. 16mo, red levant morocco gilt, gilt over 
rough edges, by Cuzin. Paris, 1824 

306 


1992. LEGOUVE (GABRIEL M. J. B.). Le Mérite des 
Femmes suive des Notes de l’Auteur avee une Préface par 
E. Legouvé... et des extraits de son Histoire Morale des 
Femmes. frontispiece gravé par Lalauze. Small 8vo, blue 
levant morocco gilt, gilt top, uncut, original covers bound 
in, by Amand. Paris, 1881 

* One of 20 copies on India paper, extra-illustrated by the 
insertion of 18 illustrations, including a portrait of Legouvé, 
the engraved title from Janet’s edition in three states, and 
other plates. The frontispiece by Lalauze is in triplicate, proofs 
before the inscription in black and red, and the lettered proof 
on India paper. 


1993. LES GROS (NICOLAS). Meditations sur la Con- 
eorde de lEvangile. First EDITION. Ruled in red ink. 
3 vols. 12mo, old blue morocco, gilt tooled, doublure of 
eitron morocco with gilt borders, gilt edges. 

Paris: Ch. Osmont, 1730 


1994. LEICESTER. Leycesters Common-wealth: con- 
ceived, spoken and pvblished with most earnest protestation 
of all Dutifull good will and affection towards this Realm, 
for whose good onely, it is madecommon to many. Inserted 
portrawt of the Karl of Leicester, engraved by Marshall. 
Small 4to, red levant morocco, gilt panels, gilt edges, by 
The Club Bindery. Printed in 1641 


* Lowndes states that it is erroneously attributed to Robert 
Parsons, but in his day it was usually known as ‘“‘ Parsons’ 
Black Book.’ Lord Burghley is said to have supplied the 
material. Some copies have a poem, ‘‘Leicester’s Ghost,” 
appended, not in this copy. [See also no. 2612, Parsons. | 


1995. [LEIGH (RICHARD).]| Poems, Upon several occa- 
sions, And, to several Persons. By the Author, of The 
Censure, of the Rota. FIRST EDITION. 12mo, blue levant 
morocco gilt, gilt edges, by Riviere. 

London: Andr. Clark for William Hensman, 1675 


1996. LEINSTER (BOOK OF). The Book of Leinster, 
some time called The Book of Glendalough, a collection of 
pieces (prose and verse) in the Irish Language now for the 
first time published from the original manuscript in the 
library of Trinity College, Dublin, by the Royal Irish Aca- 
demy. With Introduction, ete., by Robert Atkinson. 
Frontispiece. Folio, brown levant morocco gilt, gilt edges, 
by Zaehnsdorf (frontispiece repaired). Dublin, 1880 


* THE ONLY COPY PRINTED ON VELLUM, and the only one 
having the capitals and initials colored in facsimile of the 
originals, 


1997. LE JOLLE (PIERRE). Description De la Ville 
d’Amsterdam, En vers burlesques. Selon la visite de six 
jours d’une semaine. Hngraved frontispiece title, with plan 
of the city. 16mo, red levant morocco, gilt centre ornaments, 
gilt edges, by Lortic. Amsterdam: Jaques le Curieux, 1666 


307 


1998. LE LOYER (PIERRE). Erotopegnie ou Passe- 
temps d’Amour. Ensemble une Comedie du muet insensé. 
FIRST EDITION. 8vo, blue levant morocco, gilt centre orna- 
ments, gilt edges, by Trautz-Bauzonnet. 

Paris: pour Abel l Angelier, 1576 


1999. LE MAIRE (JEAN). Les Llustrations de Gaule 
et singularitez de Troye, contenant troys parties. Auec 
Lepistre du Roy Hector de troye, Le traictie de la differ- 
ence des scismes et de concilles, La vraye hystoire et non 
fabuleuse du Prince Syach ysmail dict Sophy, ete. Lettres 
bdtardes. Title in red and black with woodcut arms of the 
author and within a woodcut border. 7 large and 118 small 
woodcuts. 4to, brown levant morocco, exquisitely blind- 
tooled in the ancient style, gilt inside borders, gilt edges, 
by Capé. Lyon: Par Jaques Mareschal, 1524 

*Le Maire was historiographer at the Court of Louis XII 


and Anne of Brittany. In ‘‘Les Illustrations de Gaule” he 
traces the French kings back to Hector of Troy. 


2000. LE MAIRE (JEAN). Traicté dela difference des 
scismes et des concilles de leglise . . . La vraye histoire 
et non fabuleuse du prince Syach Ysmail, dit Sophy, ete. 
Gothic letters, double columns. Device on title and 2 large 
woodcuts. 4to, boards. Part of Le Maire’s ‘‘ Illustrations 
de Gaule.”’ Paris: Ambroise Girault, 1533 


2001. LEMAITRE (JULES). Contes Blanes: La Cloche; 
La Chapelle Blanche; Mariage Blane. Jllustrations a 
lL’ Aquarelle de M'*° Blanche Odin. Square 8vo, light brown 
satin embroidered in a thicket of eglantine in deep pink, 
foliage in various shades of green, brocaded green and 
white silk linings, gilt over uneut edges, original covers 
bound in, by The Club Bindery. In cloth case. Paris, 1900 


*One of 210 copies printed, with a duplicate set of the 
designs in wood engraving. 


2002. LEMAITRE (JULES). Myrrha viérge et martyre. 
Plates engraved by Leseur after designs of Fournier. Royal 
8vo, blue levant morocco, side panels of fillets with leaf 
spray and rosette ornaments, figured blue-silk linings, gilt. 
top, uncut, original covers bound in, by The Club Bindery. 

Paris, 1903 
. *OQOneof 75 copies on Japan paper, with the etchings in 
three states. 


2003. LEMAITRE (JULES). Sérénus. Histoire d’un 
martyr. 29 woodcuts engraved by Paillard after A. F. 
Gorguet. Royal 8vo, maroon levant morocco, blind tooled 
ornaments, gilt over rough edges, original covers bound in, 
by The Club Bindery. Paris, 1905 

* Only 115 copies printed. 
308 


2004. LEMONNIER (ANTOINE LOUIS CAMILLE). 
_ G. Courbet et son ceuvre. Gustave Courbet a la Tour de 
Peilz (Lettre de D" Paul Collin). Portrait et cing eaux- 
fortes par P. Collin, Ch. Courtry, M. Desboutin, Trimolet 
et Waltner. FIRST EDITION. 8vo, original paper covers, 
uncut. Paris, 1868 


2005. LEMONNIER (ANTOINE. LOUIS CAMILLE). 
Le Sang et les Roses, roman. 12mo, red levant morocco gilt, 


gilt top, uncut, by The Club Bindery. Paris, 1901 
* One of 20 copies on papier vélin, with the signature of the 
Author. 


2006. LEMOYNE (ANDRE). Les Charmeuses et les 
Roses d’Antan précédés d’une Etude par Jules Levallois. 
17 etchings by L. de Bellée, Delauney, H. Dubois, and 
others. Royal 8vo, half brown levant morocco gilt, gilt 
top, uncut, by Cuzin. [Paris] [ca. 1870] 


2007. LE MOYNE (PIERRE). La Galerie des Femmes 
Fortes. Hngraved frontispiece with portrait of Anne of Aus- 
tria, Queen Regent, mother of Louis XIV, and 20 full-length 
portraits. 12mo, blue levant morocco gilt, inside dentelle 
borders, gilt edges, by Niédrée. Leiden: Jean Elsevier, 1660 


2008. LENFANT (JACQUES). Histoire de la Papesse 
Jeanne fidelement tirée de la Dissertation Latine de Mr. 
de Spanheim. With 5 plates (that of Pope John unmuti- 
lated). 2 vols. 12mo, green morocco, gilt borders, gilt edges, 
by Derome. La Haye: J. van den Kieboom, 1736 


2009. LE NOBLE (EUSTACHE). Contes et Fables. 
Frontispiece by A. de Blois after Elliger, and 107 copper- 
plate illustrations by van Vianen. 2 vols. small 8vo, green 
morocco gilt, gilt edges, by Derome the younger, with his 
ticket. Paris: M. Brunet, 1699 


2010 LE NOBLE(EUSTACHE). Conteset Fables Pronitis- 
piece by A. de Blois after Elliger and 107 copperplate ilustra- 
tions by van Vianen. 2 vols. in one, small 8vo, red morocco 
gilt, satin linings, gilt edges. Amsterdam: G. Gallet, 1700 


2011. [LE NOBLE (EUSTACHE).] Le Gage Touché. 
Histoires galantes et comiques. 8 curious copper-plates. 
2 vols. in 1, 12mo, half red levant morocco, gilt back, un- 
eut, by Capé. Amsterdam, 1724 


*From the La Bédoyeére collection, with book-plate, and 
possibly on large paper. 


2012. [LENORMANT (AMELIE CYVOCT).] Coppet et 
Weimar. Madame de Staél et la Grande-Duchesse Louise 
par auteur des Souvenirs de Mme Récamier. Illustrations. 
8vo, half green levant morocco, gilt top, uneut, by Hardy. 

Paris, 1862 
* EXTRA-ILLUSTRATED by the insertion of 67 portraits and 
2 scenes, including an original drawing and many proofs on 
India paper. 
309 


2013. LEONICENUS (NICOLAUS). Plinii ac plurium 
aliorum auctorum qui de semplicibus medicaminibus serip- 
serunterrores. Gothic character. 18 unnumbered leaves, with 
signatures; 36 lines to the page. 4to, brown levant morocco, 
gilt tooled inside borders, gilt edges, by Masson-de-Bonelle. 

Ferrarie: L. de Valentia et A. de Castronovo, 1492 
* Hain-Copinger, 10021; Proctor, 5760. 


2014. LEONICENUS (NICOLAUS). Libellus de Epi- 
demia quam vulgo morbum Gallicum vocant. Roman char- 
acter. 28 unnumbered leaves, with signatures; 33-34 lines 
to the page. 4to, brown levant morocco, panelled sides, 
fleurons in the corners, gilt edges, by Riviere. 

Venetiis: in domo Aldi Manutii, 1497 

* THE EARLIEST TREATISE ON SYPHILIS. Leaf of Errata miss- 

ane, ay usual. Hain, 10019; Proctor, 5557; Renouard, p. 14, 
O. $ 


2015. LE PAUTRE (ANTHOINE). Les Giuvres d’archi- 
tecture. Hngraved title, dedication plate, with the arms and 
monogram of Prince de Conti, portrait of Le Pautre, and 
59 plates. Folio, old French red morocco, gilt borders, 
with fleur-de-lis, THE ARMS OF LOUIS ARMAND DE BOURBON, 
PRINCE DE CONTI, in the centre and his monogram in the 
corners, gilt edges. Paris, ca. 1652 


* THIS IS THE PRESENTATION COPY to Prince de Conti, to 
whom the work was dedicated. 


2016. LE PAUTRE (JEAN). Nouveau livre de termes, 
6 plates; Livre de parterres a la nouvelle maniére, 6 plates ; 
Fontaines ou jets d’eau a la moderne, 6 plates; Fontaines 
ou jets d’eau a litalienne, 6 plates; Jets d’eau, 6 plates; 
Vases et Cartouches, 18 plates; Vases d’ornements, 6 plates; 
Vases a la moderne, 6 plates; Vases a lantique, 72 plates; 
Fontaines et cuvettes, 6 plates; Vases or Ewers, 12 plates; 
Urns, 5 plates; Vases ou Burettes a la romaine, 6 plates; 
Trophées d’armes, 6 plates; Trophées d’armes a l’italienne, 
6 plates. In one vol. small folio, red morocco. Paris, 1659-61 


2017. LE PAUTRE (JEAN) (&uvres d’architecture. 
Aleoves 4 la Romaine, Lambris 4 la Franecoise, &e. Title- 
page and 88 plates. Oblong 8vo, red straight-grain morocco, 
by Cuzin. Paris, 1665 

* From the library of Guyot de Villeneuve. 


2018. LE PAUTRE (JEAN). Livre de Miroirs, Tables, 
et Gueridons, Cabinets, Serurerie, Escusons (and) Bordures 
de Tableau ala Romaine. Wath 36 plates. 5 parts in 1, 
small folio, red straight-grain morocco, by Cuzin. 

Paris [ca. 1760] 

2019. LE PILEUR (A.). Le Corps Humain. Owvrage 
illustré de 45 vignettes par Leveille. 12mo, half cloth, uncut. 

* Printed on India paper. Paris, 1868. 


310 


2020. LERY (JEAN DE). Histoire Memorable de la 
ville de Sancerre. Contenant les Entreprinses, Siége, Ap- 
proches, Bateries, Assaux & autres efforts des assiegeans: 
les resistances, faits magnanimes, la famine extreme & de- 
liurance notable des assiegez, etc. 8vo, red morocco gilt, gilt 
edges, by Derome the younger, with his ticket. [n. p.], 1574 


* From the Pixéréecourt Library. Autograph of Baluze on 
the title-page. 


2021. LESCARBOT (MARC). Histoire de la Nouvelle 
France. 4 engraved maps, folded. 8vo, red levant morocco, 
gilt edges, by Trautz-Bauzonnet. Paris: Adrian Perier, 1618 


‘* HXTREMELY RARE WITH THE FOUR MAPS IN THE ORIGINAL 
STATE, as in the above copy. At the end is ‘‘ Les Muses de la 
nouvelle-France,” poems composed by Lescarbot while in 
Canada. A large copy from the library of Baron de la Roche 
Lacarelle, with bookplate. 


2022. LESCARBOT (MARC). Le Tableav de la Svisse 
Kt autres alliez de la France és hautes Allemagnes. Auquel 
sont descrites les singularités des Alpes, & rapportées les 
diuerses Alliances des Suisses: particulierement celles qu’ils 
ont auec la France. Ruled in red ink. Hngraved device 
and motto of C. Plantin on title-page, and arms of the Swiss 
Cantons. Ato, flexible red levant morocco, gilt ornaments 
in the back panels, garland on the sides, gilt edges, by 
Thibaron. 4Aii and aiv are blank. Paris: A. Perier, 1618 

* From Emanuel Kant’s Library. 


2023. LE SAGE (ALAIN RENE) Le Diable Boiteux. 
Frontispiece by M. Horthemels. 12mo, citron levant mo- 
rocco gilt, gilt edges, by Trautz-Bauzonnet. 

Paris: Veuve Barbin, 1707 


* FIRST eine of this famous satirical novel.. From the 
De La Roche Lacarelle Collection. 


2024. LE SAGE (ALAIN RENE). Histoire de Gil Blas 
de Santillane. FIRST EDITION. 32 copperplate engravings, 
of which 8 are signed by Dubercelle. 4 vols. 12mo, blue 
levant morocco gilt, doublure of red morocco with dentelle 
borders, gilt edges, by Cuzin. Paris: Pierre Ribou, 1725 


2025. LE SAGE (ALAIN RENE). Les Avantures de 
Monsieur. Robert Chevalier, dit de Beauchéne, capitaine de 
-filibustiers dans la nouvelle France. FIRST EDITION. 6 
plates by Scotin after Bonnard. 2vols. 12mo, blue levant 
morocco gilt, gilt edges, by Chambolle-Duru. 

Paris: E. Ganeau, 1732 


2026. LE SAGE (ALAIN RENE). Histoire de Guzman 
d’ Alfarache, nouvellement traduite, & purgée des moralitez 
superflués. First Epition. Plates engraved by Scotin. 
2 vols. 12mo, red levant morocco, gilt edges, partly uncut, 
by David. Paris: E. Ganeau, 1732 

dll 


2027. LE SAGE (ALAIN RENE). Le Bachelier de Sala- 
manque, ou Les Memoires de D. Cherubin de la Ronda, 
tirés d’un manuscrit espagnol. FIRST EDITION OF EACH 
VOLUME. With 6 copperplates. 2 vols. 12mo, red levant mo- 
rocco gilt, gilt edges, by Chambolle-Duru. Paris, 1736-38 


2028. LE SAGE (ALAIN RENE). La Promenade de 
Saint Cloud. FIRST EDITION. 2 vols in 1, 16mo, red 
levant morocco gilt, gilt edges, by Lortic. La Haye, 1738 


2029. LE SAGE (ALAIN RENE). Recueil des Piéces 
mises au Theatre Francois. 2 vols. 12mo, red levant mo- 
rocco gilt, gilt edges, by Trautz-Bauzonnet. 

Paris: Jacques Barois, 1739 


2030. LE SAGE (ALAIN RENE). Histoire de Gil Blas 
de Santillane. 3&1 copperplate wilustrations. 4 vols. 12mo, 
blue levant morocco gilt, gilt edges, by Chambolle-Duru. ~ 
Paris, 1747 
* THE FIRST COMPLETE EDITION, second issue. 


2031. LE SAGE (ALAIN RENE). Histoire de Gil Blas 
de Santillane. 494 vigneties par Jean Gigoux. Royal 8vo, 
half green morocco gilt, gilt top, uncut, original covers 
bound in. Paris, 1836 


*Extra-illustrated by the insertion of 24 engraved plates 
after Smirke, proofs on India paper. 


2032. LESNE. La Reliure, poéme didactique en six 
chants; par Lesné, relieur a Paris. Facsymiles. 8vo, 
brown calf, richly tooled with design of oriental effect, 
doublure of green calf, dentelle borders, by Lebrun. 

* One of 125 copies on papier vélin. Paris, 1827 


2033. L°ESTOILE (PIERRE). Journal des choses me- 
morables advenués durant tout le Regne de Henry III. 
Ato, red levant morocco, gilt edges, by Chambolle-Duru. 

[Paris] 1621 

*First EpITion. After page 134 is a blank leaf, followed 

by ‘\ Le Provez Verbal d’vn nommeé Nicolas Poviain . .. qui 

contient lhistoire de la Ligue. depuis le second lIanuier, 1585, 

iusques au iour des Barricades, escheués le 12. May 1588,” 
pages 1-49, without title. 


2034. LETTER. <A Letter from a Right Honourable Per- 
son. And the Answer to it, Translated into Verse, as nearly 
as the different Idioms of Prose and Poetry will allow. With 
Notes Historical, Critical, Political, &c. 4to, half morocco. 

London: W. Nicoll, 1761 

2035. LEVER (CHARLES JAMES). Arthur O’Leary: 
his wanderings and ponderings in many lands. Edited by his 
friend, Harry Lorrequer. Jllustrated by George Cruikshank. 
3 vols. 12mo, cloth, uncut. London, 1844 

* First EDITION. PRESENTATION COPY FROM THE AUTHOR, 
with his inscription on the title-page. 


312 


2036. LEVER (CHARLES JAMES). The Knight of 
Gwynne: A Tale of the Time of the Union. 40 illustrations by 
H. K. Browne. 2 vols. 8vo, cloth, uncut. London, 1850 


2037. LEVER (CHARLES JAMES). The Daltons; or, 
Three Roads in Life. : 48 illustrations by ‘‘Phiz.’’ First Epti- 
TION. 2 vols. 8vo, half brown levant morocco gilt, gilt tops, 
uncut, by Pratt. London: Chapman and Hall, 1852 


2038. LEVER (CHARLES JAMES). Roland Cashel. 40 
wlustrations by ‘‘Phiz.’’ 2 vols. 8vo, cloth, uncut. 
London, 1860 


2039. LEVER (CHARLES JAMES). One of Them. 30 
illustrations by Phiz. First Epition. 8vo, brown morocco, 
gilt top, rough edges, by The Club Bindery. London, 1861 


* Inscription on the fly-leaf, ‘‘With the Author’s respects.’’ 


2040. LEVER (CHARLES JAMES). Barrington. First 
EpITION. 25 illustrations by ‘‘Piuz.’’ 8vo, original cloth, 
uncut. London, 1863 


2041. LEVER (CHARLES JAMES). Luttrell of Arran. 
Illustrations by Phiz. First Eprrion. 8vo, half yellow levant 
morocco, gilt top, uncut, by The Club Bindery. London, 1865 


THIRTY-FIRST SESSION, MONDAY, 8:15 P.M. 


2042. LEWIS (JOHN). The Life of Mayster Wyllyam 
Caxton. Portrait of Caxton, and 2 plates of marks.  8vo, 
eray morocco, gilt panels, crest and monogram T. W. on sides, 
eilt edges, by Lewis. London, 1738 

*One of 150 copies on large, thick paper. THE AUTHOR’S 
OWN copy, with his manuscript additions and corrections. 


2048. LEWIS (MATTHEW GREGORY—‘MONK’?). 
The Monk. A Romance. SkEconp EpiTIon. 3 vols. 12mo, 
citron levant moroceo gilt, gilt tops, uneut, by Riviere. 

Waterford: J. Saunders, 1796 
* To avert prosecution for the publication of this work, Lewis 


pledged himself to recall the printed copies of the first edition, 
1795, and to omit the objectionable passages in future editions. 


2044. LEWIS (MATTHEW GREGORY—‘MONK’’). 
Tales of Wonder. 2 vols. in one, royal 8vo, green levant mo- 
rocco gilt, gilt top, uncut, by The Club Bindery. LaArcr 


PapPEeR copy. (Slightly rubbed.) London, 1801 
313 


2045. LEWIS (MATTHEW GREGORY—‘MONK’”’). 
The Bravo of Venice; a Romance Translated from the Ger- 
man. 8vo, Cambridge calf, gilt top, uncut, by Zaehnsdorf. © 

: London, 1805 


* FIRST EDITION. VERY SCARCE UNCUT. Contains the ‘‘errata’’ 
and advertisements, both of which are often missing. 


2046. LEWIS (THOMAS). Origines Hebreee: the Anti- 
quities of the Hebrew Republick. 4 vols. 8vo, Cambridge 
panelled calf gilt, red edges, by Bedford. London, 1724-25 


2047. LIBERTINE’S CHOICE. The Libertine’s Choice: 
or, The Mistaken Happiness of the Fool in Fashion. 12mo, 
leather, by The Club Bindery. London, 1709 


2048. LIBURNIO (NICOLO). la Spada di Dante Ali- 
ghieri. 8vo, old red morocco, FOSCARINI ARMS on the sides, 
gilt edges. (Joints slightly cracked, small portion of back 
missing, title mended and a few leaves slightly soiled.) 

Venegia, 1534 


2049. LIEVRE (EDOUARD). Les Collections célébres 
d’CHuvres d’Art, dessinées et gravées d’aprés les originaux. 
100 plates and ornamental wntials printed in color. Folio, 
half red levant morocco gilt, gilt top, uncut, by Pratt. 

Paris: Goupil, 1866 

2050. LIEVRE (EDOUARD). Art Gems. A series of 
thirty high-class engravings from pictures by the most emi- 
nent painters, ancient and modern. Produced under the 
direction of Edouard’ Liévre, with notices of the artists and 
their works. Folio, cloth. London, 1873 


2051. LIGER (LOUIS). Le Ménage des Champs et de la 
Ville, ou le Nouveau Jardinier Francois, etc., suivi d’un Traité 
de la Chasse et de la Péche. 2 parts in one vol., 12mo, green 
levant morocco gilt, gilt edges, by Belz-Niédrée. 

Paris: Michel-Etienne David, 1737 


2052. LIGNAC (JOSEPH ADRIEN LE LARGE DE). 
De 1’Homme et de la Femme Considérés physiquement dans 
l’état du mariage. NouveLte Epition, Revue et Augmentée 
par l’Auteur. Hngraved title and 15 plates. 3 vols. 12mo, 
half orange levant morocco gilt, gilt tops, uncut. Lille, 1778 


2053. LILIUS (ZACHARIAS). De origine et laudibus 
scientiarum; contra antipodes; de miseria hominis et con- 
temptu mundi; de generibus ventorum; Vita Caroli Magni. 
Roman character, 72 unnumbered leaves, with signatures, 28 
lines to the page. 2 diagrams. 4to, maroon levant morocco, 
oilt edges, by Lortic. 

- Florentize: Franciscus Bonaccursius Sumptibus ser Petri 
Pacini de Piscia, 1496. 
* Hain-Copinger, 10103; Proctor, 6316. 


314 


2054. LILLY (JOHN). Euphues and his England. Con- 
taining his voyage and aduentures: Mixed with sundry prettie 
discourses of honest loue, the description of the Countrie, the 
Court, and the manners of the Isle. Delightfull to be read, 
and nothing hurtfull to be regarded: wherein there is small 
offence by lightnesse giuen to the wise, and lesse occasion of 
loosenesse proffered to the vvanton. Gothic type. Title 
within border of printer’s ornaments. Small 4to, brown 
levant morocco, covered with a Gothic design of gilt lines, 
doublure of brown morocco, gilt edges, by The Club Bindery. 

London: Printed by I. R. for Gabriell Cawood, 1597 


2055. LILLY (JOHN). Euphues. The Anatomy of VVit. 
Very pleasant for all Gentlemen to reade, and most necessarie 
to remember. VVherein are contained the delights that Wit 
followeth in his youth, by the pleasantnesse of loue: and the 
happinesse he reapeth in age, by the perfectnesse of wisedome. 
Gothic type. Title within border of printer’s ornaments. 
Small 4to, brown levant morocco, covered with a gilt and 
mosaic design in white, red and green, doublure of brown 
morocco, gilt edges, by The Club Bindery. 

London: Printed by J. Roberts for Gabriell Cawood [1598] 


2056. LILLY (JOHN). JEuphues the Anatomy of Wit. 
Very pleasant for all Gentlemen to reade, and most necessarie 
to remember; Euphues and His England. Containing his 
Voyage and Adventures. BoTH PARTS COMPLETE. 4to, red 
levant morocco gilt, gilt edges, by Bedford. 

London, G. Eld, 1617 


2057. LILLY (WILLIAM). Christian Astrology Modestly 
Treated of in three Books .. . containing the use of an Ephe- 
meris ... with a most easie ‘Introduction to the whole Art of 
Astrology ... how to Resolve all manner of Questions... an 
exact Method, whereby to Judge upon Nativities, ete. Wath 
the rare portrait by W. Marshall. Thick small 4to, light brown 
morocco gilt, gilt edges, by The Club Bindery. (One page of 
the contents cut into by the binder.) 

London: Printed by Tho. Brudenell for John Partridge, 
ete., 1647. 


9058. LILLY (WILLIAM). Monarchy or no Monarchy 
in England. Grebner his prophecy concerning Charles son 
of Charles, his Greatnesse, Victories, Conquests. The North- 
ern Lyon, or Lyon of the North, and Chicken of the Eagle 
discovered ... ete. Wirth plates at end. Small 4to, brown 
levant morocco gilt, gilt edges, by The Club Bindery. 

London: Printed for Humfrey Blunden, 1651 


* First Epirion. Two spurious editions, not published by 
Lilly, were issued in 1648 and 1650. 


315 


2059. LINDEWOOD (WILLIAM). Prouinciale seu Con- 
stitutiones Anglie: cum summarijs atque iustis annotationi- 
bus. Gothic characters, double columns, title in red and black, 
within an ornamental and historical woodcut border with cut 
symbolical of the Trinity, and woodcut arms on the recto of 
the first prelinunary leaf. Folio, brown levant morocco, gilt 
panelled sides, the arms of Kitna CuHAruzs II from the original 
binding pasted in the centre of the front cover, gilt edges, by 
Riviere. Small library stamp on title. 

In inclita Parisiorum Academia impressum .. . . impensis 
et sumptibus honesti mercatoris Londonensis Wilhelmi Bret- 
ton, 1505. 


* First EDITION WITH A COMMENTARY. The volume was 
printed at the press of Jodocus Badius Ascensius. 


2060. LING (NICHOLAS—Hditor). Politeuphuia. Wits 
Commonwealth. Newly corrected and augmented. SECOND 
(DITION. Small 8vo, red levant morocco gilt, gilt edges, by 
Bedford. (Several corners repaired, and margins short.) 


Printed by J. R. for Nicholas Ling [London], 1598 


2061. LISLE (WILLIAM—\Translator). Part. of “Du 
Bartas, English and French, and in his owne kinde of Verse, 
so neare the French Englished, as may teach an English-man 
French, or a French-man English. With the Commentary of 
S. GS. 4to, red levant morocco, blind-tooled back and sides, 
gilt edges, by Riviére. London: John Haviland, 1625 

[See Du Bartas, no. 1122.] 


LIVINGSTON (WILLIAM). The Independent Reflector ; 
The Occasional Reverberator. N. Y., 1753. See lot no. 2548. 


2062. LIVINGSTONE (DAVID). Missionary Travels and 
Researches in South Africa; including a sketch of sixteen 
years’ residence in the interior of Africa; and a journey from 
the Cape of Good Hope to Loanda on the west coast; thence 
across the continent, down the river Zambesi, to the Hastern 
Ocean. Portrait, maps by Arrowsmith, and numerous allus- 
trations. First Epition. 8vo, half green morocco, gilt top. 

London, 1857 


2063. LIVINGSTONE (DAVID anp CHARLES). Nar- 
rative of an Expedition to the Zambesi and its Tributaries; 
and of the discovery of the Lakes Shirwa and Nyassa. 1858-64. 
Map and illustrations. First Epirion. 8vo, half green mo- 
rocco, gilt top. London, 1865 


2064. LIVY (TITUS). The Romane Historie; also, the 
Breviaries of L. Florus: with a Chronologie to the whole His- 
torie, etc., translated by Philemon Holland. Woodcut por- 
trait of Queen Elizabeth on the verso of title. Folio, old red 
morocco, gilt panelled sides, gilt edges. (Name on title.) 

* First EDITION. London: Adam Islip, 1600 


316 


2065. LEVY (TITUS). Historiarum quod extat: ex re- 
eensione Il. F. Gronovii. Engraved title. 12mo. 
Amstelodami: apud Danielem Elzevirium, 1678 


* Old English red straight-grain morocco, gilt tooled inside 
dentelle borders, leather joints, gilt edges, by RoGER PAYNE. 
From the Beckford Library, Hamilton Palace. 


2066. LIVY (TITUS). Histoire Romaine. ‘Translated 
by M.M. Liez, Dubois and Verger. 17 vols. 8vo, red levant 
morocco gilt, with monogram E. B.; gilt edges, by Belz-Niédrée. 

Paris, 1830-33 


2067. [LLEWELLYN (MARTIN).| Men-Miracles, with 
other Poems. Woodcut on title. 16mo, olive-green levant 
morocco, gilt edges, by The Club Bindery. 

London: Printed for Will. Shears Junior, 1656 


2068. LLOID (LODOWICK). The Pilgrimage of Princes, 
penned out of sundry Greeke and Latine Aucthours. Tvtle 
within woodcut border of figures, scrolls, &c. Small 4to, 
brown levant morocco gilt, gilt edges, by Riviére. 

London: Printed by William Jones, n. d. [ca. 1573] 


* SECOND EDITION, printed in Gothic type. 


2069, LLORENTE (JUAN ANTONIO). Histoire erit- 
ique de l’Inquisition d’Espagne, depuis |’@poque de son étab- 
lissement par Ferdinand V jusqu’au régne de Ferdinand 
VII; traduite de 1’Espagnol. par Alexis Pellier. Seconde 
édition. Portrat of Llorente by Blanchard, and coat-of-arms 
on verso of half-title. 4 vols. 8vo, half brown levant morocco, 
the monogram of Alfred de Musset in back panels, gilt tops, 
uncut. Paris, 1818 


2070. LOCKER-LAMPSON (FREDERICK). A Selec- 
tion from the Works of Frederick Locker. Etched portrait 
of Locker by Muillais, and 19 allustrations by Richard Doyle. 
First Epirion. Square 12mo, original cloth, uncut. 

London, 1865 


2071. LOCKER-LAMPSON (FREDERICK). Lyra Ele- 
gantiarum. <A collection of some of the best specimens of 
- Vers-de-Société and Vers d’Oceasion in the English Language, 
by deceased authors. 12mo, original cloth, uncut. 

London: Moxon, 1867 


* THE SCARCE First EDITION, which was suppressed. 


2072. LOCKER-LAMPSON (FREDERICK). Poems. 
Frontispiece by George Cruikshank. Post 8vo, original half 
moroceo, 2ilt top, uncut. London: Not Published, 1868 

“ INSCRIBED BY THE AUTHOR to R. 8S. Turner. Large Paper 
copy, one of only 100 printed. 


317 


2073. LOCKER-LAMPSON (FREDERICK). London 
Lyrics. 16mo, boards, vellum back, uncut. London, 1874 


* With presentation leaf signed by the author. Contains 8 
pieces ‘‘now first collected and published. ’’ 


2074. LOCKER-LAMPSON (FREDERICK). London 
Lyrics. A new edition enlarged Bey finally revised. Portrait. 
12mo, cloth, uncut. London, 1876 


f Paine to the destruction by fire of a fourth of this edition, 
copies have become scarce. 


2075. LOCKER-LAMPSON (FREDERICK). Patchwork. 
Square 8vo, blue levant morocco, doublures and end-papers of 
maroon russia, gilt top, uncut, by Zaehnsdorf. London, 1879 


* First Epirion. Large Paper copy, inscribed by the author 
to Henry G. Bohn. 


2076. LOCKER-LAMPSON (FREDERICK). Patchwork. 
Vignette on title. Small 4to, original cloth, uncut. ; 
London, 1879 


* First EpIrioN. PRESENTATION copy to F. W. Cosens, with 
a two-page letter from the author inserted. 


2077. LOCKER-LAMPSON (FREDERICK). London 
Lyrics. Illustrations by Caldecott and Kate Greenaway. 8vo, 
vellum, uncut. London, 1881 


* LARGE PapER. Only 150 copies printed. One of 6 copies 
with frontispiece in two states. EXTRA-ILLUSTRATED by the in- 
sertion of an India-proof portrait of Locker; and an India- 
proof illustration on page 102. Autograph letters of Locker 
and Kate Greenaway laid in. 


2078. LOCKER-LAMPSON (FREDERICK). London 
Lyrics. Etched portratt of Locker, and ‘The Fairy Connois- 
seurs,’’ frontispiece by Crukshank. 8vo, brown levant mo- 
rocco gilt, gilt top, uncut, by Zaehnsdorf. London, 1885 

* LARGE-PAPER COPY, 50 printed. 


2079. LOCKER-LAMPSON (FREDERICK). London 
Lyrics, 12mo. London: B. M. Pickering, 1862. London 
Lyrics (including 11 new poems), London, 1872. London 
Lyrics, New York, 1883. London Lyrics. Portrait by Du 
Maurer. New York, 1884. London Lyrics. Portrait. 
London, 1885. 5 vols. 12mo, cloth and wrappers, as published. 

New York and London, 1862-1885 


2080. LOCKER-LAMPSON (FREDERICK — Editor). 
Lyra Elegantiarum ; a collection of some of the best social and 
oceasional verse by deceased English authors. Revised and 
enlarged edition. Edited by Frederick Locker-Lampson, As- 
sisted by Coulson Kernahan. Etched portrait of Locker. 
Small 4to, half vellum, gilt top, uncut. London, 1891 

* One of 250 copies on Large Paper. 


318 


2081. LOCKER-LAMPSON (FREDERICK). My Con- 
fidences. An autobiographical sketch addressed to my de- 
scendants. First Epirion. Portraits. 8vo, half green mo- 
rocco, gilt top, by Root. London, 1896 


2082. LONGFELLOW (HENRY WADSWORTH). The 
Estray; A Collection of Poems. 12mo, figured silk, gilt top 
(by The Club Bindery). Boston, 1847 


* First Epirion. The Proem is by Longfellow. Also con- 
tains contributions by Whittier, Lowell, Emerson, and others. 


2083. LONGFELLOW (HENRY WADSWORTH). Kav- 
anagh, a Tale. First Epition. 12mo, blue levant morocco 
gilt, gilt over rough edges, by David. Boston, 1849 


2084. LONGFELLOW (HENRY WADSWORTH). La 
Légende Dorée et poémes sur l’esclavage: traduits par Paul 
Blier et Edward MacDonnell, suivis de quelques poésies par 
P. B. 8vo, half purple morocco gilt, uncut. . 

Paris and Valenciennes, 1864 
* One of 25 copies on papier vélin. 


2085. LONGFELLOW (HENRY WADSWORTH). Evan- 
géline; Conte d’Acadie. Traduit par Charles Brunel. Deux- 
iéme Edition. 45 vignettes on wood by Birket Foster, Jane 
Benham and John Gilbert. 8vo, half blue levant morocco gilt, 
gilt top, uncut, original covers bound in, by Champs. 

* One of a few copies on India paper. Paris, 1872 


2086. LONGFELLOW (HENRY WADSWORTH). A 
Bibliography of the First Editions in book form of the writ- 
ings of. Longfellow, compiled largely from the collection of 
J. C. Chamberlain by Luther 8S. Livingston. frontispiece 
portrait. 8vo, boards, cloth back, uncut. 

New York: Privately Printed, 1908 


* One of an edition of 550 copies. 


2087. LONGUS. Les Amours Pastorales de Daphnis et 
Chloé. Hngraved title and 28 plates engraved by Audran, 
after Philippe d’Orleans. 12mo, light brown levant morocco 
covered with a rich mosaic design of compartments in blue 
morocco with red centres, doublure of blue levant morocco 
with panels of maroon morocco and gilt scrolls, gilt paper 
guards, gilt edges, in a maroon levant morocco case, by Cuzin. 

s. l. [Paris: Quilliau], 1718 

* THE RARE EDITION OF AMYOT’S TRANSLATION, ON LARGE 

PAPER, published at the expense of Philippe d’Orleans, Regent 

of France, who designed the plates. The plate ‘‘Les Petits 

Pieds,’’ isnot found in this edition. It has been stated that only 
250 copies were printed, known as the ‘‘Regent’s Hdition.’’ 


319 


2088. LONGUS. Les Amours Pastorales de Daphnis et 
Chloé. Frontispiece engraved by Audran after Coypel and 
28 plates by Coypel after Philippe d’Orléans. 8yvo, wld 
French red morocco, gilt tooled dentelle borders, gilt back; 
doublure of green morocco, with gilt borders, silk lnings, gilt 
edges by Padeloup, in morocco slip case. (Plate of *‘ Petits 
pieds’’ missing. ) [Paris], 1731 


* PRINTED ON VELLUM, probably the only copy so issued. 
From the library of Baron R. Portalis. 


— 2089. LONGUS. Les Amours Pastorales de Daphnis et 
Chloé. Frontispiece engraved by Coypel, 29 plates by Audran 
after the Regent, and plate of the ‘‘ Petits Pieds.’’ Small 8vo, 
old French red morocco, gilt borders, gilt edges, by Padeloup, 
the MoNoGRAM or Kine Louis XVIII added in centre of 
covers. [Paris], 1745 


2090. LONGUS. Les Amours Pastorales de Daphnis et de 
Chloé. Engraved title and 29 plates by Audran within en- 
graved borders, vignettes in the text after Cochin and Kisen 
and each page printed within woodcut borders. 4to, old citron 
morocco gilt, gilt edges, probably by Padeloup. 

Paris: Imprimées pour les Curieux, 1757 

* A COPY ON LARGE AND THICK PAPER. With alternate pages 
of the old French translation from the Greek by Amiot (1559) 
and that of Antoine le Camus, the anonymous translator. The 


plate ‘‘Les Petits Pieds’’ is included, but re-engraved in a new 
design for this issue. 


2091. LONGUS. Les Amours Pastorales de Daphnrts et de 
Chloé traduites du Gree par Amyot. 18mo, red morocco gilt, 


gilt edges, by Derome. Paris [Didot], 1780 
* HOLLAND PAPER copy. From the eollection of Count 
d’Artois. 


2092. LONGUS. Les Amours de Daphnis et Chloé, traduc- 
tion de 1782. Engraved portrait by David, a plate engraved 
by David after Robia, and 10 unsigned vignettes. 8vo, green 
levant morocco, gilt tooled dentelle borders in the manner of 
Derome, gilt back and inside borders, gilt edges, by Riviere. 

Mithyléne (Reims, Cuzin, and Paris, Moutard), 1783 


* LARGE PAPER, ONLY 13 COPIES PRINTED. Inserted are 8 
CHARMING ORIGINAL SEPIA DRAWINGS By CHOQUET and 4 proof 
etchings by Emile Lévy. 


2093. LONGUS. Les Amours Pastorales de Daphnis et de 
Chloé. Traduction nouvelle [par de Bure Saint-Fauxbin] 
avec figures nouvellement dessinées sur les Peintures de M. le 
Due d’Orleans. 28 plates engraved in outline by Martim 

820 


after Philippe d’Orleans, and with the EXTRA PLATE ‘‘ LES 
Petits PIEDS’’ PROOF BEFORE ALL LETTERS. 2 vols. 4to, old 
red morocco, borders inlaid in black morocco, tooled in a 
Greek pattern, silk linings, gilt over rough edges; in cases, 
Paris: Chez Lamy, 1787 


* ONE OF 12 COPIES ON VELLUM; with a duplicate set of the 
plates beautifully colored by hand. From the Collection of 
Prince de Sayn. Wittgenstein. 


2094. LONG VACATION. The Long Vacation: a Satyr. 
Address’d to all Disconsolate Traders. Small 8vo, brown 
morocco. London: Printed by H. Hills, 1709 


2095. LORRAIN (JEAN). Narkiss. ~ With 10 vignettes 
and 4 plates by X. Lesueur after O. D. V. Guillonet. 8vo, 
original covers, uncut. Paris, 1903 


* One of 225 copies on papier vélin. 


2096. LORRAINE (CLAUDE DE). Liber Veritatis. Or, 
a Collection of two hundred prints, after the original designs 
of Claude de Lorrain, in the collection of His Grace the Duke 
of Devonshire, executed by Richard Earlom, in the manner 
and taste of the drawings. To which is added a descriptive 
catalogue of each print. Together with The Names of those 
for whom, and of the Places for which the Original Pictures 
were first painted, (Taken from the Hand-writing of Claude 
de Lorrain himself on the Back of each Drawing) and Of the 
present Possessors of many of the Original Pictures. Mezzo- 
tint portraits of Claude by Josiah Boydell, of Richard Earlom 
by Lupton after Stuart, and, inserted, a portramt of Alderman 
John Boydell by B. Snuth after C. Borckhardt. IN EACH 
VOLUME ARE 100 AQUATINTS AFTER CLAUDE. 3 vols. folio, 
scored russia gilt and blind tooled borders, gilt edges. 

London: (vols. I-II), Published by the Proprietor, John 
Boydell (vol. III), Hurst, Robinson and Co., 1777-1819. 


* First Epirion. The fine Beckford copy. 


2097. LORRIS (GUILLAUME DE) anp MEUNG (JEAN 
DE). C’Est le romant de la rose moralisé cler et net. Trans- 
laté de rime en prose par vostre humble Molinet. Lettres 
batardes, double columns. 140 woodcuts and printer’s device. 
Small folio, red levant morocco, gilt panelled sides, rich corner 
ornaments formed by roses and leaf branches, doublure of 
green levant, tooled and gilt with arabesques in compartments, 
gilt edges, by Chambolle-Duru. (Two or three headings 
_ slightly shaved.) 

Imprimé a Lyon par maistre Guillaume Balsarin, 1503 
821 


2098. LORRIS (GUILLAUME DE) ann MEUNG (JEAN 
DE). Cy est le Rommant de la Roze. Ou tout lart damour 
est enclose Hystoires et auctoritez et maintz beaulx propos 
vsitez .... Gothic type, double columns. Title within a wood- 
cut border, and 60 cuts in the text. Folio, red levant morocco, 
gilt tooled arabesque borders, enclosing a Grolieresque design 
of interlacing bands of light and dark green and blue morocco, 
the spaces ornamented with mosaic ornaments in dark brown, 
citron and maroon morocco, gilt arabesques and scrolls; doub- — 
lure of blue levant with a semis of roses in red morocco, leaf 
sprays borders and centre ornaments, silk linings, gauffred 
gilt edges, by Lortic, in a levant morocco slip ease. 

.... Nouuellement imprime a Paris [Galliot du Pré], le ix®. 
iour de Juing Lan mil. v¢xxxi. (1531). 


* WITH THE RARE LAST LEAF CONTAINING GALLIOT DU PRK’S 
MARK. 


[See also no. 2289.] 


2099. LOSSOW (HENRI). Triomphe de Cupidon. 12 
dessins fantasistes par Henri Lossow. 4to, in a cloth port- 
folio. Paris [n, d.} 


2100. LOTI (PIERRE). Aziyadé. Stamboul, 1876-1877. 
Extrait des notes.et Lettres, &c. First Epirion or Lori’s 
FIRST BOOK. 12mo, half blue levant morocco, gilt and inlaid 
back, gilt top, uncut, by Champs. ~~ “Paris ier 


2101. LOTI (PIERRE). Pécheur d’Islande; Roman. 8vo, 
blue levant morocco, mosaic centre ornaments, gilt over rough 
edges, original covers bound in, by David. Paris, 1886 


* First EpIvion. One of a limited issue, with portrait of the 
author, 2 vignettes, and 6 full-page illustrations etched by 
Manchon from designs by Jadet, each in 3 states. 


2102. LOTI (PIERRE). Au Maroc. 12mo, three-quarter © 
blue levant morocco, uncut, original covers bound in, by 


Carayon. Paris, 1890: 
* First EpITION. One of 50 copies on Holland paper. 


2103. LOTI (PIERRE). Le Roman d’un Enfant. 12mo, 
blue levant morocco, gilt and inlaid back, gilt top, uncut, 
original wrappers bound in, by Champs. Paris, 1890 

* First EDITION. One of 75 copies on Holland paper. 


2104. LOTI (PIERRE). L’Exilée. 12mo, half blue 
levant morocco, gilt and mosaic back, gilt top, uncut, original 
covers bound in, by Champs. Paris, 1893 

* First EDITION. One of 65 copies on Holland paper. 


2105. LOTI (PIERRE). Matelot. Illustrations de Myr- 
bach. 12mo, half blue levant morocco, gilt and inlaid back, 
gilt top, uncut, original covers bound in, by Champs. 

Paris [1893] 
* FIRST EDITION. Only 30 printed on India paper. 
O22 


2106. LOUIS (ANTOINE). Eloge de M. [Ambroise] Ber- 
trandi, associé étranger de 1’Académie Royale de Chirurgie. 
Svo, old red morocco gilt, corner ornaments, arms in centre of 
each cover, gilt edges. Paris, 1767 


2107. LOUYS (PIERRE). Aphrodite, Mceurs antiques. 
Illustrations by A. Calbet, including an original water-color 
drawing, inserted. 12mo, brown levant morocco, gilt over 
rough edges, original covers bound in, by Canapé. Paris, 1896 


__» First Epirion. One of 73 copies on Japan paper, with the 
illustrations in three states. 


2108. LOUYS (PIERRE). Suite de Six eaux-fortes de 
Albert Laurens pour Aphrodite de Pierre Louys. 4to, original 


covers. Paris, 1897 
* One of 100 copies on Holland paper. 


2109. LOUYS (PIERRE—tTranslator). Les Chansons de 
Bilitis. Traduites du grec. Ornées d’un portrait de Bilitis, 
dessiné par P. Albert Laurens d’aprés le buste polychréme du 
Musée du Louvre. 4to, paper wrappers, uncut. Paris, 1898 


* One of 40 copies on Holland paper. Presentation copy from 
Pierre Louys, with inscription. 


2110. LOUYS (PIERRE). La Femme et le Pantin. Jllus- 
trations de P. Roig, decorations de Riom. 8vo, light brown 
and ivory levant morocco, Spanish borders in raised mosaic 
of green, citron and red morocco, blind-tooled, with compart- 
ments having a pointillé ground; doublure of light brown 
morocco, figured silk guards, gilt top, original covers bound 
in, by The Club Bindery. [Paris] 19038 

* ONE OF 30 COPIES ON JAPAN PAPER, with the plates in two 
states; black and colored. 


2111. LOUYS (PIERRE). La Maison sur le Nil ou Les 
Apparences de la Vertu. Illustrations de Paul Gervais. 
Ariane ou Le Chemin de la Paix Eternelle. Illustrations de 
Georges Rochegrosse. 2 vols. royal 8vo, ornamental grey 
ealf, uncut. Paris: Charles Meunier, 1904 


* One of 125 copies on papier vélin, with the 20 colored illus- 
trations in 2 extra states, on India paper. 


2112. LOUYS (PIERRE). Les Trois Roses de Marie- 
Anne. Illustrations in colors by Lebégue. 8vo, paper covers. 
Paris, 1909 

* Japan paper copy, with the plates in 3 states. 


2113. LOVELACE (SIR RICHARD). Lucasta: Epodes, 
Odes, Sonnets, Songs, &., &c. To which is added, Aramantha, 
a Pastoral. A new edition. 2 portraits engraved by Swaine, 
one on India paper. 2 vols. in 1, 12mo, half brown levant 
morocco gilt, gilt top, uncut by All6. 

Chiswick: C. Whittingham, 1817 


323 


2114. LOVENJOUL (CHARLES DE). Un Dernier 
Chapitre de 1’Histoire des Ciuvres de H. de Balzae. 8vo, 
half brown levant morocco, gilt top, uncut, original covers 
bound in, by Fontenay. Paris, 1880 


2115. LOVENJOUL (CHARLES DE). Histoire des 
(Kuvres de H. de Balzac par le Vte de Spoelberch de Loven- 
joul. DrUXIEME EDITION, revue, corrigée et augmentée d’un 
appendice. 8vo, half green levant morocco, gilt top, uncut, 
original covers bound in, by Rousselle. Paris, 1886 — 


2116. LOVE’S INVENTION ; or, The Recreation in Vogue. 
An excellent new Ballad upon the Masquerades, to the Tune 
of ‘‘O, London is a fine Town,’’ ete. 8vo, half morocco and 
boards. London: E. Curll, 1718 


* Pp. (18)-22 contains verses ‘‘To the Ingenious Mr. Moore, 
Author of the Celebrated Worm-Powder. By Mr. Pope.’’ 


2117. LOVE VERSES. - Consisting of I. An Elegy to 
Damon. II. An Elegy, in answer to the foregoing. III. The 
Recantation. An Ode. 4to, boards, leather back. 

London, 1761 


2118. LOWE (ROBERT W.). A Bibliographical Account 
of English Theatrical Literature from the earliest times to 
the present day. Royal 8vo, cloth, uncut. London, 1888 


* One of 100 copies on Large Paper. 


2119. LOWELL (JAMES RUSSELL). Class Poem. 8vo, 
brown levant morocco, gilt fillets, gilt edges, ORIGINAL COVERS 
BOUND IN, by David. 

[Cambridge Press: Metcalf, Torry, ete., 1838] 
* A PRESENTATION COPY OF THE First EDITION; with Lowell’s 


inscription ‘‘ Professor Channing with the author’s respects’’” 
on the front cover. 


2120. LOWELL (JAMES RUSSELL). A Year’s Life. 
12mo, citron levant morocco gilt, interlaced fillets on sides, 
gilt top, uneut, by Chambolle-Duru. (Lacks slip of Errata.) 

Boston: C. C. Little, 1841 


* First EpiTion. The author’s first volume of poems. 


2121. LOWELL (JAMES RUSSELL). The Pioneer. A 
Literary and Critical Magazine. J. R. Lowell and R. Carter, 
editors and proprietors. January, February and March, 
1843. 8 plates, 3 im part I, 3 in part I, and 2 im part III, by 
Cheney, Andrews, etc. Royal 8vo, green levant morocco, cor- 
ner ornaments, richly tooled back, gilt top, uncut, original 


324 


front wrapper for January, the front wrapper for February 
and front and back wrappers for March bound in, by Riviére. 
Boston: Leland and Whiting, 1843 


* ALL THE ISSUES OF THIS PERIODICAL. Lowell’s original con- 
tributions included ‘‘Our Love is not a Fading Flower,’’ an 
Essay on ‘‘ The Plays of Thomas Middleton’’ (not reprinted), 
‘“The Street,’’? an Essay on ‘‘Song Writing’’ (not reprinted), 
etc. Edgar Allan Poe contributed ‘‘The Tell-Tale Heart,’’ 
‘*Notes upon English Verse,’’ etc., and Hawthorne ‘‘The Hall 
of Fantasy,’’ ete. 


2122. LOWELL (JAMES RUSSELL). Poems. 8vo, blue 
levant morocco, three-line border on sides, richly tooled back, 
silt top, uNcuT; by Alfred Matthews. 

Cambridge: John Owen, 1844 


* First EDITION, ON LARGE AND THICK PAPER. Exceedingly 
scarce, not more than 6 copies being known. Laid in are por- 
trait of Lowell, and an early one-page autograph letter, signed. 


2123. LOWELL (JAMES RUSSELL). Poems. (First 
Lonpon Epirion.). 12mo, brown levant morocco gilt, gilt 
top, uncut, by Riviere. London: Mudie, 1844 


2124. LOWELL (JAMES RUSSELL). Poems, Cam- 
bridge, John Owen, 1844; Poems, second series, Cambridge, 
George Nichols, 1848. Boru First Epirions. 2 vols. 12mo, 
citron levant morocco gilt, interlaced fillets on sides, gilt tops, 
uneut, by Chambolle-Duru. Cambridge, 1844-1848 


2125. LOWELL (JAMES RUSSELL). <A Fable for 
Critics. 12mo, red levant morocco, gilt top, uncut, by The 
Club Bindery. New York, 1848 


* FIRST ISSUE OF THE First EDITION, with the half-title. 


2126. LOWELL (JAMES RUSSELL). Melibceus-Hip- 
ponax. The Biglow Papers, edited with an introduction, 
notes, glossary and copious index by Homer Wilbur, A.M. 
First Eprrion. 12mo, original cloth. Cambridge, 1848 
*The W. H. Arnold copy. 


2127. LOWELL (JAMES RUSSELL). The Vision of Sir 
Launfal. First Epirion. 12mo, brown levant morocco gilt, 
gilt edges, by David. Cambridge, 1848 


2128. LOWELL (JAMES RUSSELL). Fireside Travels. 
Boston, 1864. The Biglow Papers. Second Series. Boston, 
1867. Under the Willows and other Poems. Boston; 1869. 
The Cathedral. Boston, 1870. My Study Windows. Boston, 
1871. Aw First EDITIONS. 5 vols. 12mo, original cloth. 

Boston, 1864-71 


2129. LOWELL (JAMES RUSSELL). Among My Books. 
First Epirions. 2 vols. 12mo, brown levant morocco, gilt 
fillets, gilt edges, by The Club Bindery. Boston, 1870-1876 


320 


2130. LOWELL (JAMES RUSSELL). The Biglow 
Papers. Second Series, 1885. Democracy and other ad- 
dresses, 1887. First Eprrion. Political Essays, 1888. First 
Epition. Heartsease and Rue, 1888. 4 vols. 12mo, original 
cloth. Boston, 1885-88 


2131. LOWELL (JAMES RUSSELL). The Writings of 
Lowell. Edited by Charles Eliot Norton. Portraits. 12 vols. 
8vo, half cloth. Cambridge: Riverside Press, 1890-92 

* One of 300 copies on Large paper. 


2132. LOWELL (JAMES RUSSELL). Il Pesceballo: 
opera in One act; Italian words by Francis J. Child. Eng- 
lish version by James R. Lowell. Music of a College song. 
12mo, red cloth, gilt top, uncut. Chicago: Caxton Club, 1899 


* One of 207 copies on handmade paper. 


2133. LUCANUS (M. ANN4#US). la Pharsale de Lu- 
cain, ou Les Guerres civiles de Cesar & de Pompée. En Vers 
Francois par Mr de Brebeuf. 12mo, citron morocco, gilt 
borders, gilt edges, probably by Padeloup. 

*The Wodhull copy. Leide: Jean Elsevier, 1658 


21384. LUCANUS (M. ANNAXUS). Pharsale. Translated 
by Chasles and Greslou. 2 vols. 8vo, red levant morocco gilt, 
with monogram E. B., gilt edges, by Belz-Niédrée. 

Paris, 1835-36 


2185. LUCIEN. Dialogues des Courtisanes. Traduction 
et notices par A. J. Pons. Illustrations par Scott et Méaulle. 
16mo, blue levant morocco gilt, gilt top, uncut, by Rousselle. 

_ Paris, 1881 


2136. LUCRETIUS. De rerum natura. 8vo, old calf gilt, 
with Foscarini arms. (The two blank leaves and leaf with 
anchor missing.) 

Venetiis: in edibus Aldi et Andres Soceri, 1515 


21387. LUCRETIUS. Titus Lucretius Carus. De rerum 
natura. Engraved title. 24mo, old red morocco gilt, deco- 
rated with a large vase of flowers. 

Amsterdami: Apud Guiljel: Janssonium, 1620 


2188. LUCRETIUS. Di Tito Lucrezio Caro della Natura 
delle Cose, libri sei, tradotti dal Latino in Italiano da Ales- 
sandro Marchetti. Dati nuovamente in luce da Francesco 
Gerbault, Interprete di S. M. Cma per le lingue Italiana e 
Spagnola. Large Paper copy. Two frontispieces, engraved 
titles, 6 plates and numerous vignettes after Eisen, Cochin, 
&c. 2 vols. 8vo, red morocco, richly tooled, gilt edges, by 
Padeloup. In Amsterdamo [Paris], 1754 


326 


2139. LUCRETIUS. De la Nature des Choses. Trans- 
lated by Pongerville with bibliographical note by Ajasson de 
Grandsagne. 2 vols. 8vo, red levant morocco gilt, with mono- 
oram E.B., gilt edges, by Belz-Niédrée. Paris, 1829-32 


2140. LUDOLPHUS CARTHUSIENSIS. Tboeck vanden 
leuen ons heeren Ihesu Christi. Gothic characters, double 
columns. 306 unnumbered leaves, with signatures; 40-42 
lines to the page. With 246 interesting woodcuts, all crudely 
colored by hand. Folio, red levant morocco, covered with a 
mosaic floral design of hght and dark green levant richly 
tooled and gilt; doublure of red levant, gilt edges, by The 
Club Bindery ; in a case. Antwerp: Gerard de Leeu, 1487 


* RARE. MHain-Copinger, 10048; Proctor, 9369; Campbell 
(1181) and Holtrop give only 304 leaves. 


2141. LUIKEN (J.). Voneken Der Liefde Jesu, Van het 
Godtbegerende Zielenvier. Bloemitjes der Salige Hoope, tot 
verheugelykheid der Wandelaars, langs den Weg, na vreden 
Ryk. Een behelsinge van vyftig Sinnebeelden, met hunne 
daar op spelende verssen, en heylige Spreuken. Frontispiece 
and 50 plates. Small 8vo, red levant morocco gilt, gilt edges, 
by Brany. Amsterdam, 1687 


2142. LUPTON (DONALD). Emblems of Rarities: or 
choyce observations out of worthy Histories, of many remark- 
able passages, and renouned actions of divers Princes and 
severall nations. 12mo, old ealf. (Back repaired, final bank 
leaf missing. ) London, 1636 

*The Henry B. H. Beaufoy copy. 


2143. LUPTON (THOMAS). Sivqila. Too good, to be 
true. Herein is shewed by way of Dialogue, the wonderful 
maners of the people of Mauqsun, with other talke not friuo- 
lous. First Eprrion. (Title repaired and first and last 
blank leaves missing.) 4to, brown levant morocco gilt, gilt 
edges, by The Club Bindery. 

Printed at London by H. Bynneman, dwelling in Thames 
streate, neere vnto Baynards Castell, 1580. 


2144. LUSSE (M. DE). Recueil de Romances Historiques, 
Tendres et Burlesques, Tant Anciennes que Modernes. Avec 
les Airs notés. Frontispiece engraved by de Longueil after 
Eisen, and a vignette. 2 vols. 12mo, half red levant morocco 
gilt, gilt tops, uncut, by All6. [Paris] 1767-74 


2145. LUTHER (MARTIN). Widder das blind und toll 
verdamnis der siebenzehen artickel von der elenden schend- 
lichen universitet zu Ingolstat ausgangen. Title within an 
ornamental woodcut border.  [Wittenberg, 1524.] Small 


327 


worm-hole throughout.—Ain sermon von der wirdigen em- 
pfahung des hailigen waren leych nams Christi. Title within 
an architectural woodcut border. | Wittenberg] 1521.—Evan- 
gelium Luce xvilj. gepredigt zu Speyer auf dem Reichstage 
durch Johan Agricola. Title within an ornamental woodcut 
border. |n. p.| 1521. 3 pieces in one vol. 4to, brown levant 
morocco, gilt panelled sides, gilt edges, by Riviére. 1521-1524 


2146. LUTHER (MARTIN). Eyn sermon auf das Evan- 
vellum Matthei am ix. Ca. Vom reych Christi, welches stehet 
ynn vergebung der sunden, ete. Trtle within an ornamental 
woodcut border. Wittemberg, 1525.—Ain Sermon an dem 
tag des hailigen Sant Johannes des Taffers Jhesu Christi. 
Title within a woodcut border. |n. p., ca. 1522|.—Zwo pre- 
digt duff die Epistel 8. Pauli. I. Thess. 4. gethan uber der 
leiche des Churfursten Hertzog Friderichs zu Sachsen, ete. 
Title within an lustorical woodcut border. [n. p.| 1525. 
3 pieces in one vol. 4to, brown levant morocco, gilt panelled 
sides, gilt edges, by Riviére. 1522-1525 


2147. LUTHER (MARTIN). Ain betbuchlin unndlesz- 
biichlin. Title in red and black within an ornamental wood- 
cut border, 29 woodcuts and each page within a woodcut 
border. 8vo, brown levant morocco, blind tooled, gilt edges, 
by Pratt. Wittemberg, 1523 


2148. LUTHER (MARTIN). Dye ander Epistel 8S. Petri 
und aine S. Judas geprediget und auss gelegt. Title within 
an historvated woodcut border. 4to, dark red levant morocco, 
blind tooled, inside dentelle borders, gilt edges, by Rousselle — 

[n. p.| 1523 


2149. LUTHER (MARTIN). Epistel Sanet Petri. Title 
within a beautiful woodcut border. 4to, dark red levant 
morocco, blind tooled, inside dentelle borders, gilt edges, by 
Rousselle. Wittemberg: Nickel Schyrlentz, 1523 


2150. LUTHER (MARTIN). Vonn ordenung gottis 
dienst yn der gemeyne. Title within an architectural wood- 
cut border. Wittemberg, 1523.—Unterricht der Visitatorn 
an die Pfarhern ym Kurfurstenthum zu Sachsen. Title 
within an historiated woodcut border. Wittemberg, 1528.— 
Ermanung zum frid auf die zwolf artickel der baurschafft 
ynn Schwaben. Title within a fine lastoriated woodcut border. 
[n. p.]| 1525.—Eyn geschicht wie Got eyner Erbarn kloster 
jungfrawen ausgeholffen hat. Mit eynem Sendebrieff M. 
Luthers an die Graffen zu Manszfelt. Jrtle within a wood- 
cut border. Wittemberg, 1524. 4 pieces in one volume, 4to, 
brown levant morocco, gilt panels, by Riviére. 

Wittemberg, 1523-1528 


328 


2151. LUTHER (MARTIN). Offinbarung des Endchrists 
aus dem Propheten Daniel wydder Catharinum. Title within 
an architectural woodcut border. 4to, dark red levant mo- 
rocco, blind tooled, inside dentelle borders, gilt edges, by 
Rousselle. Wittemberg, 1524 


2152. LUTHER (MARTIN). Ordenung und bericht wie 
es furterhin (mit ihnen so das Hochwirdig Sacrament, em- 
pfahen wollen) gehalten sol werden. Item zwo predig, ete. 
Title within a fine ornamental woodcut border. Wittemberg, 
1525.—Von dem aller nottigisten. Wie man diener der 
kirchen welen und eynsetzen sol. Title within an ornamental 
woodcut border. Wittemberg, 1524. 2 pieces in one vol. 
4to, brown levant morocco, gilt panels, by Riviére. 

Wittemberg, 1524-1525 


2153. LUTHER (MARTIN). Die sieben Buss psalmen 
mit deutcher ausslegung. Title within an elegant woodcut 
border. 4to, dark red levant morocco, blind tooled, inside 
dentelle borders, gilt edges, by Rousselle. [n. p.] 1526 


2154. LUTHER (MARTIN). Der Prophet Habacue. 
Fine full-page woodcut on title. 4to, dark red levant mo- 
rocco, blind tooled, gilt inside borders, gilt edges, by Rousselle. 

Wittemberg: Michel Lotter, 1526 


2155. LUTHER (MARTIN). Der Prophet Jona. Beau- 
tiful full-page woodcut on title. 4to, dark red levant morocco, 
blind tooled, inside dentelle borders, oilt edges, by Rousselle. 

Wittembere: Michel Lotter, 1526 


2156. LUTHER (MARTIN). Vier trostliche Psalmen an 
die Konigyn zu Hungern ausgelegt. Turtle within a fine wood- 
cut border. 4to, dark red levant morocco, blind tooled, inside 
dentelle borders, gilt edges, by Rousselle. 

Wittemberg: Michel Lotter, 1527 


More ouUTHER. (MARTIN). Der Prophet Sacharia. 
Fine full-page woodcut in title. 4to, dark red levant morocco, 
blind tooled, inside dentelle borders, gilt edges, by Rousselle. 

Wittemberg: Michel Lotter, 1528 


2158. LUTHER (MARTIN). LEnchiridion piarum preeca- 
tionum, cum Passionali ut vocant, quibus accessit novum | 
Calendarium. TJ%tle within a woodcut border and 50 wood- 
cuts, nearly all depicting scenes of the life and passion of 
Christ. 8vo, brown levant morocco, blind tooled panelled 
sides and back, vellum linings and ends, gilt edges, by Riviére. 

Wittemberge: apud Johannem Lufft, 1543 
* First EDITION. 


2159. LUTHER (MARTIN). Enchiridion. Der kleine 
Catechismus fur die gemeine Pfarrherr und Prediger. Nach 
dem alten Exemplar D. Mart. Lutheri von newem ubersen 
und zu gemeinem gebrauech der Nurnbergischen Kirchen und 


329 


Schulen gedruckt. Gothic character. Title within an his- 
toriated woodcut border and numerous woodcuts in the text, 
ALL ILLUMINATED IN GOLD AND COLORS by a contemporary 
artist. Music noted on fwe lines. 8vo, contemporary Ger- 
man binding in white pigskin, stamped and gilt in an unusual 
interlaced pattern, with brass clasps, gilt edges. 

Nurnberg : Valentin Newber, 1579 


* PRINTED ON VELLUM. 
[See also No. 2577, Otter. ] 


2160. LUXEMBOURG aparu a Louis XIV. sur le raport 
du P. La Chaise. Fait 4 la sainte Societé. Augmenté du 
Courier de Pluton. 2 copper-plates. 12mo, old French green 
morocco gilt, gilt edges. Cologne: P. Marteau, 1718 


2161. LUYNES (CHARLES PHILIPPE D’ALBERT, 
DUC DE). Sentences, Priéres, et Instrvetions chrestiennes 
Tirées De l’Ancien & du Nouveau Testament. Par le Sieur 
de Laval. 12mo, old red morocco, doublure of the same, wide 
dentelle border, gilt edges. Paris, 1676 


2162. LUZON DE MILLARES (ALEXANDRO). Idea 
Politica veri Christiani, sivi Ars Oblivionis, isagogica ad 
artem memorize. Title vignette by P. Clouwet and 35 sym- 
bolic engravings. FIRST ISSUE OF THE First Epirion. Folio, 
red levant morocco gilt, gilt edges, by The Club Bindery. 

Bruxellis: Typis Francisci Foppens, 1664 


2163. LUZON DE MILLARES (ALEXANDRO). Idea 
Politica veri Christiani, sive Ars Oblivionis, isagogica ad 
artem memorize. With plates. SECOND ISSUE OF THE FIRST 
Epition. Folio, red morocco, gilt panels and ARMS OF J. GOMEZ 
DE LA CorTINA, gilt edges. | Bruxellis, 1665 


2164. LYDGATE (JOHN—Translator). The hystorye, | 
Sege and dystruecyon of Troye. [Colophon] Here endeth 
the Troye booke otherwyse called the Sege of Troye | trans- 
lated by Johii Lydgate monke of the Monastery of Bery. | 
And Emprynted the yere of oure Lorde a. M.CCCCC.&XIII. 
by Richard Pynson|prynter vnto the kyngz noble grace. 
Large woodcut of royal arms on title, on the reverse a wood- 
cut in compartments, and many in the text. Gothic type. 
Folio, olive levant morocco, covered with rich tooling, gilt 
edges, by Riviére. [London: Richard Pynson, 1513] 


* First Epition of Lydgate’s Troy book, a paraphrase of 
Guido de Colonna’s romance, ‘‘ Historia Trojana,’’ and finished 
by him in 1420. Quaritch said in 1899 that only four per- 
fect copies were known to be extant. The ‘‘ Bibliotheca Anglo- 
Poetica’’ states that no perfect copy is known, that it is not 
in the British Museum, not in the Bodleian Library, nor in any 
of the principal private collections. This present copy is Stee i 
fresh, and perfect throughout. 


330 


2165. LYDGATE (JOHN). This boke is compyled by 
Dan John Lydgate monke of Burye at the excitation & 
styrynge of the noble and victorious prynee Kynge Henry the 
fyfthe, I, the honoure glorie & reuerence of the byrthe of our 
moste blessed Lady, mayde, wyfe, & mother of our lorde Jesu 
Christe. Woodcut on title, and on the reverse. SECOND EDI- 
TION, without pagination or catchwords. Small 4to, brown 
levant morocco gilt, russia doublure, inside borders, silk 
linings, by Lortic. (Trifling repairs to corners of some of 
the leaves.) 

Imprinted at London ... by me Robert Redman, 1531 


2166. LYDGATE (JOHN—Translator). The Avncient 
Historie and onely trewe and syncere Cronicle of the warres 
betwixte the Grecians and the Troyans, and subsequently of 
the fyrst euercyon of the auncient and famouse Cytye of 
Troye vnder Lamedon the King, and of the laste and fynall 
destruction of the same vnder Pryam, &. With tetle in a 
genealogical woodcut border showing descent of Henry VIII. 
Folio, green levant morocco, gilt back and edges. 

[Colophon| Imprinted at London, by Thomas Marshe. 
Anno. do. 1555. 


* Printed in Gothic type, double columns, with catch-words. 
Edited by Robert Braham, who, in his preface, points out the 
great inaccuracy of the edition printed by Pynson in 1513. 


LYDGATE (JOHN). See Nos. 472-473. Boccaccio. 


2167. LYNDSAY (SIR DAVID). A Dialogue betweene 
Experience and a Courtier, of the miserable state of the 
worlde. Compiled in the Scottish tung by Syr Dauid Lindsey 
Knight: First turned and made perfect Englishe: And now 
the seconde time corrected and amended according to the first 
Copie. Small 4to, brown levant morocco, gilt borders, centre 
ornaments in dots and scroll designs, gilt edges, by Riviére. 
In a morocco ease. ; 

Imprinted at London in Paules Churchyarde by Thomas 
Purfoote. Anno Domini. 1575. 

*SEcOND LONDON EDITION, printed in Gothic type. 


2168. LYNDSAY (SIR DAVID). { A Dialogue betweene 
Experience and a Courtier, of the miserable state of the 
Worlde. Compiled in the Scottish tung by Syr Dauid Lynd- 
sey Knight. And now the seconde time corrected and 
amended according to the first Copie. Herevnto also are 
annexed certain other workes inuented by the saide Knight, 
as may more at large appeare in a Table following. Small 4to, 
maroon levant morocco, elaborate tooling of gilt medallions, 
gilt edges, by The Club Bindery. 

London: Thomas Purfoote, 1581 


*TuEr THIRD ENGLISH EDITION, a reprint of that of 1575, 
even copying the ‘‘And now the seconde time,’’ etc., of that 
title. 

331 


2169. LYRICS. French Lyrics, Selected and annotated 
by George Saintsbury. Frontispiece on India paper. 8vo, 
citron levant morocco, tooled in compartments with mosaic of 
red and green morocco, doublure of red levant morocco, wide 
dentelle borders, gilt top, uncut, by Riviere. London, 1882 


* ONE OF 50 COPIES ON LARGE PAPER. 


2170. \ j ABBE (JAMES—Translator). The Spanish 
Bawd, represented in Celistina; or, The Tra- 
gicke-Comedy of Calisto and Melibea. Wherein is contained, 
besides the pleasantnesse and sweetenesse of the stile, many 
Philosophicall Sentences, and profitable Instructions neces- 
sary for the younger sort: Shewing the deceits and subtil- 
ties housed in the bosomes of false seruants, and Cunny- 
catching Bawds. Folio, red morocco, gilt back and edges, 
by Stikeman. London: Printed by J. B., 1631 
* FIRST EDITION. This play is the longest ever published, 
consisting of twenty-one acts. It was originally written in 
Spanish by El Bachiler Fernanda de Roxas de la Puebla de 
Montalvan, whose name is discoverable by the beginning of 
every line in an acrostic prefixed to the work. Mabbe, the 
translator, pretends to be a Spaniard, and assumes the name of 

Don Diego Puede-ser. 


2171. MABERLY (JAMES). The Print Collector. An 
Introduction to the Knowledge necessary for forming a 
Collection of Ancient Prints. Edited, with notes, ete., by 
Robert Hoe. Jr. Illustrations, some on India paper. 4to, 
sheets, in cloth portfolio. New York, 1880 


* LARGE PAPER COPY. Only 50 printed. 


2172. MACAULAY (THOMAS BABINGTON). Lays 
of Ancient Rome. First EDITION. 8vo, original cloth, 
uncut. ~ London, 1842 


2173. MACAULAY (THOMAS BABINGTON). Lays of 
Ancient Rome. FIRST ILLUSTRATED EDITION. Illustrations, 
original and from the antique. Square 8vo, half blue levant 
morocco gilt, gilt top, by Bedford. London, 1847 


2174. MACAULAY (THOMAS BABINGTON). The 
History of England from the Accession of James the See- 
ond. 311 PORTRAITS INSERTED, including 100 India proofs, 
in addition to many in two states, before and after letters, 
and the rare portrait of Samuel Pepys engraved by White. 
8 vols. 8vo, half red morocco gilt, gilt tops, uneut, by Bed- 
ford. | Cambridge: Riverside Press, 1866 


* ONE OF 4 COPIES ON HOLLAND PAPER, 
332 


2175. MALEBRANCHE (NICOLAS). (I) Traité de la 
Nature et de la Grace, Par Mr. Malebranche, de l’Oratoire. 
A Amsterdam, chez Daniel Elsevier, 1681 

(II). Esclaircissement, ou la suite du Traité de la Nature 
et de la Grace, Par M* Malebranche de l’Oratoire. FIRST 
EDITIONS. 12mo, two parts in one volume, red levant mo- 
rocco gilt, gilt edges, by Duru. Amsterdam: Elsevier, 1680-81 


2176. MALHERBE (FRANCOIS DE). Les (fuvres de 
Mre. Francois de Malherbe, Gentilhomme ordinaire de la 
chambredu Roy. Portrait by Vorsterman after Dumonstier. 
Ato, old calf, red edges. Paris: Charles Chappellain, 1630 


* FIRST EDITION ON LARGE PAPER. From the library of the 
De Thou family, with the arms and monogram of Jacques 
Auguste de Thou, and his second wife, Gaspard de la Chastre, 
who was still living at the time. ONE OF ONLY TWO LARGE 
PAPER COPIES KNOWN, the other formerly owned by M. Béhague. 


2177. MALHERBE (FRANCOIS DE). Poesies de Mal- 
herbe, Rangées par ordre chronologique; Avec Un Dis- 
cours sur les obligations que la Langue & la Poésie Fran- 
ecoise ont & Malherbe, & quelques Remarques historiques & 
critiques. [par Le Févre de Saint-Mare.| A brilliant 
portrait engraved by Fessard after Dumonstier, and a 
fleuron by Duflos. 8vo, red morocco gilt, gilt edges, prob- 
ably by Derome. THICK HOLLAND PAPER COPY. Paris, 1757 


2178. MAN (WOLFGANG VON). Das leiden Jesu 
Christi unnsers erlosers. Sonders audachtiger lere nutzper- 
licher betrachtunng ausz den vier Evangelisten entlichen. 
Hach page within elegant woodcut border and with 30 fine 
woodcuts representing scenes from the Passion of Christ, by 
Schaufelein, Burgmaier and other masters. 4to, blue levant 
morocco, covered with a Grolieresque design of interlaced 
bands, central arabesque ornaments, gilt edges, the lower 
ones uneut, by Capé. 

Augspurg: durch den Junngen Hannsen Schonnsperger, 


Lalo. 
* A TALL Copy. 


2179. MANLEY (DE LA RIVIERE, MRS.). Almyna: 
or, the Arabian Vow. A Tragedy. Asit is Acted at the 
Theatre Royal in the Hay-Market, by her Majesty’s Ser- 
vants. FIRST EDITION. 4to, half black ealf. 

London: William Turner, 1707 


2180. MANNING (FRANCIS). Poems Written at Dif- 
ferent Times on Several Occasions, by a Gentleman who 
resided many Years abroad in the Two last Reigns, with a 
Publick Character. 4to, blue morocco, gilt top, uncut, by 
The Club Bindery. London, 1752 

330 


2181. MANTELL (GIDEON ALGERNON). The Wonders 
of Geology; or, a familiar exposition of Geological Phe- 
nomena. Mezzotint frontispiece by Martin. 10 plates and 
numerous woodcuts. 2 vols. 8vo, half green levant mo- 
rocco gilt, gilt tops, uncut, by Allo. London, 1839 


2182. MANTELL (GIDEON ALGERNON). The Medals 
of Creation; or, first lessons in Geology and the study of 
organic remains. SECOND EDITION, entirely rewritten. 252 
ilustrations. 2 vols. 12mo, cloth, uncut. London, 1854 


2183. MARESCHAL (A. A.). Les Faiences Anciennes 
& Modernes, leurs Marques & Décors. 60 colored illus-— 
trations and numerous marks. Royal 8vo, half blue mo- 
rocco, figured silk sides, gilt top, uncut, original covers 
bound in, by The Club Bindery. Paris, 1874 


2184. MARESCHAL (A. A.). Iconographie de la Faience. 
11 plates in colors and other illustrations. 8vo, half orange 
morocco gilt, gilt tops, uneut, by All6. (Interleaved for 
additions. ) Paris, 1875 


2185. MARGUERITE D’ANGOULEME. L’Heptameron 
des nouvelles de tres illustre et tres excellente princesse 
Marguerite de Valois royne de Navarre. Thick 16mo, blue 
levant morocco, gilt centre ornaments, inside dentelle 
borders, gilt edges, by Trautz-Bauzonnet. TImprimé 1560 


2186. MARGUERITE D’ANGOULEME. Contes et nou- 
velles mis en beau langage accommodé au gotit de ce temp. 
Frontispiece by Vianen and 72 vignettes by Romain de 
Hooghe. 2 vols. 12mo, red levant morocco, gilt edges. 

Amsterdam, 1698 


2187. MARGUERITE D’ANGOULEME. L’Heptameron: 
ou, Histoires des Amans Fortunés. Des Nouvelles de tres- 
illustre & tres-excellente Princesse Marguerite, Royne de 
Navarre. frontispiece by van Vianen. 2 vols. 12mo, red 
morocco gilt, gilt edges, by Derome. 

Paris: Jaques Bessin, 1698 


* From the collections of Charles Nodier and the Baron La 
_ Roche Lacarelle, with bookplates. 


2188. MARGUERITE D’ANGOULEME. Les Nouvelles 
de Marguerite, Reine de Navarre. Three frontispieces, 73 
plates and numerous vignettes, after Dunker and Freude- 
berg. 3 vols. 8vo, blue levant morocco gilt, gilt edges, by 
Trautz-Bauzonnet. Berne, 1780-81 

* THICK HOLLAND PAPER Copy; the plates of this edition are 
remarkable examples of the engraver’s art. 


304 


2189. MARGUERITE D’ANGOULEME. Les Sept Jour- 
nées de la Reine de Navarre suivies de la huitiéme (Edition 
de Claude Gruget, 1559). Notice et notes par Paul Lacroix. 
Index et Glossaire. Planches a leau-forle par Flameng. 
4 vols. 8vo, red levant morocco gilt, gilt edges, by Lortic. 

Paris, 1872 


* ONE OF 10 COPIES ON LARGE WHATMAN PAPER, with proof 
impressions of the etchings before letters. 


2190. MARGUERITE D’ANGOULEME. I’Heptaméron 
des Nouvelles de trés haute et trés illustre princesse Mar- 
guerite d’Angouléme Reine de Navarre Publié sur les 
manuscrits par les soins et avec les notes de MM. Le Roux 
de Linecy & Anatole de Montaiglon. Plates in three states, 
in black on Japan paper, and im bistre and red on Van 
Gelder paper. Portrait by T. de Mare, frontispiece by 
Dunter, plates after de Longuei’s engravings from S. Freu- 
deberg’s designs, and numerous vignettes and culs-de-lampe. 
4 vols. 8vo, half maroon levant morocco gilt, gilt tops, 
uncut, original covers bound in. Paris, 1880 

* One of 70 copies on Van Gelder paper. 


2191. MARGUERITE DE VALOIS. Memoires de la 
Reyne Marguerite. Nouvelle Edition, plus correcte. (THE 
SECOND ELZEVIER EDITION.) 12mo, blue levant morocco 
gilt, gilt edges, by Chambolle-Duru. 

Iouxte la Copie a Paris [ Bruxelles], Elzevier, 1658 


2192. MARGUERITTE (PAUL). Ala Mer. Illustrations 
de Henri A. Zo Gravées sur bois par Gaspé, Piselli, etc. 
4to, original covers, within a portfolio. Paris [n. d. | 


* ONE OF 10 COPIES ON JAPAN PAPER, with the woodcuts in 
three states, before and after letters and on Japon pelure, the 
third state by the engraver himself. 


21983. MARGUERITTE (PAUL anpd VICTOR). Le 
Jardin du Roi. 12mo, half red levant morocco gilt, figured 
silk sides, gilt top, uncut, by The Club Bindery. 


Paris [n. d.] (recent) 
* HOLLAND PAPER COPY, ONLY 50 PRINTED. 


2194. MARIGNY (JACQUES LE CARPENTIER DE). 
Lettres de Monsieur de Marigny. 12mo, red levant morocco, 
gilt edges, by Duru. 

La Haye: Antoine la Faille [Jean Elzevier ?] 1655 

2195. MARION (FULGENCE). Les Ballons et les Voy- 
ages aériens; Les Merveilles de la Végétation. 74 allustra- 


tions by Lancelot and Sellier. 2 vols. 12mo, half cloth, un- 


cut. Paris, 1868-69 
* PRINTED ON INDIA PAPER. 


2196. MARIVAUX (PIERRE, CARLET DE CHAM- 
BLAIN DE). Céuvres Completes. Facsimile. 10 vols. 8vo, 
half brown morocco gilt, gilt tops, uncut. Paris, 1825-27 


380 


2197. MARKHAM (GERVASE) anp SURFLET (RICH- 
_ARD—Translators). Maison Rustique, or the Countrey 
Farme. Compyled in the French Tongue by Charles 
Stevens, and John Liebault, Doctors of Physicke... Now 
newly Reuiewed, Corrected, and Augmented, with diuers 
large Additions out of the works of Serres, Vinet, Albyterio, 
Grilli, ...andothers. SECOND EDITION. Wizth woodcuts. 
Small folio, green levant morocco gilt, gilt edges, by Riviere. 

London: Adam Islip for John Bill, 1616 


2198. MARKHAM (GERVASE). Hungers Prevention: 
or, the whole Arte of Fowling by Water and Land. Con- 
taining all the Secrets belonging to that Arte, and brought 
into a true Forme or Method, by which the most Ignorant 
may know how to take any kind of Fowle, either by Land 
or Water. Also, exceeding necessary and profitable for all 
such as travel by Sea, and come into uninhabited places; 
especially, all those as have any thing to doe with new 
Plantations. SECOND EDITION. Numerous woodcuts. Small 
8vo, green levant morocco gilt, gilt edges, by The Club 
Bindery. London: Printed for Francis Grove, 1655 


2199. MARKHAM (GERVASE) anp SAMPSON (WILL- 
IAM). The true Tragedy of Herod and Antipater: With 
the Death of faire Marriam. According to Iosephvs, the 
learned and famous Iewe. As it hath beene, of late, diuers 
times publiquely Acted (with great Applause) at the Red 
Bull, by the Company of his Maiesties Revels. First EpI- 
TION. Small 4to, red levant morocco gilt, gilt edges, by David. 

London: Printed by G. Eld for Mathew Rhodes, 1622 


2200. MARLOWE (CHRISTOPHER). The Works of 
Marlowe with Notes and some Account of his Life and 
Writings by Alexander Dyce. 3 vols. post 8vo, cloth, un- 
cut. London: Pickering, 1850 


2201. MARLOWE (CHRISTOPHER) anp CHAPMAN 
(GEORGE). Hero and Leander. Decorations on wood by 
Charles Ricketts and Charles Shannon. 8vo, vellum gilt, 
uncut. London: Ballantyne Press [1894] 

* One of 220 copies printed. 


2202. MARMONTEL (JEAN FRANOOIS). Les Ineas, 
ou la Destruction du Pérou. Frontispiece and 10 plates 
after Moreau. FIRST EDITION. 2 vols. 8vo, old red mo- 
rocco gilt; gilt edges, probably by Derome. Paris, 1777 


2203. MARMONTEL (JEAN FRANCOIS). Le Neuvaine 
de Cythére, avec notice par Charles Monselet. Portrait of 
the author after St. Aubin and 9 vignettes by Fesquet. Royal 
Svo, three-quarter levant morocco, gilt and mosaic back, 
gilt top, uncut, original covers bound in, by Carayon. 

Paris: A. Barraud, 1879 
* One of 325 copies on papier vergé raisin. 
336 


2204. MAROT (CLEMENT). Les ceuvres Clément Marot, 
valet de chambre du Roy. Desquelles le contenu sensuyt. 
Ladolescence Clementine, La suytte de ladolescence, Deux 
livres d’Epigrammes bien augmentees. Le premier liure 
dela Metamorphose d’Ouide. Woodcut illustrations. Small 
8vo, levant morocco gilt, gilt edges, by Duru. 

Paris: Anthoine Bonnemere, 1539 


* A VERY RARE EDITION, NOT MENTIONED BY BRUNET, The 
final part, containing ‘‘ Le premier liure de la Metamorphose,”’ 
is dated 1584. 


2205. MAROT (CLEMENT). Les QGiuvres de Clément 
Marot, Valet de chambre du Roy. Desquelles le contenu 
sensuit, L’adolescence Clementine, La suite de 1’Adoles- 
cence, bien augmentées. Deux liures d’Epigrammes. Le 
premier liure de la Metamorphose d’Ouide. Le tout par 
lui autrement, et mieulx ordonné, que par cy deuant. Let- 
tres bdtardes. 16mo, red morocco, richly gilt, doublure of 
same morocco, gilt dentelle borders, gilt edges, by Thou- 
venin. Lyon: par Jehan Barbou, 1539 


* RARE, From the libraries of Charles Nodier, L. Double, 
M. L. de Clinchamp, and of Eugéne Paillet, with the autograph 
of the latter. 


2206. MAROT (CLEMENT). Les Pseaumes mis en rime 
Frangoise, par Cl. Marot, et par Théodore de Beze (avec 
la forme des Priéres ecclésiastiques). Hach page within an 
ornamental woodcut border. Music on five lines. 8vo, old 
red morocco gilt, gilt edges. Lyon: par Ian de Tournes, 1563 


* EXTREMELY RARE, nearly all the copies having been de- 
stroyed. 


2207. MAROT (CLEMENT). Les Giuvres. Portrait. 2 
vols. 12mo, red levant morocco gilt, gilt tops, uncut, by 
Canapé. La Haye, 1714 


2208. MAROT (CLEMENT). Céuvres choisies. Portrait 
of Marot, engraved by Hopwood, inserted. 12mo, old red 
straight-grain morocco gilt, gilt edges, by Simier. 

Paris: Didot lAiné, 1801 


* The Pieters copy, with bookplate. In the same volume is 
bound: ‘' Poesies de Malherbe.” Paris, Didot l’Ainé, an VIII. 


2209. MAROT (JEHAN). Recueil des ceuvres Jehan 
Marot illustre poéte Francoys, contenant Rondeaulx, Epis- 
tres, Vers espars, Chantz Royaulx. 27 small cuts. 16mo, 
citron levant morocco gilt, gilt edges, by Bauzonnet. 

Lyon: chez Frangoys Iuste, 1537 


* RARE, WRITTEN BY THE FATHER OF CLEMENT MAROT, and 
poet to Anne of Brittany. Contains an account of the expedi- 
tions of Louis XII to Genoa and Venice. 


307 


2210. MARRYAT (FREDERICK). The Mission: or, 
Seenes in Africa. Written for young people. First EDI- 
TION. F'rontispieces, and map. 2 vols. 12mo, dark blue 
levant morocco, gilt tops, uncut, original covers bound in, 
by The Club Bindery. London, 1845 


2211. MARSTON (JOHN). The Insatiate Countess. A 
Tragedie. THIRD EDITION. Small 4to, maroon levant mo- 
rocco, blind-tooled centre ornaments, gilt edges, by Riviere. 

London: Printed by I. N. for Hugh Perrie, 1631 


2212. MARSTON (JOHN). The Works of John Marston, 
reprinted from the original editions. With notes, and 
some account of his Life and Writings. By J. O. Halli- 
well. 3 vols. 12mo, calf gilt, gilt tops, uncut. London, 1856 


2213. MARTIALIS (MARCUS VALERIUS). Epigrammes. 
Translated by MM. Verger, Dubois, and Mangeant. 4 vols. 
8vo, red levant morocco gilt, with monogram E. B., gilt 
edges, by Belz-Niédrée. Paris, 1834-35 


2214. MARTIAL DE PARIS, called D’AUVERGNE. Les 
Arréts d’Amours, avec L’Amant rendu Cordelier, a l’?Ob- 
servance d’Amours. . . . Accompagnez des Commentaires 
Juridiques, & Joyeux de Benoit de Court . . . DERNIERE 
EDITION, Revué, corrigée & augmentée de plusieurs Ar- 
réts, de Notes, & d’un Glossaire des anciens Termes. 12mo, 
green morocco gilt, arms on the sides, uncut, by Koehler. 
From the Yemeniz collection. Amsterdam, 1731 


2215. MARTIN (AIME L.) Education des méres de 
famille. 2 vols. 12mo, blue levant morocco, gilt panels, 


gilt backs, inside borders, gilt edges, by Petit. 
Paris: Charpentier, 1847 


2216. MARTIN (J.). Le Paradis Terrestre, ou Em- 
blemes Sacrez de la Solitude. Hngraved title and 25 em- 
blematic RiGES 12mo, red morocco, gilt edges. 

Paris: Jean Henault, 1655 

* From the Duke of Hamilton and Syston Park collections. 

S the latter collection it was described as bound by Roger 
ayne. 


2217. MARTYR (PETER). De Nouo Orbe, or the His- 
torie of the west Indies, Contayning the actes and aduen- 
tures of the Spanyardes, which haue conquered and peo- 
pled those Countries, enriched with varietie of pleasant 
relation of the Manners, Ceremonies, Lawes, Gouernments, 
and Warres of the Indians. Comprised in eight Decades. 
Written by Peter Martyr a Millanoise of Angleria. Whereof 
three, haue beene formerly translated into English, by R. 
Eden, whereunto the other fiue, are newly added by the 


338 


Industrie, and painefull Trauaile of M. Lok Gent. Printed 
wm Gothic type, with woodcut initials. Small 4to, brown 
levant morocco gilt, gilt edges. 

London: Printed for Thomas Adams, 1612 


* THE FIRST COMPLETE EDITION of the eight decades in 
English, with the rare blank Al. 


2218. MASCALL (LEONARD). A Booke of Fishing 
With Hooke and Line made by L.[eonard| M.[ascall] re- 
printed from the edition of 1590 with preface and glossary 
by Thomas Satchell. Woodcuts. Small 4to, half olive mo- 
rocco, gilt top, uncut. : London, 1884 


2219. MASKELL (WILLIAM). The Ancient Liturgy of 
the Chureh of England according to the uses of Sarum, 
Bangor, York & Hereford and the modern Roman Liturgy, 
arranged in parallel columns. Title, and some pages printed 
an black and red. 8vo, cloth, uncut. 

London: Pickering, 1844 


2220. MASKELL (WILLIAM). A History of the Mar- 
tin Marprelate Controversy in the Reign of Queen Eliza- 
beth. LARGE PAPER COPY. 8vo, ealf, gilt, by Riviére. 

London: Wm. Pickering, 1845 


2221. MASON (GEORGE C.). The Life and Works of 
Gilbert Stuart. Selections from his portraits on steel and by 
photogravure. 4to, cloth, uncut. New York, 1879 


2222. MASSACHUSETTS BAY. Regulations of Massa- 
chuset’s Bay. An Act of Parliament Passed in the Four- 
teenth Year of the Reign of His Majesty King George the 
Third. 1774. An Act for the better regulating the Gov- 
ernment of the Province of Massachuset’s Bay, in New 
England. Folio, pp. 1-9, brown morocco gilt, portions of 
some edges entirely uncut, by The Club Bindery. 

Boston: Printed by M. Draper, 1774 
* Important as having been printed in the same year as the 


famous ‘‘ Act for closing the Port of Boston,” better known as 
the Boston Port Bill. 


2223. MASSARENGO (GIOVANNI BATTISTA). Tre 
Sorelle, Canzoni. Three emblematic plates and numerous 
woodcut initials and ornaments. 4to, brown levant mo- 
rocco, gilt edges, by Chatelle. Augusta, 1602 


2224. MASSILLON (JEAN BAPTISTE). Petit Caréme 
de Massillon suivi des Sermons sur la mort du pécheur 
et la mort du juste, sur l’enfant prodigue, sur le petit 
nombre des élus, sur la mort, sur l’aumdne, et de l’Oraison 


339 


Funebre de Louis XIV. JTilustrations. Royal 8vo, half 
purple morocco, yilt top, uncut, by Koehler. Paris, 1824 


* LARGE PAPIER VELIN COPY. EXTRA-ILLUSTRATED by the 
insertion of 388 portraits, including 8 of the author, and 18 
views; many of the plates being India proofs before letters, 
and some engraver’s etchings. 


2225. [MASSINGER (PHILIP).] The Tragedy of Nero, 
Newly Written. Small 4to, red levant morocco gilt, gilt 
edges, by The Club Bindery. 

London: Augustine Mathewes, and Iohn Norton, for — 
Thomas Iones, 1624. 

* First EpITion. Ascfribed to Massinger and often found 
with his plays. With the armorial bookplate of Charles 
Lilburn. 

2226. MASSINGER (PHILIP) anp FIELD (NATHAN- 
IEL). The Fatall Dowry: a tragedy, as it hath beene 
often Acted at the Private House in Blackefryers, by his 
Maiesties Servants. FIRST EDITION. 4to, half blue mo- 
rocco, gilt edges, by Riviére. (Title-page and some other 
pages repaired. ) 

London: John Norton for Francis Constable, 1632 


2227. MASSINGER (PHILIP). The Plays of Philip 
Massinger. With notes critical and explanatory, By W. 
Gifford, Esq. Portrait after Cross, and 2 others inserted, 
one on India paper, and one on the ‘ Effigies”’ series. 
4 vols. royal 8vo, crimson levant morocco gilt, gilt edges, 
by Bedford. London: G. and W. Nicol, 1813 


* LARGE PAPER COPY. 


2228. MASSON (FREDERIC). Napoléon et son Fils. 
58 allustrations, 2 in colors. FIRST EDITION. 4to, original 
covers, uncut, in a ease. - Paris: Goupil, 1908 


* One of 130 copies on Japan paper with a duplicate set of 
the plates, in bistre. 


2229. MATHER (COTTON). Magnalia Christi Ameri- 
cana; or, The Ecclesiastical History of New England, from 
its First Planting in the Year 1620, unto the Year of our 
Lord 1698. In Seven Books...IV. An Account of the 
University of Cambridge in New England ... VII. The 
Wars of the Lord (with) An Appendix of Remarkable Oc- 
currences which New-England had in the Wars with the 
Indian Salvages, from the Year 1688, to the Year 1698. 
Fine impression of the large folding map, not worn or torn 
an the folds as is usual. Folio, brown levant morocco, inlaid 
with interlaced borders of blue levant, floriated gold tool- 
‘ing with large diamond-shaped ornament, dentelle borders, 
gilt edges, in a case, by (Alfred) Matthews. 

London: printed for Thomas Parkhurst, 1702 


* LARGE PAPER COPY OF THE ORIGINAL EDITION, measuring 
14% x8% inckes. Contains a leaf of advertisement commenc- 
ing ‘‘ Books Printed for Thomas Parkhurst,” ending ‘‘ John 
Flavell,” but lacks the American printed errata. 


340 


2230. MATHER (COTTON). The A, B, C. of Religion. 
Lessons Relating to the Fear of God, Fitted unto the 
Youngest & Lowest Capacities, and Children Suitably in- 
structed in the Maxims of Religion. 16mo, crimson levant 
morocco, panelled sides, gilt edges, by Pratt. 

Boston: Printed and sold by Timothy Green, 1713 


* THE BRINLEY COPY OF THE RARE ORIGINAL EDITION (sold 
twice), and which appears to be the ONLY COPY EVER SOLD BY 
AUCTION, 


2231. MATHER (INCREASE). Remarkable Providences 
illustrative of the earlier days of American colonisation. 
With introductory preface, by George Offor. Portrait by 
Swaine. 12mo, original cloth, uncut. London, 1856 


THIRTY-SECOND SESSION, TUESDAY, 2:30 P.M. 


2232. MAUPASSANT (GUY DE). Une Vie. TIilustra- 
tions de A. Leroux, gravées sur bois par G. Lemoine. 
Royal 8vo, crimson levant morocco, back tooled in solid 
ornaments, side panels of fillets and dots, with solid corner 
ornaments, gilt edges, original covers bound in, by The 
Club Bindery. Paris, 1901 


* One of 30 copies on antique Japan paper, with a duplicate 
set of the illustrations on India paper, and, inserted, AN ORIG- 
INAL WATER-COLOR DRAWING BY LEROUX. 


2233. MAUPASSANT (GUY DE). BouledeSuif. Jllus- 
trations de Jeanniot, gravure sur bois par G. Lemoine. 
Royal 8vo, red levant morocco gilt, gilt top, uncut, original 
covers bound in, by The Club Bindery. Paris, 1902 

* ONE OF 10 COPIES ON JAPAN PAPER, 


2234. MAUPASSANT (GUY DE). Notre Cour. Tilus- 
trations de René Lelong, gravure sur bois par G. Lemoine. 
Royal 8vo, red levant morocco gilt, gilt top, uncut, original 
covers bound in, by The Club Bindery. Paris, 1902 

* ONE OF 10 COPIES ON JAPAN PAPER. 


2235. MAUPASSANT (GUY DE). Yvette. Illustrations 
de Cortazzo, gravures sur bois par G. Lemoine. Royal 
8vo, red levant morocco gilt, gilt top, uncut, original covers 
bound in, by The Club Bindery. Paris, 1902 

* ONE OF 10 COPIES ON JAPAN PAPER. 


2236. MAUPASSANT (GUY DE). Ce Cochon de Morin. 
Numerous colored illustrations by Henriot. Royal 8vo, 
original half cloth; portfolio. Paris, 1909 

* One of 3800 copies on Japan paper. 
341 


2237. MAXWELL (JAMES — Translator). Emblema 
Anime, or, Morrall Discourses reflecting upon Humanitie. 
Written by John du Plesis now Cardinall of Richleu. Trans- 
lated by I. M. Also varietie of Obseruations delightfull to 
the minde. Title-page by Marshall. 12mo, brown levant 
moroceo gilt, gilt edges, by Zaehnsdorf. 

London: Nic: and Joh: Okes, 1635 


* THE SECOND OF TWO EDITIONS PRINTED IN 1635. 


2238. MAYNARD (FRANCOIS DE). Céiuvres Poétiques. 
Réimprimées sur l|’édition de Paris (1646) enrichies de 
variantes, revues et annotées, par Prosper Blanchemain. 
12mo, half red levant morocco gilt, gilt top, uneut, by 
Riviere. Paris, 1864 

* Limited to 100 copies on Holland paper. | 


2239. MAYNEVILLE. Chronique du temps qui fut La 
Jacquerie. Printed in black and red, with illustrations by 
LL. O. Merson. Royal 8vo, calf, front cover chiselled in a 
border, with ornament of warrior’s war-club, battle axe, 
spears, leather shield, &c., the back in thistles, with stem 
and ribband, doublures of dark green levant morocco, gilt 
line border, gilt over rough edges, with original covers, in 
a case, by Gruel. 

Paris: Librarie de la Collection des Dix, 1903 


* One of 25 copies on Japan paper, with the plates in four 
states. 


2240. MEAUME (EDOUARD). 1637-1714. Sébastien 
Le Clere et son cuvre. Orné d'une eau-forte rare repro- 
duite par Armand Durand et d’un facsimile de l écriture 
de Séb. Le Clerc. Royal 8vo, half. green levant morocco 
gilt, gilt top, uncut, original covers bound in, by Zaehns- 


dorf. Paris, 1877 
* One of 205 copies on Holland paper. 


2241. MEDINA (PEDRO). Libro de grandezas y cosas 
memorabiles de Espafia. Gothic types. Woodcut map of 
Spain on title-page; the arms of Spain on second title leaf. 
123 woodcut views and maps in the text, including the full- 
page woodcut ‘* Catalunia, Nuestra Senora de Montserrat”? 
(folio 169). Folio, red levant morocco gilt, gilt edges, by 
Bedford. Sevilla: Dominico de Robertis, 1548 

* First Epition, It contains, on verso of folio 63, a map of 


the New World, a reprint from the Arte de Navegare, by the 
same author, edition of 1545. 


2242. MEISNER (DANIEL). Thesaurus Sapientiee 
Civilis, ete. 25 copper-plate emblems and 27 crested shields. 
Small 8vo, green straight-grain morocco gilt, blind-tooled 
sides, gilt edges. Francofurti, Anno 1626 


342 


2243. MELIADUS DE LEONNOYS. Ou present vol- 
ume son contenus les nobles faictz darmes du vaillant roy 
Meliadus de Leonnoys: ensemble plusieurs autres nobles 
proesses de Cheualerie faictes tant par le roy Artus, Pala- 
medes.... Lettres bdtardes. Title in red and black 
within woodcut border, another border surrounding the first 
page of the text and 2 large woodcuts. Folio, red levant 
morocco gilt, gilt edges, by Trautz-Bauzonnet. 

* First EDITION, Paris: Galliot du Pré, 1528 


2244. MEMLING (JEAN). La Chasse de Sainte Ursule, 
avec texte par Octave Dalpierre et Auguste Voisin. F'ront- 
ispiece and 12 plates by Onghena. Folio, gray morocco, 
with many inlaid ornaments in blue and red, doublure of 
red morocco, gilt borders and fillets, gilt edges, in a case, 
by Chatelin. Bruxelles, 1841 


2245. MENARD (RENE). Entretiens sur la Peinture. 
With 50 engravings. Folio, original covers, uncut. 
Paris, 1875 
* One of a limited edition, with the English text translated 

under the supervision of P. G. Hamerton. 


2246. MENDOZA (A. DE). Querer Por Solo Querer: 
To Love only for Love’s Sake: A Dramatick Romance. 
Represented at Aranjuez before the King and Queen of 
Spain. Written in Spanish by Don Antonio de Mendoza, 
1623. Paraphrased in English, Anno 1654. Together With 
the Festivals of Aranwhez [translated by Sir R. Fanshaw]. 
Small 4to, citron levant morocco, gilt edges, by David. 

London: William Godbid, 1670 


* First EDITION of both parts, with separate titles and pagi- 
nation. On the fly-leaf preceding the first title is the following 
autograph presentation inscription, ‘‘ For the right honoble 
Henry Earle of Peterborough from his lops most humble 
seruant Ric Fanshawe.” 


2247. MENESTRIER (CLAUDE FRANCOIS). L’Art 
du Blason Justifié; Avec la Methode abbregée des Principes 
Heraldiques. With 8 plates. 12mo, calf gilt, gilt edges, 
by Trautz-Bauzonnet. , Lyon: B. Coral, 1661 

*FiIrst EDITION. From the Yemeniz collection. 


2248. MENESTRIER (CLAUDE FRANOQOIS). De la 
Chevalerie ancienne et moderne, Avec la maniere d’en faire 
les Preuves, pour tous les Ordres de Chevalerie. Three 
plates of arms and six genealogical tables. FIRST EDITION. 
12mo, green levant morocco gilt, gilt edges, by Thibaron. 

Paris: R. J. B. de la Caille, 1683 


2249. MENESTRIER (CLAUDE FRANQOIS). Origine 
des Armoires. First EpITIon. Hngraved emblematic 
frontispiece and 7 plates. 12mo, calf gilt, gilt edges. 

Paris: Th. Amaulry, 1690 
343 


2250. MERARD DE SAINT JUST (MADAME).  Ber- 
geries et Opuscules, de M’lle d’Ormoy l’ainé. Portrait of 
the author by Le Beau and original pen-and-ink drawing 
of the title inserted. 16mo, old red morocco, gilt borders, 
silk linings, gilt edges. En Arcadie, 1784 

* PRINTED ON VELLUM. 


2251. MERCERIUS (JOANNKES). Io. Mercerii. I. C. 
Emblemata. Hngraved title, dedicatory arms and 50 plates 
of emblems. 4to, old vellum (title mended). [n. p., 1592] 

* From the Henry B. H. Beaufoy collection. 


2252. MERCIER (CLAUDE FRANCOIS XAVIER). 
Eloge du Sein des Femmes ouvrage curieux dans lequel on 
examine s’il doit étre découvert s’il est permis de le toucher 
quelles sont ses vertus, sa forme, son langage, son éloquence 
les pays ou il est le plus beau et les moyens les plus surs 
de la conserver par Mercier de Compiégne. Quatrieéme 
édition revue, annotée et considérablement augmentée. 
8vo, red levant morocco gilt, gilt top, uncut, by Matthews. 

Paris, 1873 


* ONE OF TWO COPIES. PRINTED ON VELLUM, with etched 
frontispiece and numerous woodcut illustrations. 


22538. MEREDITH (GEORGE). Poems. 12mo, half 
brown levant morocco, uncut (name on title). 
London, [1851] 


* FIRST EDITION. Containing the slip of ‘‘ Errata.” 


2254. MEREDITH (GEORGE). The Shaving of Shag- 
pat. An Arabian Entertainment. FIRST EDITION. 12mo, 
half brown levant morocco, uncut, by Carayon. 

London, 1856 


2255. MEREDITH (GEORGE). The Ordeal of Richard 
Feverel. A History of Father and Son. FmRst HDITION. 
3 vols. 12mo, half orange levant morocco, uncut, by Carayon. 

London, 1859 


2256. MEREDITH (GEORGE). Evan Harrington. 
FIRST EDITION. 3 vols. 12mo, half red levant morocco, 
uncut, by Carayon. London, 1861 


2257. MEREDITH (GEORGE). Modern Love, and 
Poems of the English Roadside, with Poems and Ballads. 
FIRST EDITION. 12mo, half brown levant morocco, uncut, 
by Carayon. London, 1862 


2258. MEREDITH (GEORGE). Rhoda Fleming, a Story. 
FIRST EDITION. 3 vols. 12mo, half red levant morocco, 
uncut, by Carayon. London, 1865 


2259. MEREDITH (GEORGE). The Shaving of Shag- 
pat, an Arabian Entertainment. A NEW EDITION. JF'ront- 
uprece. 12mo, half maroon levant morocco, uncut, by 
Carayon. London, 1865 

344 


Se eS ee ee ae 


—— a ee ee 


2260. MEREDITH (GEORGE). Vittoria. First EDI- 
TION. 3 vols. 12mo, half light brown levant morocco, un- 
cut, by Carayon. London, 1867 


2261. MEREDITH (GEORGE). The Adventures of 
Harry Richmond. FIRST EDITION. 3 vols. 12mo, half 
olive green levant morocco, uncut, by Carayon. 

London, 1871 


2262. MEREDITH (GEORGE). Beauchamp’s Career. 
FIRST EDITION. 3 vols. 12mo, half green levant morocco, 
uncut, by Carayon. London, 1876 


2263. MEREDITH (GEORGE). The Egoist: a Comedy 
in Narrative. FIRST EDITION. 3 vols. 12mo, half brown 
levant morocco, uncut, by Carayon. London, 1879 


2264. MEREDITH (GEORGE). The Tragic Comedians. 
A Study in a well-known Story. (Enlarged from the Fort- 
nightly Review.) FIRST EDITION. 2 vols. 12mo, half 
brown levant morocco, uncut, by Carayon. London, 1880 


2265. MEREDITH (GEORGE). Poems and Lyries of 
the Joys of Earth. First EDITION. 12mo, half brown 
levant morocco, uncut, by Carayon. London, 1883 


2266. MEREDITH (GEORGE). Diana of the Cross- 
ways. A Novel. First EDITION. 3 vols. 12mo, half blue 
levant morocco, uncut, by Carayon. London, 1885 


2267. MEREDITH (GEORGE). Ballads and Poems of 
Tragic Life. FIRST EDITION. 12mo, half brown levant 
morocco, uncut, by Carayon. London, 1887 


2268. MEREDITH (GEORGE). A Reading of Earth. 
FIRST EDITION. 12mo, half brown levant morocco, uncut, 
by Carayon. London, 1888 


2269. MEREDITH (GEORGE). One of Our Conquerors. 
FIRST EDITION. 3 vols. 12mo, half brown levant morocco, 
uncut, by Carayon. London, 1891 


2270. MEREDITH (GEORGE). Jump to Glory Jane. 
Edited by Harry Quilter. Designs by Lawrence Housman. 
FIRST EDITION. 12mo, original vellum gilt, gilt top, un- 
eut. Limited edition. London, 1892 


2271. MEREDITH (GEORGE). Poems. The Empty 
Purse; with Odes to the Comic Spirit; to Youth; in 
Memory and Verses. 12mo, half maroon levant morocco, 
uneut, by Carayon. London, 1892 


2272. MEREDITH (GEORGE). Lord Ormont and his 
Aminta. A Novel. FIRST EDITION. 38 vols. 12mo, half 
blue levant morocco, uncut, by Carayon. London, 1894 


345 


2273. MEREDITH (GEORGE). The Tale of Chloe; The 
House on the Beach; The Case of General Ople and Lady 
Camper. First EDITION. 12mo, half citron levant mo- 
rocco, uncut, by Carayon. London, 1894 


2214. MEREDITH (GEORGE). The Tale of Chloe, &c. 
First Epition. Portrait and view, on Japan paper. 8vo, 
half vellum, uncut. ; London, 1894 

* One of 250 copies on Large Paper... 


2275. MERIAN (MATTHIEU). Novum Testamentum 
D. N. Jesu Christi. Engraved title and 77 wllustrations. 
Oblong 8vo, maroon levant morocco gilt, doublure of brown 
levant, deep gilt borders, gilt edges, by David. 

Franckfort, 1627 


2276. MERIAN (MATTHIEU). La Danse des Morts, 
comme elle est dépeinte dans la louable et célébre ville de 
Basle, pour servir de miroir a la nature humaine. Text in 
French andGerman. 42 engravings by Chovin after Merian, 
WITH A DUPLICATE SET COLORED LIKE MINIATURES. 4to, red 
morocco, covered with emblems of death, vellum linings, 
gilt edges, by Leighton. Basel: Joh. Rud, 1744 


2277. [MERIMEE (PROSPER).] 1572. Chronique du 
temps de Charles IX. FIRST EDITION. 8vo, red levant mo- 
rocco, panelled back, sides in interlaced fillets, gilt over 


rough edges, original covers bound in, by Marius Michel. 
Paris, 1829 


2278. MERIMEE (PROSPER). Colomba. 8vo, brown 
straight-grain morocco, gilt back with monogram, gilt 
edges. Paris, 1841 


2279. MERIMEE (PROSPER). Chronique du Régne de 
Charles IX suivie de La Double Méprise, et de La Guzla. 
12mo, half red calf, gilt. Paris, 1842 


2280. MERIMEE (PROSPER). Histoire de Don Pédre, 
1°. Roi de Castille. FIRST EDITION. 8vo, half blue mo- 
roceo gilt, gilt top, uncut, original covers bound in, by 
Champs. Paris, 1848 


2281. MERIMEE (PROSPER). Nouvelles de Mérimée. 
La Mosaique avec des dessins de Aranda, de Beaumont, 
Bramtot, Le Blant, Merson, Myrbach, Sinibaldi gravés par 
Le Rat, Lalauze, Toussaint, Champollion, Géry-Bichard, 
Manesse, Em. Buland. Preface par Jules Lemaitre. Royal 
8vo, maroon levant morocco, tooled in foliage and filleted 
panels, gilt over rough edges, original covers bound in, by 
Marius Michel. Paris, 1887 

*One of 100 copies printed on Holland vellum paper, with 
portrait of the author and 7 etchings in 8 states. 


346 


2282. [MERIMEE (PROSPER).] An Author’s Love: 
being the unpublished letters of Prosper Mérimée’s ‘ In- 
connue.’ 12mo, cloth, uncut. London, 1889 


2283. MERIMEE (PROSPER). Columba. Soixante-trois 
compositions originales de Daniel Vierge gravées sur bois 
par Noel et Paillard. 8vo, green levant morocco, wide 
borders of scrolls with flowers and birds, and some tools in 
apple-green mosaic, light green silk linings, gilt over uncut 
edges, original covers bound in, by The Club Bindery. 

Paris, 1904 
* One of 50 copies on Japan paper, with a duplicate set of the 
woodcuts. 


2284. MERRYWEATHER (F. SOMNER). Glimmerings 
in the Dark; or, Lights and Shadows of the Olden Time. 
12mo, cloth, uncut. London, 1850 


2285. MESSAGER (JEAN). Les Emblemes d’Amovr 
Divin et Hvmain ensemble. Expliquez par des vers 
frangois. Parvn Pere Capucin. Hngraved title and 119 
plates by Messager. 4to, red straight-grain morocco, gilt 
borders, gilt edges, by Bozerian le jeune. Paris [ 1640? ] 


2286. MESSAGER (JEAN). Iesv Christi, Dei, Domini, 
Salvatoris Nri Infantia. Hngraved title and 12 copper-plates 
by Messager, depicting scenes in the infancy and youth of 
Christ. 4to, red levant morocco gilt, gilt edges, by David. 

[n. p.—n.d , 17th century | 


2287. METEYARD (ELIZA). The Lifeof Josiah Wedg- 
wood, from his private correspondence and family pa- 


pers. . . . Sketch of the Art of Pottery in England. FIRST 
EDITION. Numerous illustrations —2 in colors. 2 vols. 8vo, 
cloth, uncut. London, 1865-1866 


2288. METEYARD (ELIZA). Memorials of Wedgwood. 
A selection from his fine art works in plaques, medallions, 
figures, and other ornamental objects. With an introduc- 
tion, and descriptions of the objects delineated. Portrait, 
and 28 Plates. Folio, cloth, gilt edges. London, 1874 


2289. MEUNG (JEAN DE). Le Plaisant Iev dv Dode- 
chedron de Fortvne, non moins recreatif, que subtil & in- 
genieux: [composé par Jean de Meung]. Renouuellé & 
changé [par Fr. Gruget] de sa premiere edition. Wood- 
cuts and a large zodaical chart. Small 8vo, red levant mo- 


roceo gilt, gilt edges, by Trautz-Bauzonnet. 
Lyon: F. Didier, 1576 


2290. MEUNIER (VICTOR). Les Grandes Chasses. 
Deuxiéme édition. Ouvrage illustré de 38 vignettes par 
Lancon, Melville, etc. INDIA PAPER COPY. 12mo, half 
cloth, uncut. Paris, 1869 

347 


2291. MEURSIUS (JOANNES). Joannis Meursii, Ele- 
gantiz Latini Sermonis seu Aloisia Sigeea Toletana, de ar- 
eanis Amoris & Veneris, adjunctis Fragmentis quibusdam 
Eroticis. Hngraved frontispiece. 2 parts in 1 vol., 8vo, red 
levant morocco, richly tooled, introducing emblems of Love, 
gilt edges, by Chambolle-Duru. Ludg: Batavorum, 1757 


2292. MEYBAUM (JEAN HENRY). De Flagrorum Usu 
in Re Veneria, ete. 64mo, red morocco gilt, gilt edges. 

Londini, 1770 

2293. MICHEL (EMILE). Rembrandt; sa Vie, son Giuvre, 

et son Temps. With 343 illustrations. 4to, half red levant 

morocco, gilt top, uncut, original covers bound in, by 

David. Paris, 1893 


2294. MICHELET (JULES). Thérése et Marianne. Sou- 
venirs de Jeunesse. 11 etchings by V. Foulquier. 16mo, red 
straight- -grain morocco, gilt, uncut, original covers bound 


in, by Champs. Paris; 1891 
* One of 150 copies on Japan paper, with the illustrations in 
two states. 


2295. MIDDLETON (RICHARD). Epigrams and Sat- 
yres: Made by Richard Middleton, of Yorke, Gentleman. 
Small 4to, red levant morocco, uncut. London: Printed 
by Nicholas Okes for Ioseph Harison, 1608. |Rep. 1840 | 

* One of 40 copies reprinted from the unique copy in the 
Drummond library in Edinburgh, by John Payne Collier. 

2296. MIDDLETON (THOMAS). The Blacke Booke. 
Woodcut title on black ground. Small 4to, red levant morocco 
gilt, tooled in an old English design of gold compartments 
with brown inlays, doublure of red morocco, gilt edges, by 
The Club Bindery. (Portion of right margin of title sup- 
plied.) London: Printed by T. C., for Jeffrey Chorlton, 1604 


* First EDITION. Printed in Gothic type. From the libra- 
ries of George Steevens (with his autograph on verso of title), 
and James Bindley (with his bookplate). 


2297. MIDDLETON (THOMAS). Michaelmas Terme. 
As it hath been svndry times acted by the Children of 
Paules. Small 4to, red jlevant morocco, gilt back, gilt 
edges, by F. Bedford. (‘‘ Thomas Middleton” written on 
the title in a contemporary hand. Small piece lacking from 
the corner of sig. dq.) At London: Printed for A. I. 1607 

* First Epirion. The A. W. Griswold copy with his arms 
on the binding. 

2298. MIDDLETON (THOMAS). Your Five Gallants. 
As it hath beene often in Action at the Black-friers. Small 
4to, green levant morocco, gilt back, side panels, gilt edges, 
by R. de Coverly. 

Imprinted at London for Richard Bonian [1607] 
*First EDITION. EXCESSIVELY RARE. This play is probably 
‘‘Five Wittie Gallants”’; licensed March 22, 1607. 
348 


2299. MIDDLETON (THOMAS). A Mad World, my 
Masters. As it hath bin lately in Action by the Children 
of Paules. Small 4to, red levant morocco, gilt edges, by 
F. Bedford. (Repairs to title and first leaf.) 

London: Printed by H. B. for Walter Burre, 1608 
* FIRST EDITION. 


2300. MIDDLETON (THOMAS). The Inner-Temple 
Masque. Or Masqve of Heroes. Presented (as an Enter- 
tainment for many worthy Ladies:) By Gentlemen of the 
same Ancient and Noble Hovse. Small 4to, red levant mo- 
rocco gilt, Arms of A. W. Griswold on the sides, gilt edges, 
by F. Bedford. London: Printed for Iohn Brovvne, 1619 

* FIRST EDITION, with preliminary and final blank leaves. 
No copy in either the British Museum or the Dyce collection. 

2301. MIDDLETON (THOMAS). Honorable Entertain- 
ments, Compos’de for the Seruice of this Noble Cittie. 
Some of which were fashion’d for the Entertainment of the 
Lords of his Maiesties most Honorable Priuie Councell, vpon 
the Oceasion of their late Royall Employment. Inuented 
by Thomas Middlevon. 12mo, red levant morocco gilt, 
gilt edges, in a brown levant morocco ease, by Lortic. With 
the blank leaf at end. (Top of title re-margined. ) 


Imprinted at London by G. E., 1621 
* APPARENTLY THE ONLY KNOWN COPY, no edition being re- 
corded in any bibliography. 

2302. MIDDLETON (THOMAS) and ROWLEY (WIL- 
LIAM). A Faire Quarrell. VVith new Additions of M. 
Chaughs and Trimtrams Roaring, and the Bauds Song. As 
it was Acted before the King, by the Prince his Highnesse 
Seruants. Woodcut of a duel on title. Small 4to, red levant 
morocco, gilt back and edges, by Bedford. 

Printed at London by A. M. for Thomas Dewe, 1622 
* THIRD EDITION. The A. W. Griswold copy, with his arms. 


2303. MIDDLETON (THOMAS). A Game at Chesse. 
As it was Acted nine Dayes together at the Globe on the 
Bank side. Small 4to, brown levant morocco, side panels 
of interlaced fillets, gilt edges by Riviére. (Slight repairs 


- to corners of title and prologue. ) n.p. Printed 1625 

* THE EXTREMELY RARE First ISSUE, OF WHICH ONLY ONE 
OTHER COPY IS KNOWN—that in the University Library at Cam- 
bridge. The title of this issue has an eighteen-line poem 
beneath the heading, but no engraving was issued with it, 
The play is political and directed against Spain; Gondomar. 
the Spanish Ambassador (who was responsible for the execu- 
tion of Raleigh), being one of the characters, thinly disguised. 
The performance attracted so much attention that Gondomar 
protested, and in consequence the play was stopped and the 


players heavily fined. 
349 


2304. MIDDLETON (THOMAS). A Game at Chess as 
it was Acted nine days to gether at the Globe on the banks 
side. Hngraved title in two compartments. Small 4to, red 
levant morocco, gilt back, gilt top, uncut, by F. Bedford. 
(Engraved title cut down and backed, and explanatory leaf 
re-margined and repaired, and a few corners in text re- 
paired.) _ Sine nota 

* PROBABLY THE THIRD ISSUE. - EXTREMELY RARE, THE 
BRITISH MUSEUM POSSESSING ONLY A FRAGMENT, ALTHOUGH 
THERE IS A COMPLETE COPY IN THE DYCE COLLECTION. The 
A. W. Griswold copy, with arms on the binding. 


2305. MIDDLETON (THOMAS). A Game at Chesse as. 
It hath bine sundrey times Acted at The Globe on the 
Baneck side. Hngraved title. Small 4to, brown levant mo- 
rocco, gilt back, gilt edges, by F. Bedford. (Front edge of 
title-page re-margined. ) 

Ghedruckt in Lydden by Ian Masse, [n. d. | 
* THE FourTH IssuE, The engraved title differs from those 
in the preceding issues, 


2306. MIDDLETON (THOMAS). The Phoenix, as it 
hath beene Sundrie times Acted, by the Children of Paules. 
And presented before his Maiestie. 12mo, red levant mo- 
rocco gilt, gilt edges, by David. (Slight repair to the title.) 

London: Printed by T. H. for R. Meighen, 1630 


* SECOND EDITION. The Duke of Roxburgh’s copy with his 
arms stamped on back of title. 


2307. MIDDLETON (THOMAS) and ROWLEY 
(WILLIAM). The Changeling: As it was Acted (with 
great Applause) at the Privat house in Drury-Lane, and 
Salisbury Court. Never Printed before. Small 4to, red 
levant morocco, gilt sides and back, gilt edges, by F. Bed- 
ford. - London: Printed for Humphrey Moseley, 1653 

Pte EDITION. The John Delaware Lewis copy with ex- 
1pTr1s. 


2308. MIDDLETON (THOMAS). No Wit (Help) likea 
Womans. A Comedy. Hngraved portrait by Cross. 12mo, 
maroon levant morocco, gilt edges, by Riviére. (The auto- 
graph of ‘‘ W. H. Smith” on title and marginal writing on 
pp. 48-49.) London: Printed for Humphrey Moseley, 1657 


* First EDITION. The portrait by Cross is the extremeiy 
rare original, and the only portrait of the poet. There are 
late copies of it by Richardson and others. 


2309. MIDDLETON (THOMAS). The Mayor of Quin- 
borough: a comedy. As it hath been often Acted with 
much Applause at Black-Fryars, By His Majesties Ser- 
vants. Small 4to, brown levant morocco, gilt back, gilt 
edges, by Zaehnsdorf. 

London: Printed for Henry Herringman, 1661 
* FIRST EDITION, 
390 


2310. MIDDLETON (THOMAS) AND ROWLEY 
(WILLIAM). The Spanish Gipsie. As it was Acted 
(with great Applause) at the Private House in Drvry Lane, 
and Salisbvry Covrt. THE SECOND IMPRESSION. Small 
4to, calf, gilt back and edges, by W. Pratt. (Title and 
final leaf slightly shorter and some headlines shaved.) 

London: Printed by T. C. and L. P. for Robert Crofts, 
1661. 


2311. MIDDLETON (THOMAS). Any Thing fora Quiet 
Life. A Comedy, Formerly Acted at Black-Fryers, by His 
late Majesties Servants. Never before Printed. FIRST 
EDITION. Small 4to, green levant morocco gilt, gilt edges, 
by The Club Bindery. (Small repair to inner margin of 
last leaf.) 

London: Printed by Tho. Johnson for Francis Kirkman, 
and Henry Marsh, 1662. 


2312. MIDDLETON (THOMAS). The Counterfeit Bride- 
groom: or, the Defeated Widow. A Comedy, as it is Acted 
at His Royal Highness, The Duke’s Theatre. Small 4to, 
half russia. London: Printed for Langley Curtiss, 1677 


* This is Middleton’s ‘‘No Wit, no Help like a Woman’s” 
altered and printed with a new title. 


2313. MIDDLETON (THOMAS). A _ Tragi-Coomodie, 
called The Witch; Long since acted by His Maties Servants 
at the Black-Friers. 8vo, red levant morocco, Gasconesque 
borders on the sides, gilt edges, by Zaehnsdortf. 

[London: Printed by J. Nichols, 1778] 


* FIRST EDITION. From the original manuscript formerly in 
the possession of George Steevens; 104 copies were printed by 
Isaac Reed for distribution as presents to his friends. 


2314. MIGNATY (MARGUERITE ALBANA). Le Cor- 
rége sa vie et son ceuvre avec une introduction sur le déve- 
loppement de la culture italienne et sur le génie de la Re- 


naissance. Avec deux photographies. 8vo, original cover, 
uncut. Paris, 1881 


2315. MIGNOT DE BUSSY (L’ABBE). Lettres sur 
)’Origine de la Noblesse Francoise, Et sur la maniére dont 
elle s’est conservée jusqu’a nos jours. 8vo, old green mo- 
rocco, gilt back, THE ARMS OF THE ABBE LE DOUARAIN on 
the sides, gilt edges, by Derome. Lyon: J. dela Ville, 1763 

*The arms mentioned by Guigard in his Armorial du Bib- 
liophile, Volume I, page 308, are from the particular example 
* here described. 


2316. MILLINGEN (J. V.).  Peintures Antiques et 
Inédites de Vases Grees. Tirées de Diverses Collections. 
Rome, 1813. Peintures antiques, &. de la Collection de 
Sir John Coghill, 1817. Wiuth 102 full-page plates. Two 
parts in 1 vol. Large folio, red levant morocco, gilt bor- 
ders, gilt edges, by Chambolle-Duru. Rome, 1813-17 


dol 


2317. MILTON (JOHN). Poems of Mr. John Milton 
both English and Latin. Compos’d at several times. 
Printed by his true Copies. Portrait by Marshall. 12mo, 
dark blue straight-grain morocco gilt, doublure of crimson 
levant, gilt borders, gilt edges, in morocco solander case, 
by Ruban. (A few leaves shaved close by binder.) 


London: Ruth Raworth for Humphrey Moseley, 1645 
* FIRST EDITION. 


2318. MILTON (JOHN). Paradise Lost. A Poem Writ- 
ten in Ten Books By John Milton. Small 4to, ORIGINAL 
CALF, WITH THE ORIGINAL FLY-LEAVES, in brown levant 
morocco case. 

London Printed, and are to be sold by Peter Parker under 
Creed Church neer Aldgate; And by Robert Boulter at the 
Turks Head in Bishopsgate-street; And Matthas Walker, 
under St. Dunstons Church in F'leet-street, 1667. 

* THE EXCEEDINGLY RARE FIRST ISSUE OF THE FIRST EDITION, 
WITH THE TITLE PAGE IN ITS FIRST STATE, AND THE ORIGINAL 
BINDING IN REMARKABLE CONDITION, 

[See Reproduction. | 


2319. MILTON (JOHN). Paradise Lost. A Poem in ten 
books. The Author John Milton. Small 4to, red levant 
morocco gilt, gilt edges, some uncut, by F. Bedford. 

London: Printed by 8S. Simmons and are to be sold by 
T. Helder, &c., 1669. 

* FIRST EDITION, SEVENTH TITLE-PAGE. Tall copy, measuring 
74x 5Y in. 

2320. MILTON (JOHN). Paradise Regain’d. A Poem. 
In IV Books. To which is added Samson Agonistes. The 
Author John Milton. 8vo, old blue straight-grain morocco, 
gilt edges. London: Printed by J. M. for John Starkey, 1671 

* FIRST EDITION. Portrait of Milton inserted. 


2321. MILTON (JOHN). Paradise Lost. A Poem in 
Twelve Books. THE FouRTH EDITION. 12 plates, includ- 
ing a portrait of Milton. Folio, red levant morocco gilt, 
gilt edges, by Chambolle-Duru. 

London: Printed by Miles Flesher, 1688 


* LARGE PAPER COPY OF THE FIRST ILLUSTRATED EDITION. 
Published by subscription under the patronage of Lord.Som- 
mers and Bishop Atterbury. Affixed is a list of more than 500 
Subscribers, among whom are all the most distinguished char- 
acters of that period. 


2322. MILTON (JOHN). Paradise. Regained. Samson 
Agonistes, Comus, and Arcades. 10 engravings after West- 
all’s designs. LARGE PAPER COPY. 12mo, red levant mo- 
rocco gilt, gilt top, uncut, by Joly. London, 1823 

352 


|POEM 


|rex soon: 
|| By foHN MILTON. — 


: ms cL -Eicenfed and Entred according 3 
pe . . —to Order. ie 


(lo ND ON 38 
Printed, and are tobe foldby Peter Parker 


under Creed Church neer Aldgate; And by 


Robert Boulter at the Turks Head in Bifbop/cate-freet - 
And Matthias Walker , under St. pantie cee : 
a in Fleet-flreet, 1667, | 


E 
5 , 


‘¢ PARADISE LOST.’’ FIRST ISSUE, FIRST TITLE-PAGE. 
(See No. 2318.) 


2323. MIRACLE des Nostre Dame de la Marquise de la 
Guadine. With 2 woodcuts. Small 4to, red levant morocco, 
center ornaments, by Capé. Paris, 1841 


* PRINTED ON VELLUM. Facsimile, in Gothic characters. 


2324. MIRROR FOR MAGISTRATES. The Seconde 
part of the Mirrour for Magistrates, conteining the falles 
of the infortunate Princes of this Lande. From the Con- 
quest of Cesar, vnto the commyng of Duke William the 
Conquerour. 4to, russia, gilt fillets, gilt edges (blank cor- 
ners of several leaves supplied). 

[London]: Richard Webster, 1578 
* FIRST AND ONLY SEPARATE EDITION OF THIS PART; printed 


in gothic type. The legends are twelve in number and were 
written entirely by Thomas Blener-Hasset. 


2325. MIRROR FOR MAGISTRATES. The Mirour for 
Magistrates, wherein may be seene, by examples passed in 
this Realme, with how greeuous plagues vices are punished 
in great Princes and Magistrates, and how fraile and vn- 
stable worldly prosperity is found, where Fortune seemeth 
most highly to fauour: Newly imprinted, and with the ad- 
dition of diuers Tragedies enlarged. (Gothic type. Ato, 
green straight-grain morocco. London: Henry Marsh, 1587 

* This edition combines the parts edited by Baldwin and the 


portion written by Higgins in one volume, together with 
twenty-nine additional legends, making seventy- -four in all. 


2326. MIRROR OF POLICY. The Mirrovr of Policie. A 
Worke nolesse profitable than necessarie, for all Magis- 
trates, and Gouernours of Estates and Commonweales. 
With one folding plate and numerous woodcuts. Small 4to, 
green straight-grain morocco gilt, gilt edges, by C. Lewis. 

London: Printed by Adam Islip, 1599 


* SECOND EDITION of this curious work, probably rarer than 
the first, which was published several years earlier. 


2327. MOERMAN (JAN). Apologi Creaturarum G. de 
Jode excu. 1584. Engraved title and 64 plates by G. de Jode. 
4to, russia, blind-tooled fillets, emblematic ornament, red 
edges. [Antverpie]: Plantin, 1584 


2328. MOLIERE (JEAN BAPTISTE POQUELIN DE). 
Sganarelle, ou Le Cocu Imaginaire. Comédie. Avec les 
Argumens de chaque Scéne. 16mo, red levant morocco gilt, 
giltedges, by Capé. 

Suivant la Copie imprimée A Paris [Amsterdam, A. 
Wolfgang], 1662. 


* From the A. Firmin-Didot collection. Bound with it is 
‘La Cocué Imaginaire,” par Donneau de Visé. 


353: 


2329. MOLIERE (JEAN BAPTISTE POQUELIN DE). 
(Euvres de Moliére [avec Mémoires sur sa vie & ses 
ouvrages|. NOUVELLE EDITION. Portrait and 38 plates en- 
graved by Punt after designs by Boucher. 8 vols. 12mo, 
old blue morocco, red silk linings, gilt edges. 

Paris: David l’ainé, 1739 


* Wrom Bibliotheca Tao Maat with label. 


2330. MOLIERE (JEAN BAPTISTE POQUELIN DE). 
Qfuvres complétes . . . avec les variantes. Nouvelle édi- 
tion. Portraits by F. Lignon, after Fragonard, and Pour- 
voyeur after Coypel (proof on India paper), and 18 other 
plates by Bein, Adam, Leroux and others, after Alexandre 
Desenne. Royal 8vo, antique red ealf, gilt fillets and 
ornaments, gilt edges, by Thouvenin. Paris, 1824 


2331. MOLIERE (JEAN BAPTISTE POQUELIN DBE). 
(uvres complétes. Portrait by Fiquet, after Coypel, proof 
on India paper, and 30 vignettes by Thompson, after De- 
veria. Royal 8vo, maroon straight-grain morocco, gilt and 


blind-tooled sides, uncut, by Thouvenin. Paris, 1826 
* PRINTED ON INDIA PAPER. From the Pixérécourt Col- 
lection. 


2332. MOLIERE (JEAN BAPTISTE POQUELIN DE). 
The Dramatic Works of Moliere, rendered into English by 
Henri Van Laun, with a prefatory memoir, introductory 
notices, appendices and notes. Numerous etchings by 
Lalauze on India paper. LARGE PAPER COPY. 6 vols. 
royal 8vo, cloth, uncut. Edinburgh, 1875 


2333. MOLIERE (JEAN BAPTISTE POQUELIN DBE). 
Théatre complet. Publié par D. Jouaust, préface par 
M. D. Nisard. Dessins de Louis Leloir. Gravées a l’eau- 
forte par Flemeng. 8 vols. 4to, red levant morocco, gilt 
side panels, gilt over rough ene) original covers bound 
in, by David. Paris, 1876-83 


* One of 100. copies on papier vergé. Extra-illustrated with 
more than 200 engravings, including a series of 33 plates by 
De Mare, signed proofs on Japan paper; 25 plates by Teysson- 
nieres, Lalauze, &c. In addition to which there are 14 por- 
traits, some proofs. 


2334. MOLITOR (ULRICUS). De laniis et phitonicis 
mulieribus. Gothic characters. 28 unnumbered leaves (in- 
cluding last blank), with signatures; 35 lines to the page. 
7 full-page woodcuts wlustrating scenes of witchcraft. 4to, 
brown levant morocco gilt, gilt edges, by F. Bedford. 


[Strassburg: Martin Flach, ca. 1490] 
* VERY RARE. The John Delaware Lewis copy, with book- 
plate. Hain-Copinger, 11536; Proctor, 720. 


304 


iN 


tN 


MONSTRELET’S CHRONICLES. FULL-PAGE MINIATURE. VOL. I. 
(See No. 2344.) 


2335. MONARDES (N.). Joyfvll Newes out of the new- 
found world, wherein are declared the rare and singular 
vertues of diuers and sundrie Herbs, Trees, Oyles, Plants, 
& Stones, with their applications, aswell to the vse of 
Phisicke, as Chirurgery: which being wel applied, bring 
such present remedy for all diseases, as may seeme alto- 
gether incredible: notwithstanding by practize found out, 
to be true. Also the portrature of the sayde Herbes, very 
aptly described: Englished by Iohn Frampton Merchant 
Newly corrected as by conference with the olde copies may 
appeare. Title within ornamental woodcut border and 
woodcuts in the text. Ato, brown levant morocco gilt, gilt 
edges, by Bedford. 

Imprinted at London, in Paules Churchyerd by William 
Norton, 1580. 


* VERY TALL COPY OF THE SECOND ENGLISH EDITION, con- 
siderably enlarged, containing three new books after fo. 110, 
each with separate title. There were two issues of this edi- 
tion, of which this one has the pagination after fo. 162 cor- 
rectly numbered (except 174, which is numbered 166). 


2336. MONCRIF (FRANCOIS A. P. DE). Les Chats. 
With 9 plates engraved by the Comte de Caylus, after Ch. 
Coypel; a leaf of pedigree and a vignette. FIRST EDITION. 


8vo, brown levant morocco gilt, gilt edges, by Joly. 
Paris: G. F. Quillau, 1727 


2337. MONCRIF (FRANCOIS A. P. DE). Cé£uvres de 
Monsieur de Monerif. Lecteur dela Reine. Portrait, en- 
graved titles, four plates and 45 plates of music. 3 vols- 
12mo, green levant morocco, gilt borders, gilt edges, by 
Bauzonnet. Paris, 1751 


2338. MONCRIF (FRANCOIS A. P. DE—Editor). Choix 
de Chansons, a commencer de celles du Comte de Cham- 
pagne, Roi de Navarre, jusque & compris celles de quelques 


Poétes vivans. ... NOUVELLE EDITION. 12mo, old red 
morocco, richly gilt, gilt linings, gilt edges. In blue levant 
morocco case. [Paris] 1757 


* PRINTED ON VELLUM. 


2339. MONNIER (ANTOINE). LEaux-fortes et Réves 
Creux. Sonnets Excentriques et Poemes Etranges. 16 
engravings and numerous woodculs. Royal 8vo, original 
covers, uncut. Paris, 1873 

* One of 250 copies on papier vélin. 


2340. MONNIER (ANTOINE). Le Haschisch; Contes 
en Prose, Sonnets et Poémes Fantaisistes. Illustrés de 30 
eaux-fortes, texte et gravures, par A. Monnier. 4to, half 
green levant morocco, uncut, original covers: bound in, by 
Carayon. Paris, 1877 


* One of 340 copies on papier vélin. 
355 


2341. MONNIER (ANTOINE). Eve et ses Incarnations: 
Sonnets & Eaux-Fortes. Avec préface par Tony Révillon 
et prologue par Prosper Blanchemain. Wzth each of the 
twelve etchings in four states, plain on vellum and on Japan 
paper, proofs before imprint, plain on Indta paper, and 
bistre on vellum paper, proofs after imprint. Royal 8vo, 
blue levant morocco gilt, gilt edges, by Masson-Debonnelle. 

* ONE OF 4 COPIES PRINTED ON. VELLUM. Paris, 1878 


2342. MONNIER (HENRY BONAVENTURE). Scenes 
Populaires dessinées ala plume. Woodcut illustrations by 


Monmer. 8vo, half green morocco gilt, gilt top, uncut. 
; Paris, 1864 


2343. MONNIER (HENRY BONAVENTURE). Les 
Bas Fonds de la Société. Avec un frontispice du lundi 
dessiné et gravé par S. P. Y. R. 12mo, orange levant mo- 
rocco gilt, gilt top, unent, by Chambolle-Duru. 

Paris: J. Claye, 1866 


* One of 10 copies on Holland paper. : 


2344. MONSTRELET (ENGUERRAND DE). Le premier 
[le second, le tiers] volume de enguerran de monstrellet, 
ensuiyuant froissart qagueres imprimes a Paris des 
croniques de France, dangleterre, descoce, despaigne, de 
Bretaigne, de gascongne, de flandres. Et lieux circonuoi- 
sins. Lettres bdtardes, double columns; 48-44 lines. Him- 
bellished with 6 FULL-PAGE MINIATURES, 159 SMALL ONES 
and 2 floral borders in gold.and colors. 3 vols. in 2, folio, 
dark green levant morocco, mosaic compartments with 
horns of plenty, and rosettes of red and blue morocco, the 
latter having fleurs-de-lys in citron mosaic, all richly tooled 
and gilt with leaf sprays of oak and laurel, arabesques, 
etc., in the manner of the Eves, the arms of France inlaid 
on the covers; doublures of red morocco covered with a 
semis of fleurs-de-lys, silk linings, gauffred gilt edges, in 
levant morocco slip cases, by Lortic. [Signat. x 3 of 
volume I in perfect facsimile by Pilinski. | 

Imprimez a Paris pour Anthoine Verard demourant a 
Paris deuant la rue neufue nostre dame [1503]. 


* PRINTED ON VELLUM. SECOND ISSUE (see Macfarlane, An- 
toine Vérard, no. 176). The bindings are not only very rich, 
and probably the best specimens of Lortic’s skill and taste, 
BUT ALSO THE ONLY ONES EXECUTED BY HIM 1N THIS STYLE. 
They were exhibited in the Exposition Universelle of 1878. 
The A. Firmin-Didot copy, mentioned by Brunet. 


[See Reproductions of Miniature and Binding. } 
356 


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CCC EU EVES TET EES TREC 


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PRINT 


1503, 


S CHRONICLES, 


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STRELET 


Mon 


(See No. 2344.) 


2345. MONTAGU (BASIL). Selections from the Works 
of Taylor, Latimer, Hall, Milton, Barrow, South, Brown, 
Fuller and Bacon. Small 8vo, brown levant morocco, blind 
tooled, gilt edges. London: William Pickering, 1839 


* ONE OF TWO COPIES PRINTED ON VELLUM. 


2346. [MONTAGUE (CHARLES). | An Epistle to the 
Right Honourable Charles Earl of Dorset and Middlesex. 
Folio, half blue morocco. London, 1690 

* With two other works: An Ode on the Death of Mr. 
Pelham, 1754; and, H—ss—y to Sir C—— H—— W——s; or 
the Rural Reflection of a Welch Poet, London, 1746. 


2347, MONTAIGNE (MICHEL DE). Essais de Messire 
Michel Seigneur de Montaigne, Chevalier de lordre du 
Roy, & Gentil-homme ordinaire de sa Chambre. Livre 
premier et second. 2 vols. 8vo, blue levant morocco, gilt 
borders, gilt backs and edges, by Chambolle-Duru. 

Bourdeaus, par 8. Millanges, 1580 


* FIRST EDITION OF THE FIRST TWO BOOKS OF MONTAIGNE’S. 
Essays. A LARGE COPY OF A RARE BOOK. 


2348. MONTAIGNE (MICHEL DE). Essais de Michel 
Seigneur de Montaigne. Cinquiesme [quatriéme]| édition, 
augmentée d’un troisiesme livre: et de six cens additions 
aux deux premier. Hngraved title. 4to, red levant mo- 
rocco gilt; doublure of the same with dentelle borders, 
gilt edges, by Trautz-Bauzonnet. 

Paris: chez Abel l’Angelier, 1588 


' *First EpIrrion to contain the third book of the Essais, A 
large copy with the frontispiece intact. The Privilege is dated 
June 12. 


2349. MONTAIGNE (MICHEL DE). Les Essais de 
Michel Seignevr de Montaigne. Edition Novvelle, trovvée 
apres le deceds de l’Autheur, reueué & augmentée par luy 
d’un tiers plus qu’aux precedentes Impressions. Small folio, 
red levant morocco, back and sides ornamented with inter- 
lacing leaf-sprays, doublure of red morocco, by Cuzin. 

Paris: Abel l’Angelier, 1595 


* THE FIRST DEFINITIVE EDITION. A REMARKABLY TALL COPY 
oF MONTAIGNE’S Essays, containing the additions found in 
manuscript after his death in his own copy. With the address 
to the reader on the last leaf of the table, omitted in many 
copies of this edition. Edited by Montaigne’s adopted daughter, 
Mlle, de Gournay. (Height 342 mm.). 


2350. MONTAIGNE (MICHEL DE). Essais de Michel 
de Montaigne. Nouvelle édition. Portrait. 5 vols. 8vo, 
half red morocco, gilt tops, uncut. Paris, 1818 

* This copy is on papier vélin. 
307 


2351. MONTALBODDO (FRACANZIO DI). Paesi noua- 
mente ritrouati et Nouo Mondo da Alberico Uesputio floren- 
tino intitulato. Woodcut on title. 4to, brown levant mo- 
rocco, gilt panels, blind tooled borders, gilt edges, by 
Chambolle-Duru. 

Milano, con la impensa de Io. Iacobo & fratelli da 
Lignano: & diligente cura & industria de Joanne Angelo 


Seinzenzeler, 1512. 
* A RARE EDITION OF THE FIRST COLLECTION OF VOYAGES 
EVER COMPILED. Harrisse, B. A. V., no. 70. 


2352. MONTAUBAN (JACQUES P. DE). Les Charmes 
de Felicie, tires de la Diane de Montemaior. Pastorale. 
Woodcut on title. 16mo, red levant morocco, WITH THE 
ARMS OF COMTE JOSEPH DE LAGONDIE, gilt edges, original 


marbled- -paper wrappers bound in, by Cuzin. 
Paris [Hollande]: 1657 


2353. MONTAUSIER (CHARLES DESAINTE MAURE, 
MARQUIS DE). La Guirlande de Julie, offerte a Me. de 
Rambouillet, Julie-Lucine d’Angenes. 8vo, red straight- 
grain morocco, gilt borders, silk linings, gilt edges, by 
Kalthoeber. Paris, 1784 


* Printed on large vellum. From the library of J. J. de Bure. 


2354. MONTBRUN (MARQUIS DE). Memoires. Por- 
trait and 10 plates. 12mo, blue levant morocco gilt, gilt 
edges, by Bauzonnet-Trautz. From the library of Comte 
Henri de La Bédoyére. Amsterdam, 1701 


2355. MONTENAY (GEORGETTE DE). Emblematum 
Christianorum Centuria, cum latina interpretatione (in 
French and in Latin). Portrait and 100 emblematic copper- 
engravings by Pierre Woeiriot. 4to, red levant morocco, 
gilt panels, gilt edges, by Bedford. (Last blank(?) missing. ) 

Tiguri: apud Christophorum Froschoverum, 1584 


2356. MONTESQUIEU (CHARLES DE SECONDAT, 
BARON DE). Lettres Persanes. Two vols. inl. Small 12mo, 
red levant morocco, gilt edges, by Cuzin. Cologne, 1721 

* From the Genard collection. 


2357. MONTESQUIEU (CHARLES DE SECONDAT, 
BARON DE). Le Temple de Gnide. NOUVELLE EDITION, 
avee figures. Hngraved throughout. Frontispiece with 
medallion portrait of Montesquieu, title, a vignette with the 
arms of England and 9 fine plates, all brilliant impressions, 
engraved by Le Mire after Hisen. 4to, old French red 
moroceo, large dentelle borders, gilt back and inside bor- 

ders, gilt edges, by Padeloup, in a morocco slip ease. 
3 Paris: chez Le Mire, 1772 
* From the Quentin Bauchart, Georges Danyau and Hilaire 
Gresy collections, with bookplates, 


358 


2358. MONTESQUIEU (CHARLES DE SECONDAT, | 
BARON DE). Le Temple de Gnide. Nouvelle édition. 
Frontispiece with medallion portrait of Montesquieu, and 
plates engraved by Lemire after Hisen. 8vo, red levant 
morocco, broad dentelle borders on the sides in the manner 
of Derome, gilt edges, by All. Paris, 1772 

* EXTRA-ILLUSTRATED by the insertion of 50 plates, including 


portraits of Montesquieu, and the series by Monnet, Desrais and 
Regnault, some of the plates proofs before letters on India paper. 


2359. MONTESQUIEU (CHARLES DE SECONDAT, 
BARON DE). Le Temple de Gnide, suivi d’Arsace et 
Isménie. Par Montesquieu. Portrait and 7 plates in colors 
after P. Peyron. Ato, light green levant morocco, gilt and 
inlaid back, side borders inlaid with dark green morocco, 
gilt scrolls and emblematic tooling, doublure of green 
levant, gilt borders, gilt edges, by The Club Bindery. 

Paris, 1796 


* LARGE VELLUM PAPER COPY, 100 printed. Extra-illustrated 
with 5 portraits and 16 views, most of them proofs, one in colors, 


2360. MONTESQUIEU (CHARLES DE SECONDAT, 
BARON DE). (é£uvres; ses Eloges par d’Alembert et M. 
Villemain, les notes d’Helvétius, de Condoreet et de Vol- 
taire. Portrait by H. C. Muller, after Deveria. 8 vols. 
royal 8vo, half morocco gilt, uncut. Paris, 1822 


* Printed on large papier vélin. 


2361. MONTFAUCON (B. DE). L’Antiquité expliquée 
et representée en figures, 10 vols., 1722; Supplement, d vols., 
1724. Upwards of 1,000 copper-plates, illustrative of the life 
and customs of the ancients, as represented on the existing 
monuments.—Monumens de la Monarchie Frangoise, qui 
comprennent histoire de France. Upwards of 300 beautiful 
copper-plates, depicting the principal events and personages 
of France, from historical monuments in the castles and 
churches, many of them now destroyed or decayed, including 
costume, works of art of a period of several centuries, etc. 
5 vols., 1729-33. Together, 20 vols. folio, red levant mo- 
rocco gilt, gilt edges, by Niédrée. Paris, 1722-33 


2362. MONTLUC (BLAISE DE). Commentaires, ot sont 
descrits les combats, rencontres, escarmouches, batailles, 
sieges... de villes et places fortes, deffences des assaillies 
& assiegées, avec plusieurs autres faictes de guerre... 
esquels ce grand & renommé guerrier s'est retrouvé durant 
cinguant cing ans, etc. 2 vols. in one. 8vo, red levant 
morocco, gilt edges, by Trautz-Bauzonnet. 

Lyon: pour Loys Clesinet, 1593 


309 


2363. MONTPENSIER (PHILIPPE LOUIS D’ORLEANS, 
DUC DE). Relation de la Captivité de 8S. A. S. M&™ le Due 
de Montpensier pendant les années 1793, 1794, 1795, et 
1796, écrite parlui méme. 8vo, blue straight-grain morocco, 
richly finished in gold and blind-tooling, dentelle borders 
inside, blue moiré silk linings, gilt edges. Twickenham, 1816 


* Edited by the Duc d’Orléans, brother of Montpensier, and 
printed by the valet-de-chambre of the former. 


2364. MONTPENSIER (PHILIPPE LOUIS D’ORLEANS, 
DUC DE). Mémoires du Duc de Montpensier, Prince du 
Sang. Portrait, designed by himself, engraved by Dupont. 
4to, red straight-grain morocco, richly tooled, and with 
THE CROWN AND INITIALS OF LOUIS PHILIPPE within a 
wreath on each cover, gilt edges. Paris, 1837 

* A fine specimen of binding from the library of Louis 
Philippe, 1773-1850. 


2365. MONTREUX (NICOLAS DE). Les chastes et 
delectables Jardins d’Amour. Semez de divers discours & 
histoires amoureuses. Par Olenix du Mont-Sacre gentil- 
homme du Maine. 12mo, red levant morocco, gilt edges, 
by Thibaron. Paris: Adrian Perier, 1599 

* With the preliminary blanks *5, *6. 


2366. MOORE (THOMAS). [Songs in Thomas Moore’s 
autograph.| Oblong 8vo, red morocco, gilt edges. 

* FIFTEEN SHEETS OF MUSICAL SCORE, containing Moore’s 
twelve ‘‘ Legendary Ballads,” in part, set to music by Bishop, 
May 10, 15, and 22, 1828, WITH THE TEXT IN MOORE'S HAND- 
WRITING. The poems are The Voice, called in manuscript, The 
Legend of the Voice, 3 out of 7 stanzas; Cupid and Psyche, 
without title, 8 stanzas; Hero and Leander, called the Legend 
of Hero and Leander, 2 out of 3 stanzas; The Leaf and the 
Fountain, 5 stanzas; Cephalus and Procris, called The Hunter, 
3 stanzas; The Indian Boat, 2 out of 3 stanzas; Youth and Age, 
without title, 3 out of 4 stanzas; The Dying Warrior, without 
title, 5 stanzas; The Magic Mirror, called The Legend of the 
Mirror, 6 out of 8 stanzas; The Pilgrim, without title, 4 stanzas; 
The High born Ladye, 8 stanzas without musical score on a 
separate sheet, with a note by Moore; and The Stranger, called 
The heart-wounded Stranger, 5 stanzas of score, and 3 on a 
separate sheet of paper. 

The variations between the manuscript and printed text are 
numerous, e.g., in The Voice, ‘soft as in hours of delight long 
ago” is printed (Poetical Works, 1841) ‘‘soft as in moments of 
bliss long ago,” ‘‘’twas in vain She tried to forget it ” is printed 
‘*’twas in vain To chase the illusion.” 


2367. MOORE (THOMAS). Lalla Rookh, An Oriental 
Romance. SECOND EDITION. (No plates.) 4to, blue straight- 
grain morocco, blind and gilt tooled in borders and panels, 
centre and corner ornaments of dots and other small tools, 
inside olive morocco panels, gilt-tooled in centre and 
corners, border of blue morocco with wide gilt tooling, gilt. 


edges, by Thouvenin. London, 1817 
360 


2368. MOORE (THOMAS). The Epicurean, a Tale. 
Vignette illustrations by J. M. W. Turner; and Alciphron, 
a Poem. 12mo, half brown levant morocco, gilt top, un- 
cut, by Krafft. London, 1839 


2369. MOORE (THOMAS). Irish Melodies. 161 de- 
signs by Maclise and the letter-press engraved on steel by 
E.. P. Becker. 4to, boards, uncut. London, 1846 


2370. MOORE (THOMAS). Memoirs, Journal and Cor- 
respondence. Edited by Lord John Russell. 16 portraits 
and views. 8 vols. 12mo, cloth, uncut. London, 1853-56 


2371. MOORE (THOMAS). Lalla Rookh: an Oriental 
Romance. 69 allustrations from original drawings by John 
Tenniel, engraved on wood by the Brothers Dalziel; and 5 
ornamental pages of Persian design by T. Sulman Jun. 
New Edition. 4to, green levant morocco gilt, centre orna- 
ment of Persian design, gilt edges, by Riviére. London, 1872 


2372. MOORE (SIR THOMAS). Mangora, King of the 
Timbusians; or the Faithful Couple. A Tragedy. FIRST 
EDITION. Small 4to, green levant morocco, Mosaic orna- 
ment in centre, small corner ornaments, Mosaic roses on 
back, dentelle borders, gilt edges, by Zaehnsdorf. 

London: Printed for W. Harvey, 1718 


2373. MORAES (FRANCISCO DE). Palmerin of Eng- 
land, corrected by Robert Southey, from the Portuguese. 
4 vols. 12mo, tree calf, gilt, by Riviére. London, 1807 


2374. MORE (CRESACRE). The Life of Sir Thomas 
More, by his great-grandson, Cresacre More. With a bio- 
graphical preface, notes, and other illustrations, by the 
Rev. Joseph Hunter, F.S.A. Portrait on India paper. 
8vo, russia blind tooled, gilt top, uncut, by Clyde. 

London, 1828 


* ONE OF 12 COPIES ON LARGE PAPER. It has not the can- 
celled title nor the print of More’s family. 


2375. MORE (HANNAH). Percy, a Tragedy. As it is 
acted at the Theatre-Royal in Covent-Garden. 8vo, red 
morocco. London: T. Cadell, 1778 


* First EpItion. Prologue and epilogue by David Garrick, 
Dedication to Earl Percy. 


2376. MORE (HANNAH). Percy. A Tragedy. As it 
is acted at the Theatre-Royal in Covent-Garden. Small , 
8vo, paper covers (corners of some leaves damaged). 

London: T. Cadell, 1778 
* First EDITION. ‘‘ From the Author,” written on wrapper, 


361 


2377. MORE (HANNAH). Florio: a tale, for fine gen- 
tlemen and fine ladies: and, The Bas Bleu; or, Conversa- 
tion: two poems. Portrait (inserted). FIRST EDITION. 
4to, half brown morocco, gilt top. London: T. Cadell, 1786 


2378. MORE (SIR THOMAS). The History of King 
Richard the Third. Edited by S. W. Singer. 2 portraits 
engraved by Swaine on India paper: 8vo, russia gilt, gilt 
edges. One of 25 copies on Large Paper. 

Chiswick: C. Wittingham, 1821 


2379. MOREAU (HEGESIPPE). Le Myosotis, petits 
contes et petits vers. FIRST EDITION. LARGE PAPER 
Copy. Royal 8vo, blue levant morocco gilt, gilt edges, by 
Hardy-Mennil. Paris, 1838 


2380. MOREAU (HEGESIPPE). Petits contes en prose 
—Le Gui de Chéne—La Souris blanche—Les petits Souliers 
—Thérése Sureau—Tllustré d’un portrait et de douze com- 
positions par Felix Oudart. 8vo, red levant morocco gilt, 
borders of fillets, dots and leaf sprays, gilt top, uncut, with 
the original covers, by The Club Bindery. Paris, 1892 


* One of 12 copies printed on India paper, with the illustra- 
tions in three states, engraver’s etching and proofs before and 
after letters. 


. 2381. MOREAU AanpdD FREUDEBERG. (I) Estampes de 
Moreau le Jeune pour le Monument du Costume Gravées 
par Dubouchet, Paris, 1881; Estampes de Freudeberg pour 
le Monument du Costume Gravées par Dubouchet, Paris, 
1833; Troisiéme suite d’Estampes [de Moreau] pour servir 
a l’Histoire des Modes et du Costume en France dans le 
dix huitiéme Siécle. 2 portraits, each in 3 states and the 
36 plates and other illustrations in 3 and 4 states. 3 vols. 
royal 8vo, red levant morocco gilt, gilt edges, by Cham- 
bolle-Duru. Paris, 1881-3 


* One of 370 copies with engraved text. 


2382. MOREL DE VINDE (CHARLES GILBERT). 
Primerose. With 6 plates by Godefroy after Lefevre. FIRST 
EDITION. 13mo, old green ealf, gilt borders, gilt edges. 

Paris: Didot, 1797 


’ Printed on papier vélin, with the plates in two states. 


2383. MORELL (SIR CHARLES—tTranslator). Tales of 
the Genii; or, the delightful Lessons of Horam the son of 
Asmar. Two engraved frontispieces and 12 plates by Heath, 
Landseer, and others wn from one to. three states wmcluding 
lettered proofs on India paper. 2 vols. 8vo, red levant mo- 
rocco, profusely gilt tooled, gilt tops, uneut, by The Club 
Bindery. London, 1805 


* THICK PAPER COPY. Extra-illustrated with 46 plates from 
the 1808 edition of the Arabian Nights, in from one to three 
states, including the rare engraver’s proofs on India paper. 


362 


2384. MORGAN (LADY SYDNEY). The Wild Irish Girl, 

a National Tale. By Miss Owenson. FirrH Epition. 3 vols. 
in 1, 12mo, green figured silk, uncut [by The Club Bindery]. 
London, 1813 


2385. MORGAN (LADY SYDNEY). The Life and Times 
of Salvator Rosa. Portrat. First Epirion. 2 vols. 8vo, 
boards (backs repaired. ) London, 1824 


2386. MORI (ASCANIO). Prima parte delle novelle. 
Small 4to, brown morocco, gilt edges. (Some headings slightly 
shaved, and a few light water-stains. ) Mantova, 1585 


2387. MORIER (JAMES). The Mirza. First Epirion. 
3 vols. 12mo, Scotch plaid silk, uncut. London, 1841 


2388. MORIER (JAMES). The Adventures of Hajji Baba 
of Ispahan. Edited by C. J. Wills, ... with an introduction 
by Major-Gen. Sir Frederic Goldsmid. .. . Illustrated. Royal 
8vo, cloth, gilt top, uncut. London, 1897 


2389. MORRIS (WILLIAM). Poems by the Way. First 
EpITION. Small 4to, limp vellum, with ties, uncut. 
Hammersmith: Kelmscott Press, 1891 
* One of 300 copies printed. 


2390. MORRIS (WILLIAM). A Dream of John Ball and 
a King’s Lesson. Small 4to, limp vellum, with ties, uncut. 
Hammersmith: Kelmscott Press, 1892 


* ONE OF 11 COPIES PRINTED ON VELLUM. 


2391. MORRIS (WILLIAM). News from Nowhere; or, 
An Epic of Rest, being Some Chapters from a Utopian 
Romance. 8vo, limp vellum, with ties, uncut. 

. Hammersmith: Kelmscott Press, 1892 


* ONE OF 10 COPIES PRINTED ON VELLUM. 


2392. MORRIS (WILLIAM). The Story of the Glittering 
Plain, which has been also called the Land of Living Men, or 
the Acre of the Undying. 23 woodcut illustrations, by Walter 
Crane. Small folio, limp vellum, uncut, with ties. 

Hammersmith: Kelmscott Press, 1894 


* One of 250 copies printed. 


2393. MORRIS (WILLIAM). The Well at the World’s 
End. 4 illustrations by Sir Edward Burne-Jones. Small folio, 
limp vellum, uncut, with ties. 

Hammersmith: Kelmscott Press, 1896 
* ONE OF 8 COPIES PRINTED ON VELLUM. 


363 


2394. MORTON (NATHANIEL) New-Englands | Memo- 
riall: | or, | A brief Relation of the most Memorable and Re- 
markable | Passages of the Providence of God, manifested to 
the | Planters | of | New-England in America; | With special 
Reference to the first Colony thereof, Called | New-Plimouth. | 
As also a Nomination of divers of the most Eminent Instru- 
ments | deceased, both of Chureh and Commonwealth, im- 
proved in the | first beginning and after-progress of sundry of 
the respective | Jurisdictions in those parts; in reference unto 
sundry | Exemplary Passages of their Lives, and | the time of 
their Death. | (line) | Published for the Use and Benefit of 
present and future Generations, | By NATHANIEL Morton. | Sec- 
retary to the Court for the Jurisdiction of New-Plimouth. | 
(line) | (6 lines from Deut. Jerem. and Deut.) | 4to, crimson 
levant morocco, covered with interlaced floral and small dot 
tooling, diamond shaped ornament in centre of each panel, 
full gilt back, doublure of light green levant morocco, inlaid 
with red levant, the borders and centre diamond shaped orna- 
ments tooled in an intricate design, gilt edges, probably by 
Francis Bedford. In morocco case. 

Cambridge: Printed by 8. G. and M. J. for John Usher of 
Boston, 1669. 

* First AMERICAN EDITION, PUBLISHED THE SAME YEAR AS 
THE FIRST ENGLISH EDITION. JOHN EVELYN’S COPY, with auto- 
graph inscription on fly-leaf,—‘‘Catalogo Ivelyn Inscriptus. 
Meliora retinete,’’ From the Marshall C. Lefferts Library. 
Pages 161-2 mended when sold in London in 1902. Since 


Mr. Hoe acquired it a perfect copy of that leaf has been sub- 
stituted from a copy about one-sixteenth of an inch shorter. 


A VERY TALL COPY, MEASURING 6 7/8x5 7/16. 


2395. MORTON (THOMAS). New English Canaan or 
New Canaan. Containing an Abstract of New England, Com- 
posed in three Bookes. The first Booke setting forth the 
originall of the Natives, their Manners and Customes, together 
with their tractable Nature and Love towards the English. 
The second Booke setting forth the naturall Indowments of 
the Country, and what staple Commodities it yealdeth. The 
third Booke setting forth, what people are planted there, their 
- prosperity, what remarkable accidents have happened since 
the first planting. of it, together with their Tenents and prac- 
tise of their Church. Written by Thomas Morton of Cliffords 
Inne gent, upon tenne yeares knowledge, and experiment of 


364 


the Country. 4to, ealf (old writing on upper margin of title). 
Printed at Amsterdam, By Jacob Frederick Stam. In the 
Yeare 1637. 


* VERY RARE. A number of poetical pieces are interspersed 
through this curious work; among others, one entitled ‘‘Of the 
Baccanall Triumphe of the nine VVorthies of Nevv Canaan’’ 

' (p. 146) by Ben Jonson, which is not included in any edition of 
his works. 


2396. MOTHERWELL (WILLIAM). Minstrelsy: An- 
cient and Modern, with an Historical Introduction and Notes. 
4to, calf gilt, gilt over uncut edges, by Bedford. 

Glasgow, 1827 


*Contains frontispiece, engraved title-page, appendix, and 
nine pages of music, generally lacking. 


2397. MOTLEY (JOHN LOTHROP). Historic Progress 
and American Democracy: an address delivered before the 
New York Historical Society, at their 64th anniversary. 8vo, 
vellum covers, uncut. London, 1869 


* Publishers’ Presentation Copy on Liarge Paper, only 7 printed. 


2398. MOTLEY (JOHN LOTHROP). The Life and 
Death of John of Barneveld, Advocate of Holland; with a 
view of the primary causes and movements of the Thirty 
Years’ War. Illustrated. First ENcGuIsH EpiTion. 2 vols. 
8vo, cloth, uncut. London, 1874 


2399. MOULINET (NICOLAS DE). La Vraye Histoire 
Comique de Francion . . . Soigneusement revué & corrigée 
par Nathaniel Duez. Hngraved frontispieces, and 11 plates, 
brilliant wmopressions. 2 vols. 16mo, citron levant morocco 
gilt, gilt edges, by Capé. 

Leyde and Roterdam: Chez les Hackes [1668] 
* The first edition of this work was published in Paris, 1622, 


under the title, ‘‘Histoire Comique de Francion, fléau des 
vicieux. ’’ 


2400. MOUSSINOT. Memoire sur la Ville Souterraine 
découverte au pied du Mont Vesuve. 8vo, old red morocco, 
side borders of birds and flowers, fleurs-de-lys in the corners 
and on back, THE ARMS OF Louis XV in the centre, gilt end- 
papers, gilt edges, probably by Derome. 

Paris: Col. Herissant, 1748 


2401. MOXON (JOSEPH). Mechanick Exercises: or, the 
Doctrine of Handy-Works. Appled to the Art of Smithing, 
Joinery, Carpentry, and Turning. THe TxHrirp EpITIon, with 
an Addition of the Bricklayer’s, Plaisterers, and Masons 
Trades. London. Printed for, and Sold by J. Moxon, 1701; 


365 


Mechanick Exercises, Or, the Doctrine of handy-works Ap- 
plied to the Art of Printing. London: Printed for Joseph 
Moxon, 1683. 2 vols. small 4to, brown levant morocco gilt, 
gilt edges, by Riviere. 
* Scarce. Volume I contains a copper-plate portrait of 
Moxon, and Nos. 1, 2, 3, 4, 11, 12, 13 and 14, dating from 
1693-1701, with one ’ general title as above, and eight sub- titles. 
There are "nineteen plates besides the portrait. 
This is the first edition of Volume II, with two portraits and 
thirty-three other plates. 


2402. MOXON (JOSEPH). Mechanick Exercises; or, 
The Doctrine of Handy-Works Applied to the Art of Printing, 
with preface, &c., by Theo. L. De Vinne. Illustrated with 
cuts. 2 vols. royal 8vo, half straight-grain morocco, gilt tops, 
uncut. New York, 1896 


*One of 450 copies on Holland paper. Presented to Mr. 
Robert Hoe by Mr. De Vinne. 


2403. [MUCHA (ALPHONSE).] Alphonse Mucha et Son 
Ciuvre, texte par MM. Léon Deschamps, Y. Rambosson, 
Sainte-Claire, Charles Saunier et plus de vingt autres. 127 
illustrations par A. Mucha et un portrait-charge de l’Artiste 
par Whidhopff. 4to half light brown levant morocco, back 
chiselled in darker brown flown gilt top, original covers 
bound in. Paris, 1897 

* One of 20 copies on Japan paper, with a duplicate set of 
the illustrations on India paper, and the design on the front 


cover in two extra states, in colors on Japan paper, and in dark 
green on India paper. 


2404. MUGGLETONIAN SONGS. Divine Songs of the 
Muggletonians, in grateful praise to the only true God, the 
Lord Jesus Christ. Portrmt. 12mo, boards, uncut. 

London, 1829 


2405.. MULLER (MAX). Chips from a German Work- 
shop. 4 vols. 8vo, half blue morocco, gilt tops, uncut. 
London, 1880 


2406. MUNCHAUSEN (BARON). I. Gulliver Revived ; 
or, The Vice of Lying properly exposed; containing singular 
Travels, &. II. A Sequel to the Adventures of Baron Mun- 
chausen. 40 explanatory engravings. 2 vols. in 1, 12mo, tree 
ealf gilt, gilt top, uncut, by Riviére. London, 1799-1801 


2407. MUNDAY (ANTHONY—tTranslator). The First 
[and Second] Part of the no lesse rare, than excellent and 
stately History of the Famous and fortunate Prince Pal- 
merin of England, Declaring the Birth of him, and Prince 
Florian du Defart his brother . . . the course of their lives 
afterward in pursuing Knightly Adventures and performing 


366 


incomparable deeds of Chivalry. Small 4to, red levant mo- 
rocco gilt, gilt edges. (Lacks preliminary blank A! and some 
margins repaired. ) 
London: Printed by Ber. Alsop and Tho. Faweet dwelling 
in Grubstreet near the lower Pumpe, 1639. 
F * SECOND EDITION: both parts complete, printed in Gothic 
ype. 


2408. MURGER (HENRI). Scénes de la Bohéme. Frontis- 
piece et douze gravures a l’eau-forte par A. Bichard. 8vo, 
red levant morocco, gilt fillets, gilt over rough edges, original 
covers bound in, by Joly. Paris, 1879 


* One of 118 copies, with the etchings in two states. 


2409. MUSEE. Le Musée pour Rire. Dessins par tous 
les caricaturistes de Paris; texte Par MM. Maurice Alhoy, 
Louis Huart et Ch. Philipon. 2 vols. in 1, 4to, half red levant 


morocco gilt, gilt top, uncut. Paris, 1839 
* Contains 100 colored plates after Gavarni, Daumier and 
others. 


2410. MUSEO BORBONICO. Real Museo Borbonico. With 
984 outline plates. 16 vols. 4to, half green morocco, gilt tops, 
uncut. Napoli, 1824-57 


* THICK PAPER COPY. 


2411. MUSEUM FLORENTINUM. Gemme Antique; 
Statue Antique; Antiqua Numismata aurea et argentea; 
Serie di Ritratti di Pittori che Esistono nell’ Imperial Gal- 
leria di Firenze; Altra serie di Ritratti che esistono nel Museo 
Fiorentino. Numerous vignettes, culs-de-lampe and engraved 
plates. 11 vols. in 16, folio, old red morocco, rich floral backs 
and borders, gilt edges. . ‘ Florentix, 1731-1766 


* This collection contains 840 engraved plates by Megalli 
Gregori, Campiglia, Ruggeri, Passi, and many others. The first 
part is in Latin, by Gori, and is dedicated to the Grand Duke 
Giovan Gastone. The second part contains the lives of the 
painters by Mowcke and is dedicated to the Grand Duke of 
Tuscany, Francisco I. The third part is dedicated to the Grand 
Duke Pietro Leopold and to the Infanta of Spain. The lives in 
this part are by Orazio Marrini. 


2412. MUSSET (ALFRED DE). (uvres complétes [et 
posthumes] de Alfred de Musset, avec lettres inédites 
variantes, notes, index, fac-simile. Notice biographique par 
son frére. Ornée de 28 dessins de M. Bida et d’un portrait 
d’Alfred de Musset d’aprés loriginal de M. Landelle gravés 
sur acter sous la direction de M. Henriquel Dupont par les 
premiers artistes. 10 vols. imperial 8vo, blue levant mo- 
rocco, gilt backs, filleted sides, gilt over rough edges, by 
Trautz-Bauzonnet. Paris: Charpentier, 1866-1865 


* LARGE PAPER COPY, with proofs of the plates before letters 
on India paper. 


367 


2413. MUSSET (ALFRED DE). Cuvres Complétes [and 
Life]. Portraits of the author and a beautiful serves of etch- 
angs by L. Mongies, Lalauze, and others. 11 vols. 12mo, 
brown levant morocco, inlaid with roses in red mosaic, gilt 


tops, uncut, by All6. Paris: A. Lemerre, 1876 
* PRINTED ON INDIA PAPER, with 5 portraits in two states, red 
and black. ¢ 


2414. MUSSET (ALFRED DE). Nouvelles. Les deux 
Maitresses; Emmeline; Le fils de Titien; Frédéric et Ber- 
nerette; Pierre et Camille. Jllustre de un portrait par Bur- 
ney et 15 compositions de F. Flameng et O. Cortazzo, gravées 
a l’eau-forte. Imperial 8vo, blue levant morocco, doublure 
of green morocco, with inlaid floral decorations in blue, silk 
guards, gilt over rough edges, by Marius Michel. In a ease. 

Paris, 1887 


* ONE OF 150 COPIES ON LARGE PAPIER VELIN, with the plates 
in three states. 


2415. MUSSET (ALFRED DE). la Confession d’un 
Enfant du Siécle. Dix Compositions de P. Jazet. Gravées 
a l’Eau-Forte par E. Abot. Royal 8vo, green levant morocco, 
filleted back and side borders, doublure of red morocco, with 
fillets, silk guards, gilt over rough edges, original covers bound 
in, by Raparlier. Paris, 1891 

* ONE OF 50 COPIES ON JAPAN PAPER, with the etchings in 3 
states, unfinished, finished, and lettered proofs. 


2416. MUSSET (ALFRED DE). On ne badine pas avec 
1’Amour; proverbe en 3 actes. Pictorial cover and 35 origt- 
nal lithograph allustrations wn color by Louis Morin. 8vo, 
blue levant morocco, covered with a ‘‘semis’’ of flowers, wide 
gilt borders, and inside cover borders, gilt top, uncut, original 
covers bound in, in a case, by The Club Bindery. Paris, 1904 


* ONE OF 200 COPIES ON PAPIER VELIN. 


368 


THIRTY-THIRD SESSION, TUESDAY, 8:15 P.M. 


~ MANUSCRIPTS. 


2417. AALIANUS ET ONOSANDER. In hoe ecodice con- 
tinentur Helianus de instruendis aciebus (Theodoro Gaza 
interprete) et Onosander de optimo imperatore (Nicolao Secun- 
dino interprete). Latin MS. oF THE SECOND PART OF THE 
15TH CENTURY, neatly written on vellum in Roman characters 
with headings in gold capitals; probably executed in Florence. 
83 leaves (11144, x 81% inches). EMBELLISHED WITH 3 FINE 
BORDERS IN THE INTERLACED STYLE, ILLUMINATED IN GOLD AND 
COLORS, 12 the first of which are introduced bambinos and 
birds, 4 large wluminated wutials, two listoriated and two in 
scroll work, 47 smaller ones and 31 military diagrams in blue, 
red, green, gold and silver. Folio, contemporary Florentine 
binding in red morocco, the sides elegantly blind tooled, gilt 
edges. See. XV 

* THE ARMS OF KING MATTHIAS CoRVINUS OF HUNGARY are 
painted in the lower part of the first border, and probably the 


manuscript was executed for this celebrated warrior and biblio- 
phile. The miniatures are in the manner of Attavante. 


2418. ANSOP. Fabule e greco in latinum translate per 
Rinutium Thessalium, cum Vita Adsopi. Latin MS. or THE 
SECOND PART OF THE LOTH CENTURY, written on paper in lettres 
bétardes, in red and black; and executed in France. Initrals 
painted in red and blue. 80 leaves (734 x 434 inches). 8vo, 
contemporary binding in stamped calf, with clasps (re- 
backed). Sec. XV 


2419. AKBAR-NAMAH. History of the Mogul Emperor 
Akbar the Great. Persian MS. oF THE 17TH CENTURY, WRIT- 
‘TEN ON NATIVE GLAZED PAPER, each page within gold borders 
outlined in black. 275 leaves (43¢x 81% weches). Embel- 
lished with 52 miniatures painted in gold, silver and colors, 
by a Perso-Indian artist. Folio, Persian lacquered binding, 
both sides painted with a representation of girls dancing be- 
fore the Emperor and his court; the inside covers painted 
with flowers. See. XV 


* The miniatures, which are good specimens of the art of the 
period, represent the meeting of two rulers and their retinues 
on elephants, horses, ete.; a procession of camels; trumpeter, 
wrestlers, dancing girls, etc., performing before the Shah; an 
elephant fight; a hunting scene; etc. 


369 


MANUSCRIPTS—Continued. 


2420. ALFIERI (VITTORIO). Cleopatra and Antonio, 
Tragedia. Italian MS. of the first part of the 19th century. 
30 leaves (9 x 6% inches). 4to, brown morocco gilt, gilt edges. 
Portrait of Alfieri laid in. See. XIX 


2421. ARISTOTLE. Latin Manuscript on paper, contain- 
ing extracts from Aristotle, a brief history of Rome from the 
time of Christ, and a mythological treatise. Executed in France 
in the second part of the 16th century. 473 leaves (592 x 34% 
unches). Thick 8vo, contemporary French binding in brown 
morocco, gilt borders, centre and corner ornaments of sprays 
in the inner panel, back similarly gilt, gilt edges. See. XVI 


* An.interesting specimen of binding, possibly by one of the 
Eves. 


2422. ARTE DE LO BEN MORIREH, traducta in vulgare 
sermone da Iuniano Maio; Arte del ben morire composta da 
frate Alberto Magno de l’ordine de predicatori, episcopo 
Retisponense. ITALIAN MANUSCRIPT OF THE LATTER PART OF 
THE 15TH CENTURY, NEATLY WRITTEN ON VELLUM in Roman 
characters, in red and black; executed at Naples by Giovanni 
Marco Cinico. 35 leaves (10% x 7T%& winches). HMBELLISHED 
WITH 11 INTERESTING FULL-PAGE SEPIA DRAWINGS, @ small cir- 
cular drawing, a floral border and 5 large witrals in the inter- 
laced style, elegantly illuminated in gold and colors, and 
numerous smaller uluminated wnitials. Folio, old Italian red 
morocco, WITH THE ARMS OF CARDINAL BARBERINI (1627-71) 
in the centre of each cover, gilt edges. See. XV 


* Both the translations are the work of Juniano Maio, Pro- 
fessor of Belles Lettres at Naples, and they were dedicated to 
Pasquale Diaz Garlon, Castellano of Napoli, for whom this 
manuscript was executed. His arms appear on the lower mar- 
gin of the first page. The drawings which ornament the volume 
are beautifully. executed. 

From the collection of Baron de la Roche Lacarelle. 


[See Reproduction. | 


2423. AVRIL (PAUL). Histoire d’une épingle. Manu- 
script on drawing paper elegantly written on 27 leaves 
(9 6/8x6 7/8 inches). Embellished with 66 fine large and 
small original water-color drawings by Paul Avril. 4to, blue 
levant morocco, mosaic border of maroon and brown levant 
richly tooled and gilt, the arms oF Count DE La: Crorx-LAvAL 
in the centre of both covers; doublure of rose levant with wide 
mosaic borders of maroon, blue, citron, red and mauve mo- 
rocco tooled and gilt in the Louis XV-style, silk linings, gilt 
edges, by Mercier. See, XIX. 


* This binding was exhibited at the ‘‘ Exposition Universelle’’ 
in Paris, 1900. 


370 


ARTE DE LO BEN MorirE: FIFTEENTH CENTURUY ITALIAN MANUSCRIPT. 
(See No. 2422.) 


MANUSCRIPTS—Continued. 


2424. BHAGAVAD-GITA. <A Sanskrit MS. of the Divine 
Sone written in the 18th century on 381 leaves of native 
glazed paper (4% x 314 inches). Each page within borders 
of gold and red. Ornamented with 25 full-page miniatures 
surrounded by floral borders in colors on a gold ground, and 
76 small ones. Small 12mo, old red satin, painted edges. 

See. XVIII 


2425. BIBLIA SACRA LATINA. Manusorier of THE 
FIRST PART OF THE 13TH CENTURY, neatly written ON CHOICE 
VELLUM in a minute and narrow Gothic character, in red 
and black, double columns; and EXECUTED BY AN ENGLISH 
SORIBE. 446 leaves (104g x7 inches). EMBELLISHED WITH 
131 FINE ORNAMENTAL INITIALS painted in colors on a grownd 
of burmshed gold, 76 of which are historiated with scenes and 
personages (in costumes of the period) from the Bible, and 
PROBABLY EXECUTED BY AN ENGLISH ARTIST OF THE PERIOD; 
-also thousands of small initials painted in red and blue. Thick 
small folio, old red morocco, gilt edges, in a morocco slip case. 

See. XIII 


*A beautiful and interesting manuscript of the Vulgate. 
From the P. Desq library, with bookplate. 


2426. BIBLIA SACRA LATINA. Manuscript oF THE 
13TH CENTURY, written in a minute Gothic character 1n red 
and black ON UTERINE VELLUM and executed by an Anglo- 
Norman scribe. 653 leaves (614x4 wches). Ornamented 
with numerous illuminated listoriated wmitials, including one 
at the beginning of Genesis, extending the full length of the 
page, which represents the days of the creation (the lower 
part of this initial cut off); also over 1000 small initials, 
painted in red and blue. 8vo, dark brown levant morocco, gilt 
tooled leaf-sprays in the corners, gilt back; doublure of red 
levant with broad gilt borders, gilt edges, by Mercier. 

See. XIIT 


* A pretty and interesting manuscript, said to be from the 
library of the Duke of Sussex. Preserved in a levant morocco 
case. ; 


2427. BIBLIA SACRA LATINA. MS. or THE 13TH CEN- 
TURY, written on vellum in well-formed Gothic characters, 
double columns, executed in Italy. 482 leaves (10% x 75% 
inches). KMBELLISHED WITH 102 FINELY EXECUTED HISTO- 
RIATED INITIALS painted in. colors, chiefly in red and blue, 
representing scenes and personages from the Bible. To 
35 of these initials are attached borders of scrolls, grot- 
esques, etc. The initial letter ‘‘I’’ at the beginning of Genesis 
extends the length of the page and contains 8 small mimatures 
representing the seven days of Creation and the Crucifixion. 
There are also thousands of small initials painted in red and 


371 


MANUSCRIPTS—Continued. 


blue. Small folio, dark brown levant morocco, gilt panelled 
sides, corner scroll ornaments, richly gilt back; doublure of 
light brown levant with large borders of fillets and _ scrolls, 
gilt edges, by Mercier. See. XITT 

* A very beautiful manuscript of the Bible. From the library 


of the Duke of Sussex, and since rebound. Preserved in a 
levant morocco slip case. 


2428. BIBLIA PAUPERUM. Figure XL, veteris et novi 
Testamenti sese mutuo interpretantes. A fine 18th century 
MS. facsimile of the Brsu1A PAUPERUM, made with the greatest 
exactness by Leclabert from the original edition of this im- 
portant block-book, printed in Holland about 1440. 40 plates. 
Small folio, old French red morocco, gilt tooled broad dentelle 
borders, gilt back and inside borders, gilt edges, by Derome. 

See. XVIII 
* From the collection of M. Paris, sold in London in 1791. 


Laid in are several MS. leaves describing the tae of the cuts, - 
with translation of the sentences. 


2429. BOCCACCIO (GIOVANNI). De la ruyne .des 
nobles hommes et femmes, translaté de latin en francoys. 
FRENCH MS. OF THE 15TH CENTURY, WRITTEN ON VELLUM in 
lettres batardes, black and red; double columns. 230 leaves 
(14 x 1014 inches). ORNAMENTED WITH 93 MINIATURES, (about 
334 x 3 inches), enclosed in gold and colored bands, accom- 
panmed by pretty lateral borders of scrolls and flowers illumi- 
nated wn gold and colors; also numerous illuminated floral 
wmtrals. Folio, brown levant morocco, gilt inside borders, gilt 
edges, by Duru. ; See. XV 

* Probably written during the reign of Charles VII. The 
miniatures are somewhat crude in execution, but they are very 
interesting as representing the civil and military costumes, the 
furniture, etc., of the time. The first 2 or 3 leaves of text, last 
part of book VIII, and all book IX missing. Illuminated 
manuscripts of secular character, such as the above, are of very 

rare occurrence compared with liturgical ones. This is said to 
be from the collection of the Due d’Orléans. 

The translation is by Laurent de Premierfait, a clerk of the 
Diocesis of Troyes, afterwards secretary of the celebrated 
bibliophile, Jean, Duc de Berry and third son of King Jean, to 
whom he dedicated this work, which was finished April 15, 1409. 


2430. BONAVENTURA (S.).  Psalterium Beate Mace 
Virginis a Sancto Bonaventura 8. R. E. Cardinali Episcopo 
Albanensi compositum. LATIN MS. ON VELLUM, FINELY WRITTEN 
IN ROMAN CHARACTERS, with the headings in gold letters, and 
each page within a narrow gold border; executed in Italy 
about the end of the 16th century. 115 leaves (556 x 83% 
inches). EMBELLISHED WITH 6 VERY FINE FULL-PAGE AND 2 
SMALL MINIATURES, BESIDES 3 VIGNETTES; ATTRIBUTED TO THE 


372 


MANUSCRIPTS—Continued. 


RENOWNED PAINTER F'EDERIGO Baroccio OF UrsBINo. 12mo, 
black morocco, gilt panelled sides, silver clasps, gilt edges, in a 
morocco slip case. See. XVI 


*The subjects of the full-page miniatures are: 1. St. Bona- 
venture writing in his cell; 2. The birth of the Virgin; 3. The 
Annunciation; 4. The Assumption; 5. The Virgin and Child; 
6. St. Francis of Assisi in prayer. The above MS. is said to 
have been a present from Pope Alexander VII to Queen Chris- 
ak Sweden, who gave it to her chaplain shortly before her 

eath. 


2431. CARTA EXECUTORIA de hidalguia a pedimiento 
de Hernando de Porras vezino de la ciudad de Sevilla. 
SPANISH MS. or THE YEAR 1586, FINELY WRITTEN ON VELLUM 
IN NEAT GOTHIC CHARACTERS. 83 leaves (1134 x 81% inches). 
Each page within shaded gold borders, and throughout the 
volume 39 headings in the form of bands, and 89 initials in 
azured gold on blue and red grounds. First PAGE FULLY 
ILLUMINATED IN GOLD AND COLORS, the arms of the Porras 
family im the centre surrounded by a border of flowers, birds, 
imsects, grotesques and scrolls, in which are introduced two 
armorial shields, and 3 medallion miniatures, the larger one 
beng delicately painted in camaicu, heightened with gold. 
Folio, old crimson velvet, gilt edges. Valladolid, 1580 


2432. CASA (GIOVANNI DELLA). Ioannis Case de 
potentium ac Tenuium inter se Officiis. Latin MS. or THE 
16TH CENTURY, WRITTEN ON VELLUM IN ELEGANT ITALIC CHAR- 
ACTERS, WITH THE TITLE IN GOLD, BLUE AND RED LETTERS. 24 
leaves (9X 554 wnches). 4to, old brown morocco, covered with 
a design of arabesques and fleurs-de-lys outlined in gold, cut 
out and backed with crimson silk, THE ARMS OF HENRy II in the 
centre, and the three interlaced crescents in the corners, gilt 
edges, preserved in a case. See. XVI 


2433. CAESAR (CAIUS JULIUS). la vie et geste de 
Cesar. FRENCH MS. or THE 15TH CENTURY, WRITTEN ON 
PAPER IN LETTRES BATARDES, DOUBLE COLUMNS. 227 LEAVES 
(16x1114 1ncHzs). First page of text surrounded by a 
border of scrolls, grotesques, monkeys, etc., painted blue and 
brown. The upper part 1s ORNAMENTED WITH A LARGE MINIA- 
TURE (714x414 inches) painted in gold and silver camaieu, 
representing Cesar clad in armor, standing under a canopy 
and addressing a group of armored soldiers on his right, and 
men of law on his left. Numerous ornamental imtials m 
silver and gold on maroon, blue and green grounds, through- 
out the text. Large folio, blue levant morocco, blind tooled 
panelled sides, gilt inside borders, gilt edges, by Chambolle- 
Duru. See. XV 


*From the library of Balthazar de Villars (1557-1629), 
first President of the Parliament of Dombes, with his arms 
’ stamped on the first preliminary leaf and on fol. 6 verso. 


373 


MANUSCRIPTS—Continued. 


24384. CHAMP DE DRAP D’OR. The Account of the 
interview between Henry 8th & Francis lst near Guisnes in 
Picardy in the year MDXX. With a particular detail of all 
the magnificent ceremonies there observed from the contem- 
porary Chroniclers. MS. ON DRAWING PAPER ELEGANTLY WRIT- 
TEN, EXECUTED IN ENGLAND IN THE FIRST QUARTER OF THE 
19TH CENTURY, each page within borders ruled wn gold. 138 
leaves (1214x914 anches). Title wrthin an historiated border 
wn gold and colors by Willement, and illustrated with 20 large 
and 23 small original drawings painted wn owl and water- 
colors by Rk. T. Bone, Stephanoff, Kenny Meadows, and 
Cooper; a crayon portrait of Francis I by Harlowe, and 39 
heraldic compositions, etc. 4to, blue straight-grain morocco, 
gilt borders; doublure of vellum richly tooled and gilt in 
compartments, vellum fly-leaves, gauffred gilt edges, by 
Charles Lewis. See. XTX 

* A beautiful volume as regards both contents and binding. . 
The large paintings include the Field of the Cloth of Gold, 
Henry VIII and Queen Catherine sailing from Dover, the Pro- 
cession of Cardinal Wolsey to the Court of Francis I, Henry 
VIII riding to meet Francis I, Meeting and Conference of the 
two Kings, ete. From the lbrary of John Tobin, with his 
illuminated bookplate. 


2485. CHANDI or Sapra-Cati. Sanskrit MS. of the 
CHANDI, an extract from the MARKANDEYAPURANA, written on 
161 leaves of native glazed paper in the second part of the 
18th century (63g x 334 inches). Hach page surrounded by 
a filleted border of red, blue, green and gold. Ornamented 
with 20 full-page miniatures and 21 smaller ones.  12mo, 
blue levant morocco gilt, gilt edges, by The Club Bindery. 

See. XVIII 


2436. CHRISTINE DE PISAN. Cy commence la | table 
des Rubriches | du liure des fais | darmes et de cheuallerie | 
lequel dit liures est partis | en quatre parties |.... FRENCH 
MS. OF THE FIRST PART OF THE 15TH CENTURY, WRITTEN ON 
VELLUM IN LETTRES BATARDES, RED AND BLACK, double columns 
136 leaves (11x71% inches). - Ornamented with 4 large 
miniatures, surrounded by borders, the first of which is com- 
posed of scrolls and flowers, and the other three of tracery, 
leaves and flowers in gold and colors; also 4 large ornamental 
umitials on a gold ground. Folio, dark brown calf, gilt arab- 
esque borders on the sides, gilt edges. The upper corners of 
most of the leaves have been skilfully supplied, with the miss- 
ing portion of the text in perfect facsimile; also 3 miniatures - 
have been restored and retouched. See. XV 

* A VERY IMPORTANT MANUSCRIPT. This work is a treatise 
of chivalry and strategetics (and contains several curious his- 


torical details relating to the reigns of Charles V and Charles 
VI). It has also a codex of international law. The last two 


374 


MANUSCRIPTS—Continued. 


parts are especially interesting as a study of the military 
law during the great wars of the XIV and XV centuries. 
Verard published the work in 1488, under the title of L’Art 
de chevalerie selon Vegetws, but so mutilated and filled with 
errors that all the bibliographers ascribed the work to Jean de 
Meung. Caxton translated and printed the work by order of 
King Henry VII, in 1489, under its real title and author’s 
name. The miniatures represent: 1. Christine de Pisan kneel- 
ing before the wise lady Minerva; 2. Minerva teaching stra- 
tebetics to men in armor; 3. A judicial combat within a walled 
enclosure (champ clos); 4. The examination of a sauf-conduit. 


2437. CICERO. JDiscours de Ciceron. FrencoH MS. or 
THE 18TH CENTURY NEATLY WRITTEN ON 84 LEAVES OF PAPER 
(834.x7 inches). 4to, old French red morocco, broad gilt 
tooled dentelle borders on the sides, THE aRMS OF LouIS PHILI- 
BERT JOSEPH JOLY DE Bfvy, president of the Chamber of 
Deputies of Dijon, in the centre of each cover, gilt back and 
inside borders, silk linings, by Derome, in a red morocco slip 
case. Sec. XVIII 


* A fine specimen of Derome’s binding. 


2438. CLAUDE (ISAAC). Le Comte de Soissons, nou- 
velle galante. Imprimé a Cologne chez Pierre Marteau, 1687. 
Frencu MS. or THE 18TH CENTURY, written on 135 leaves of 
paper (714 x 434 inches). 12mo, contemporary French binding 
in red morocco, richly gilt tooled dentelle borders on the sides, 
oilt centre panels, inside and outside fleurons; doublure of 
same morocco, with broad pointillé and interlaced fillet bor- 
ders, gilt edges, probably by Duseuil. See. XVIIT 


2439. COMEDIE admirable intitulée la Merveille: ou 1’on 
voit comme un capitain francois, esclave du Soldan d’Egypte, 
transporté de son bon sens, ce donne au diable pour s’affran- 
echir de servitude, lequel il trompe mesme_ subtillement. 
Rouen, chez Abraham Cousturier [before 1628]. Manuscripr 
FACSIMILE ON VELLUM EXECUTED IN F'RANCE AT THE BEGINNING 
OF THE 19TH CENTURY. 24 leaves (634 x 41/16 inches). Pen- 
and-ink vignette on title reproducing the woodcut of the 
original. 8vo, old blue straight-grain morocco, silk linings, 
gilt edges. Sec. XIX 


2440. CONTRACT DE MARIAGE de Henry IIII. Roy de 
France et de Navarre avec Marie de Medicis Princesse de 
Florence; en suitte celuy de Louis XIII. Roy de France et de 
Navarre avec Anne d’Austriche Infante d’Espagne. French 
MS. of the year 1643 on paper. 54 leaves (6x 4 inches). Title 
enclosed within an engraved border, portraits of Henry IV 
and Marie de Medicis engraved by L. Gaultier, and portraits 
of Lows XIII and Anna of Austria engraved by B. Moncor- 
net. S8vo, old French brown morocco, the front cover tooled 
and gilt in a sémis of crowned Hs and fleurs-de-lys, the ARMS 


379 


MANUSCRIPTS—Continued. 


oF Henry IV in the centre; and the back cover tooled and gilt 
in a sémis of crowned Ls and fleurs-de-lys, THE ARMS OF KING 
Louis XIII or FRANCE in the centre; the crowned H and L 
alternately repeated on the panels of the back, gilt edges. 1643 


2441. CONTRACTS (DEUX) DE MARIAGE, le premier 
de Henry IIII d’heureuse memoire Roy de France et Navarre 
avec la Princesse de Florence | Marie de Medicis], du 25¢ Avril 
1600. Le dernier de Louis XIII son filz aussi Roy de France 
et de Navarre avec l’Infante [Anne d’Autriche]. Mrench MS. 
of the 17th centwry, on paper. 62 leaves (634 x4% wehes). 
Title within an engraved border, and portrait of Henry IV 
engraved by De Leu. 8vo, old French brown morocco, the 
upper cover tooled and gilt with a semis of crowned Hs and 
fleurs-de-lis, and the lower cover with a semis of crowned Ls 
and fleurs-de-lys, THE ARMS oF Kine Louis XIII or FRANCE 
in the centre of each cover, the crowned H and L alternately 
repeated on the panels of the back, gilt edges. See. X VIT 


2442, COSTUMES. 35 fine Turkish, Persian, Armenian 
and Greek costumes, painted in gold and colors; executed 
by a Persian artist in the 18th century. Mounted in one vol- 
ume, small 8vo, old vellum, gilt. , See XVIII 


2443. DONATION et substitution faites par Francois 
vicomte d’Aubusson de La Feuillade, Duc, Pair et Marechal 
de France, le 29 Juin 1687. Confirmées par lettres patentes 
en forme d’édit du mois de Juillet 1687, enregistrées au Parle- 
ment le 4. du dit mois de Juillet 1687. MANuscRIPT ON 
VELLUM OF THE YEAR 1687. 16 leaves (834 x 43% inches). En- 
graved arms of the Vicomte d’Aubusson de la Fewllade on 
title, 2 vignettes. 4to, old French red morocco, gilt tooled 
borders with fleurs-de-lys and cocks, the arms of Louis Bovu- 
CHERAT, COMTE ComMPANs, Chancelor of France, in the centre 
of both covers, gilt edges. 1687 


2444. EMBLEMS. Emblemata Varia. A collection of 93 
clever pen-and-ink drawings of Emblems tinted with Sepia, 
executed on vellum, in the 16th century. 8vo, contemporary 
binding in olive morocco, gilt panelled sides, the emblem of 
the sun stamped in gold on the centre of each cover, and the 
inscription ‘‘H. Albani et amicorum”’; gilt back, gilt edges. 

See, XVI 


2445. EMBLEMS. A remarkable collection consisting of 
102 well-executed drawings of religious Emblems, on vellum, 
finely colored by a French artist of the 17th century, and — 
accompanied by mottoes in French (about 3x2 inches). The 
drawings represent landscapes and interiors, with men, women, 
birds, flowers, etc. Neatly mounted in one volume 8vo, old red 
straight-grain morocco gilt, gilt edges. See. XVIT 


376 


MANUSCRIPTS=Continued. 


2446. HPHRAEM (S.). Sancti Effrem dyaconi de com- 
puntione cordis libri VI; Formula vite seu regula Sancti 
Anselmi; Hore Conceptionis Beate Marie# Virginis a pre- 
fato Anselmo composite; Liber Soliloquiorum Sancti Augus- — 
tini, Latin MS. oF THE END OF THE 15TH CENTURY WRITTEN ON 
VELLUM 1n lettres batardes, and executed by a French scribe. 
167 leaves (8384x554 inches). Wits 3 FINE HALF-PAGE 
MINIATURES, and several brilliantly illuminated initials. 4to, 
brown levant morocco, gilt and blind-tooled panelled sides, 
gilt edges, by Riviére. Sec. XV 

“FROM THE LIBRARY OF CARDINAL GEORGE D’AMBOISE, for 
whom the manuscript was executed, and whose arms are painted 
on the lower margins of 3 pages. The escutcheon is surmounted 
by a erozier and shows that the prelate was not yet Archbishop 
or Cardinal when he caused the volume to be written. The 


probable date of. the MS. is 1484-1493, when he was Bishop of 
Montauban. 


2447. EVANGELIA QUATUOR. LatIN MS. or THE BEGIN- 
NING OF THE 16TH CENTURY, FINELY WRITTEN ON VELLUM in 
large Roman characters in blue, red and black, double columns, 
executed in Flanders. 464 leaves (1234 x 834 inches). Em- 
BELLISHED WITH 4 BEAUTIFULLY PAINTED LARGE MINIATURES OF 
THE EVANGELISTS, AND 172 SMALLER MINIATURES, depicting 
scenes wn the life of Christ, illustrations of the parables and 
various saints, all accompanied by rich borders or semi- 
borders of flowers, foliage, birds, grotesques, and insects, 
pamted in brilliant colors on a dull gold ground, and in 
shaded gold on a blue ground; THE WORK OF AT LEAST TWO 
F'LEMISH ARTISTS; also numerous large and small illuminated 
floral imtials. Bound in 2 vols. folio, in repoussé silver bind- 
ings of the latter part of the 16th century, or beginning of 
the 17th; sunken panels on both sides of each volume repre- 
senting (vol. 1) the Virgin and St. John at the foot of the 
Cross on the upper cover, and the Resurrection on the lower ; 
(vol. II) the Resurrection on the front cover, and the Last 
Judgment on the back; velvet backs, silver clasps, gilt edges. 

See. XVI 


2448. EVANGELIA QUATUOR, Armenice. ARMENIAN 
MS. or THE 16TH CENTURY FINELY WRITTEN ON VELLUM IN 
MINUTE CHARACTERS, DOUBLE COLUMNS. 298 leaves (444x 
314 wches). The first 10 leaves ornamented with elaborate 
borders of foliage, scrolls, animals, birds, and figures, illumi- 
nated 1n gold and colors; 4 FULL-PAGE MINIATURES represent- 
ing the four Evangelists, on a gold ground, the headings, at 
the beginning of each Gospel elegantly illuminated im gold 
and colors; and nearly every page containing illuminated 
initials and ornaments in the margins. 16mo, old russia, blind 
tooled, with clasps. See. XVI 


377 


MANUSCRIPTS—Continued. - 


2449. EVANGELIA QUATUOR, Armenice. ARMENIAN 
MS. or tHE XVIITH CENTURY, neatly written in gold, red and 
black, double columns, on native glazed paper. 412 leaves 
(838 x 614 inches), including the Calendar. Richly decorated 
WITH 20 FULL-PAGE MINIATURES ON GOLD GROUND, representing 
subjects from the Infe of Christ. Calendar of 10 pages 
splendidly illuminated, a beautiful piece of decorative work 
on the first page of each Gospel, and 208 paintings on the 
margins, 76 of which are mimatures and the remainder 
arabesques and floral work.  4to, contemporary Armenian 
binding in wooden boards, covered with stamped leather (the 
back restored), and with ties. See. XVIT 


2450. EVANGELIARIUM. Latin MS. of the end of the 
15th century, written ON VELLUM in large Gothic characters 
in red and black, double columns, executed in Germany. 192 
leaves (1858 x 914 inches). ORNAMENTED WITH 6 LARGE AND 
16 SMALL MINIATURES, the former surrounded by arabesques, 
flowers, insects and birds; borders in brilliant colors on a 
ground of red, green or yellow heightened with gold; also 17 
large ornamental initials illuminated in gold and colors. On 
the first two leaves there are 2 full-page paintings containing 
the arms of the original owner surrounded by floral and 
arabesque borders. Folio, old black morocco, gilt edges. 

: See. XV 


* The subjects of the large miniatures are: 1. The Nativity; 
2. The Resurrection; 3. The descent of the Holy Ghost; 4. The 
Sacrament; 5. The Assumption of the Virgin; 6. God the 
Father, Christ and the Virgin surrounded by all the Saints. 
The small miniatures represent subjects from the Gospels and 
various Saints. From the Bibliotheca Renesiana. 


2451. GHEBEDTE. F.Lemiso MS. on vEuLuM of the second 
part of the 16th century. 232 leaves (53% x 35% inches). Em- 
BELLISHED WITH 34 LARGE MINIATURES AND ONE SMALL ONE. 68 
borders of various flowers, fruits, wmsects, human figures, 
monkeys, peacocks, owls, fighting-cocks, jewels, etc., m sub- 
dued colors on grounds of dull gold, green, maroon, mauve, - 
camaieu d’or and bistre, all of different design; and 34 large 
ornamental wmitials in gold, gray and mauve camaeu. 8vo, 
dark brown levant morocco, doublure of citron morocco, with 
gilt floral borders, gilt edges, by Trautz- Bauzonnet, in a mo- 
rocco slip ease. ‘See, XVI 

* An interesting manuscript. Several of the subjects of the 
miniatures are unusual, among them: Mary Magdalen anointing 
Christ’s feet; the Pharisee and the Publican in prayer; The 


Woman taken in adultery; Moses and the miracle of the manna; 
Susanna and the two elders, ete. 


2452. GEBETBUCH (KATHOLISCHES) um Gott im 
Geiste und in der Wahrheit anzubethen. German MS. of the 
year 1715 written in red and black on light blue paper. 164 
leaves (45¢x214 inches). 12mo, Contemporary German 


378 


MANUSCRIPTS—Continued. 


binding in repoussé silver; centre medallions within a frame 
work of garlands and angels, that on the upper cover contain- 
ing a representation of Faith, and that on the lower cover 
representing Religious Zeal; repoussé back with the figure of 
Hope and other ornaments, chased clasps, gilt edges. 1715 


2453. [GOUGH (RICHARD).] An Account of a rich 
illuminated Missal executed for John Duke of Bedford, 
regent of France under Henry VI. and afterwards in posses- 
sion of the late Duchess of Portland. Wirth 4 plates, 3 of 
which are facsimiles of the nuniature paintings of the missal. 
4to, crimson velvet, watered white silk linings, gilt edges, in a 
silk case. London, 1794 


* UNIQUE COPY, EXTRA ILLUSTRATED by the insertion of a 
duplicate set of the three plates printed on vellum, and finely 
illuminated in gold, silver and colors, being a perfect repro- 
duction of the three most beautiful miniatures of the Missal. 

The magnificent Bedford Missal is now in the British Museum. 


2454. GREGORIUS MAGNUS (S.). Morali di Sancto 
Gregorio sopra Job (Books I-X). Iranian MS. or THE 15TH 
CENTURY WRITTEN ON VELLUM IN ROMAN CHARACTERS; IN 
BLACK AND RED. 343 leaves (1214x814). Furst page sur- 
roundéd by a border composed of scrolls in white on a blue, 
red and green ground, within gold bands; also 12 large wmtials 
in the same style illuminated in gold and colors. Folio, ancient 
binding in oak, borders covered with red morocco richly gilt, 
clasps, gilt edges. See. XV 


2455. GUIRLANDE (LA) DE JULIE, contenant plusieurs 
madrigaux et epigrammes. MS. ON PAPER OF THE 17TH CEN- 
TuRY. 187 leaves (117% x 814 winches). Folio, old French red 
morocco, richly gilt tooled borders, centre and corner orna- 
ments; doublure of red morocco, gilt tooled dentelle borders, 
gilt edges, by Duseuil. See. XVIT 


* The manuscript, written by several hands, contains poems 
by Voiture, Saint-Amant, Benserade, Chapelain, ete. 


2456. HISTOIRE de Lord Stenay et du Lady Clety. Com- 
mencée en 1761. FRENcH MS. on paper of the 18th century. 
176 leaves. Apparently unpublished. (7x5 wmches). Small 
Ato, old French red morocco, gilt tooled dentelle borders, gilt 
edges, by Padeloup. See. XVIII 


9457. HORA BEATA MARIA VIRGINIS ad usum 
Romanum, cum ecalendario. MS. OF THE FIRST PART OF THE 
15TH CENTURY WRITTEN ON VELLUM IN WELL-FORMED GOTHIC 
CHARACTERS, IN RED AND BLACK. 187 leaves (77% x 55% inches). 
ORNAMENTED WITH 26 FINE FULL-PAGE MINIATURES, and 55 
borders of fruits, flowers, birds, scrolls, etc., in the midst of 
which are painted human figures in contemporaneous costume, 
representing warriors, angels playing musical wmstruments, 
monks, ecclesiastics, laymen, shepherds, acrobats, etc.; also 


379 


MANUSCRIPTS—Continued. 


hundreds of large and small ornamental wutials illuminated 
in gold and colors. 4to, crimson velvet, repoussé silver clasps 
(one missing’), gilt edges. See. XV 


* A BEAUTIFUL MANUSCRIPT, in which the miniatures are 
much above the average. Among them may be mentioned: 
Christ delivering Souls from Hell (the most original of the 
paintings in design); the Virgin weaving with the infant Christ 
standing at her knee; The Martyrdom of St. Catherine; St. 
Mary Magdalene; St. Susanna at the feet of Christ, ete. 

The manuscript was in all probability executed in the North- 
East of France, and may be termed one of the best specimens of 
the period from that part. The Calendar has Eligius, Dona- 
tianus, Nicasius in red. In the litany we find Quintin and 
Nicasius, martyrs; Amandus, confessor; Gertrude, Hildegunda, 
virgins. On the inside of the front cover is a Spanish inscrip- 
tion dated Nov. 21, 1572, showing that the book had been ex- 
amined by the Inquisition and might be read. 


2458. HORA BEATA MARIA VIRGINIS ad usum 
Romanum cum calendario. MANUSCRIPT ON VELLUM OF THE 
15TH CENTURY WRITTEN IN GOTHIC CHARACTERS, WITH THE 
CALENDAR IN GOLD, BLUE AND RED, probably executed at Tours 
or in the neighborhood. 170 leaves (91x 614 inches). Em- 
belished with 39 FINE LARGE MINIATURES, nearly all divided 
unto compartments, the pages of the Calendar surrounded by 
large and beautiful miniature borders contamning from one 
to three compartments, in which are represented the occupa- 
tions of the months, the signs of the zodiac, relugious scenes, 
amusements and sports of the time {including the game of 
golf |, etc.; all the pages of the text are surrounded by elaborate 
borders in black tracery and burnished gold, with corner 
sprays of flowers in blue, green, dull red, and gold ‘‘ camaieu,’’ 
each border containing 3 small mimatures, which are repeated 
on the verso of the leaf, but reversed, so as to be seen against 
the light. 4to, old blue velvet, gilt edges, ina case. See. XV 

* A MAGNIFICENT MANUSCRIPT OF GREAT VALUE. The Calendar 
marks Maurus, Gregory, George, Yvo, Eloy (twice), Louis IX, 
Giles, Denis, Martin (twice), Clement, Katherine, Thomas & 
Becket, in gold; Aubert, Donatianus, Aubin, Gertrude, Ernoul 
(twice), Robert, Vaudrille, Lyeffart, Eracle, Albanus, Theobald, 
Quintin, Bertin, Piatus, Ferreolus, Gatianus, Romanus, Co- 
lumbanus in blue; Genovefa, Metranus, Veranus, Honorina, 
Fuscian, Leger, Albinus, Gobert, Gengulphus, Boutoulph, Sil- 
vanus, Edmund, Nicasius, in red. The Litany invokes Dionysius, 
martyr; Britius, Mathurinus, Remigius, Jovine, confessors ; 
Radegunda, Genovefa, Florentia, Columba, virgins. 

Among the large miniatures, besides those of usual ocecur- 
rence, are the following: the Last Judgment; the martyrdom 
of St. Peter, the Conversion and Martyrdom of St. Paul; the 
Martyrdom of St. John the Baptist; the Martyrdom of St. 
Laurence; St. Eloy restoring a horse’s leg; the temptation of 


380 


RE ETE 
(ieee bedtlatenias? eS 


eo 


bi 
fom 
=) 
B 
vA 
ie3| 
& 
q 
‘Ss 
4 
& 
ey 
= 
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re 
ry 


(See No. 2458.) 


FRENCH Book or Hours 


Pn 


MANUSCRIPTS—Continued. 


St. Anthony; the martyrdom of St. Apollonia, ete. The small 
miniatures in the borders, in all 874, may be divided into three 
groups, according to their subjects: (1) Sacred scenes, con- 
taining representations from the Old and New Testament; 
(2) Grotesques and Obscena; (3) Scenes from celebrated 
romances or fabliaux of the Middle Ages, possibly from the 
collection of fables and moralities known as Ysopet. 

The beautiful miniatures, which ornament the manuscript are 
the work of at least two artists, the more skilful of the two 
having executed the greater number. However, both belong to 
the school of Touraine, and it is probable that the manuscript 
was executed at Tours or in the neighborhood, as in the Cal- 
endar the name of St. Martin, bishop and patron of Tours, 
occurs twice written in gold, and in the black ground of the 
large miniature representing St. Martin (fol. 161 v.) is the 
Church of St. Martin-de-Tours, exactly as it was in the 15th 
century, with its three Roman towers. From the collection of 


H. Bordes. 
[See Reproduction. | 


2459. HORA) BEATA) MARIA VIRGINIS ad usum 
Romanum, cum calendario. MS. oF THE 15TH CENTURY WRIT- 
TEN ON VELLUM IN LETTRES BATARDES, IN BLACK AND RED. 170 
leaves (6144x414 inches). Ornamented with 11 large mina- 
tures, divided into upper and lower sections and unmted by 
architectural borders in gold camaieu; also numerous histori- 
ated and ornamental wutials, aluwminated im colors and gold. 
8vo, old French red morocco, inlaid borders of dark brown 
morocco, covered with gilt pointillé toolings in compartments, 
in the manner of Le Gascon, gilt edges, in a morocco slip ease. 

Sec, XV 


* A VERY GOOD EXAMPLE OF FRENCH MINIATURE WORK of the 
period. In the Calendar we find St. Martial in red, and in 
the Litany St. Martial among the Apostles, indicating Limoges, 

_ Poitiers or Rouen, as the probable place of origin of the manu- 
script. | 


2460. HORA) BEATA MARIA VIRGINIS ad usum 
Romanum cum calendario. MS. oF THE 15TH CENTURY WRIT- 
TEN ON VELLUM IN GOTHIC CHARACTERS, RED AND BLACK. 153 
leaves (934 x 6% inches). ORNAMENTED WITH 12 LARGE MINIA- 
TURES Of the usual occurrence and 19 small ones representing 
various saints; each page having lateral borders finely painted 
m flowers, foliage, fruits and scrolls im various colors, 
heightened with gold, the borders surrounding the large 
miniatures and the opposite pages being full-page and of a 
more elaborate character, introducing animals, grotesques, etc. 
Ato, red velvet, silver clasps, gilt edges. See. XV 


* A MANUSCRIPT of good execution, with strong Flemish ele- 
ment. The names of St. Nicasius in red and of the SS. Mau- 
rice, Auldegonde, Aubin, Urban, Ernoul, Fiacre, Romacle, Fre- 
min d’Amiens, and Severin in black in the Calendar indicate 
the North-East of France as the probable provenance. 


381 


‘ 


MANUSCRIPTS—Continued. 


2461. HORA BEATA MARI VIRGINIS secundum 
usum Romanum, cum ealendario. MS. or THE 15TH CENTURY 
WRITTEN ON VELLUM IN NEAT AND WELL-FORMED GOTHIC 
CHARACTERS, IN RED AND BLACK; BY A F'LEMISH SCRIBE, 182 
leaves (314 x 28% inches). ORNAMENTED WITH 37 BORDERS of 
flowers, fruits, birds, and insects delicately painted on a dull 
gold ground, 10 LARGE MINIATURES of the usual subjects, and 
12 small ones in the lower borders of the calendar representing 
the occupations of the months; also numerous large and small 
ornamental initials in a gray camaieu on a gold ground, and 
an gold on a red ground. 16mo, dark brown levant morocco, 
blind-tooled borders on the sides, with a repoussé silver medal- 
lion representing the Virgin and Child inlaid on the centre of 
the upper cover; doublure of hight brown morocco, gilt borders, 
gilt edges, by The Club Bindery; in a ease. See. XV 


2462. HORA BEATZ MARIZA VIRGINIS ad usum 
Bisuntinum, cum Calendario. MS. oF THE 15TH CENTURY 
WRITTEN ON VELLUM IN GOTHIC CHARACTERS IN’ BLACK AND RED, 
WITH THE CALENDAR IN GOLD, BLUE, AND RED; EXECUTED IN 
THE East oF FRANCE. 185 leaves (9 x 614 incehs). ORNA- 
MENTED WITH 16 LARGE MINIATURES, 6 of which are on a dia- 
pered ground in blue, red and gold; each page embellished 
with lateral borders of the wy leaf design in black and - 
gold, with scrolls and flowers in colors. The mimatures are 
surrounded by full-page borders more elaborately executed, 
introducing flowers, scrolls, birds, vases and grotesques, ele- 
gantly illuminated wn gold and colors. 4to, brown levant 
morocco, blind tooled semis of fleurs-de-lys and shells on the 
sides, gilt edges, by Lortic. See. XV 


* The miniatures, which are all of the usual subjects, show 
some German influence. The provenance is probably Besan- 
con. In the Calendar St. Stephen is in gold. and St. Ferreolus 
(Sept. 17) in blue. The Litanies invoke SS. Ferreolus, Fer- 
rutius, Antidius, Ireneus (Lyon), Gengulphus (Toul), Desi- 
derius (Langres), Mammes (Langres), martyrs; SS. Desideratus, 
Nicetius, Prothadius, Anatolius, Donatus, Claudius, confes- 
sors. On the first blank leaf are painted the arms of a bishop. 

Manuscript Hours for the use of the Church of Besangon are 
of rare occurrence. 


24638. HORA) BEATA MARIA VIRGINIS ad usum 
Romanum cum ealendario. MS. of THE 15TH CENTURY, WRIT- 
TEN ON VELLUM IN LETTRES BATARDES, IN RED AND BLACK; EXE- 
CUTED IN THE NortH-Hast or FRANCE. 164 leaves (8x 53% 
inches). Ornamented witH 18 LARGE MINIATURES of the usual 
occurrence, each surrounded by iy leaf borders in black and 
gold, with flowers and scrolls in brilliant colors; besides hun- 
dreds of illuminated initials. Small 4to, contemporary bind- 
ing in stamped morocco, silver gilt clasp, gilt edges. See. XV 

* The Calendar has St. Yvo, St. Gilles & St. Leu; the litanies 
have Vedastus, confessor. 


382 


MANUSCRIPTS—Continued. 


2464. HORAD BEATAA MARIA VIRGINIS ad usum 
Romanum, cum Calendario. MS. oF THE SECOND PART OF THE 
15TH CENTURY, ON CHOICE VELLUM; WRITTEN IN SMALL LETTRES 
BATARDES, IN BLACK AND BLUE, AND PROBABLY EXECUTED IN 
ANJOU. 144 leaves (634 x 4% wiches). JHMBELLISHED WITH 
13 VERY FINE LARGE MINIATURES and 135 lateral borders of 
flowers, scrolls, birds, insects, human figures, chimeras, c.; 
elegantly painted wn gold and brilliant colors; those of the 
calendar having 24 EXCEEDINGLY GOOD SMALL MINIATURES, rép- 
resenting the occupations of the months, and the signs of the 
zodiac. 8vo, red velvet over old oak boards, gilt edges, in a 
silk bag. Sec. XV 

* A VERY BEAUTIFUL MANUSCRIPT EXECUTED FOR CATHERINE 
D’ARMAGNAC, second wife of Jean II, Duc de Bourbon, called 
*“le Bon’’ [1484-86]. The large miniatures were probably 
painted by a different artist from the one who executed the 
small ones in the Calendar. They are specimens of the best 
French illuminating of the 15th century, and recall the work of 
Jean Foucquet. Their subjects are the usual ones occurring in 
all books of Hours, with the exception of the last, representing 
the Virgin, crowned’as a queen and attended by angels, ad- 
ministering the sacrament to St. Avia. On 9 leaves there are 
the interlaced initials of Jean and Katherine, and leaf 27 has a 
painted stag and hind, the emblems of the house of Bourbon. 
These emblems are repeated in a different form in the other 
borders. 


The Calendar has St. Aldric, Bishop of Mans; St. Julian, 
first Bishop of Mans; St. Aubin, Bishop of Angers; St. Tiburce, 
Bishop of Mans; St. Liboire, Bishop of Mans; St. Pavace, 
Bishop of Mans; St. Maurilius, Bishop of Angers (in blue) ; 
St. René, Bishop of Angers (in blue), all of which would indi- 
cate Maine or Anjou as the place where the manuscript was 
written. 

Two leaves, which probably contained miniatures, are missing. 


* 2465. HORAD BEATA MARIA VIRGINIS secundum 
consuetudinem Romanz. MANUSCRIPT OF THE SECOND PART 
OF THE XVTH CENTURY, ON VELLUM, WRITTEN IN GOTHIC 
CHARACTERS OF SILVER AND GOLD, ON VELLUM, TINTED BLACK, 
AND EXECUTED IN THE NorTH-EAst oF FRANCE. 121 leaves 
(634 x 414 inches). With 14 FINE LARGE MINIATURES painted 
in gold, silver and colors, 134 borders composed of ornamental 
leaves, flowers, birds, animals, grotesques and chimeras, all in 
dull gold, on a dark blue ground, and numerous large and 
small illuminated initials. 8vo, pigskin, the sides blind-tooled 
in panels in the manner of the 15th century French bindings, 
silver clasps with interlaced Ys, gilt edges, by Trautz-Bauzon- 
net; in a pigskin ease. See. XV 
* In the Calendar are the names of the following saints writ- 

ten in gold: Amandus and Vedastus (6 Febr.), Eligius 

(6 Jun.), Dionysius (9 Oct.), Donatianus (14 Oct.), Nicasius 


(14 Dec.); and those of Valentine (14 Febr.), Gertrude 
(16 Mart.), Romanus (30 Mart.), Bertinus (5 Sept.), Lam- 


383 


MANUSCRIPTS—Continued. 


bertus (17 Sept.), in silver: the Litanies have Nicasius and 
Quintinus martyrs, Gertrude virgin. All these point to the 
North-East of France. The miniatures, which are well exe- 
cuted and above the average, have a very strong Flemish in- 
fluence, and are probably the work of a Flemish artist. From 
the Yemeniz and Firmin-Didot collections. 


2466. HORA BEATA MARIA VIRGINIS ad usum 
Parisiensem, cum Calendario. MANUSCRIPT OF THE SECOND — 
PART OF THE 15TH CENTURY, WRITTEN IN GOTHIC CHARACTERS 
IN BLACK AND BLUE ON VELLUM with the calendar wn gold, blue 
and red. Probably executed in the North-East of France. 
169 leaves (614% x 458 inches). Hach page accompamed by 
elegant lateral borders composed of flowers, fruits, birds, in- 
sects, etc., n gold and colors, and numerous alluminated 
onitials. ORNAMENTED WITH 9 LARGE MINIATURES, of the usual 
occurrence, painted in brilliant colors and heightened with 
gold. 8vo, red levant morocco, the sides tooled and gilt in 
compartments, with mosaic ornaments in dark green and 
citron morocco, and pointillé tooling, in the manner of Le 
Gascon, gilt back, doublure of brown morocco, gilt tooled 
dentelle borders, silk linings, gilt edges, by Capé. In a mo- 
rocco case. Sec. XV 


* A GOOD SPECIMEN OF THE FRENCH ART OF THE PERIOD and 
probably executed for one of the members of the Royal family 
of France, as the fleur-de-lys is introduced in several of the 
borders. The Calendar has the following Saints in gold: Gene- 
viéve, Vincent, Gregoire, Nicolas, Martin, Louis, Leu and Gilles, 
Denis, Marcel, Katherine, etc. The manuscript is not quite per- 
fect. 


2467. HORA BHATA MARIA VIRGINIS : secundum 
Usum Romanum, Hore S. Crucis, Hore de Sancto Spiritu, Offi- 
cium de Passione Domini, Missa B. M. V., ete., cum Calendario. 
FLeMIsH MANUSCRIPT ON VELLUM OF THE YEAR 1524, WRITTEN 
IN ELEGANT GOTHIC CHARACTERS, IN RED AND BLACK, EXECUTED 
IN THE Low Countrigs. 303 leaves (834 x6 inches). Embel- 
lished with 27 BEAUTIFUL LARGE MINIATURES; 24 fine miniature 
borders in the Calendar, representing the occupations, amuse- 
ments and sports of the months, all very interesting for the 
Dutch manners and costumes of the period; 71 pretty borders, 
oncluding those surrounding the large minatures, composed 
of flowers, fruits, birds, insects, jewels, ornamental scrolls, 
figures, etc., painted in various colors and gold ‘‘camaieu’’ on 
a blue, red, or green ground; also numerous elegant large and 
small floriated initials in dull gold on a rose, blue or green 
ground. 4to, old dark brown morocco, gilt panelled sides, an 


384 


° 


. 
. 


HOURS OF THE VIRGIN 
(See No. 2467.) 


FLEMISH MANUSCRIPT DATED 1524 


& 


MANUSCRIPTS—Continued. 


English coat of arms in silver gilt in the centre of both covers,. 
silver gilt clasps, gauffred gilt edges, in a levant morocco slip 
case. 1524 


* AN EXQUISITE AND MAGNIFICENT MANUSCRIPT. The minia- 
tures are certainly the work of two of the best Flemish artists 
of the period, who seem to have been inspired by the famous. 
‘*Breviarium Grimani’’ and probably were members of the well- 
known Horebout Family. Three or four of the miniatures,. 


being especially fine, may be ascribed to Gerard Horebout him- 
self. 


The large miniatures represent: Christ’s entry into Jerusa- 
lem, the Last Supper, Salome receiving from the executioner 
the head of John the Baptist, St. Francis of Assisi receiving: 
the stigmata, David and Goliath, ete. 

The Calendar has Aldegunda, Amandus, Ausbert, Gertrude, 
Walburga, Servatius, Amelberga, Bertinus, Gereon, Willibrord,. 
in black; Nicasius, in red. 


[See Reproduction. | 


2468. HORAT BEATA MARI VIRGINIS ad usum 
Romanum, cum Calendario. MS. oF THE YEAR 1537, WRITTEN 
ON VELLUM IN LETTRES BATARDES, IN RED AND BLACK, and exe- 
cuted ‘‘en la noble maison et abbaye de Saint Amand a la re- 
queste de maistre Franchois du Quelin.’’ 143 leaves (5146x4 
wmches). ORNAMENTED WITH 11 FINE AND BRILLIANT FULL-PAGE. 
MINIATURES Of the usual subjects, with the exception of the 
one at the beginning of the Office of the Dead, which repre- 
sents a half-naked man kneeling wn supplication to a gaily 
dressed man playing a flute, and two women playing lutes. 
Kach mimature is enclosed in an architectural. border in the 
style of the French renaissance, heightened with gold, and 8 of 
the pages facing the mimatures have floral and scroll borders; 
also numerous ornamental anitials illuminated im gold and 
colors. 8vo, red levant morocco in compartments of dark and 
light brown morocco outlined in gold, ornamented with dots 
and rosettes; doublure of red morocco, gilt tooled borders of 
flowers and leaves, gilt edges, by Joly, in a levant morocco 
slip case. 1537 


* The miniatures are above the average in workmanship, and 
show the Italian influence of the period: probably they are the 
work of some monk who had passed a period of his life in Italy. 
The manuscript must have been executed for presentation to a 
member of the Orléans family as the Orléans arms are painted 
at the foot of 14 pages. 


2469. HORA) BEATA MARIA VIRGINIS ad Usum 
Romanum, cum Calendario. LATIN MANUSCRIPT OF THE BEGIN- 
NING OF THE XVITH CENTURY, ON THIN AND VERY CHOICE VEL- 
LuM, written in neat Gothic characters and executed by a 
Flemish scribe. 183 leaves (334 x 252 inches), EMBELLISHED: 


385 


MANUSCRIPTS—Continued. 


WITH 10 VERY FINE MINIATURES, and 49 borders, 43 of which 
are historiated; the 24 of the Calendar representing the occu- 
pations of the months, with medallions containing the signs of 
the Zodiac; the others having representations of scenes from 
lives of saints, manners of. the time, etc. Also ornamented 
with large floriated wutials painted in “‘camateu gris,’’ gold 
and blue on a ground of colors and gold. 16mo, white mo- 
roeco, the sides in compartments formed by interlacing bands - 
and arabesques painted in various colors and outlined in gold; 
in the centre of the front cover the device of Charles V with 
the motto PLVS vLTRA, and on the back cover the imperial 
eagle; silver clasps, gauffred gilt edges. See. XVI 
* Although the binding is modern, the manuscript is said to 

have been executed by order of Emperor Maximilian I for 
presentation to his grandson, afterwards Charles V. ‘The 
miniatures, which are of the school of Memling, are very re- 
markable for microscopic detail and delicacy of finish; and they 


are very interesting as they represent the games customs, archi- 
tecture and costumes of the Netherlands at that time. 


2470. HORA BEATA MARIA VIRGINIS ad usum 
Parisiensem, cum calendario. MS. oF THE 15TH CENTURY, 
WRITTEN ON VELLUM IN WELL-FORMED GOTHIC CHARACTERS, IN 
RED AND BLACK, WITH THE CALENDAR IN GOLD, BLUE AND RED; 
PROBABLY EXECUTED IN THE NorTH-EAst oF FRANCE. 254 
leaves (9 x 652 inches). ORNAMENTED WITH 16 LARGE AND 68 
SMALLER MINIATURES, these last in the borders, including 
the 24 in the Calendar, which represent the occupations of 
the months and the signs of the Zodiac. Each page sur- 
rounded by exquisitely painted ivy leaf borders im black 
and gold, with flowers, fruits, foliage, birds, etc.; the borders 
surrounding the large mimatures more elaborately decorated 
and embellished with mimature medallions representing sub- 
jects from the Boble, the Infe of Christ, and the Virgin; also 
numerous large and small ialuwminated ornamental imtials. 
4to, old dark red velvet, gilt edges, in a cloth case. Sec. XV 

* A REMARKABLY FINE MANUSCRIPT, and a very rich example 
of French 15th century illumination and decorative art. The 
miniatures are beautifully finished, and are evidently the work 
of a good artist. The first three, which occupy the entire 
pages and are notable for correctness of design and color, repre- 
sent: 1. The Last Supper, in a Gothic building, over the door 
of which are painted the royal arms of France; in the lower 
part St. John in the Island of Patmos, writing the Revelation; 


2. Herod receiving the Magi; in the lower part the procession 
of the Magi and their retinue; 3. The Ascension, below St. 


386 


i 
‘i 


: 


Rar nach -eapanenannei 


ae 


uniiatus d | 


Qc bets 


HOURS OF THE VIRGIN: 
FRENCH MANUSCRIPT, circa 1460. 
(See No. 2470.) 


MANUSCRIPTS—Continued. 


Matthew, writing his Gospel and an Angel holding his ink well; 
the other miniatures are of the usual occurrence. 

The names: of the following Saints are written in gold in the 
Calendar: St. Genevieve, St. Mor, St. Vincent, St. Gregoire, 
St. George, St. Nicholas, St. Eloy, St. Martin, St. Louis, St. 
Gille, St. Denis, St. Katherine, etc. In the litany we find 
St. Yvo, St. Marcellus, St. Germanus, St. Louis, St. Medardus, 
St. Martial, confessors; St. Genovefa and St. Oportuna, virgins. 
The prominence of these Saints (and others found in the Calen- 
dar) shows that the Office has some connection with, and prob- 
ably was written, in the North-East of France. 


[See Reproduction. | 


2471. HORAU BEATAT MARIA VIRGINIS ad usum 
Parisiensem, cum calendario. LATIN MANUSCRIPT OF THE X VTH 
CENTURY, ON VELLUM, WRITTEN IN GOTHIC CHARACTERS IN 
BLACK AND RED, WITH THE CALENDAR IN GOLD, BLUE AND RED, 
probably executed in the North-East of France. 238 leaves 
(7 1/16x5 1/8 inches). Ornamented with 51 FINE LARGE 
MINIATURES; each page within exquisite ivy leaf borders of 
black and gold with flowers in brilliant colors; those on the 
pages contaning miniatures, being more elaborately and more 
richly ornamented with sprays of flowers, leaves, and scrolls 
in various colors and gold, and those of the calendar having 
24 small mumatures representing the occupations of the months 
and the signs of the Zodiac. Small 4to, red levant morocco, 
richly tooled and gilt in compartments in the manners of the 
Eves, doublure of green morocco tooled and gilt in small oval 
compartments containing floral ornaments, gilt edges, by 
Riviére, in a green levant morocco ease. See. XV 


* THIS BEAUTIFUL AND INTERESTING MANUSCRIPT IS BELIEVED 
to have been executed for Margaret of Anjou, wife of King 
Henry VI of England, and the lady kneeling before the stand- 
ing figure of the Virgin (leaf 230 recto) is thought to be her 
portrait. Although the office is for the use of Paris, certain 
saints of the Calendar and of the litany point to the North-East 
of France as its probable place of origin, while the names of 
S. Columbanus, Edmund and Patrick in the Calendar prove that 
the manuscript had some connection with England. The calendar 
has Genovefa, George, Maurus, Yvo, Eligius, Louis, Leu and 
Gilles, Denis, Martin, Thomas 4 Becket in gold; Vedastus, Ger- 
trude, Patrick, Vaudrille, Germanus, Romanus, Fiacre, Gereon, 
Mello, Columbanus, Nicasius in blue; Vulfran, Medard, Fremin, 
Edmund in red. In the Litany we find Denis, Quintin, martyrs ; 
Ursine, Guillermus, Austregisile, Yvo, Germanus, Sulpitius, Gil- 
dardus, confessors; Valeria, Oportuna, Genovefa, Ursina, Avia, 

- Radegunde, virgins. 

The miniatures, very likely the work of two artists, are of 
great delicacy and beauty, and far above the average. Among 
those of unusual occurrence in books of hours are; the Baptism 
of Christ, Peter baptising converts, Peter preaching to converts, 
etc. From the Addington library, and since rebound. 


387 


MANUSCRIPTS—Continued. 


2472 HORA) BEATA MARI VIRGINIS ad usum 
Eeclesize Rothomagensis, cum calendario. MANUSCRIPT OF THE 
15TH CENTURY, WRITTEN ON VELLUM IN LETTRES BATARDES, IN 
RED AND BLACK, AND THE CALENDAR IN GOLD, BLUE AND RED; 
“EXECUTED IN THE NortH-EAst OF FRANCE. 93 leaves (754 x 51g 
inches). Hach page embellished by lateral borders of flowers, 
fruts and animals, painted in brilliant colors on a dull gold 
ground, ORNAMENTED WITH 14 LARGE MINIATURES AND 24 
SMALL ONES in the Calendar, the latter representing the occu- 
pations of the months and the signs of the Zodiac. Also 
numerous illuminated intials. 8vo, light brown moroeco, gilt 
tooled and mosaic dentelle borders, gilt back; doublure of red 
levant with richly gilt borders, gilt edges, by Joly, in a mo- 
rocco slip case. See, XV 


* An interesting manuscript, especially on account of the 
large miniatures, which are nearly all of unusual occurrence. 
Among them we find: The Angel appearing to Moses on Mount 
Horab; Moses consecrating Aaron and his sons; the Vision of 
the Virgin and Child to Augustus Cesar; Jacob’s ladder; the 
Queen of Sheba presenting gifts to Solomon; King Solomon’s 
Judgment, etc. The miniatures are good in coloring and show 
some Flemish influence. The arms of a former owner appear 
fourteen times. 

In the calendar the names of the following Saints are in gold: 
Gervais, Eloy, Martial, Romain. In the litany we find: Martial, 
Apostle; Firmin, Eutropius, martyrs; Mello, Romanus, Gildard, 
Medard, Audoenus, Severus, Julianus, Taurinus, confessors. 


2473. HORA) BEATA MARIA VIRGINIS ad usum Eecle- 
siz Rothomagensis, cum calendario. MS. or THE 15TH CEN- 
TURY, WRITTEN ON VELLUM, IN GOTHIC CHARACTER IN RED AND 
BLACK, WITH THE CALENDAR IN GOLD, BLUE AND RED; prob- 
ably executed at Rouen or in that neighborhood. 144 leaves 
(83g x 558 inches). ORNAMENTED WITH 12 LARGE MINIATURES, 
within borders composed of ivy leaf, scrolls and flowers, painted 
in brilliant colors and gold, and 5 other borders of similar 
designs; also numerous large and small illuminated amtials of 
an ornamental character. 4to, brown levant morocco, the sides 
elaborately tooled and gilt in an interlaced Grolieresque pat- 
tern of compartments, arabesques and pointillé, gilt tooled 
back, gilt edges, by Riviére, in a morocco slip ease. Sexe. XV 

*The miniatures are remarkable for their execution and 
coloring, and show the hand of an artist above the average in 
ability. The Calendar has in gold the names of St. Martial 
and St. Roman; and in blue SS. Ausbert, Aubin, Urban, Trans- 
lation of St. Roman, Fiacre, Lubin, Fremin, and Enoud. In 
the Litany we find Martial, Apostle; Fiacre, Maurice, Leobin 


Roman, Audoenus, Vivian, Macutus, Maturin, Lupa, confessors ; 
and Radegunda and Austreberta, virgins. 


2474. HORAT BEATA MARIA VIRGINIS ad usum 
Ecclesia Rothomagensis, cum Calendario. MS. or THe 15TH 
CENTURY WRITTEN ON VELLUM IN BOLD GOTHIC CHARACTERS IN 
RED AND BLACK, WITH THE CALENDAR IN GOLD, BLUE AND RED; 


388 


MANUSCRIPTS—Continued. 


‘PROBABLY EXECUTED AT ROUEN. 155 leaves (714 x 4% inches). 
ORNAMENTED WITH 15 LARGE MINIATURES AND 54 SMALL ONES, 
mceluding the 24 of the calendar, which represent the occupa- 
tions of the months and the signs of the Zodiac; 205 large illu- 
minated historiated wutials, 25 borders composed of flowers, 
foliage, fruits, scrolls, ammals, insects, etc., illuminated in 
gold, silver and colors, the full-page ones being embellished 
with mmature medallions of scenes from the Bible, and the 
life of the Virgin. Small 4to, brown levant morocco, gilt and 
blind panelled sides, gilt back, gilt edges, by F. Bedford. 
See. XV 


* A very interesting manuscript. The subjects of the minia- 
tures are the usual ones, with the exception of the 13th (leaf 
115r.) representing ‘‘LES TROIS VIFS ET LES TROIS MORTS,’’ 
which is seldom found. Among the names of the Saints writ- 
ten in gold in the Calendar are: St. Gervasius, St. Martial, St. 
Martin, St. Denis, St. Romanus, etc. In the litany we find: 
St. Mauritius, martyr; St. Julianus, St. Mello, St. Romanus, 
St. Ausbertus, St. Taurinus, confessors; and St. Radegund and 
St. Austreberta, virgins. 


' 2475. HORA) BEATA) MARLA® VIRGINIS. Heures 
Nostre Dame a |’usage de Troyes. FRENcH MS. or THE 15TH 
CENTURY, WRITTEN ON VELLUM IN GOTHIC CHARACTERS, IN RED 
AND BLACK, WITH THE CALENDAR IN RED AND BLACK. 237 leaves 
(10146 x 714 inches). EMBELLISHED WITH 29 FINE, LARGE AND 
34 SMALL MINIATURES, 24 of the latter being wntroduced in the 
borders of the Calendar and representing the occupations of 
the months and the signs of the Zodiac. Every page sur- 
rounded by rich wy leaf borders in black and gold orna- 
mented with flowers, birds, ammals, insects, centawrs, grot- 
esques, etc., finely painted in gold and colors. The borders 
surrounding the large mimatures are more elaborate than the 
others, having inner borders of red and blue on a gold ground, 
and two of them are ornamented with medallions representing 


scenes from the Life of Christ and the Virgin. 4to, red velvet, 


painted gilt edges, in a levant morocco slip case. See. XV 


* The paintings in this manuscript are remarkable for their 
architectural details, vigorous drawing and beauty of color. | 
Among the miniatures are found: The Virgin and Child en- 
throned, at their feet a man and a woman kneeling (possibly 
the original owners of the manuscript); the Pieta; St. Michel 
and the Dragon; the Martyrdom of St. Sebastien; the Mar- 
tyrdom of St. Catherine; and an exquisitely painted representa- 
tion of the Virgin and Child on the margin of f. 173. 

This magnificent manuscript was executed for one of the 
FAMILY OF HABERT DU BERRY D’ARTOIS, possibly the progenitor 


389 


MANUSCRIPTS—Continued. 


of the poets Francois Pierre, Isaac I and II and Suzanne © 
Habert. The arms of this family, impaling those of Pericard, 
are emblazoned in the borders of folios 47 and 146. Among 
the names written in red in the Calendar are St. Remi, St. 
Savinian (his translation in black, March 2), and St. Lupus. 
In the Litanies we find: St. Savinian martyr; St. Lupus, con- 
fessor; St. Mastidia, virgin. 

A more particular account of this splendid volume will be . 
found in the ‘‘Bulletin des Bibliophiles’’ for March, 1860, 
p. 1070. 


[See Reproduction. ] 


2476. HORAD BEATAX MARLA VIRGINIS, Belgice, cum 
Calendario. SuPERB FLEMISH MS. ON VELLUM OF THE END OF 
THE 15TH CENTURY. 171 leaves (8% x 5% winches). RicHLy 
DECORATED With exquisite borders displaying birds (including. 
peacocks), fruits, flowers, insects, etc., and also comprising 
sacred subjects, among which the TorturEs or HELL and 
Adoration of Magi are very curious; 14 BEAUTIFUL LARGE 
MINIATURES, 81 large illuminated initials (of which 28 are 
lustoriated) and numerous capitals in gold and colors, THE 
WORK OF A GOOD F'LEMISH ARTIST. 4to, old red velvet, silver 
gilt clasps, with initials ‘‘C’’ and ‘‘H,’’ gilt edges. See. XV 

*The beautiful miniatures and very artistic borders are 
painted in the best Flemish style, of the school of the Van 
Eycks. . Among them the Annunciation, Madonna and Child, 
Murder of the Innocents, the Last Supper, the Crucifixion, the 
Resurrection, the Last Judgment, the Mass of St. Gregory, are 
truly fine specimens of illuminating. 

This superb manuscript appears to have been executed for 
Cornelis Crosinck, Lieutenant-Forester of Holland, whose juris- 
diction extended over nearly the whole of the ancient Rhine- 
Land. His arms and those of his second wife, Hildegarde Van 
Alkemade, are found emblazoned twice in the borders of f. 109 
verso, and their initials are on the clasps. From the fact that 
the Calendar does not mention St. Joseph, whose festival was 
instituted at Rome in 1481 (but not generally observed until 
1490), and that on fol. 120 verso mention is made of the death 
of Pope Sixtus IV (1484), it is probable that the manuscript 
was executed after 1484 and before 1490. 


2477. HORA BEATA MARLA VIRGINIS, Belgice, cum 
ealendario. FLEMisH MS. or THE 15TH CENTURY, WRITTEN IN 
GOTHIC LETTERS, BLACK, BLUE AND RED ON VELLUM. 166 leaves 
(7146 x5 inches). Several pages ornamented with elaborate 
borders and semi-borders in fine pen work of foliage, heads, — 
etc., in blue, red, mauve, and green, and with 2 diagrams m 
red and blue, containing directions for the finding of the 
golden numbers and the Sunday letters, the first bearing the 
year 1484 and the second 1485, the probable dates in which 
the MS. was executed. Small 4to, blue velvet. Sec. XV 


390 


FIFTEENTH CENTURY MANUSCRIPT. 


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MANUSCRIPTS—Continued. 


2478. HORAD BEATAD MARIA VIRGINIS, Belgice, cum 
ealendario. FLEMISH MS. OF THE FIRST PART OF THE 15TH 
CENTURY, ON VELLUM, WRITTEN IN GOTHIC CHARACTERS, IN RED 
AND BLACK. 147 leaves (5% x414 inches). ORNAMENTED 
WITH 5 LARGE MINIATURES ON GOLD GROUND, 5 borders of scrolls 
and flowers painted in black, green, gold, etc., and several 
large ornamental initials on gold ground. 8vo, in a Flemish 
17th century binding of repoussé silver gilt: on the front cover 
the Crucifixion and on the back cover a representation of the 
Religious Inspiration, accompanied by emblematic figures; the 
back is ornamented with three scenes from the Life of Christ; 
chased clasps, gilt edges. Sec. XV 


2479. INDIAN DRAWINGS. A Series of 48 water-color 
drawings heightened with gold (1454 x 95 )of the 18th cen- 
tury, executed by an Indian artist, representing Indian 
costumes. In one vol. folio, old panelled ealf. See. XVITI 


* Among the subjects represented, of which fifteen are women, 
are court officers, princes, generals, privates, elephant drivers, 
boatmen, etc. 


2480. JARRY (NICOLAS). Priéres dévotes (Petit Office de 
la Viérge, Sept Pseaumes Pénitentiaux, Vespres du Dimanches, 
ete.). FRENCH MS. ON VELLUM, neatly and elegantlu written 
in Roman and Italic characters, with headings and itials 
m gold, blue and red, and each page within a gold border, 
executed by Jarry in the year 1649, and with his signature on 
p. 149. 87 leaves (4 7/8x3 1/16 wnches). 12mo, old French 
olive morocco, the sides tooled and gilt in compartments 
formed by interlacings and arabesques, in the manner of Le 
Gascon; doublure of vellum similarly tooled and gilt, with 
date ‘‘Juin 1695’’ in the centre, gold clasps, gilt edges, in a 
morocco slip ease. Paris, 1649 


*The manuscript is embellished by 4 very fine and 5 small 
miniatures ascribed to Petitot, 5 floral head-pieces and 9 large 
illuminated initials. The subjects of the large miniatures are: 
1. The Nativity; 2. King David praying; 3. ‘‘ Ecce Homo;’’ 
4. The Preaching of John the Baptist; the small ones repre- 
sent the Crucifixion, the burying of Christ, the Resurrection,. 
ete. This manuscript, which is a fine example of Jarry’s art 
was executed for the Due of Berry, grandson of Louis XVI, 
whose monogram is painted in gold at the end. From the 
Lignerolles collection. 


2481. JARRY (NICOLAS). Priéres Saintes et Chrestiennes 
tirées de l’escriture et des Péres de l’Eglise. FrReNcH MS. 
ON VELLUM very finely and neatly written in Roman and 
Italic characters in red and black, each page within a gold 
border, EXECUTED BY JARRY in the year 1662, with his signa- 
ture at end. 162 pages (5x 31% inches). Title in gold capitals 
within a heavy gold border, and embellished by floral orna- 
ments, wreaths of roses, and initials painted in gold and colors. 
12mo, contemporary binding in sealskin, satin linings, chased 

391 


MANUSCRIPTS—Continued. 


gold clasps, gilt edges, in a contemporary green silk bag, em- 
broidered with silver thread, and the monogram ‘‘M. E. C.,’’ 
surmounted by the crown of a marquis on both sides. From 
the collections of Baron de La Roche-Lacarelle and G. de Ville- 
neuve. 1662 


2482. KORAN. Part XXX, -Arapic MS. or THE 15TH 
CENTURY ON NATIVE GLAZED PAPER, entirely written in large — 
gold characters outlined im black. 44 leaves (1152x8% 
inches). Embellished with 2 ornamental borders illuminated 
in gold and blue, and numerous large and small illuminated 
circular ornaments, marking the divisions of chapters and 
paragraphs. Folio, Persian binding in purple boards, mo- 
rocco back. See. XV 


2483. KORAN. Part XXX. Arapic MS. OF THE BEGIN- 
NING OF THE 16TH CENTURY, ON NATIVE GLAZED PAPER, EXECUTED 
IN Persia, written in large and well-formed characters, each 
page within gold borders, outlined in black. 66 leaves (14x 81% 
inches). First 2 pages written wm gold characters on a ground 
of arabesques painted in three shades of blue, and one page 
written in dull gold characters outlined im black on a ground 
of blue arabesques painted on burmshed gold; 4 pages sur- 
rounded and divided by gold and large blue borders with 
characters in dull gold, and 3 similar headings. Folio, old © 
Persian lacquered binding, painted dark brown and gold 
(much rubbed). Sec. XVI 


2484. KORAN. AN PxQuisite ARABIC MS. of the 18th cen- 
tury, with Persian interlinear translation in red, written on 324 
leaves of glazed paper (8144x 5 inches). Hach page sprinkled 
with gold and within borders of gold and blue. Embellished 
with 10 elaborately illuminated pages, 111 ornamental bands in 
blue and gold in the text, 102 large marginal ornaments indi- 
cating the division of chapters, and numerous other designs in 
red, blue, and gold on every page. 8vo, contemporary Persian 
lacquered binding, finely painted outside and inside with 
flowers, in gold and colors, painted edges. See. XVIII 


* This manuscript is one of the best examples of its class. 


2485. KORAN. Arasic MS. of the end of the 18th century 
or beginning of the 19th, written on 366 leaves of glazed paper 
(714x484 inches). First 2 pages entirely wluminated in a 
floral design in blue and gold and the first 2 pages of text sur- 
rounded by floral borders also in blue and gold; all the pages 
within gold borders, and numerous marginal illuminated orna- 
ments to indicate the chapters. 8vo, contemporary Persian 
binding of brown morocco, sunken panels with raised flowers 
and foliage in dull gold; doublure of red morocco having 
corner and centre ornaments in a scroll pattern cut out and 
attached to a blue ground. - See, XVITI-XIX 

392 


MANUSCRIPTS—Continued. 


2486. KORAN. Arasic MS. of the end of the 18th century 
or beginning of the 19th, written on 222 leaves of glazed paper 
(914 x 534 inches). Hach page within ornamental gold lines 
and double gold borders, between which are ornaments in 
blue and gold. Embellished with 6 rich borders of Persian 
design punted in gold and colors. 8vo, contemporary Persian 
lacquered binding painted on the outside and inside in borders 
and panels of flowers. See. XVITI-XTX 


2487. KORAN. Arasic MS. of the early part of the 19th 
century, written on 335 leaves of glazed paper (714 x4% 
inches). Hach page within borders of gold outlined in black, 
and with gold division lines; the first 2 pages illuminated in 
gold and colors. 12mo, old green satin. Sec. XIX 


2488. KORAN. Arasic MS. written on glazed paper A. H. 
1233 (A. D. 1817). 304 leaves (6% x 454 inches). Hach 
page within gold borders, and with numerous marginal orna- 
ments, the first 2 pages being wluminated in gold and colors. 
8vo, contemporary Persian binding in red morocco, gilt centre 
and corner ornaments. 1817 


2489. LEONICENUS (NICOLAUS). Libellus de epidemia, 
quam vulgo morbum Gallicum vocant. Venetiis: in domo 
Aldi Manutii, 1497. MANUSCRIPT FACSIMILE ON VELLUM, PROB- 
ABLY EXECUTED IN FRANCE, at the beginning of the 19th cen- 
tury. 28 leaves (814 x5% wanches). 8vo, old French red 
straight-grain morocco, gilt and blind-tooled borders, the 
Aldine anchor in the centre, silk linings, gilt edges, by Bozer- 
jan. From the Syston Park library. See. XTX 

* See no. 2014 for original Aldine Edition of 1497. 


2490. LE VAILLANT DE LA BASSARDRIKES. L’Ac- 
cord de la grace et de la liberté, poéme accompagné de 
remarques. FRENCH MS. ON PAPER OF THE END OF THE 17TH 
CENTURY, ELEGANTLY WRITTEN, each page within ruled borders. 
160 leaves (1014 x 8 inches). Numerous pen-and-ink flourishes. 
4to, old French olive morocco, gilt tooled broad floral borders, 
rose satin linings, gilt edges, by Padeloup. See. XVII 


2491. LORRIS (GUILLAUME DE) anp MEUNG (JEHAN 
DE). Le RomMAN pe 1A Ross, et ceuvres diverses de Jehan de 
Meung. FrRencH MS. ON VELLUM OF THE 15TH CENTURY WRIT- 
TEN IN LETTRES RATARDES, RED AND BLACK, double columns. 202 
leaves» (1314 x 914 inches). ORNAMENTED WITH 2 LARGE AND 74 __ 
SMALL MINIATURES and numerous borders composed of flowers, 
leaves, scrolls, etc., illuminated in gold and colors; also hun- 
dreds of illuminated initials. Folio, old green velvet, corner 

393 


MANUSCRIPTS—Continued. 


p-eces, central monogram and clasps of gilt brass, gilt ed7es; 
on the upper part of the front cover is apphed a silver plate 
with the inscription ‘‘Le Roman de la Rese,’’ probably from 
an older binding. See. XV 
*<<Te Roman de la Rose’’ occupies the first 150 leaves; on fol. 
151 recto begins ‘‘Testament de Jean de Meung’’ ending on 
fol. 177 verso; the other leaves contain the rare ‘‘Songe rimé,’” 
‘Le codicile maistre Jehan de Meung,’’ and the ‘‘ Miserere 
defunctorum’’ in French and in Latin. The large miniatures 
represent the poet sleeping and dreaming of the characters in 
his Romance and Jehan de Meung sitting at a table and writing. 
The miniatures apparently have been slightly retouched. In a 
morocco slip case. 
This manuscript was formerly in the collections of Le Tellier, 
Marquis de Courtanvaux, whose stamp is on the first and last 
pages. Later it was in the library of Henri Bordes. 


[See Reproduction. ] 


2492. MINIATURES. A series of 9 large miniatures (size 
about 8x5 inches), cut from Books of Hours printed on vel- 
lum, illuminated in gold and colors and mounted on vellum 
leaves, in one volume, folio, red morocco, the sides in compart- 


ments formed by interlaced bands, with fillets and pointilleé. 
Sec. XV-XVI 


2493. MINIATURES. 76 miniatures well painted in gold 
and colors, by an Indian artist on native glazed paper (about 
914 x 614 inches), all neatly inlaid and interleaved, bound in a 
folio volume, dark green morocco, the sides tooled and gilt 
in a design of scrolls; doublure of olive morocco, tooled and 
silt in a similar manner, gilt edges, by Mackenzie. 

See. XVITI-XIX 


* The subjects represented in the miniatures include domestic, 
court, battle, amorous and religious customs and ceremonies, 
acrobats, snake charmers, musicians, etc. From the Sir William 
Jones collection. 


2494. MINIATURES. 11 well-executed miniatures on vel- 
lum, copied from 15th and 16th century originals, chiefly 
Italian, representing the Last Supper, the Announcement to 
the Shepherds, the Presentation in the Temple, the Descent 
of the Holy Ghost, the Annunciation, ete. Bound in one vol. 


small 4to, brown levant morocco, panelled sides, gilt edges, by 
The Club Bindery. See. XIX 


2495. MISS A8 PONTIFICALES. Manuscript oF THE BE- 
GINNING OF THE 16TH CENTURY ON VELLUM, WRITTEN IN LARGE 
AND WELL-FORMED GOTHIC CHARACTERS, RED AND BLACK, and 
executed in Italy for a prelate of the Borgia family. Orna- 

394 


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ROMAN DE LA ROSE, FIFTEENTH CENTURY MANUSCRIPT. 
(See No. 2491.) 


MANUSCORIPTS—Continued. 


mented with a fine full-page border composed of flowers and 
scrolls, with 4 small mimatures in the corners, 119 large orna- 
mental wmtials, and numerous small ones, all illuminated in 
gold and colors; also an historiated intial representing a 
“*Preta’’ at the beginning of the Canon. Folio, brown levant 
morocco, gilt edges, in a case. See. XVI 


2496. MISSALE ad usum Ecclesie Turonensis. MS. oF 
THE BEGINNING OF THE 16TH CENTURY, WRITTEN ON VELLUM 
IN ELEGANT LETTRES BATARDES, RED AND BLACK, double columns, 
and probably executed in Touraine. 169 leaves (138146x9 
mches). ORNAMENTED WITH 2 FINE FULL-PAGE MINIATURES, 3 
LARGE ONES, occupying half the size of the page, and 19 small 
ones. All the large mimatures surrounded by rich and 
elaborate borders, in the style of the Italian Renaissance, in 
gold camaieu and blue, on a blue and gold ground; also an 
illuminated border representing the instruments of the passion 
(leaf 99 recto) and numerous floral and ornamental initials on 
gold ground. Folio, old crimson velvet, gilt edges, in a mo- 
rocco case. See. XVI 


* A SupERB MISSAL. THE MINIATURES ARE REMARKABLE for 
correctness of design, execution and coloring. They may be 
numbered among the best productions of the School of Touraine, 
and possibly are the work of one of Jean Foucquet’s pupils, 
although influenced by Flemish art. The 2 full-page miniatures 
represent the preparations for the Crucifixion. Christ is sitting 
on a rock, bound, and crowned with thorns, a workman nearby is 
completing the cross, the two thieves, bound, stand at the foot 
of the other two crosses; in the foreground are soldiers and the 
Virgin Mary supported by the holy women and St. John; II. 
The Crucifixion: at the foot of the three crosses are the holy 
women, one of whom supports on her knees the fainting Virgin, 
and the soldiers casting lots for the vestment of Jesus; in the 
background there are more soldiers, on foot and on horseback, 
and in the distance appear the hills of Jerusalem. The large 
miniatures represent: 1. the Nativity; 2. the Resurrection; 3. 
the Descent of the Holy Ghost. Among the small miniatures may 
be mentioned: St. Gatian, first bishop of Tours, preaching; the 
Martyrdom of St. Stephen; St. Maurice and his warriors; St. 
Martin of Tours dividing his cloak with the beggar, ete. Some 
of the miniatures have been slightly restored. 

The missal has the following special services: Mass of St. 
Gatian, first bishop of Tours, of St. Martin, bishop of Tours, 
and of St. Guillermus, bishop of Bourges; in the Litany we 
find Gatian and Lidorius, confessors; Monegunda, virgin. All 

*. . these point to Tours as the place of origin of the MS. The 
arms of the Lalemant family of Berry (de gueules a un chevron 


395 


MANUSCRIPTS—Continued. 


d’or accompagné de trois roses d’argent) are emblazoned in 
the first two borders, and-in six of the small miniatures. Prob- 
ably this magnificent missal was executed for a member of that 
family. For a longer and more detailed description see the 
catalogue of Firmin-Didot (year 1879, no. 18), to whom the 
manuscript belonged. 

[See Frontispiece. | 


2497. NUSHIRVAN.  Rissalah (a Treatise upon mysti- 
cism and poetry). Persian MS., beautifully written on native 
glazed paper, on an ornamental gold ground within lines of 
gold and colors, by Mohammed Isma’el al Shirazi, in the A. H. 
1234 (A. D. 1818-19). 124 leaves (734 x 514 inches). Hm- 
bellished with 13 miniatures painted in delicate colors and 8 
elaborate borders in blue, red and gold. 8vo, Persian lac- 
quered binding painted inside and outside with orchids, roses, 
and nightingales, in a red morocco slip ease. 1818-19 


2498. OFFICIUM BEATA MARIA VIRGINIS secundum 
usum Romanum, cum ealendario. MANuscrIPT OF THE 15TH 
CENTURY, VERY NEATLY WRITTEN ON VELLUM IN GOTHIC CHAR- 
ACTERS, IN RED AND BLACK; BY A F'LEMISH SCRIBE. 210 leaves 
(336 x 238 inches). Embellished with 30 fine borders com- 
posed of flowers, fruits, birds, etc., exquisitely painted on a 
dull gold ground, 13 LARGE MINIATURES representing the usual 
subjects, and a small one; also numerous large and small orna- 
mental imtials in a gray camaeu on a gold ground. 16mo, 
old red morocco gilt, gilt edges, in straight-grain morocco ease. 

See. XV 


* A pretty little manuscript, the miniatures of which are re- 
markable for delicacy of composition and brilliancy of color. 
From the Mosbourg library, with book-plate. 


2499. OFFICIUM BEATA MARI VIRGINIS secun- 
dum usum Romanum, cum ecalendario. MS. OF THE LATTER 
PART OF THE 15TH CENTURY, WRITTEN ON VELLUM IN GOTHIC 
CHARACTERS, IN RED AND BLACK, AND EXECUTED BY A F'LEMISH 
SCRIBE. 186 leaves (5x 358 wches). Ornamented with 15 
MINIATURES OF GOOD EXECUTION AND COLORING, 30 borders, 
composed of flowers, fruits, scrolls and birds painted in gold 
and colors, and numerous illuminated initials. 8vo, old green 
silk (worn), in a green morocco slip case. See. XV 


* The Calendar has Amandus and Vedastus, Benedictus, and 
Nicasius in red; Gudila, Walburga, Walric and Lambert in 
black: these indicate ‘the Low Countries as the place of origin 
of the manuscript; the name of St. Benedict in red shows that 
it was executed for some monastery of the Benedictine Order. 


2500. OFFICIUM BEATA ET GLORIOS AD VIRGINIS 
MARIA matris domini nostri Jesu Christi secundum Roman- 
am Curiam, cum Calendario. MS. or THE 15TH CENTURY, 
WRITTEN ON VELLUM IN GOTHIC CHARACTERS, RED AND BLACK; 


396 


MANUSCRIPTS—Continued. 


executed in South LTtaly. 121 leaves (7144x514 inches). 
Ornamented with 15 LARGE HISTORIATED INITIALS, 4 fine bor- 
ders composed of angels, animals, peacocks, parrots, scrolls, 
leaves, flowers, etc., illuminated wn gold and colors, 11 illum- 
nated sem-borders of a floral character, and hundreds of 
capitals m gold, blue and red, illuminated arms on folio 7. 
Small 4to, light green velvet, gilt edges. Sec. XV 
* The Calendar has Antonius Abbas, translatio S. Januarii 
episcopi et martyris, Benedictus Abbas, Apparitio 8. Michaelis 
Archangeli, Bernardinus de ordine Minorum, Antonius de Padua, 
Vitus, Modestus and Cresantius, Margarita, Donatus, Nicolaus 
de Tolentius, Dedicatio S. Michaelis archangeli, Franciscus, 
Nicolaus episcopus. All of which would indicate that the manu- 
script was made for use in some Franciscan monastery in South- 

ern Italy. 


2501. OFFICIUM BEATISSIMA VIRGINIS MARIA 
secundum consuetudinem Romane Curie. MS. or THE 1lbTH 
CENTURY, WRITTEN ON VELLUM IN NEAT AND ELEGANT GOTHIC 
CHARACTERS, RED AND BLACK; and executed in the North of 
Tuscany. 201 leaves (334 x 234 wches). Ornamented with 
3 large historiated imtials, 3 borders of flowers, fruits and 
foliage, and 19 ornamental imitials, all illuminated in gold 
and colors. Also numerous wmitrials with pen-and-imk scroll 
work in red and blue. Small 8vo, old green morocco gilt, gilt 
edges. See. XV 


*The Calendar has: SS. Antonius abbas, Agatha, Monica, 
Nicolaus de Tolentino, Dedicatio Basilice S. Michelis, Dedicatio 
Basilice S. Salvatoris, Martinus, Ansanus, Inventio 8S. Crucis, 
Exaltato 8. Crucis in red; in the Litanys are SS. Gervasius 
and Prothasius, martyrs; 8. Clara, virgin. All of these point 
to Lucea as the probable place of origin of the manuscript. 


2002. OFFICIUM BEATA MARIA) VIRGINIS secun- 
dum usum et consuetudinem Romane Curix, cum ecalendario. 
MS. or THE 15TH CENTURY, WRITTEN ON VELLUM IN LARGE 
GOTHIC CHARACTERS, RED AND BLACK, and executed at Sala- 
manca, Spain. 467 leaves (834 x 534 inches). EMBELLISHED 
WITH 13 FULL-PAGE MINIATURES, among which are the Meeting 
of Joachim and Anna, and St. Veromca holding the Sudarium; 
156 richly decorated borders and sem-borders of scrolls, 
flowers, birds, figures, and grotesques, painted wm various 
colors heightened with gold; 24 historiated initials, and on the 
pages opposite the miniatures large initials of a floral design 
on a gold ground; also hundreds of wutials in gold on an orna- 
mental ground of blue and red. Thick 4to, old calf with blind 
toolings, gilt edges, in a morocco slip ease. Sec. XV 

* The miniatures are good examples of Spanish illumination, 
but show a strong Flemish influence, especially in the borders. 
On the lower border of the first page are painted the arms of 


the original owner, held by two angels. From the library of 
Prince di Torella, with bookplate. 


397 


MANUSCRIPTS—Continued. 


2503. PETRARCA (FRANCESCO). Sonetti, Canzoni e 
Trionfi. IraLIAN MANUSCRIPT OF THE END OF THE 15TH CEN- 
TURY, ON VELLUM, written in neat Roman characters. 197 
leaves (9x 55% inches). First page of text surrounded by an 
elaborate full-page border of garlands, cupids, birds, etc., 
luminated in gold and colors, containing 6 heads, and with 
historiated wutials; also 14 tlluwminated lateral borders in the 
enterlaced and floral style, and numerous ornamental initials. 
4to, light brown morocco, the sides gilt in the Aldine manner, 
gilt edges, in a board ease. The full-page border is some- 
what rubbed. Sec. XV 


2504. PETRARCA (FRANCESCO). Sonetti, Canzoni e 
Trionfi. IrauiAN MS. oF THE LATTER PART OF THE 15TH CEN- 
TURY, ON VELLUM, written in humanistic characters. 176 
leaves (113 x 652 inches). First page surrounded by a bor- 
der of flowers, figures, etc., illuminated in gold and colors, 
with two angels in the lower part supporting a coat of arms, 
another illuminated floral semi-border on leaf 140, and over 
300 small wluminated imtials. Small folio, old vellum. 

See. XV 


2505. PRAYER-BOOK. Coptic and Arabic manuscript 
Prayer-book of the 17th century, written in red and black on 
256 leaves of native paper (414 x 314 inches). EMBELLISHED 
WITH 3 FULL-PAGE CRUDELY EXECUTED MINIATURES OF GOD THE 
FATHER, THE VIRGIN AND CHILD, AND Kine Davin. 8 FULL- 
PAGE ORNAMENTS, AND 8 HEADINGS PAINTED IN GOLD AND COLORS. 
Thick 16mo, old Oriental binding in brown morocco, gilt and 
painted maroon centre and corner ornaments, in an old red 
morocco case. Sec. XVIT 

*From the Bateman Collection, with bookplate. 


2506. PREVOST. Les Priéres du Salut pour la Chapelle ° 
du Roy. French MS. on vellum, very neatly and accurately 
written in Roman and Italic characters, each page within gilt 
borders outlined in black, executed by Prévost wm the 18th 
century. 16 leaves (6 2/8x4 inches). Title in gold and blue 
capitals, within a border of garlands, a cupid’s head, birds, 
flowers, etc., painted in gold and colors, and 5 large gold 
imtials, the grounds representing landscapes delicately 
painted. 8vo, old French blue morocco, gilt dentelle borders 
in the sides, with the arms or Marte LeczinskA, QUEEN OF 
Lovis XV, in the centre of both covers, her crowned mono- 
gram in the corners and in the panels of the back, satin lin- 
ings, gilt edges, by Padeloup; in a morocco slip ease. 

See. XVIIT 


*This fine manuscript was evidently executed for Queen 
Maria Leczinska, whose arms also appear painted at the head 
of the dedication. From the collection of Count de Mousbourg, 
with bookplate. 


u98 


MANUSCRIPTS—Continued. 


2507. PSALTERIUM DAVIDIS cum Calendario ad usum 
Sarum. LATIN MANUSORIPT ON VELLUM OF THE FIRST. PART OF 
THE XIIITH CENTURY, WRITTEN IN GOTHIC CHARACTERS IN 
BLACK AND RED, with the calendar in gold, blue and red, exe- 
cuted by an Anglo-Norman scribe. 191 leaves (9x6% 
mches). Embellished with 50 fine large circular miniatures, 
two on each leaf panted on burnished gold ground, and con- 
tained within ornamental panels in rose, blue and gold; 24 
small circular mimatures on the margins of the Calendar 
representing the occupations of the months, and the signs of 
the Zodiac, and 187 large and small historiated initials on gold 
ground. Every page of the text is beautifully and elaborately 
ornamented with designs of the most varied character, small 
mitial letters, marginal tracery in red and blue, and finials in 
the forms of fishes, birds and grotesques in gold and black. 
4to, old brown morocco, brass clasps, gilt edges, in a brown 


-morocco case. Sec. XITI 


*In the Calendar are found the following Saints: Columba 
in blue, King Edmund in red, Columbanus and Thomas a Becket 
in blue: in the litanies we find: Oswald, Edmund, Edward, 
martyrs; Augustine Amande, Dunstan, confessors; and Col- 
umba, Fredeswida, Etheldreda, virgins. This shows that the 
psalter was executed for the use of Salisbury. The large minia- 
tures represent scenes from the life of Christ and all are exe- 
euted with admirable skill, being very remarkable for drawing 
and fresh coloring. 


2508. PSALTERIUM DAVIDIS cum Calendario. MaAnvu- 
SCRIPT ON VELLUM OF THE END OF THE 13TH CENTURY OR BE- 
GINNING OF THE 14TH, WRITTEN IN GOTHIC CHARACTERS, WITH 
THE CALENDAR IN BLACK AND RED, AND EXECUTED IN THE LOW 
CoUNTRIES 218 leaves (634 x 454 inches). Ornamented with 
15 FULL-PAGE MINIATURES ON GOLD GROUND, enclosed in Gothic 
architectural frames, 12 large miniatures in the calendar rep- 
resenting the occupations of the months, 9 large historiated 
imtials containing representations of the principal saints and 
175 illuminated initials, besides numerous smaller ones; each 
page within trilateral borders of blue, red and gold, ending in 
monkeys’ heads, owls, peacocks, etc. Thick 8vo, red levant 
morocco, covered with a rich mosaic design of flowers and 
serolls of dark and light green, citron and ivory morocco, gilt 
edges, by The Club Bindery (Léon Maillard finisher), in a 
morocco slip ease. See. XITI—XIV 


*The calendar has Dionysius, Germanus, Basilius, Remigius 
and Bavo, Franciscus, Donatianus, Martinus, and Amandus & 
Vedastus (this by a somewhat later hand) in red; Genovefa, 
Gertrude, Valdetrude, Lambertus, Leodegarius, Willibrord, in 


399 


MANUSCRIPTS—Continued. 


‘black; in the Litany we find Quintine, martyr; Bavo, Aman- 
dus, Donatianus, Remigius, confessors; Benedicta, Walburga, 
Gertrude, virgins. All this points to the Low Countries as the 
place of origin of the manuscript. 

The miniatures represent the Baptism of Christ; the Scourg- 
ing; the Descent into Hell; St. Mary Magdalen kneeling at the 
feet of the resurrected Christ; Christ and St. Thomas; St. 
Dominick preaching; St. Francis of Assisi preaching to the 
birds; the Last Judgment, ete. They are all characteristic of 
the Flemish art of the period. 2 leaves of the Calendar mis- 
bound and all the miniatures more or less restored. From the 
‘* Bibliotheca Renesiana.’’ 


[See Reproduction. | 


2509. ROUSSELET (JEAN-PIERRE). Priéres de la 
Messe écrites par Rousselet a Paris, M. DCC. XXV. French 
MS. on paper, written in elegant Roman characters in black 
and red, within borders of gold and black, executed by Rous- 
selet at Parts in 1725. 45 leaves (6x41 inches). Title wm 
gold, blue and red within a pretty border of flowers and gar- 
lands in colors on a gold ground, in the Lows XV style; em- 
bellished by 2 full-page mimatures representing Jesus pray- 
ing mn the Garden of Olives, and the Raising of the Cross; 
2 vignettes and 4 tail-pieces delicately painted in gold and 
colors.  8vo, old French light brown morocco, gilt tooled 
mosaic borders of dark brown and red morocco, THE CROWNED 
MONOGRAM OF MARIE LECZINSKA STAMPED IN GOLD on a central 
ornament of brown morocco; doublure of blue morocco, with 
large gilt tooled borders, gilt edges, by Padeloup; in a ease. 

Paris, 1725 


* This beautiful manuscript was executed by order of Louis 
XV, and presented by him to Marie Leczinska on the 4th of 
September, 1725, the day of their marriage. From the‘libraries 
of the Duchess of Berry, who inherited it from the Royal family 
of France, Bancel, Baron de La Roche-Lacarelle and Henri 
Bordes. 


2010. SHAHALI, SAHIB OF DELHI.  Bostan-ul-Mohad- 
dithin. Persian MS. of the second part of the 18th century, 
neatly written on 131 leaves of native paper (85% x 534 
inches). KHach page within lined borders in black, red and 
blue; the first two and the last two pages within rich floral 
borders illuminated in gold and colors; interlineations vm gold. 
8vo, in a superb mosaic binding of Persian design in dark and 
lighter blue, green, citron, red, and ivory morocco, delicately 
tooled and gilt in small ornaments; doublure with a mosaic 
pattern in panels of ivory, citron and blue morocco, floral gold 
tools and small red flowers, oriental red silk linings, gilt edges, 
by The Club Bindery. Léon Maillard finisher. See. XVIIT 

* An interesting Persian Manuscript of Shahali’s ‘‘Garden 


of Traditionaries.’’ Inserted are two modern water-color draw- 
ings of flowers. 


~ 400 


1310. 


cwurca 


FLEMISH PSALTER, 


(See No. 2508.) 


MANUSCRIPTS—Continued. 


2511. SVETONIUS TRANQUILLUS. De duodecim Ce- 
sarum vitis ibri XII. Latin manuscript or ‘‘TuHeE Lives or 
THE T'WELVE CASARS’’ ON VELLUM, WRITTEN IN HUMANISTICs 
CHARACTERS BY MILANO Burro IN 1433, PROBABLY EXECUTED 
AT FLORENCE. 168 leaves (934x714 inches). Ornamented 
with 6 full-page and 6 three-quarter page miniatures on gold 
ground or diaper work, representing imaginative portraits of 
the 12 Roman Emperors, the first swrrounded by an histori- 
ated border in compartments containing scenes from the life 
of Julius Cesar; also 12 large ornamental initials on gold 
ground. 4to, in a 16th century Italian binding of dark brown 
moroeco, the sides tooled and gilt in compartments, in the 
centre of both covers the device (the phcenix) of GABRIEL 
GIOLITO DE’ Ferrari, the well-known printer, gilt edges 
(rebacked). In a brown morocco ease. 1433 


2512. SVETONIUS TRANQUILLUS. De vita duodecim 
Cesarum. Latin MS. or THE 15TH CENTURY ON PAPER, WRIT- 
TEN IN HUMANISTIC CHARACTERS, and executed in Italy. 121 
leaves (11x8 inches). First page surrounded by a border 
of interlaced scrolls in white, rose green and gold on a blue 
ground introducing animals, with three miniature medallions, 
and the arms of a bishop, supported by two angels, in the 
lower part; also 12 large illuminated initials, the first of which 
is historiated. Folio, dark brown levant morocco, blind tooled 
sides in the 15th century French style, gilt edges, by Triquil- 
her. See. XV 


2513. TACITUS. Annales, Fragmentum lbri XI, et libri 
XII-XVI; Historie, libri I-V. Manuscript oF THE 15TH 
CENTURY ON VELLUM, written partly in semi-gothic characters, 
and partly im humamstic; executed wm Italy. 218 leaves 
(103g x714 wches). First page surrounded by a rich and 
elaborate border composed of white scrolls on a blue ground 
flecked with white, red and green being added, the lower and 
outer side broken by an ornamental band in red, silver, brown 
and gold, and introducing peacocks, bambinos, hares, insects, 
and a medallion portrait of Tacitus; in the lower part an 
Italian coat of arms. 4to, dark brown levant morocco covered 
with a blind-tooled design in compartments, with gold and 
red dots, in the manner of the 15th century Florentine bind- 
ings, gilt edges, by Gruel. See. XV 


2514. TASHRIH-UL-AKWAM. Persian MS. ON FINE 
NATIVE GLAZED PAPER OF THE YEAR 1825, written in elegant 
characters in red and black, each page within borders ruled 
in gold, blue, red and brown. 418 leaves (121% x 83% inches). 
Embellished with 122 FINE FULL-PAGE MINIATURE-PAINTINGS, 
the work of a skilful Persian artist, representing the Persian 


A401 


MANUSCRIPTS—Continued. 


and Indian castes and their occupations. Folio, blue morocco, 

THE ARMS OF JOHN, EArt OF CLARE, in the centre of both 

covers, gilt edges, in a blue morocco ease, lined with velvet. 
1825 


* This manuscript contains an historical and legendary ac- 
count of the different castes of Hindustan, beginning with 
Vishnu, and it was executed for presentation to Sir John Mal- 
colm, the historian of Persia and India. The manuscript is 


described at length in a manuscript pamphlet of 66 pp., small. 


4to, uniformly bound with the volume, and enclosed in the case. 


2515. TERENTIUS. Comeedie. Accedunt Epitaphia tres 
Ulyssis de Lambertinis composita a B. Cantello et J. B. de 
Auro. MS. of the 15th century, on vellum, written in human- 
astic characters, and executed in Italy. 108 leaves (1034x714 
inches). With 8 ornamental witials painted in various colors. 
Small folio, citron levant morocco. See. XV 


2516. TRAGEDIE FRANCOISE d’un more cruel envers 
son seigneur nommé Riviéry, Gentilhomme Espagnole, sa 
damoiselle, & ses enfants. Rouen: chez Abraham Cousturier 
[ca. 1610.] Manuscript facsimile on vellum, executed in 
France at the beginning of the 19th century. 24 leaves 
(634 x4 inches). 5 pen-and-ink vignettes, reproductions of 
the woodcuts in the original. 8vo, old blue straight grain mo- 
rocco, silk linings, gilt edges. Sec. XIX 


2517. TRAGICOMEDIE de la Rebellion, ou mescontente- 
ment des grenouilles contre Jupiter. Rouen: chez Abraham 
Cousturier [before 1628]. Manuscript facsimile on vellum 
executed in France at the beginning of the 19th century. 12 
leaves (684x4 inches). Pen-and-ink vignette on title repro- 
ducing the woodcut of the original. 8vo, old blue straight- 
grain morocco, silk linings, gilt edges. See. XTX 


2518. TRESOR SPIRITUEL tiré de la pure parole de 
Dieu, et de quelques endroits du livre de 1’Imitation de Jesus 
Christ. French MS. on paper of the 17th century. Ruled 
throughout in red. 196 leaves (57g x 3% inches). 12mo, old 
French red morocco, doublure of red moroceo with gilt borders, 
gilt edges, probably by Boyet. See. XVII 


402 


THIRTY-FOURTH SESSION, WEDNESDAY, 2:30 P.M. 


Reeolg. N 48BES (THOMAS). Microcosmus. <A morall 

maske, presented with generall liking, at the 

private house in Salisbury Court, and heere Set down 

according to the intention of the Authour. FIRST EDITION. 

Small 4to, blue levant morocco gilt, gilt edges, by Bedford. 

London: Printed by Richard Oulton for Charles Greene, 
1637. 


2520. NADAUD (GUSTAVE). Chansons folles. Hn- 
graved frontispiece and the original drawing (inserted), by 
H. Somm. Square 12mo, orange levant morocco gilt, gilt 
over rough edges, original covers bound in, by Canapé. 

[ Evreux, 1882] 


* No. 1 of 75 copies on Japan paper, with music score. 


2521. NAIGEON (J. A.). Notice sur la vie de La Fon- 
taine, avee quelques observations sur ses fables. Vignette 
portrait on title. 8vo, red morocco. 

Paris: A. A. Renouard, 1795 


* ONE OF 4 COPIES PRINTED ON VELLUM. Portrait of La 
Fontaine, engraved by St. Aubin, inserted. 


2522. NAPLES and the Campagna Felice. In a Series 
of letters, addressed toa friend in England, in 1802. FIRST 
EDITION. 2 maps, title-page, and 15 plates, all in colors, 
9 of which are by Rowlandson. Royal 8vo, green levant 
morocco gilt, gilt top, uncut, by Amand. 

London: R. Ackermann, 1815 


2523. NAPOLEON. Memoirs of the History of France 
during the reign of Napoleon, dictated by the Emperor at 
Saint Helena to the generals [Montholon, Gourgaud, &c. | 
who shared his captivity; and published from the original 
manuscripts corrected .by himself. Hacsymiles, maps and 
diagrams. vols. 8vo, blue morocco gilt, gilt edges. 

London: Henry Colburn, 1823-1824 


* First EpDITION. Napoleon devoted six years of his cap- 
tivity at St. Helena to this work, dictating to the Count de 
Montholon, Gen. Gourgaud, and others. 


2524, NAPOLEON. Napoleon in the other World. A 
narrative written by himself: and found near his tomb in 
the Island of St. Helena, by Xongo-tee-foh-tchi, mandarin 
of the third class. [By Baron de Jomini.] Mrontispiece 
by T. Dighton. 8vo, blue straight-grain morocco gilt, gilt 
edges, by R. Stagg. London, 1827 

* The Perkins copy, with bookplate, and a letter relating to 
the book by J, E. Ridgway. 


403 


2525. NASH (THOMAS). The First parte of Pasquils 
Apologie. Wherin he renders a reason to his friendes of 
his long silence: and gallops the fielde with the Treatise of 
Reformation lately written by a fugitiue, Iohn Penrie. 
Small 4to, blue levant morocco, richly gilt, gilt edges, 
doublure of red levant, in morocco case, by Cuzin. 

Printed where I was, and where I will bee readie by the 
helpe of God and my Muse, to send you the May-game of 
Martinisme for an intermedium, between the first and 


seconde part of the Apologie. \ Anno. Dom. 1590. 
* With the single exception of ‘‘ Terrors of the Night,” this 
is considered the rarest of Nash’s works in the original, It is 
dated ‘‘at London stone the 2. of Iuly. Anno. 1590.” 
Although it is supposed that only one part was published, it 
may be inferred from a passage in ‘‘’Tis Merrie when Gossips 
Meet,” that a second part was issued. 


2526. NASH (THOMAS). The Apologie of Pierce Pen- 
niless: or Strange Newes. Of the intercepting certaine 
Letters, and a Conuoy of Verses, as they were going Priuilie 
to victuall the Lowe Countries. Small 4to, brown levant 
morocco gilt, gilt edges, partly uncut, by Chambolle-Duru 
(corners of last four leaves slightly repaired). 

Printed at London by Iohn Danter, and are to be solde 
by William Bailey, 1593. . 


2527. NASH (THOMAS). A Pleasant Comedie, called 
Summers last will and Testament. Small 4to, red levant 
morocco gilt, gilt edges, by Pratt. 

Imprinted at London by Simon Stafford, for Walter Burre, 
1600. 


* FIRST EDITION, with the preliminary blank leaf. A Bridge- 
water duplicate, with stamp on verso of title. 


2528. NASH (THOMAS). Qvaternio or a fovrefold vvay 
to a happie Life; set forth in a Dialogue betweene a Coun- 
tryman and a Citizen, a Divine and a Lawyer. FIRST EDI- 
TION. Small 4to, brown levant morocco gilt, wide inside 
dentelle borders, gilt edges, by David. 

‘London: Printed by Iohn Dawson, 1633 


2529. NASH (THOMAS). Tom Nash his Ghost To the 
three scurvy Fellowes of the upstart Family of the Snuf- 
flers, Rufflers and Shufflers; the thrice Treble-troublesome 
Scufflers in the Church and State, the onely Lay Ecclesi-Ass, 
I eall Generallissimo’s. Being like Jobs 3. Comforters, or 
the Churches 3. Anti-Disciples, the Clergies 3. Perse- 
cuters, the States 3. Hors-leeches, the Divels 3, &c. Wood- 
cut on title. Small 4to, brown levant morocco, gilt edges, 
by the Club Bindery. 

Printed first at Yorke, and since reprinted at London, 


1642. 
404 


2530. NATALIS (HIERONYMUS). Adnotationes et medi- 
tationes in Evangelia que in sacrosancto miss sacrificio 
toto anno leguntur. Hngraved title, and 154 brilliant plates 
engraved on copper by Jéréme, Jean and Antoine Wieria, 
A. Collaert, and C. de Mallery after Bern. Pass and Martin 
de Vos; also numerous vignettes. Ruled throughout with 
red ink, and each plate within a gold border. Folio, old 
French red morocco, panelled sides, with exquisite gilt 
tooled ornaments of pointillé, scrolls and dots, gilt back, 
painted and gauffred gilt edges, by Le Gascon; the arms of 
COUNT DE HoyM, impressed at a later date in the centre of 
each cover. In amoroceco case. (Binding slightly rubbed.) 

Antuerpiz, 1595 
* Described in the Repertorium Bibliographicum asa ‘‘ most 


superb copy.” From the Colbert, La Valliére and Beckford 
libraries. 


25381. NATTA (MARCUS ANTONIUS). De Deo libri 
XV. Folio, red moroceo, gilt panels, Aldine anchor in 
centre, inside borders, gilt top, OTHER EDGES ENTIRELY 
UNCUT. Venetiis:.apud Paulum Manutium, 1559 


* RARE IN UNCUT STATE. The Syston Park copy. 


2532. NATTA (MARCUS ANTONIUS). Volvmina qve- 
dam nvper excvssa, nvmero et ordine, qvi svbiicitvr. De 
libris suis quibusdam nune rrimum in lucem editis & argu- 
mentiseorum. De Principum doctrina, magnum, & uarium, 
& elegans opus, libris IX., ete. Folio, red morocco gilt, 
anchor on both covers, gilt edges. The Syston Park copy. 

Venetiis [ Aldus], 1562 


2533. NEALE (SIR THOMAS). A Treatise of Direc- 
tion, how To travell safely, and profitably into Forraigne 
Countries. Portrait by W. Marshall. 16mo, brown straight- 
grain morocco, gilt compartments, doublure of brown mo- 
rocco, tooled in border and compartments, gilt edges, by C. 
Hering (with his ticket). 

London: Printed for Humphrey Robinson, 1643 


2534. NEGRI (CESARE). Nuove Inventioni di balli, 
opera vaghissima, hella quale si danno i giusti modi del ben 
portar la vita, et di accomodarsi con ogni leggiadria di 
movimento alle creanze, et gratie d’Amore. Porlrait and 
58 copper engravings by L. Pallavicino after G. M. Rovera. 
Folio, red morocco gilt, gilt edges, by Hardy-Mennil. 

Milano, 1604 


2535. NEPOS (CORNELIUS). Cornelii Nepotis Vitz ex- 
cellentium imperatorum. 2 vols. 12mo, red straight-grain 
morocco, silk linings, uncut. Paris: A Renouard, 1796 


* RENOUARD’S OWN COPY, ONE OF THREE PRINTED ON VELLUM, 
405 


2536. NEPOS (CORNELIUS). Les Vies. Traduction de 
P. F. de Calonne et A. Pommier. 8vo, red levant mo- 
rocco gilt, with monogram KE. B., oilt edges, by Belz- 
Niédrée. Paris, 1827 


2537. NERVAL (GERARD DE). Sylvie; Souvenirs du 
Valois. Préface par Ludovie Halévy. 42 compositions 
dessinées et gravées a Veau-forte par Hd. Rudaux. 12mo, 
green levant morocco, richly ornamented with mosaic of 
citron morocco, doublure of light brown morocco, with vine | 
inlaid in red and ivory, gilt over rough edges, by Marius 
Michel. Paris, 1886 


* Large Japan paper copy, 150 printed, with the illustrations 
in 3 states. A SIGNED WATER-COLOR DRAWING BY RUDAUX IS 
INSERTED 


2538. NERVAL (GERARD | DE). Les Filles du Feu. 
Sylvie, Jemmy, Octavie, Isis, Emilie, avee une préface de 
Jules Levallois. Dessins d’Emile Adan, gravés a Veau- 
forte par Le Rat. Royal 8vo, brown levant morocco gilt, 
gilt top, uncut, original covers bound in, by The Club 
Bindery. Paris, 1888 


* One of 20 copies on large and thick India paper, with the 
etchings in two states, proofs before and after letters. 


2539. NERVAL (GERARD DE). La Main Enchantée. 
Préface de Jules de Marthold. 24 allustrations by Le Sueur 
and Manesse. 8vo, green levant morocco gilt, gilt over 
rough edges, original covers bound in, by Chambolle-Duru. 

Paris, 1901 


* One of 200 ge on Japan paper, with etchings in two 
states. 


2540. NESIUS (JOHANNKS). Iohannis Nesii Florentini 
Oraculum de Novo Szeculo, ad Iohannem Franciscum 
Picum Mirandulam. Roman characters. 28 unnumbered 
leaves, with signatures; 31 lines to the page.  Title-page 
within a painted ornamental border and with the arms of 
a Cardinal. 4to, brown levant moroceo, blind-tooled on 
the back and sides, gilt edges. 

Florentiw#: Laurentius de Morgianis, 1497 
* Hain-Copinger, 11693; Proctor, 6373. 


2541. NEUFCHATEAU (N. FRANCOIS DE). Fables 
et Contes en Vers. Portrait by Laugier after Casanova. 
2 vols. 12mo, dark blue straight-grain morocco, gilt borders, 
rose silk linings, gilt edges, by Bozérian, Jeune. 

Paris: P. Didot, 1815 


* THE AUTHOR'S COPY, with his ex-libris, 
406 


2542. NEWCASTLE (MARGARET CAVENDISH, 
DUCHESS OF). Poems, and Fancies: written By the 
Right Honourable, the Lady Margaret Countesse of New- 
eastle. Contains the portrait of the Duchess in a niche (re- 
backed), engraved by Van Schuppen after Diepenbeke. 
Small folio, blue levant morocco, gilt panels, gilt edges, by 
Bedford. 

London: Printed by T. R. for J. Martin and J. Allestrye, 


1653. 

* First EDITION. The Earl of Westmoreland’s copy, witha 
poem of eighteen lines, addressed to the Countess, in his hand- 
writing, on the fly-leaf. On the title-page he has written 
‘*Solus Deus p:tector meus. W:” 


* 2548. NEWCASTLE (MARGARET CAVENDISH, 
DUCHESS OF). The Philosophical and Physical Opin- 
ions, Written by her Excellency, the Lady Marchionesse of 
Neweastle. Small folio, half red levant morocco gilt, gilt 
edges, by The Club Bindery. 

London: Printed for J. Martin and J. Allestrye, 1655 


* FIRST EDITION. At page 153 is a stub of a duplicate leaf 
(153-154), and between pages 168-169 are two stubs. 


2544. NEWCASTLE (MARGARET CAVENDISH, 
DUCHESS OF). Orations of Divers Sorts, Accommodated. 
to Divers Places. FIRST EDITION. Folio, original sprinkled 
ealf gilt. London: Printed Anno Dom. 1663 


* The Hopetoun copy, with bookplate. 


2545. NEW-ENGLAND. THR PRESENT STATE OF NEW- 
ENGLAND, With Respect to the Indian VVar. Wherein 
“is an Account of the true Reason thereof, (as far as can be 
Judged by Men.) Together with most of the Remarkable 
‘Passages that have happened from the 20th of June, till the 
the 10th of November, 1675. Faithfully Composed by a 
Merchant of Boston, and Communicated to his Friend in 
London. London: Printed for Dorman Newman, 1675 

* KING PHILIP’Ss WAR NARRATIVES. FOoLio. No.1. FIRst 
EDITION of the first of these celebrated Narratives. A second 
edition, entirely reset, was issued the following year, and the 


date on title changed to 1676. 
UNCUT COPY, MEASURING 1134 x 73¢ inches. 


A NEW AND FURTHER NARRATIVE OF THE STATE OF 
NEW-ENGLAND, being a Continued Account of the Bloudy 
Indian-War, From March till August, 1676. Giving a Per- 
fect Relation of the Several Devastations, Engagements, 
and Transactions there; As also the Great Successes Lately 
obtained against the Barbarous Indians, The Reducing of 
King Philip, and the Killing of one of the Queens, &c. To- 


407 


gether with a Catalogue of the Losses in the whole, sus- 
tained on either Side, since the said War began, as near as 
can be collected. 
London: Printed by J. B. for Dorman Newman, 1676 
* KinG PHILIP’s WAR NARRATIVES, Fouio. No. 3. ‘‘ This 
tract carries the narrative from March to August, 1676. O. Rich 
was of the opinion that the first three narratives in this series 
were all written by the same person. This may be the narra- 
tive mentioned by Increase Mather as having been written by 
a ‘Quaker in Road-Island.’” [Church Catalogue. ] 
UNCUT COPY, MEASURING 123¢ x 8 inches. 


A TRUE ACCOUNT OF THE MOST CONSIDERABLE OCCUR- 
ENCES THAT HAVE HAPNED IN THE WARRE BETWEEN THE 
ENGLISH AND THE INDIANS IN NEW-ENGLAND, From the 
Fifth of May, 1676, to the Fourth of August last; as algo 
of the Successes it hath pleased God to give the English 
against them; As it hath been communicated by Letters to 
a Friend in London. The most Exact Account yet Printed. 
Licensed, October 11, 1676, Roger L’ Estrange. 

London: Printed for Benjamin Bi at the Print- 
ing-Press in Cornhill, 1676. 


* KING PHILIP’S WAR NARRATIVES. FOLIO. No. 4. 
UNCUT COPY, MEASURING 1214 x 7 18/16 inches. 


The three volumes bound in limp morocco, the first in 
erimson, the second in brown, and the third in maroon, and 
enclosed in brown morocco solander case. 


* PROBABLY THE FINEST COPIES EXTANT OF THESE THREE 
IMPORTANT ITEMS OF AMERICANA, 


2546. NEW ENGLAND. The Surprising appearance of 
a Ghost, with a Message he brought from the unseen and 
eternal World: being a brief Paraphrase and Improve- 
ment (agreeable to our Time and Day) of the 4th chap. of 
Job, the 13th, 14th, 15th, 16th, 17th, 18th, 19th, 20th & 
21st verses; ete. 12mo, brown levant morocco, broad panels, 
UNCUT, in a morocco case. (Some margins repaired. ) 

Boston: Printed by Fowle and Draper, 1759 


2547. NEW YORK CITY during the American Revolu- 
tion, being a Collection of Original Papers (now first pub- 
lished) from the Manuscripts in the possession of the Mer- 
eantile Library Association of New York City, [with an 
Introduction by H. B. Dawson]. Map of New York and 
plan. 4to, brown morocco gilt, mosaic inlays, gilt top, 
uncut, by Pawson and Nicholson. 

[New York]: Privately printed for the Association, 1861 


* EXTRA-ILLUSTRATED by the insertion of 6 portraits and 
15 views. 


NEW YORK CITY: See no. 3308, Vander Donck. 
408 


2548. NEW YORK LAWS. Laws, Statutes, Ordinances, 
and Constitutions of the City of New-York, Convened in 
Common-Council, for The good Rule and Government of 
the Inhabitants and Residents of the said City. Published 
the Twenty-Seventh Day of January, and the First Day of 
February, in the Twenty Second Year of the Reign of our 
Sovereign Lord George the Second, ... Annoque Domini 
1748. And in the Mayoralty of Edward Holland, Esq: 

To which is added, An Appendix, Containing Extracts 
of sundry Acts of the General Assembly of the Colony of 
New-York, immediately relating to the good Government 
of the said City and Corporation. Printed and Sold by J. 
Parker, at the New Printing Office, in Bever Street, 1749. 

* ONE OF FOUR COPIES ON RECORD. The other three are in 
the Lenox Library, the Philadelphia Public Library, and the 
Tower collection of American Laws in the library of the Penn- 
sylvania Historical Society. Bound with William Livingston’ s 


‘* Independent Reflector ” and ‘‘ The Occasional Reverberator,”’ 
as follows: 


LIVINGSTON (WILLIAM). The Independent Reflector: or, 
Weekly Essays on Sundry Important Subjects. More par- 
ticularly adapted to the Province of New-York... . 
New-York: [James Parker] Printed (until tyrannically 
suppressed), 1753. 

* The first magazine published in New York City, in fifty-two 
numbers, from Thursday, November 30, 1752, through Thurs- 
day, November 22, 1753. 

The tone of the Essays was such that the writer was de- 
nounced from the pulpit and the printer menaced into discon- 
tinuance of the publication. 

The present copy contains the preliminary leaf of Advertise- 
ment, the general title, and the Preface of thirty-one pages, 
dated New York, January 19, 1753. 


OCCASIONAL REVERBERATOR. [First page.] The Oc- 
casional Reverberator. Number I. Friday, September 7, 
1753. NumberIV. Friday, October 5, 1753. [Colophon of 
Number IV. ] 

New York: Printed by J. Parker, at the New-Printing- 
Office, in Beaver-Street, 1753. 

* A supplement to The tadsnendant Reflector, issued only 
four times. 

The three works bound in one volume, small folio, contem- 
porary morocco gilt, gilt edges. From the collection of W. P. 
Smith, with his bookplate, engraved by Thomas Johnston, 
which is described by Mr. Allen as ‘‘ our finest example of the 
Jacobean bookplate.” 


2549. NICHOLAS (HENRY—Translator). Comoedia. 
A worke in Ryme contayning an Enterlude of Myndes, 
witnessing the Mans Fall from God and Christ. Set forth 
by H N, and by him newly perused and amended Trans- 


409 


lated out of Base-al-mayne, into English. Gothic type. 
Printer’s ornament on title and woodcut on verso. Small 
8vo, brown levant morocco, rich foliage decorations, gilt 
edges, by Lortic. [Printed abroad between 1570 and 1574] 


* VERY SCARCE. The works of Henry or Harry Nicholas, 
founder of the religious sect known as the ‘‘ Family of Love,” 
were ordered to be burned [13 Oct. 22d Elizabeth] and all 
persons punished for having them in their possession. 


2550. NICHOLAS (HENRY—Translator). The Pro- 
phetie of the Spirit of Loue. Set-fourth by H N: And by 
Him perused a-new | and more distinctlie declared. Trans- 
lated out of Base-almayne into English. 2 woodcuts. 8vo, 
blue levant morocco gilt, gilt edges, by Bedford. 

Anno, 1574 [probably printed abroad ] 


2551. NICHOLS (JOHN). Biographical Anecdotes of 
William Hogarth; with a catalogue of his works, chrono- 
logically arranged; and occasional remarks. The third 
edition, enlarged and corrected. Engraved title. 8vo, half 
green morocco, gilt top, uncut. London, 1785 


2552. NICHOLS (JOHN). Literary Anecdotes of the 
Kighteenth Century; comprising Biographical Memoirs of 
William Bowyer, Printer, F.S.A. and many of his learned 
friends; an incidental view of the progress and advance- 
ment of literature in this kingdom during the last century; 
and biographical anecdotes of a considerable number of 
eminent writers and ingenious artists; with a very copious 
index; (also) Illustrations of the Literary History of the 
Kighteenth Century. Consisting of Authentic Memoirs and 
Original Letters of Eminent Persons; and intended as a 
Sequel to The Literary Anecdotes. 76 portraits and fac- 
similes. .Together, 17 vols. 8vo, red levant morocco gilt, 
gilt tops, uncut, by Bedford. London, 1812-1858 


2553. NIDER (JOHANNES). Preceptorium divine 
legis. Gothic characters, double columns, 196 unnumbered 
leaves with signatures; 46 lines to the page. Rubricated 
throughout, first page of text surrounded by a painted bor- 
der of flowers, leaves. and scrolls, and initials painted in 
red. RARE. Not in Hain; Copinger II, 4415; Proctor, 
1278. [K6ln: Ludwig of Renchen, ca. 1486]; JOHANNES 
JUNIOR. Seala coeli. Gothic characters, double columns. 
180 unnumbered leaves (first and last blanks), with signa- 
tures; 41 lines to the page. Rubricated throughout, and 
painted initials. Hain-Copinger, 9408; Campbell, 1044; 
Proctor, 9236. Lovanii: Johannes de Westfalia, 1485. In 
one volume, folio, CONTEMPORARY BINDING IN WOODEN 
BOARDS, COVERED WITH STAMPED CALF (joints restored), 
and with clasps. | 

410 


2554. NIGER (STEPHANUS). Dialogus, quo quicquid 


in grecarum literarum penetralibus reconditum .... ad his- 
toriz veritatem; ad fabularum oblectamenta: ad erudi- 
tionis faman conferre quoquo modo possit....in lucem 


propagatur. Hisaccedunt Philostrati Heroica, &e. Ruled 
throughout with red ink, rubricated, and initial painted in 
red and blue. Folio, contemporary calf, richly ornamented 
with blind tooling (rebacked). 

Mediolani, in officini pane Rae 151% 


* FIRST EDITION: Dedicated to Grolier and contains 15 verses 
addressed to him. 


2555. NIGHTINGALE. The Nightingale: a choice se- 
lection of the most admired popular Songs, heroic, plaint- 
ive, sentimental, humourous and bacchanalian. Engraved 
title and music throughout. 12mo, green levant morocco 
gilt, gilt edges. London [n. d.] 


2556. NODIER (CHARLES). The Bibliomaniac. Trans- 
lated by Mabel Osgood Wright. 44 dllustrations by Mau- 
rice Leloir. Small 8vo, red levant morocco, gilt top, un- 
cut. New York, 1894 


* One of 5 presentation copies, on India paper. 


2557. NOLHAC (PIERRE DE). La Reine Marie-An- 
toinette. Wath colored frontispiece and the other plates in 
2 states. 4to, half blue levant morocco gilt, uncut, by 
Carayon. Paris: Boussod, Valadon et Cie, 1890 

* FIRST EDITION. One of 50 copies, on Japan paper. 


2558. NOLHAC (PIERRE DE). Les Femmes de Ver- 
sailles. 50 beautiful plates printed in colors on brown 
paper, in wmitation of the original paintings, containing 
portraits of Marie-Therése d’ Austria, Henriette Duchesse 
d’ Orleans, Mademoiselle de La Valliére, Marquise de Mon- 
tespan, Madame de Maintenon, Marie Leczinska, Madame 
de Pompadour, Comtesse du Barry, Marie Antoinette, ete. 
5 parts, atlas folio, portfolios of blue and yellow figured 
satin. Paris: Goupil & Co. [n. d. ] 

* Only 100 copies printed, on Japan paper. 


2559. NON le Tresor ny le Trias ne le Cabinet: moins 
la Beavté, mais plvs, la Flevr ov 1|’Eslite de tovtes les 
Chansons Amoureuses, et Airs de Covrt. 12mo, citron 
levant morocco, gilt back, doublure of red morocco, floral 
borders, gilt edges, by Trautz-Bauzonnet. 

Rouen: A. de Launay, 1602 

* The title indicates an early satire on the use of such terms 

as Cabinet, Treasure, etc., for collections of random poetry. The 
book contains a number of very free chansons, and is rare, 


411 


2560. NORVINS (JACQUES MARQUET DE). Histoire 
de Napoléon. Ornée de portraits, vignettes, cartes et plans 
(on India paper). First EDITION. 4 vols. 8vo, half red 
morocco gilt, uncut, by Boersch. Paris, 1827 


* Printed on tinted paper, with 21 portraits, 29 views, a plan 
and a facsimile autograph, many being extra plates. 


2561. NOSTRADAMUS (MICHEL). Les vrayes cen- 
turies et propheties. Engraved title. 12mo, old French red 
morocco gilt, gilt edges. Amsterdam: Jean Jansson, 1668 

* Very scarce; atall copy, measuring 130 millimetres. 


2562. NOTICE Historique des Peintures et des Sculp- 
tures du Palais de Versailles. (Quatriéme partie.) 12mo, 
red straight-grain morocco, gilt back, sides panelled and 
WITH THE MONOGRAM OF LOUIS PHILIPPE in the centre, 
gilt edges, by Ginain. Paris, 1839 


2568. NOUVEAUX CONTES A RIRE, et Aventures 
Plaisantes de ce temps, ou Recreations Frangoises. THIRD 
EDITION. Frontispiece by D. Penningen and 51 engraved 
vignettes. 12mo, old red French morocco gilt, gilt edges, 
by Derome. Cologne: Roger Bontemps, 1702 


2564. () ote (JULIUS). Jules Obsequent des 

Prodiges. Plus trois livres de Polydore Ver- 

gile sur la mesme matiére, traduis par George de la Bou- 

thiére Autunois. Title within an ornamental woodcut bor- 

der and numerous curious cuts. 8vo, red levant morocco, 
gilt centre ornaments, gilt edges, by Trautz-Bauzonnet. 

Lyon: Ian de Tournes, 1555 


2565. OFFICE de la Semaine Sainte a usage de Rome. 
En Latin et en Frangois; traduction nouvelle [par Lemaistre 
de Sacy|. 4copper-plates. 12mo, old French red morocco, 
doublure of the same, with gilt borders, gilt edges. 

Paris, 1675 


2566. OFFICE de laSemaine Sainte en Latin et en Fran- 
cois 4 usage de Rome et de Paris. Hngraved titles, 6 
plates and 2 vignettes by Scotin. 2 vols. 8vo, old French 
red morocco, broad dentelle borders, the arms of MARIE 
LECZINSKA, QUEEN OF LOUIS XV, in the centre of the cov- 
ers, fleurs-de-lys on the backs, gilt paper linings, gilt edges, 
by Padeloup. Paris, 1728 


2567. OFFICE de la Vierge Marie mis en vers avec plu- 
sieurs autres priéres par J. Desmarests. PRINTED ON VEL- 
LUM. Hngraved title and ruled throughout with red ink. 
12mo, brown levant morocco, elaborately tooled and gilt in 
compartments, with scrolls, arabesques and leaf-sprays, in 
the Eves’ manner, gilt back and inside borders, gilt edges 
in a morocco slip case, by Capé. Paris, 1645 


412 


2068. OFFICE OF THE VIRGIN. Uffizio della Beata 
Vergine Maria, Per tutti i tempi dell’ anno coll’ Uffizio De’ 
Morti, della SS. Croce, e dello Spirito Santo, e co i Sette 
Salmi Penitenziali, ed altre divotissime Orazioni. Hngraved 
JSrontispiece, fourteen plates, and numerous ornamental vig- 
neltes. Contemporary Italian binding in marbled ealf, the 
sides in compartments formed by interlaced bands painted 
blue, red, silver and dark brown, in the central spaces a 
crowned escutcheon sustained by a double-headed eagle, 
the other spaces filled with richly gilt ornaments, gilt back, 
gilt and painted edges, in a contemporary slip-case of 
marbled calf, richly gilt. 

Roma: Stamperia Pontificia Vaticana, 1742 


2569. OFFICIO della B. V. Maria per tutti i tempi 
dell’ anno; [coll’ Officio de’ Morti, dello Spirito Santo e 
della Santa Croce.]| Hngraved plates by Passart. 8vo, 
eontemporary Italian calf, the sides in compaftments 
formed by interlacing bands painted blue and silver, out- 
lined in gold and with gilt ornaments, gilt and painted 
edges, in a contemporary calf slip case. FINE SPECIMEN. 

Roma, 1756 


2070. OFFICIUM B. Marize Virginis nuper refor- 
matum, & Pii V. Pont. Max. iussu editum: Ad instar 
Breviarii Romani sub Urbano VIII. recogniti. Vignetteon 
title and 16 fine plates engraved on copper, all brilliant 1m- 
pressions. 16mo, blue morocco, UNCUT AND UNOPENED. 

Antuerpiz: ex Officina Plantiniana, 1677 


* Miniature Edition, PROBABLY THE ONLY COPY KNOWN 
UNCUT AND UNOPENED. 


2571. OPPIANUS. De piscibus libri V. Eiusdem de 
venatione libri IV. Oppiani de piscibus Laurentio Lippio 
interprete libri V. Greece et Latine. 8vo, brown levant 
morocco, gilt panelled sides, aldine anchor in centre, gilt 
edges, by David. 

Venetiis: in edibus Aldi*et Andree Soceri, 1517 


2572. ORAAUS (HENRICUS). Viridarium Hieroglyphico- 
Morale. Opusculum novum ac rarum, cuius vsum atque 
vtilitatem prefixa prefatio docebit. Title within an en- 
graved border, and eighty-eight copper-plate illustrations. 
Aho; brown levant morocco gilt, gilt edges, by Motte. 

Francofvrti: apud Iacobu de Zetter, 1619 
*The illustrations on pages 116 and 118 were originally 


transposed, 

2573. ORDINARIUM sacri ordinis haeremitarum sancti 
Augustini episcopi & regularis observantie [cum Regula 
beatissimi patris nostri Augustini, et constitutionibus fra- 
truumheremitarum]. Title within a woodcut border & full- 
page woodcut of St. Augustin on the reverse (the border and 

413 


woodcut repeated on the second title). 4to, brown levant 


morocco, gilt edges. Mexici: Joannes Paulus Brissensis, 1556 
* AN EXTREMELY RARE SPECIMEN OF EARLY MEXICAN TYPOG- 
RAPHY. Signatures a i (a blank?) and a8 of part III missing; 

last leaf waterstained and slightly wormed. 


2574. ORLEANS (HENRI, DUC D’). Notes et Docu- 
ments relatifs 4 Jean, Roi de France, et a sa captivité en 
Angleterre. Small 4to, blue levant morocco, fleurs-de-lys. 
ornaments on back and corners, gilt edges, by Gruel. 

[ Londres, 1860] 


2575. ORLEANS (LOUIS PHILIPPE, DUC D’). Extrait 
de mon Journal du Mois de Mars, 1815. A Twickenham, 
de VImprimerie de G. White. 1816. Royal 8vo, red 
straight-grain morocco, gilt borders, dentelle borders inside, 
yellow moiré silk linings, gilt edges. 

* * The printer was the valet-de-chambre of the Duc d’Orléans. 


2576. OSSIAN. The Poems of Ossian. Translated by 
James Macpherson. To which are prefixed Dissertations 
on the Atra and Poems. 2 vols. 8vo, polished calf gilt, gilt 
tops, uncut, by Bedford. London, 1807 


2577. OTTER (JACOB). Bettbichlin fiir allerley gemeyn 
anligen der Kirchen fleissig zusammen bracht. Title within 
a woodcut border and 36 interesting woodcuts depicting 
scenes from the life and passion of Christ. Strassburg: 
Wendel Richel, 1539.—LUTHER (MARTIN). Vermanung 
zum Sacrament des Leibes unnd Bluts unsers. T%tle within 
a woodcut border and woodcut on title. Wittemberg, 1541. 
—ETTLICHE nutzlyche Gebet zu Gott umb Syg Wider den 
grawsamen Erbfeind unnsers Hayligen Christenlichen 
Glaubens den Tiircken. Mit angehenckter tetitscher Leta- 
ney. Ulm: Hans Varnier, 1541. In one volume, 8vo, 
contemporary German stamped calf (rubbed and one side 
slightly cracked). | 1539-41 


2578. OTTLEY (HENRY). A Biographical and Critical 
Dictionary of recent and living Painters and Engravers, 
forming a Supplement to Bryan’s Dictionary of Painters 
and Engravers as edited by George Stanley. Royal 8vo, 
cloth, uncut. London, 1866 


2579. OTTLEY (WILLIAM YOUNG). An Inquiry into 
the Origin and Early History of Engraving upon Copper 
and in Wood, with an account of the engravers and their 
works. Numerous facsimile illustrations. 2 vols. folio, 
blue morocco, pointillé borders, gilt edges, by W. Strong. 

London, 1816 
* LARGE PAPER COPY, only 60 printed, with the illustrations 
on India paper, and some in duplicate, colored. 


414 


2580. OTTLEY (WILLIAM YOUNG). The Italian 
School of Design: being a series of facsimiles of Original 
Drawings, by the most eminent painters and sculptors of 
Italy, with biographical notices, &e. 8&4 illustrations, some 
on India paper. Folio, half red levant morocco, gilt top, 
uncut, by Rousselle. London, 1823 


2581. OTTLEY (WILLIAM YOUNG). A Collection of 
129 Fae-Similes of Scarce and Curious Prints, by the Early 
Masters of the Italian, German, and Flemish Schools; 
illustrative of the History of Engraving, from the Inven- 
tion of the Art, by Maso Finiguerra, in the middle of the 
fifteenth century: with Introductory Remarks and a Cata- 
logue of the Plates. Folio, blue morocco gilt, gilt edges, 
by W. Strong. London, 1828 


* The plates are on India paper, the Niellos in silver, and the 
frontispiece colored. 


2582. OTTLEY (WILLIAM YOUNG). A Collection of 
[100] Fac-Similes of Searece and Curious Prints, by the 
Early Masters of the Italian, German, and Flemish Schools. 
Folio, half vellum, uncut. London, 1828 

* One of the copies containing 100 plates instead of 129. 


Some of the plates are on India paper, and Niello No. 4 is in 
duplicate, in silver. There is no frontispiece. 


2583. OTWAY (THOMAS). The Poet’s Complaint of 
his Muse; or, a Satyr Against Libells. Small 4to, red mo- 
rocco, lower edges uncut, by The Club Bindery. 

London: Printed for Thomas Norman, 1680 


2584. OTWAY (THOMAS). The Souldiers Fortune: a 
eomedy. SECOND EDITION. Small 4to, mottled calf gilt, 
gilt edges, by Riviere. 

London: R. Bentley and 8. Magnes, 1683 


2585. OTWAY (THOMAS). The Works of Thomas Ot- 
way. With notes, critical and explanatory, and a life of 
the author, by Thomas Thornton. 3 vols. 8vo, blue levant 
morocco gilt, gilt tops, uncut, by Matthews. 

London: Printed for T. Turner, 1813 
* A COPY ON LARGE PAPER with an original portrait draw- 


ing of Otway, proof portraits, some on India, and other plates 
inserted. 


2586. OVID. Ouidio de Arte Amandi vulgare historiato. 
Title within a woodcut border, and 4 cuts. 8vo, green mo- 
rocco. (Last leaf restored.) 

Vinegia: Ioanne Tacuino da Trino, 1522 


415 


2587. OVID. Fastorum libri VI; Tristium libri V; De 
Ponto libri IV; ete. 8vo. contemporary Venetian binding 
in brown morocco, the sides in compartments elaborately 
tooled and gilt, gilt edges. 

Venetiis: in sedibus hzeredum Aldi et Andres Soceri, 1533: 

* Autograph of ‘‘Thomas Lucy ” on fly-leaf, repeated three 
times. This autograph may possibly be that of the SIR 


THOMAS LUCY, NOTORIOUS IN SHAKESPEARE’S DEER-STEALING 
EXPLOIT, and ridiculed by him as Justice Shallow. 


2588. OVID. La Métamorphose d’Ovide figurée. Hach 
page within a charming ornamental woodcut border; and 
178 woodcuts. 8vo, red levant morocco, gilt interlaced 
borders on the sides, centre ornaments, gilt edges, by 
Allo. Lyon: par Iean de Tournes, 1564 


2589. OVID. The Fifteene Bookes of P. Ovidivs Naso; 
entitvled Metamorphosis. Translated out of Latine into 
English Meeter, by Arthur Golding Gentleman. A Worke 
very pleasant and delectable. With Skill, heed, and Iudge- 
ment, this Worke must be read: For else to the Reader it 
stands in small stead. Woodcut ornament on title. Printed 
an Gothic type. FIFTH EDITION (?). Small 4to, original 
vellum wrappers, with ties. 

At London: Printed by Iohn Danter, 1593 


2590. OVID. Les Metamorphoses d’Ovide mises en vers 
francois par Raimond et Charles de Massaec. Hngraved 
title. Ruled throughout in red ink. 8vo, old French red 
moroceo, a sémis of gilt crowned ‘* Ls” and fleurs-de-lys 
on the sides and back, WITH THE ARMS OF KING LOUIS 
XIII in the centre of both covers, gilt edges, in a levant 
morocco slip ease. Paris, 1617 


2591. OVID. Metamorphosis; Oder Ovidii des Poeten 
W.underliche Verenderung Verschidener Gestalden An Tag- 
gegeben und Verlegt. Hngraved title and 99 plates. Ob- 
long 4to, half red morocco, gilt edges. Augspurg, 1681 


2592. OVID. Métamorphoses d’Ovide en Rondeaux [par 
Isaac Benserade]. Frontispiece and 222 vignettes by Chr. 
van Hagan. 2 vols. in 1. 4to, red levant morocco, gilt 
center ornaments, gilt edges, by Niédrée. 

* Large paper copy. [Amsterdam], 1697 


2593. OVID. Metamorphoses. In 15 books. Translated 
by Dryden, Addison, and others. Portrait, frontispiece and 
15 engraved plates. 2 vols. 12mo, red straight-grain mo- 
roceo, elaborate tooling on back and sides, gilt inside bor- 
ders, in the style of Roger Payne. London, 1720 

* The Frederic Perkins copy. 


416 


2594. OVID. Les Métamorphoses, en Latin, Traduites 
en Francois, avec des remarques, et des explications his- 
toriques; par L’Abbe Banier. Frontispiece by Picart, 
jleurons, etc., and 124 designs in the teat by Lebrun La- 
clerc, Picart, Maas and others. 2 vols. in 1. Royal folio, 
old red morocco, gilt ornaments, gilt edges. 

Amsterdam, 1732 


2595. OVID. Les Métamorphoses d’Ovide en Latin et 
en Frangois, de la Traduction de M. l’Abbé Banier, de 
VAcademie Royale. Avec des explications Historiques. 
140 plates from the designs of EISEN, MOREAU, MONNET, cc. 
4 vols. 4to, crimson levant morocco gilt, broad floriated 
borders, by Chambolle-Duru. Paris, 1767-1771 

* FIRST ISSUE OF THIS EDITION, and one of 12 copies printed 


on Holland paper. One of the most beautifully illustrated 
books of the eighteenth century. 


2596. OVID. QC&uvres Completes. Translated by Bu- 
rette, Chappuyzi, and others. 10 vols. 8vo, red levant mo- 
rocco gilt, with monogram E. B., gilt edges, by Belz- 
Niédrée. Paris, 1834-36 


2597. OVIEDO Y VALDES (GONZALO HERNANDEZ 
DE). La historia general de las Indias. Gothic characters, 
double columns, title in red beneath the arms of Spain, sur- 
rounded by an elegant woodcut border, woodcuts, and the 
author’s arms on the verso of last leaf. Sevilla, en la em- 
prenta de Juan Cromberger, 1535.—Libro. XX. de la se- 
gunda parte de la general historia de las Indias. Gothic 
characters, double columns. Arms of Spainon title. Val- 
ladolid, Francisco Fernandez de Cordova, 1557. 2 parts 
in one volume. Folio, red levant morocco gilt, gilt edges, 
by Hardy-Mennil. | 

* BoTH First EpitTions. The first part contains nineteen 
books and portion of the fiftieth (on Shipwrecks), the second 
part contains only the first book (the twentieth in order’, No 
other portion of this work appeared in print until 1851. The 
text of the first part contains several remarkable woodcuts re- 
presenting plants, animals, savages of America, their houses, 
etc. 

ONE OF THE RARE COPIES WITH THE AUTHOR'S AUTOGRAPH 
SIGNATURE at the end of the dedicatory letter to Cardinal 
Garcia Jofre de Loaysa, bishop of Siguenza, in part I. Stamp 
of the National Library of Lisboa on title-page. 


2593. OVIEDO Y VALDES (GONZALO HERNANDEZ 
DE). L’Histoire Naturelle et Generalle des Indes, Isles, 
et Terre Ferme de la Gran Mer Oceane. Ruled with red 
ink. Woodcut initials and several small woodcuts repre- 
sentiny plants, leaves, etc. Folio, old French red morocco 
gilt, gilt edges. ! Paris, 1556 

417 


2599. pacer. Figures de la Passion de Notre Seig- 
neur Jesus-Christ: Accompagnées de ré- 

flexions propres a donner l’intelligence de ce mistére. Hn- 
graved text, title and 35 engraved plates. LARGE PAPER 
COPY. 8vo, brown levant morocco, gilt panels, gilt edges, 
by Motte. Paris, [1743] 


2600. PAINTER (WILLIAM). The Palace of Pleasure, 
beautified, adorned and well furnished with pleasant his- 
tories and excellent novels. From the Edition of 1575. 
Edited by Joseph Haslewood. 2 partsin 4 vols. 4to, half 
russia, uncut. London, 1813 

* ONE OF 7 COPIES ON VELLUM. 


2601. PALGRAVE (JOHN GORDON). History of New 
England. 6 maps and & illustrations. 3 vols. royal 8vo, 
cloth uneut. Boston, 1865 

* LARGE PAPER COPY, only 100 printed. 


2602. PALLADIO (ANDREA). I quattro libri dell’ 
arehitettura. Numerous architectural woodcuts. Folio, 
old limp vellum, gilt edges. 

Venetia: Dominico de’ Franceschi, 1570 


2603. PALMERIN D’OLIVE. Histoire de Palmerin 
d’Olive fils du Roy Florendos de Macedone, & la belle 
Griane, fille de Remicius Empereur de Constantinople. 
Vignette on title. Thick 16mo, blue levant morocco gilt, 
gilt edges, by Trautz-Bauzonnet. 

Lyon: Benoist-Rigaud, 1593 


2604. PAQUOT (RIS). Histoire Générale de la Faience 
Ancienne, Francaise et étrangére considerée; Dans son 
Histoire, sa Nature, ses Formes et sa Décoration. 200 
planches en couleur retouchées a la main, 1400 marques et 
monogrammes. 2 vols. folio, half red levant morocco, gilt 
tops, uncut. Paris, 1874-1876 


* One of a limited number of copies printed. Volume I con- 
tains the text, Volume II, the plates. 


2605. PARABOSCO (GIROLAMO). Lettres Amoureuses, 
avec quelques autres ajoutées de nouveau a la fin: reduitées 
de l’Italien en notre vulgaire Francois, par Hubert Philippe 
de Villiers. 8vo, blue levant morocco, gilt wreath on the 
sides, gilt edges, by Trautz-Bauzonnet (name on title). 

Anvers: C. Plantin, 1556 


2606. PARACELSUS. Prognosticatio ad Ferdinandum 
Roman. Regem conscripta Anno 1536. FIRST EDITION. 
32 emblematic copper engravings. 4to, red levant morocco, 
gilt panelled sides, blind tooled and gilt ornaments, gilt 
edges, by Lortic. [n. p., ca. 1600] 

418 


2607. [PARADIN (CLAUDE).] Quadrins historiques 
de la Bible (par Claude Paradin). Revuz et augmentez 
d’un grand nombre de figures.—Figures du Nouveau testa- 
ment. Tutles within elegant woodcut borders and 327 fine 
woodcuts ascribed to Bernard Salomon, called ‘‘le Petit 
Bernard.’’ 2 parts in 1 vol. 8vo, blue levant morocco, 
gilt edges, by Bauzonnet-Trautz. 

*The Yemeniz copy. Lyon: par Ian de Tournes, 1558 


2608. PARADIN (CLAUDE) ETSYMEONI (GABRIELE). 
Symbola Heroica. Wirth 217 woodcut emblems. 12mo, old 
vellum. Ex Officini Plantiniana, 1600 


2609. PARKER (MARTIN). The Nightingale warbling 
forth her owne Disaster: or, The Rape of Philomela. 
Newly written in English verse. London, 1632. [Printed 
by J. Moyes, Greville Street, London, 1828.] 8vo, blue 
levant morocco, gilt top, uncut, by Alfred Matthews. 


* Reprinted at the expense of Amos Strettell. A presentation 
copy from Strettell to the Rev. T. N. Blagden. 


2610. PARNASSE SATYRIQUE. Le Parnasse Satyr- 
ique du dix-neuviéme siécle Recueil de vers piquants et 
gaillards De MM. de Béranger, V. Hugo, E. Deschamps, 
A. Barbier, A. de Musset, Barthélmy, Protat, G. Nadaud, 
de Banville, Baudelaire, Monselet, ete. Le Nouveau Par- 
nasse Satyrique du dix-neuviéme siecle. 2 plates. 2 vols. 
in 1. 12mo, citron levant morocco, doublure of purple 
levant with border of grotesques, gilt edges, in morocco 
case, by Lortic. Rome & [Bruxelles], 1866 

* India paper copy, with the plates in duplicate. 


2611. PARNY (EVARISTE D. D.). Cé&uvres compleétes 
de Parny. 3 vols. 18mo, half blue levant morocco gilt, gilt 
top, uncut, by Bertrand. Bruxelles, 1834 

* LARGE PAPER COPY. Portrait and six plates inserted. 


2612. [PARSONS (ROBERT).] Discours de la Vie 
abominable, ruses, trahisons, meurtres, impostures, etc., 
desquelles a usé & use iournellement le my Lorde de Leces- 
tre. 8vo, calf. [n. p.] 1585 


* This work was published later as ‘‘ Leycester’s Common- 
wealth.” W. Upcott’s copy, with MS. notes. See No. 1994. 


2613. PARTICVLARITEZ Remarqvées en la morte de 
Messieurs de Cing Mars, & de Thou a Lyon, le Vendredy 
12. Septembre 1642. 4to, red levant morocco, gilt edges, 
by Chambolle-Duru. No title-page. [n. p.—n. d.] 


2614. PASCAL (BLAISE). C£uvres. Portrait after L. N. 
Quesnel. 5 vols. 8vo, green morocco gilt, gilt edges, by 
Derome the younger. La Haye [Paris], 1779 


419 


2615. PASS (CRISPIN DE). XII Sibyllarum Icones 
Elegantissimi, a Crispiano Passzeo Zelando delineati, ac 
tabulis gneis in lucem editi. ngraved title, ‘dedication 
plate and 16 others. 4to, old blue straight-grain morocco 
gilt, gilt edges. [n. p.| 1601 


* The Hamilton Palace copy. 


2616. PASS (CRISPIN DE). Regiz Anglice Maiestatis 
pictura, et Historica declaratio. Tvtle, portraits of Queen 
EHlizabeth, King James I, Queen Anne and Henry Prince 
of Wales, and a genealogical tree engraved by Crispin de 
Pass; all brilliant impressions. FIRST EDITION. 4to, red 
straight-grain morocco, gilt edges, by R. De Coverly. 

Colonize, 1604 


2617. PASS (CRISPIN DE). Hortus Floridum. In quo 
rariorum et minus vulgarium, florum Icones ad vivum, ete. 
2 engraved titles, 4 frontispieces, and 160 plates. 2 parts in 
1 vol. oblong 4to, brown levant morocco, gilt panels, by 
David. (Engraved title mended.) 

Utrecht: Crispijn van de Pas, 1614 


2618. PASS (CRISPIN DE). Les abus du mariage. Ou 
sont clairement representez les subtilitez deshonnestes tant 
des femmes que des hommes dont ils usent pour se tromper 
Pun l’autre a cecy sont: adjoustez quelques enseignemens 
pour corriger tels abus. [The same in Dutch and German. | 
Brilliant wmpressions of the 50 oval engravings and the 
large plate on the verso of I;,, Oblong 4to, blue levant mo- 
rocco, gilt borders, doublure of maroon levant, richly tooled 
in pointillé, gilt edges, by David. : 

Ghedruckt in’t Jaer ons Heeren 1641 


2619. PASSAVANT (JOHANN DAVID). Le Peintre- 
Graveur. Contenant l’histoire de la gravure sur bois, sur 
métal et au burin jusque vers la fin du XVI. siécle. LARGE 
PAPER COPY. 6 vols. in 8, 4to, brown levant morocco, inlaid 
backs, gilt sides, gilt edges, by Holloway. Leipsic, 1860-64 


2620. PASSAVANT (JOHANN DAVID). Raphael of 
Urbino, and his father Giovanni Santi. Many engraved 
ilustrations. 4to, red levant morocco, gilt fillets, gilt top, 
uncut, by The Club Bindery. 

London and New York: Macmillan & Co., 1872 


* The 25 plates belonging in this book have been removed and 
68 portraits and views, many of them proofs in two states, have 
been inserted. 


2621. PASSERAT (JEAN). Kalende Januarize; Le 
Premier Livre des Poemes; Discours presenté 4 Mons. le 
Duc de Montmorency, ete. Brilliant wmpression of the 
portrait by Th. de Leu. 5 works in one vol. 8vo, blue levant 
morocco gilt, gilt edges, by Trautz-Bauzonnet. 

Lutetiz, 1595-97 
420 


2622. PASTORET (E. C. J. P. DE). Zoroastre, Con- 
fucius et Mahomet, comparés comme sectaires, législateurs 
et moralistes. 8vo, old French red morocco, with the arms 
of ARMAND-THOMAS HUE DE MIROMENIL, Chancellor of 
France, stamped in gold in the centre of each cover, gilt 


edges. Paris, 1787 
* From the Paillet library, with bookplate. 


2623. PATELIN (PIERRE). Maistre Pierre Patelin. 
Texte revue sur les Manuscrits et les plus anciennes édi- 
tions, avee une introduction et des notes par F. Génin. 
Vignettes and many woodcuts in the text. 8vo, red levant 
morocco, gilt fillets, gilt edges, by Coppinger. Paris, 1854 

* Limited edition, on papier vélin. 


2624. PATERCULUS (CAIUS VELLEIUS). M. Velleivs 
Paterevlvs Cum Notis Gerardi Vossii G. F. First ELZEVIR 
EDITION. Hngraved title. 12mo, red straight-grain mo- 
rocco, gilt edges. With the final blank leaf. 


Lugd. Batavorum, 1639 
* The Syston Park copy, with bookplate. 


2625. PATERCULUS (CAIUS VELLEIUS). Histoire 
avec les supplemens de ce qui c’est perdu de cet auteur. 
12mo, old French green morocco, the arms of MADAME VIC- 
TOIRE, DAUGHTER OF LOUIS XV, in the centre of each 
cover, gilt edges, probably by Fournier. Paris, 1672 


2626. PATERCULUS (CAIUS VELLEIUS). Histoire 
Romaine. Translated by Després. 8vo, red levant mo- 
rocco, gilt back, with the monogram E. B., gilt edges, by 
Belz-Niédrée. Paris, 1825 


2627. PATRICI (FRANCESCO). Della Poetica la deca 
historiale. 4to, old red morocco, THE ARMS OF PRINCE 
EUGENE OF SAVOY on the sides, gilt edges (covers rubbed). 

Ferrara, 1586 


2628. PAULDING (J. K.). Slavery in the United States. 
FIRST EDITION. With the leaves of advertisements at end. 
12mo, original cloth, uncut. New York, 1836 


2629. PAVILLON (ETIENNE). (Euvres 4’Etienne 
Pavillon, de l’Académie Frangoise; Considérablement 
augmentées dans céte nouvéle Edition. THICK PAPER 
COPY. 2 vols. 12mo, olive morocco, gilt backs, orange satin 
linings, gilt edges, probably by Padeloup. Amsterdam, !750 


2630. PAYNE (JOHN THOMAS) and FOSS (HENRY— 
Editors.) Bibliotheca Grenvilliana; or Bibliographical 
Notices of rare and curious Books, forming part of the 
library of the Right Hon. Thomas Grenville. Portrait. 4 
vols. imp. 8vo, green levant morocco gilt, gilt tops, uncut, 
by Bedford. London, 1842-72 


* LARGE PAPER COPY. 
421 


2631. PEACHAM (HENRY). The Garden of Eloquence 
Conteyning the Figures of Grammer and Rhetorick, from 
whence may bee gathered all manner of Flowers, Coulors, 
Ornaments, Exornations, Formes and Fashions of speech, 
very profitable for all those that be studious of Eloquence, 
and that reade most Eloquent Poets and Orators, and also 
helpeth much for the better vnderstanding of the holy 
Scriptures. Set foorth ... Anno 1577. First EDITION. 
Small 4to, citron levant morocco, mosaics on sides, doublure 
of citron morocco, gilt edges, by The Club Bindery. (Auto- 
graph of contemporary owner on sig. Mj. ) 

London: . . . By H. Jackson [1577] 


2632. PEACHAM (HENRY). The Valley of Varietie; 
or, Discourse fitting for the Times, Containing very 
Learned and rare Passages out of Antiquity, Philosophy, 
and History. Collected for the use of all ingenious Spirits, 
and true lovers of Learning. 12mo, original vellum wrap- 
pers (one corner repaired). 

London: Printed by M. P. for Iames Becket, 1638 


* A plate of an oak tree, engraved on copper, precedes B1. 
Lowndes says the oak-tree plate is encircled with flowers, but. 
this is probably wrong. Flowers surround the foot of the tree, 
but do not encircle it, 

From the libraries of Thomas J olley, with bookplate, and 
J. Payne Collier, with his autograph and written notation, 
“4 curious and rare little book.” 


2633. PEARCE (WILLIAM). The Midnight Wanderers: 
a comic opera. In two acts. Performed at the Theatre 
Royal, Covent Garden. FIRST EDITION. 8vo, red morocco, 
by The Club Bindery. London: T. N. Longman, 1793 


2634. [PECQUET (ANTOINE).| Mémoires Secrets pour 
servir a l’Histoire de Perse. 16mo, red morocco gilt, gilt 
edges, by Derome. Berlin, 1759 

* Attributed to Pecquet. 


2635. PEELE (GEORGE). The Works of George Peele. 
Now first collected. With some account of his writings, 
and notes, by Alexander Dyce. 3 vols. 8vo—2 in green 
morocco, decorative panels, gilt edges, by Hayday; and 1 
in original cloth. London: William Pickering, 1828-1839 


* First collected edition. One of 12 copies printed on thick 
paper. The third volume appeared eleven years after the 
second, and is consequently seldom found with the others. 
Contains manuscript additions, probably in the autograph of 
the editor. 


2636. PELADAN (JOSEPHIN). La Décadence Latine; 
Ethopée; A Coeur perdu. Frontispiece, proof before letters, 
by Félicien Rops. 8vo, striped red silk, figured silk linings, 
gilt top, uncut, original covers bound in, satin-lined cloth 
case, by The Club Bindery. Paris, 1888 

* One of 5 copies on Japan paper. 
422 


2637. PELEUS (JULIEN). Trois Opvsevles Poetiqves 
de M. Ivlien Pelevs, Aduocat en Parlement. A Monsieur 
le Vidame du Mans, Capitaine des cent Gétils-hommes de 
la maison du Roy. 16mo, blue levant morocco, large side 
ornaments, gilt edges, by Trautz-Bauzonnet. (Writing 
erased from title. ) Paris: Denis Binet, 1600 


2638. PELLICO (SILVIO). Mes Prisons, suivi des devoirs 
des hommes; traduction nouvelle, par le Comte H. de 
Messey, revue par le Vicomte Alban de Villeneuve, avec 
notice biographique et littéraire sur Silvio Pellico et ses 
ouvrages, par M. U. Philipon de la Madelaine. Portrait, 
Frontispiece, 74 illustrations on steel, and numerous wood- 
cuts. Royal 8vo, brown levant morocco, filleted panels, 
gilt edges, by Chambolle-Duru. Paris, 1844 


2639. PENNELL (E. R. And J.). The Life of James 
MeNeill Whistler. Jlluwstrated. 2 vols. royal 8vo, half mo- 
rocco, gilt tops, uncut. London, 1908 

* One of 150 copies on Japan paper. 


2640. PEPYS (SAMUEL). Memoirs of Samuel Pepys, 
- Esq. F.R.S. Secretary to the Admiralty in the Reigns of 
Charles II. and James II. Comprising His Diary from 
1659 to 1669, Deciphered by the Rev. John Smith, A.B. of 
St. John’s College, Cambridge, from the original short- 
hand MS. in the Pepysian Library, and a selection from his 
Private Correspondence. Edited by Richard Lord Bray- 
brooke. FIRST EDITION. 6 plates and 8 portraits engraved 
by R. White, Bragg, Thomson and Cooper, after Kvneller, 
Lely, Hailes and Derby. 2 vols. royal 4to, red levant mo- 
rocco, gilt borders, gilt tops, uncut, by The Club Bindery. 

London: Henry Colburn, 1825 


* EXTRA-ILLUSTRATED by the insertion of a duplicate set 
of 6 of the portraits, proofs on India paper, and other portraits. 
and plates. 


2641. PEPYS (SAMUEL). Diary and Correspondence 
of Samuel Pepys, Esq., F.R.S. from his MS. cypher in the 
Pepysian Library, with a Life and Notes by Richard Lord 
Braybrooke. Deciphered, with additional Notes, by Rev. 
Mynors Bright, M.A., President and Senior Fellow of 
Magdalene College, Cambridge. Portraits, facsimiles, 
views, efc. 10 vols. 8vo, maroon levant morocco, gilt and 
blind-tooled in panels, doublures of vellum, dentelle bor- 
ders, gilt over rough edges, in levant cases, by Lortic. 

* ONE OF 4 COPIES PRINTED ON vELLUM. New York, 1884 


2642. PERCY (THOMAS, BISHOP OF DROMORE). 
Bishop Perey’s Folio Manuscript. Ballads and Romances. 
Edited by John W. Hales, M.A. Fellow and Late Assist- 
ant-Tutor of Christ’s College, Cambridge, and Frederick J. 
Furnivall, M.A. of Trinity Hall, Cambridge. (Assisted by 


423 


Prof. Child, of Harvard Univ., U. 8.; W. Chappell, Esq, 
&e. &e.). 4 vols. boundin 7. 4to, green levant morocco, 
richly tooled after the Roger Payne manner, gilt edges, by 
Riviére. London, 1867-68 


* ONE OF 50 COPIES PRINTED UPON LARGEST PAPER. Volume 
IV contains Loose and Humorous Songs. 


2643. PEREFIXE (HARDOUIN DE). Histoire du Roy 
Henry le Grand. Hquestrian frontispiece title. 12mo, red - 
straight-grain morocco, gilt edges. 

Amsterdam: Louys & Daniel Elzevier, 1661 
* Presumably the second of the two Elzevier editions printed 
in 1661, with the last line of the second paragraph on page 95 
containing the words ‘‘—vernement d’Angoumois.” Ruled 
throughout in red ink. 
From the Beckford and Syston Park libraries. In the latter 
catalogue it was described as bound by Roger Payne. 


2644. PEREFIXE (HARDOUIN DE). Histoire du Roy 
Henry le Grand... Reveué, corrigée & augmentée par 
VYAuteur. Hngraved title as in the first Hlzevier edition. 
16mo, blue levant morocco, covered with fleurs-de-lys, coat- 
of-arms on both covers, gilt edges, by Capé. 

Amsterdam: Daniel Elzevier, 1664 
* This edition contains ‘‘ Recueil de quelques belles actions 
et paroles mémorables de Henry le Grand,” pages 525-566, and 


a poem by the Abbé Cassagne entitled ‘‘ Henry le Grand,” ‘with 
half-title, nine leaves of text and a fina] blank leaf. 


2645. PEREFIXE (HARDOUIN DE). Histoire du Roy 
Henry le Grand. Reveué, corrigée & augmentée par |’ Au- 
teur. Engraved title, dated 1679, and portrait of Henry IV, 
engraved by Th. de Leu, wnserted. 12mo, red levant mo- 
roceo, edges entirely uncut, by Trautz-Bauzonnet. 

Amsterdam: Daniel Elzevier, 1678 


2646. PEREFIXE (HARDOUIN DE). The Life of 
Henry the Fourth of France, translated from the French of 
Péréfixe, by M. Le Moine. 8vo, old red morocco gilt, with 
the ARMS OF THE DUCHESSE D’ ANGOULEME on each cover, 
gilt edges, by Derome, Paris, 1785 


* LARGE AND THICK PAPER COPY, 


2647. PEREY (LUCIEN) anD MAUGRAS (GASTON). 
Une Femme du Monde au XVIIIe siécle. La Jeunesse de 
Madame d’Epinay d’aprés des lettres et des documents in- 
édits. Woodcut portrait. Royal 8vo, half red levant mo- 
rocco, inside covers lined with appropriate plates, gilt top, 
uncut, original covers bound in, by Alfred Matthews. 

Paris, 1882 


* One of 20 copies on Holland paper. 
424 


2648. PERISTROMATA TURCICA, sive dissertatio Em- 
blematica preesentem Europe statum ingeniosis eoloribus 
representans. 6 emblematic copper engravings surrounded 


by borders of Turkish style, printed in light brown. 4to, ealf. 


Lutetiz Parisiorum: Toussaint du Bray [ca. 1640] 


* In the Same volume are bound the following pamphlets: 
‘‘Germania Deplorata,” ‘‘ Aulea Romana contra Peristromata 
Turcica,” ‘‘ Gallia deplorata,”’ all by the same printer and about 
the same year. 


2649. PERRAULT (CHARLES). Dialogue de ’Amour 
et lAmitié. FIRST EDITION. |6mo, purple levant morocco, 
gilt back, gilt edges. Paris: Pierre Bienfait, 1661 


2650. PERRAULT (CHARLES). Histoires ou Contes 
du tems passé. Avec des Moralitez 16mo, red levant 
morocco, gilt edges, by Trautz-Bauzonnet. Trevoux, 1697 


* THE ORIGINAL EDITION, OF WHICH NOT MORE THAN HALF A 
DOZEN COPIES ARE KNOWN, of the famous Fairy-Tales of Cin- 
derella, Bluebeard, Puss in Boots, etc. 


2651. PERRAULT (CHARLES). Tales of Passed Times 
by Mother Goose. With Morals. Written In French by 
M. Perrault, And Englished by R. 8. Gent. To which is 
added a New one, viz. The Discreet Princess. With 9 
copper-plate engravings. Small 8vo, purple ealf, blind- 
tooled, by Clyde. © London, 1764 


* LARGE PAPER. The text is in English and French, on 
opposite pages. 


2652. PERRAULT (CHARLES). Contes des Fées, con- 
tenant le Chaperon rouge, la Barbe bleu, le Maitre Chat, 
ou le Chat botté, la Belle au bois dormant, Riquet a la 
Houpe, Cendrillon, le Petit -Poucet, l’adroite Princesse, 
Peau d’ane. 10 fine copper-plates, unsigned. 2 parts in one 
vol. 18mo, contemporary marbled calf gilt, gilt edges. 

Paris: Devaux, 1797 


* EXTRA-ILLUSTRATED BY THE INSERTION OF THE 10 ORIGINAL 
DESIGNS IN INDIA INK. 


2653. PERRAULT (CHARLES). Les Contes de Perrault. 
41 illustrations by Gustave Doré. Folio, half red levant 
morocco, panelled back, gilt top, uncut. Paris, 1862 

* The illustrations are proofs before letters on India paper. 


2654. PERRAULT (CHARLES). Les Contes des Fées, 
en prose et en vers. NOUVELLE EDITION, revue et corrigée 
sur les éditions originales, et précédée d’une lettre critique, 
par C. H. Giraud. Portraits by .Annedouche and KHisen, 
portrait and 12 full-page etchings by Ad. Lalauze and 12 
vignettes. 8vo, maroon levant morocco, richly gilt tooled 
in ornaments, lines and dots, wide inside dentelle borders, 
gilt over rough edges, by Chambolle-Duru. 

Paris: A L’Imprimerie Impériale, 1864 
425 


2655. PERRAULT (CHARLES). La Barbe Bleue; La 
Belle au Bois Dormant. 47 illustrations after H. de Beau- 
mont, printed in colors. 4to, red levant morocco, gilt and 
blind-tooled panels, doublure of blue morocco with leaf 
sprays in the corners, silk guards, gilt edges, by Lortic; in 
a case. Paris, 1887 


2656. PERRET (PAUL). Les Demoiselles de Liré. 
Tllustré en collaboration par Charles Delort et Maurice 
Leloir. First EDITION. 4to, red levant morocco, panels 
tooled in fillets, dots, and scrolls, figured green satin linings, 
inside dentelle borders, gilt over uncut edges, original 
covers bound in, by Mercier. Paris [1893] 

* No. 1 of 50 copies on India paper, on one side only of the 
leaf, with a duplicate set of the illustrations, proofs before 


letters in bistre, and an ORIGINAL WATER-COLOR DRAWING BY 
LELOIR on the half-title. 


2657. PERRINCHIEF (RICHARD). The Syracusan 
Tyrant: or, the Life of Agathocles. With some Reflexions 
on the practices of our Modern Usurpers. Folding plate 
by Faithorne inserted, depicting Oliver Cromwell crowned by 
Perfidy and Cruelty. 8vo, russet levant morocco gilt, gilt 
edges, by Bedford. 

London: Printed by J. F. for R. Royston, 1661 


* FIRST EpITION. The Gosford copy on Large Paper. 


2658. PERSIUS FLACCUS (AULUS).  Satires suivies 
d’un fragment de Turnus et de la satire de Sulpicia. Trans- 
lated by A. Perreau. 8vo, red levant morocco, gilt back, 
with the monogram ‘‘E. B.,”’ gilt edges, by Belz-Niédrée. 

Paris, 1832 


2659. PETERS (HUGH). Gods Doings and Mans Duty, 
Opened in a Sermon Preached before both Houses of Par- 
liament, the Lord Mayor ete... . For the recovering of the 
West and disbanding of 5000 of the Kings Horse, ete. 
1645. THE SECOND EDITION. Small 4to, half cloth. — 

London: Printed by M. 8S. for G. Calvert, 1646 


2660. PETITS CONTEURS du XVIII® Siécle. A Col- 
lection of short stories by D’Ancour, Benseval Boufflers, 
Casotu, Caylus, and 7 others. Each with a preface by 
Octave Uzanne. With 12 portraits, 12 vignettes and 72 etch- 
ings by Hanriot, Lalauze, Poisson, Mongier, and others. 
12 vols. square 8vo, blue levant morocco, richly decorated 
with special tools, floral borders, gilt tops, uncut, original 
covers bound in, by Meunier. Paris, 1879 

* One of 50 copies on blue Whatman paper, with the etchings 
in 3 states, unlettered proofs in red, lettered proofs in black 


on Whatman and on Holland paper. The portraits and vignettes 
. are in two states. 


426 


2661. PETITY (ABBE DE). Etrennes Francoises, dediées 
a la ville de Paris; pour l’année jubilaire du régne de Louis 
le Bien-aimé. FIRST ISSUE. 6 engravings by Chenu, Duclos 
and Littré after St. Aubin and Gravelot, and 2 plates of coats 
of arms. Ato, old French red morocco, gilt tooled dentelle 
borders, with the arms of KING LOUIS XV in the centre of 
the front cover, and of the CITY OF PARIS on the back, gilt 
edges, by Derome. In a morocco slip case. Paris, 1766 


2662. PETRARCA (FRANCESCO). De los remedios 
contro prospera y adversa fortuna. Gothic characters. 
Title in red and black within a woodcut border, and the 
printer’s device on the last leaf. Folio, brown levant mo- 
rocco, blind-tooled back and sides, doublure of red morocco, 
with gilt ornaments, gilt edges, by Chambolle-Duru, Marius 
Michel, gilder. Inacloth case. Caragoca: Georgi Coci, 1518 


2663. PETRARCA (FRANCESCO). Secreto in dialogi 
di latino in vulgar & in lingua toscha tradocto. Woodcut 
on litle. 8vo, red morocco, gilt edges, by Capé. 

Venetia, par Nicolo Zopino & Vincentio compagno, 1520 


2664. PETRARCA (FRANCESCO). Il Petrarcha (Sonetti, 
Canzoni et triomphi). 8vo,red morocco gilt, aldine anchor 
on sides, gilt edges. (Last leaf, containing colophon and 
anchor, in facsimile. ) 

Vinegia: Aldo Romano & Andrea Asolano, 1521 
* The Syston Park copy. 


2665. PETRARCA (FRANCESCO). Il Petrarcha con 
Vespositione d’Alessandro Vellutello. Title within a wood- 
cut border, portraits of Petrarch and Laura, and cuts to the 
triumphs. 4to, red morocco, gilt edges. 

Venetia: G. Giolito, 1544 


2666. PETRARCA (FRANCESCO). Il Petrarcha con la 
spositione di M. Giovanni Andrea Gesualdo. Tvtle within 
an architectural and ornamental woodcut border, with me- 
dallion portraits of Petrarch and Laura (repeated), and wood- 
cuts to the triumphs. 4to. Venetia: Domenico Giglio, 1553 

* CONTEMPORARY VENETIAN BINDING in brown morocco gilt, 
ornamental borders on the sides, inner panels with a rich 
arabesque design painted in various colors and outlined in gold, 
in the centre the title of the book stamped in gold and enclosed 
in a geometrical panel formed by two interlaced squares; gilt 
back, gauffred gilt edges, in a morocco slip case. A BEAUTIFUL 
AND INTERESTING SPECIMEN. 


2667. PETRARCA (FRANCESCO). Les Triumphes Pe- 
trarque. 150 curious small cuts. 16mo, citron levant mo- 
rocco, gilt and inlaid centre ornaments, gilt inside borders, 
gilt edges, by Trautz-Bauzonnet. 

Paris: par Estienne Croulleau, 1554 
* The Yemeniz copy. 
4Q7 


2668. PETRARCA (FRANCESCO). Rime. 48mo, green 
levant morocco, elaborately tooled, gilt edges, by Lanscelin. 
Londra: G. Pickering, 1822 


2669. PETRA-SANTA (SILVESTER). De Symbolis He- 
roicis libri IX. Avetore Silvestro Petrasancta Romano e 
Soc. Iesv. FIRsTEDITION Hngraved title by Corn. Galle after 
Rubens, portrait of Cardinal P. Aloysius, eight plates of 
arms and genealogies, and 209 emblems, medals, and sym- 
bols. Small 4to, calf gilt, sprinkled edges. (Name in ink 
on page a. 2.) 

Antverpiz: ex officina Plantiniana Baltasaris Moreti, 1634 


2670. PETRONIUS ARBITER (TITUS). Traduction 
entiére suivant le nouveau Manuscrit trouvé a Bellegrade 
en 1688. Wath 9 plates engraved on copper. 2 vols. 8vo, 
old red morocco gilt, with THE ARMS OF THE COMTESSE DE 
VERRUE, gilt edges. [ Paris]: Pierre Groth, 1694 

* FIRST FRENCH TRANSLATION. From the De Bure collection. 


2671. PETRONIUS ARBITER (TITUS). Le Satyricon. 
Translated by de Guerle. 2 vols. 8vo, red levant morocco, 
gilt backs, with the monogram E. B., gilt edges, by Belz- 
Niédrée. Paris, 1834-35 


2672. PHASDRUS. Fables. Translated by Ernest Panck- 
oucke. 8vo, red levant morocco, gilt back, with the mono- 
gram ‘‘ HE. B.,’’ gilt edges, by Belz-Niédrée. Paris, 1834 


2673. PHAER (THOMAS) ann TWYNE (THOMAS). 
The whole. xii. Bookes of the Mneidos of Virgill. Whereof 
the first. ix. and part of the tenth, were conuerted into 
English Meeter by Thomas Phaér Esquier, and the residue 
supplied, and the whole worke together newly set forth, by 
~ Thomas Twyne Gentleman. There is added moreouer to 
this edition, Virgils life out of Donatus, and the Argument 
before euery booke. Printed in Gothic type. 4to, green 
levant morocco gilt, gilt edges. 

London: Wyllyam How for Abraham Veale, 1573 


* FIRST EDITION of the complete translation of the twelve 
books. 


2674. [PHILIPON DE LA MADELAINE (LOUIS). ] 
Modéles de Lettres sur différents sujets, choisis dans les 
meilleurs auteurs épistolaires; avec une courte instruction 
a la téte de chaque espece de Lettres. Précédés de quelques 
réflexions sur le style épistolaire en général, sur le caractére 
des Auteurs en ce genre, & du cérémonial des Lettres. 
Nouvelle édition. 12mo, old red morocco, gilt borders, 
gilt edges. Paris, 1774 


2675. PHILIPOTT (THOMAS). Elegies, offer’d up to 
the memory of William Glover Esquire, late of Shalston in 
Buckinghamshire. 4to, blue levant morocco gilt, gilt edges, 
by Riviére. London: Tho. and Rich. Cotes, 1641 


428 


2676. PHILLIPS (CLAUDE). Sir Joshua Reynolds. Jllus- 
trated. Royal 8vo, half morocco, gilt top, uncut. LARGE 
PAPER COPY. London, 1894 


2677. [PHILLIPS (HENRY).] The True Enjoyment of 
Angling. SUBSCRIBER'S Copy. Mezzotint portrait. Royal 
Svo, cloth, uncut. London, 1843 

* Only 100 copies printed. 


2678. PHILLIPS (STEPHEN). Marpessa. First EDI- 
TION. Illustrations by Philip Conrad. 16mo, limp, cloth, 
gilt top, uncut. London: John Lane, 1900 


2679. PHILOPONUS (HONORIUS). Nova Typis Trans- 
acta Navigatio. Hngraved title and 18 plates. Folio, rec 
levant morocco gilt, gilt edges, by Bedford. __[n. p.], 1621 


* Contains the plate showing Columbus on his ship, which 
is not found in all copies. 


2680. PHILOSTRATUS. Les Images ou. Tableaux de 
platte peinture des deux Philostrates Sophistes Grees et 
les statues de Callistrate. Mis en Francois par Blaise de 
Vignere... reueus et corrigez sur loriginal par un docte 
personnage de ce temps, ete. Hngraved title, and 665 large 
copper engravings by Leon Gaultier, De Leeu, and others. 
Folio, old red morocco gilt, gilt edges. 

Paris: La veufue Abel l’Angelier, 1615 


*The Wodhull and Payne copy, with autograph of Wodhull 
dated Dec. 13, 1766. 


2681. PIANTI (I) d’Elicona su la tomba di Teresa Ven- 
tura Venier. 4to, half calf, uncut and unopened. 
Parma: Stamperia Reale (Bodoni), 1790 


2682. PICART (BERNARD). Pierre Antiques Gravées, 
tirées des principaux Cabinets de l’Europe. With 70 beau- 
tiful full-page plates. Large folio, red levant morocco gilt, 
THE ARMS OF LOUIS XIV on covers, within a gilt border, gilt 
edges. (One fly-leaf torn.) Amsterdam, 1724 


*From the John Peachey and W. E. Buckley collections. 
Plate LVI contains a note by John Peachey relating to the 
purchase of that stone, and one by W. E. Buckley calls atten- 
tion to the fine impressions of the plates. 


2683. PICART (BERNARD). . Tafereel, Of Beschryving 
van den prachtigen Tempel der Zang-Godinnen, Vertoond 
in LX heerlyke Kunststukken. F'rontispiece and 60 plates, 
all brilliant wmpressions, designed and engraved by Picart 
and others; also Le Temple des Muses, 1733. Royal folio, 
2 vols. in 1, old green morocco, richly gilt borders, with 
fan corner ornaments, inside dentelle borders, silk linings, 
gilt edges. Amsterdam, 1733 

* HOLLAND PAPER COPY of the Dutch and French texts of 
Picart’s ‘‘Temples des Muses.” EXTRA-ILLUSTRATED by the 


429 


insertion of (I) A complete set of the 60 plates of the first 
Temple of the Muses by van Diepenbeke in 1655, from the 
library of Mariette, proofs before numbers [showing that Picart 
only copied or retouched van Diepenbeke’s plates]; (Il) A 
complete set of the 24 plates engraved by van Diepenbeke and 
rejected by M. de Favereau. The plate called ‘‘ Salmacis and 
Hermaphrodite” (33) is of extreme rarity; (III). Portraits of 
Michael de Marolles, Abraham van Diepenbeke, de Favereau, 
and Picart. 


2684. [PICCOLOMINI (ALESSANDRO).] La Messagére 
d’Amour, ou instruction pour inciter les ieunes Dames a 
aimer. 12mo, citron levant morocco, gilt edges, by Trautz- 


Bauzonnet. [Rouen], 1616 
*In the same volume are bound: ‘‘Le manuel d’Amour ”’ 
[Rouen, ca. 1616]; ‘‘ Les secrettes ruses d’Amour,” ‘‘ Les Para- 


doxes d’Amour ” par le Sieur de La Valletrie, ‘‘ Dialogue de 
l’Aretin, ou sont deduites les vies et desportemens de Lays & 
Lamia courtisanes de Rome,” Rouen, Thomas Daré, 1616. All 
curious and rare pieces. 


2685. PICCOLPASSI (CYPRIAN). Les Troys Libures 
de Art du Pottier. With 38 engraved plates. Royal 4to, 
half red morocco, crowned monogram on back. Paris, 1860 


2686. PICINELLI (FILIPPO). Mondo simbolico formato 
d’imprese scelte, spiegate, ed illustrate con sentenze, ed 
eruditioni, Sacre, e Profane. Hmblematic frontispiece en- 
graved by Simon Durello after Francesco della Croce, por- 
trait by J. Cotta, and vignettes by Durello in the text. FIRST 
EDITION. Folio, original vellum boards. 

Milano: Francesco Vigone, 1669 


2687. PIGAULT-LEBRUN. (Euvres completes de Pi- 
gault-Lebrun. 20 vols. 8vo, half calf gilt, uncut. 
Paris (Vol. 6 is dated Bruxelles, 1824), 1822-24 


2688. PINDARUS. Olympia, Pythia, Nemea, Isthmia. 
Callimachi hymni qui inveniuntur, etc., greece. FIRST 
EDITION. 8vo, old French red morocco, gilt edges. 

Venetiis: in edib. Aldi et Andree Asulani soceri, 1513 
* Contains the final blank leaf. 


2689. PINDARUS. Olympia, Pythia, Nemea, Isthmia. 
Ceterorum octo Lyricorum carmina, nonnulla etiam ali- 
orum, greece et latine. Ruled throughout with red ink. 
16mo, old French red morocco gilt; doublure of the same 
with gilt borders, gilt edges, by Duseuil. 

Antuerpie: C. Plantin, 1567 


* From the Nodier and Yemeniz collections. 


2690. PINDER (UDALRICUS). Speculum passionis 
domini nostri Jesu Christi. In quo relucent hee omnia 
singulariter vere et absolute: puta. Omnis perfectio Hier- 
archie. Omnium fidelium beatitudo. Omnes virtutes, ete. 
39 beautiful full-page woodcuts (some repeated) by Hans 


430 : 


Schdufelein, representing scenes from the passion of Christ. 
Folio, brown levant morocco, gilt panelled sides, gilt edges, 
by Bedford. (Some wormholes.) A LARGE COPY OF THIS 
RARE VOLUME. 

Norimberge: per Federicum Peypus impressum impensis 
Georgii Glockendon, 1519. 


2691. [PINKERTON (JOHN).] Select Scottish Ballads. 
Vignettes on titles. FIRST EDITION. 2% vols. small 8vo, half 
green morocco gilt, gilt tops, uncut. London, 1783 


2692. PIRON (ALEXIS). La Métromanie, ou le Poéte. 
Comédie en vers et en cing actes. FIRST EDITION. 8vo, 
red levant morocco gilt, gilt edges, by Lortic. Paris, 1738 


2693. PIRON (ALEXIS). (Céuvres Inédites accompagnées 
de lettres également inédites addressées a Piron par MM 
Quinault et de Bar Publiées sur les manuscrits autographes 
originaux. 3% facsvmiles. 12mo, half brown morocco gilt, 
gilt top, uncut. Paris, 1859 


2694. PISTOFILO (BONAVENTURA). Oplomachia 
nella quale con dottrina morale, politica, e militare, e col 
mezzo delle figure si tratta per via di teorica, e di practica 
del maneggio, e dell ’vso delle Armi. Hngraved title, por- 
traits of Sir Kenelm Digby and the author, and 53 copper- 
plates of fencing, and of exercises with fire-arms. Oblong 4to, 
red levant morocco gilt, gilt edges, by Bedford. Siena, 1621 


2695. PLAISIRS DE L’AMOUR (LHS), ou Recueil De 
Contes, Histoires & Poémes galans. Frontispiece and seven- 
teen charming plates (Cohen says ‘‘ eighteen’’), unsigned, 
and several proofs before all letters, for the most part copied 
from vignettes previously published. 3 vols. in one, small 
8vo, green morocco gilt, gilt edges, by Derome the younger, 


with his ticket. Apollon: Au Mont-Parnasse, 1782 


2696. PLATO. Omnia Platonis opera, greece, ex recen- 
sione Marci Musuri et Aldi Manutii. 2 partsin one volume, 
folio, red morocco, the sides gilt in an interlaced pattern, 
gilt edges. Venetiis: in edibus Aldi et Andree soceri, 1513 

* First EDITION. 


2697. PLATO. Loix de Platon; par le traducteur de la 
Republique. (J. Grou.) Vignette portrait on the title. 2 vols. 
S8vo, red morocco gilt, gilt edges, by Bedford. 

* LARGE Paper copy. Amsterdam: M.M. Rey, 1769 


2698. PLAUTUS. Comcodize XX recens ex collatione 
multorum codicum... Item eedem comcediz omnibus fere 
locibus commentationibus ornantur; quas Bernardus Sara- 
cenus atque Joannes Petrus Valla scriptas olim reliquere. 
Title within a fine ornamental outline woodcut border, nu- 

431 


merous woodcuts, including a full-page one of a Roman 
theatre; and ornamental wnitials. Folio, vellum. 
Venetiis: per Lazarum Soardum, 1511 


* First VENETIAN EDITION with woodcuts, and the finest 
edition published, 


2699. PLAUTUS. Ex Plauti comcediis XX quarum car- 
mina magna ex parte in mensum suum restituta sunt. 4to, 
old russia gilt, gilt edges. 

Venetiis: in edibus Aldi et Andrew Asulani, 1522 


* A tall copy. Edited by Francesco d’Asola. 


2700. PLAUTUS. Théatre. Translated and annotated 
by J. Naudet. 9 vols. 8vo, red levant morocco, gilt backs, 
with the monogram E. B., gilt edges, by Belz-Niédrée. 

Paris, 1831-38 


THIRTY-FIFTH SESSION, WEDNESDAY, 8:15 P. M. 


2701. PLAYS. Le Fou Raisonable; La Partie de Chasse, 
by Collé; Samson; ete. 13 plays in 2 vols. 8vo, half calf, 
gilt backs. Paris, 1770- 1781 


2702. PLENARIUM. Das new Plenarium oder ewangely 
buch, so inhaltet alle Ewangelien und Epistelen des gant- 
zeniars, sampt alles gesangs aller messen von heiligen 
Kirehen. Gothic characters, double columns, title in red 
and black within an historiated woodcut border, 6 large 
woodcuts by HANS SCHAUFELEIN and numerous small ones 
by Ursus GrRaF, all colored by hand. Folio, red levant 
morocco, gilt panels, centre ornaments, gilt edges, by Bed- 
ford. Basel: Adam Petri von Langendorff, 1522 


2703. PLINY. Historia Naturale tradocta di lingua 
latina in Fiorentina per Christophoro Landino. Roman 
character. 413 unnumbered leaves without signatures and 
catchwords; 50 lines to the page. Thick folio, maroon 
morocco, gilt inside borders, vellum linings and fly-leaves, 
gilt edges. Venetius: Opus Nicolai Jansonis gallici, 1476 


* First ITALIAN EDITION. PRINTED ON VELLUM. ONLY A 
FEW COPIES KNOWN IN THIS STATE. The Ashburnham copy of 
one of the most beautiful specimens from the Press of Jenson, 
The 3 blank leaves missing, otherwise in immaculate condi- 
tion. Hain, 13105; Proctor, 4099. 


432 


2704. PLINY. Epistole, cura Juniani Maii. Roman 
character. 108 unnumbered leaves, with signatures; 30 
lines to the page. Folio, old English olive morocco, gilt 
tooled borders, the corners in small floral tools, gilt back, 
gilt edges, by ROGER PAYNE. In blue straight-grain mo- 


rocco slip case. Neapoli: Matthias Moravus, 1476 
* A very large copy from the Wodhull library. Hain, 13111; 
Proctor, 6695A. 


2705. PLINY. Les Lettres de Pline le jeune. Nouvelle 
édition, revié & corrigée. [Traduites par Le Maistre de 
Sacy.] 3 vols. 12mo, old French red morocco, the arms of 
KiInG Louis XV on the covers, gilt edges. Paris, 1721 


2706. PLINY. Lettres. Translated by De Sacy. Edi- 
tion revue et corrigée par Jules Pierrot. 3 vols. 8vo, red 
levant morocco, gilt backs with monogram E. B., gilt edges, 
by Belz-Niédrée. Paris, 1826-29 


2707. PLINY. Histoire Naturelle. Translated by Ajas- 
son de Grandsagne, and annotated by Beudant Brongniart, 
and others. 20 vols. 8vo, red levant morocco, gilt backs 
with monogram HE. B., gilt edges, by Belz-Niédrée. 

Paris, 1829-33 


2708. PLUTARCH. Sit ne rationis aliqua in bestiis vis, 
tum utra animantium plus huius habeant, terrestria ne, an 
aquatica, libellus, Symone Grynzeo interprete. 8vo, brown 
levant morocco, gilt panels, inside borders, gilt edges, by 
David. Basilez: Jo. Bebelius, 1534 


2709. PLUTARCH. Les vies de huit excellens et re- 
nomméz personnages Greez & Rommains, translatées par 
messire George de Selve. 16mo, old French green morocco 
gilt, gilt edges, by Derome. Lyon: Jean de Tournes, 1548 


* First French translation. From the Pixérécourt and 
Yemeniz collections. 


2710. PLUTARCH’S LIVES. The Translation called 
Dryden’s. Corrected from the Greek and Revised by 
A. H. Clough. dvols royal 8vo, cloth, uneut. Boston, 1865 

* LARGE PaPER COPY, only 100 printed. 


2711. POZNITENCE delinée De lEvangelique David. 
With text in French and Dutch, also, I’ Immaculée Com- 
munion Deliniée. 26 brilliant plates by I. van Mechelen. 
Small 8vo, green morocco, gilt edges. Antwerp, 1629 


, 2712. POETA INFAMIS: Or, a Poet not worth Hang- 
ing: Being a Dialogue, between Lysander Valentine, and 
Poet Pricket. Witha Letter to the Author of the Mar- 
riage-Hater matched, Written by his Friend. First EDI- 
TION. 4to, levant morocco gilt, gilt edges, by David. 
London, 1692 
433 


2713. POETICAL MISCELLANIES. Inedited Poetical 
Miscellanies 1584-1700. Selected from MSS. chiefly in 
private hands. ‘With a few explanatory and illustrative 
notes. 8vo, brown levant morocco, gilt and blind-tooled . 
in fillets, doublure of maroon russia leather, russia guards, 
gilt top, uneut, by Zaehnsdorf. 

Printed for private circulation, 1870 


* One of 50 copies printed. Edited by Henry Huth. An 
autograph copy from the Editor to Henry G. Bohn. 


2714. POETS. One hundred and seventeen illustrations 
to the English Poets, including seven portraits. 2 vols. 
Royal 8vo, russia gilt, giltedges. [London: Sharpe, 1804-05 | 

*One of 6 copies printed on India paper, proofs before letters. 


2715. POGGIO BRACCIOLINI (GIOVANNI FRAN- 
CESCO). Les Facéties de Poggie Florentin. Traduites en 
Franeais, avec le Texte en regard, premiére édition com- 
pléte. 2 vols. 12mo, brown levant morocco, gilt and blind- 
tooled, gilt edges, by Smeers. Limited edition on Holland 
paper. Paris, 1878 


2716. POINDREUX (IGNACE). Chaine Historique, ou 
Vhistoire sacrée et prophane reduites en tables, divisées en 
trois livres. Hngraved frontispiece with portrait of Colbert, 
to whom the book 1s dedicated, maps, and a few engravings 
anserted. Folio, old French dark red morocco, the sides 
in compartments filled with delicate pointillé and scroll 
ornaments, the arms of LOUIS CHARLES D’ ALBERT DUC DE 
LUYNES in the centre of the covers, his crowned monogram 
in the corners and panels of the back, gilt edges. Paris, 1668 


2717. POINSINET (ANTOINE ALEXANDRE HENRI). 
Le Cercle, ou la Soirée a la mode, comédie épisodique En 
un Acte & en Prose. FIRST EDITION. 8vo, red morocco, 
gilt edges. Paris, 1764 


2718. POLYBIUS. Ex Libris Polybii Megalopolitani 
Selecta de Legationibus, greece. 4to, red straight-grain 
morocco gilt, gilt edges, by Lewis. Antverpiz: Plantin, 1582 


2719. POMPADOUR (MARQUISE DE). Suite d’Estam- 
pes gravées par Madame la Marquise De Pompadour, 
d’Aprés les Pierres gravées de Guay, Graveur du Roy. 
Folio, red straight-grain morocco, gilt back and side bor- 
ders tooled in flowers and urns, blue silk linings, gilt 
edges, by P. Lefebvre. [Paris: Basan, 1775] 

*Frontispiece-title and sixty-three plates (dated 1751-56), 
also inserted, 2 portraits of Madame de Pompadour, ‘‘ La 
Belle Jardiniére,” by Anselin after Vanloo and mezzotint after 

- Boucher (rare original impression), and two copies of the scene 
from Corneille’s ‘‘ Rodogune,” 1760, engraved by Madame de 
Pompadour after Boucher, and retouched and finished by 
Cochin. 

This remarkable collection of allegorical subjects was en- 
graved by the Marquise de Pompadour to amuse Louis XV. 


434 


The plates were executed after the gems engraved by Guay, 
who worked under the favorite’s eyes at Versailles; the 
models were furnished by Vien and Boucher. Madame de 
Pompadour distributed some copies of the original proofs 
among her friends; these impressions are of course very rare. 
Later Basan, who acquired the plates upon the death of the 
Marquis de Marigny, issued the present edition. 


2720. POMPONIUS MELA, Julius Solinus, Itinerarium 
Antonini Augusti, ete. 8vo, red levant morocco, gilt edges. 
Blank leaf and anchor leaf missing. 

Venetiis: in edibus Aldi, 1515 


2721. PONTANUS (J. J.). Opera Omnia soluta oratione 
composita. Title of volume I surrounded by a border of 
arabesques, etc., painted in gold on red ground, and numer- 
ous uluminated initials. 3 vols. 8vo, red levant morocco, 
inlaid borders of dark brown morocco with gilt tooled 
arabesques, aldine anchor in the centre, gilt edges, by 
Capé. Venetiis: in edibus Aldi et Andre Soceri, 1518-19 


* A TALL COPY. Folio 64, Volume II, has not been mutilated 
as in most copies. 


2722. POOLE (JOSHUA). The English Parnassus: or, 
a Help to English Poesie. Frontispiece. 12mo, old half 
ealf. (Two pages ink-marked.) London, 1677 


FOURTEEN ISSUES OF «THE DUNCIAD,” 1728-1735. 


2723. [POPE (ALEXANDER).] The Dunciad. An 
Heroic Poem. In three Books. [ Woodcut of a vase of 
flowers.| 8vo, brown morocco, blind tooled, gilt top, un- 
eut (several sight repairs). 

Dublin, printed; London, reprinted for A. Dodd, 1728 
* An uncut copy of the VERY RARE FIRST ISSUE OF THE FIRST 
EDITION, measuring 844 by 5 inches. ‘‘B” of Thoms’s list, 
similar to the one in the British Museum, 
The distinguishing marks of this first issue are the misprint, 
‘* Book and the man I sing” instead of ‘‘ Books,” page 1, line 
1, and the blank page on the verso of H? instead of an adver- 
tisement. Lieut.-Col. F. Grant’s copy, once owned by Jonathan 
Richardson, the painter. Notes in ink on title-page and text. 


2724. [POPE (ALEXANDER).] (I.) The Dunciad. An 
Heroic Poem. In three Books’ [Woodcut of a vase of 


flowers.) Dublin, printed; London, reprinted for A. Dodd, 


1728. (II.) A Compleat Key to the Dunciad. London, 
Printed for A. Dodd, 1728. (Price 6d.) 12mo, red levant 
morocco, gilt back, doublure of red morocco, wide border, 
gilt edges, by Chambolle-Duru. — 
* SECOND ISSUE OF THE FIRST EDITION. ‘‘C” of Thoms’s 
list. WERY RARE. 
The distinguishing mark of this issue is on page 1, line 1 
(ending with ‘‘ who”), where ‘‘ Book and the man I sing” is 
corrected to ‘‘ Books” The text was probably printed from 
the same forms of type as the first issue. 


435 


2725. [POPE (ALEXANDER).] The Dunciad. An 
Heroic Poem. In three Books. THE SECOND EDITION. 
12mo, maroon morocco, blind tooled, gilt top, uncut. 

Dublin, printed; London, reprinted for A. Dodd, 1728 
* << T)” of Thoms’s list. Presumably the third issue of the 
First Edition, although the title-page says ‘‘ second edition.” 
The Address from the Publisher to the Reader appears to have 
been printed from the same forms as the two preceding issues, 
because of many similarities-of dropped letters and defective 
types. 
Lieut.-Col. Francis Grant’s copy, with his annotations. 


2726. [POPE (ALEXANDER).] The Dunceiad, vari- 
orum. With the Prolegomena of Scriblerus. Vignette 
of the Ass. 4to, red levant morocco gilt, gilt top, uncut, 
by Riviére. London: Printed for A. Dod (sic), 1729 


* THE RARE FIRST COMPLETE, and author’s first avowed 
edition. ‘‘F” of Thoms’s list. Contains the final leaf of Ad- 
denda. 

Four varieties of the Ass frontispiece are found in different 
editions. No. 1 as in the present edition, No. 2 in the first 
variorum 8vo edition, No. 3 in the reprint of the variorum 4to. 
(page x), and No. 4 in the Collected Works, folio, 1735. 


2727. [POPE (ALEXANDER).] The Dunciad, vari- 
orum. With the Prolegomena of Seriblerus. Vzgnetie 
of Ass. 4to, red levant morocco gilt, gilt edges, by The 
Club Bindery. London: A. Dod (sic), 1729 


* PRESENTATION COPY. WITH INSCRIPTION IN INK ON TITLE, 
READING, ‘‘ F. Caryll. Ea dono Authoris.” 

The same as the preceding, a littie smaller, and the final leaf 
of Addenda missing. 


2728. [POPE (ALEXANDER).] The Duneiad, vari- 
orum. With the Prolegomena of Secriblerus. V2zgnette of 
the Ass. 12mo, red morocco, gilt edges, by The Club 
Bindery. 

London: Printed and reprinted for the Booksellers in 
Dublin, 1729. 


* A reprint of the quarto variorum edition of 1729. Unde- 
scribed by Thoms. 


2729. [POPE (ALEXANDER).] The Dunciad, vari- 
orvm. With the Prolegomena of Scriblerus. Vignette of the 
Ass. 8vo, blue levant morocco gilt, side panels in floral 
design, uncut, by The Club Bindery. 

London: Printed for A. Dob (sic), 1729 


* THE FIRST OCTAVO VARIORUM EDITION. ‘‘G” of Thoms’s 
list. Probably recomposed from the quarto edition, with the: 
same fount of type. Some of the errors of the quarto edition 
corrected and vignette of Ass re-engraved. 


2730. [POPE (ALEXANDER).] The Dunciad. With 
Notes, variorum, and the Prolegomena of Sceriblerus. 
Frontispiece and plate. 8vo, red straight-grain morocco, 
gilt edges, by The Club Bindery. London, 1729 

* « A” of Thoms’s list. 
436 


2731. [POPE (ALEXANDER).] The Dunciad. With 
Notes, variorum, and the Prolegomena of Scriblerus. 
SECOND EDITION, with some Additional Notes. /Frontis- 
piece. 8vo, brown straight-grain morocco, gilt fillets, gilt 
edges, by The Club Bindery. London: Lawton Gilliver, 1729 


* «<< K” of Thoms’s list. 

This edition has many additional Notes and Epigrams, and 
seven pages (four leaves) of Errata instead of two. It also 
contains the cancelled leaf P3, with the preceding edition 
through Gg4, excepting that there is no engraving of the Owl 
between H1 and H2, and pages 222-232 are numbered in Arabic 
instead of Roman numerals. After page 232 are three leaves 
of Errata, Al-A3, pages 1-6, and a fourth leaf, A4, containing 
eight additional lines of Errata. 


2732. [POPE (ALEXANDER).] The Dunciad. With 
Notes, variorum, and the Prolegomena of Scriblerus. 
Frontispreces of the Ass, variety 1; and the Owl, variety 8. 
Small 8vo, red straight-grain morocco, gilt edges, by The 
Club Bindery. London: Lawton Gilliver, 1729 


~8T;” of Thome’s list. 


2733. [POPE (ALEXANDER).]| (I.) The New Dunciad: 
As it was Found In the Year 1741. With the Illustrations 
of Scriblerus and Notes Variorum. (II.) [Epistles of 
Horace.| (III.) Poems and Imitations of Horace. By Mr. 
Pope. Now first Collected together. 4to, three works in 
one volume, contemporary red morocco gilt, gilt edges. 

*«©O” of Thoms’s list. London, 1742-38 
First Edition of Book IV of the Dunciad, containing 389 
pages. The second work, the Epistles, has no general title. 


The Latin text is on the verso of the page, the English on the 
recto, facing each other. From the Sunderland collection. 


2734. [POPE (ALEXANDER).] The New Dunciad: As 
it was found In the Year M DCC XLI. With the Illustra- 
tions of Seriblerus, and Notes Variorum. 4to, red levant 
morocco gilt, gilt top, uncut, by David. 

London: Printed by T. Cooper, 1742 


err of Thoms’s list. 

Second edition of Book IV of the Dunciad, containing 44 
pages, and 620 lines instead of 618. Lines 89-40 in the first 
edition, 

‘‘ Oft her gay Sister’s life and spirit fled; 
But History and Satire held their head: ” 
are here expanded into four lines, 89-42 :— 


‘¢ But sober History restrain’d her rage, 
And promis’d Vengeance on a barb’rous Age: 
There sunk Thalia, nerve-less, faint, and dead, 
Had not her Sister Satire held her head: ”’ 


2735. [POPE (ALEXANDER).| The Dunciad, in four 
Books. Printed according to the complete copy found in 
the Year 1742. With the Prolegomena of Scriblerus, and 
Notes Variorum. To which are added, Several Notes now 
first publish’d, the Hypercritics of Aristarchus, and his 


437 


Dissertation on the Hero of the Poem. 4to, red levant 
morocco gilt, gilt top, UNCUT, by David (half title mis- 
bound). London: M. Cooper, 1743 


* First complete edition. ‘‘R” of’Thoms’s list. 


2736. [POPE (ALEXANDER).] [Half-title.] The Dun- 
ciad, in three Books. Written in the Year 1727. With Notes 
Variorum, and the Prolegomena of Scriblerus. Vignette, 
etc. Folio, brown levant morocco, gilt edges, by The Club 


Bindery. [ London, 1735] 
* Part of Pope’s Works, Volume II, folio, 1735. 


2737. [POPE (ALEXANDER).] Thoms (W.J.). Notes on 
Editions of the Dunciad. 12mo, half morocco. n.p.—n. d. 


* Col. Grant’s copy, with bookplate and annotations. Re- 
printed privately from ‘‘ Notes and Queries,” without title. 


2738. [POPE (ALEXANDER).] An Essay on Criticism. 
4to, half morocco (repaired in several places, lacks half-title 
and corresponding leaf of advertisements at end). 

London: Printed for W. Lewis, ete., 1711 


* FIRST EDITION, Second Issue. Pope’s first publication in 
book form. The Grant (Pope collection) and McKee copy. 


2739. POPE (ALEXANDER), GAY(JOHN), AND OTHERS. 
Miscellaneous Poems and Translations. By several hands. 
Frontispiece engraved by Kirk. 8vo, blue levant morocco 
gilt, gilt edges, by Chambolle-Duru. ~ 

London: For Bernard Lintott, 1712 
* Contributions by Pope, Dryden, Gay, Prior, Brome, etc., 
concluding with ‘‘The Rape of the Locke,” the first appearance 
of the poem. 
The book is complete, although there are no pages 321-352. 


2740. POPE (ALEXANDER). Windsor-Forest. To the 
Right-Honorable George, Lord Lansdown. FIRST EDITION. 
Folio, red morocco, some leaves uncut. 

London: Bernard Lintott, 1713 


2741. POPE (ALEXANDER). The Rape of the Lock. 
An Heroi-comical Poem. In Five Canto’s. Written by Mr. 
Pope. 6 plates by De Bosc, after Du Guernier. 8vo, red 
levant morocco, elaborately tooled in compartments of 
mosaic in ivory, dark and light green morocco, doublure of 
red morocco, gilt edges, by The Club Bindery. 

London: Bernard Lintott, 1714 


* FIRST SEPARATE EDITION, and the earliest to contain the 
machinery of the Sylphs. PRINTED ON THICK PAPER. 


2742. POPE (ALEXANDER). The Rape of the Lock. 
An Heroi-comical Poem. In Five Canto’s. THE SECOND 
EDITION. Frontispiece and 5 plates engraved by Du Bose, 
after Du Guernier. 12mo, brown levant morocco gilt, gilt 
edges, by Riviere. London: Bernard Lintott, 1714 


438 


2743. POPE (ALEXANDER). The Iliad of Homer. 
Translated by Mr. Pope. Bust portrait by Vertue, map and 
vignettes. 6 vols. folio, pigskin, gilt and blind-tooled backs 
and sides, gilt edges, by The Club Bindery. 

London: Printed by W. Bowyer, 1715-20 


* LARGE PAPER Copy of the original subscription edition. 


2744. POPE (ALEXANDER). The Works of Mr. Alex- 
ander Pope. FIRST COLLECTED EDITION IN FOLIO. Folding 
portraut by Vertue, title in red and black, also vignettes and 
mitials. Folio, red levant morocco gilt, gilt edges, by The 
Club Bindery. London: Printed by W. Bowyer, 1717 


* LARGE AND THICK PAPER COPY, measuring 1414 x 9 inches. 
There were 2 issues of this edition; this is probably the second. 


2745. [POPE (ALEXANDER).]| Several Copies of Verses 
on Occasion of Mr. Gulliver’s Travels. FIRST ISSUE OF THE 
- FIRST EDITION. 12mo, blue levant morocco gilt, gilt edges, 
by The Club Bindery. London: Benj. Motte, 1727 


2746. | POPE (ALEXANDER).] Several Copies of Verse 
on Oceasion of Mr. Gulliver’s Travels. Never before printed. 
Small 8vo, blue levant morocco gilt, gilt edges, by The Club 
Bindery. London: Benj. Motte, 1727 

* SECOND ISSUE, having the additional poem, 2 pp., inserted 
between signatures B and C. 

2747. [POPE (ALEXANDER).] Poems occasioned by 
Reading the Travels of Captain Lemuel Gulliver, Explana- 
tory and Commendatory. 12mo, blue levant morocco gilt, 
gilt edges, by The Club Bindery. Dublin: J. Hyde, 1727 

* Probably a piracy of the first edition. 


2748. POPE, (ALEXANDER) AND SWIFT (JONA- 
THAN). Miscellanea. Never before published. 2 portraits. 
2 vols. 12mo, original calf. London, 1727 

* FIRST AUTHENTIC EDITION OF POPE’S LETTERS. The work 
was advertised in The Daily Post of August 12, 1726; the date 
1727 on the title is merely a device ‘‘to protract a little longer 
the semblance of novelty.” 

2749. [POPE (ALEXANDER) and SWIFT (JONA- 
THAN).] Miscellanies in Prose and verse. FIRST EDI- 
TIONS. 5 vols. 12mo, red levant morocco gilt, gilt edges, by 
The Club Bindery. London, 1727-35 


2750. POPE (ALEXANDER). [Of Taste.] An Epistle 
to the Right Honourable Richard, Earl of Burlington. 
Oceasioned by his publishing Palladio’s Designs of The 
Baths, Arches, Theatres, &c., of Ancient Rome. FIRST 
EDITION. Folio, brown calf, blind-tooled, gilt edges. 

London: Printed for G. Gilliver, 1731 


2751. POPE (ALEXANDER). [Of Taste.] An Epistle 
to the Right Honourable Richard, Earl of Burlington. 
First EDITION. London, 1731; The Same, lacking half-title 
and advertisements at the end, 1731; Of the Knowledge and 

439 


Characters of Men, an Epistle to Richard, Lord Cobham, 
London, 1733; An Epistle from Mr. Pope to Dr. Arbuthnot, 
London, 1734. 4 vols. in one, folio, half brown levant 
morocey. London, 1731-4 


2752. POPE (ALEXANDER). Of Taste, an Epistle to 
the Right Honourable Richard, Earl of Burlington. SECOND 
EDITION. 8vo, brown morocco, uncut. 

[London:] Printed in the year 1732 


2753. POPE (ALEXANDER). A Miscellany on Taste. 
I. Of Taste in Architecture. An Epistle to the Earl of Bur- 
lington. With Notes Variorum, and a Compleat Key. 
II. Of Mr. Pope’s Taste in Divinity, viz. The Fall of Man, 
and the First Psalm. Translated for the Use of a Young 
Lady, ete. Frontispiece by Hogarth, representing Pope on 
a scaffolding. 8vo, red morocco, gilt edges, by The Club 
Bindery. London, 1732 

: A pirated edition of Pope’s fourth moral essay ‘‘ Of Taste,” 


2754. POPE (ALEXANDER). Of the Use of Riches, an 
Epistle To the Right Honorable Allen Lord Bathurst. Lon- 
don: J. Wright, 1732; The First Satire of the Second Book 
of Horace, Imitated in a Dialogue, ete. London: Printed 
by L. G. and sold by A. Dodd, 1733; An Epistle to Richard 
Lord Vise: Cobham. London: Lawton Gilliver, 1733; An 
Epistle from Mr. Pope to Dr. Arbuthnot. London: John 
Wright for Lawton Gilliver, 1734; Of the Characters of 
Women: an Epistle to a Lady, by Mr. Pope. London: J. 
Wright for Lawton Gilliver, 1835; The Second Epistle of 
the Second Book of Horace. Imitated by Mr. Pope. Lon- 
don: R. Dodsley, 1737. Thesix works bound in one volume. 
Folio, brown levant morocco gilt, gilt edges, by Chambolle- 
Duru. London, 1732-37 


* FIRST EDITION OF EACH OF THE ABOVE, 


2755. [POPE (ALEXANDER).] (I.) An Essay on Man. 
Address’d toa Friend. [Henry St. John, Lord Bolingbroke. | 
Folio, brown levant morocco gilt, gilt edges, by The Club 
Bindery. (2 margins repaired. ) 

London: Printed for J. Welford [1732] 


*It is difficult to determine the priority of the various edi- 
tions of the four Epistles composing this Essay. Whereas there 
were once supposed to be only four editions, it is now generally 
conceded that there are ten or eleven, two of the First Epistle 
with ‘‘ Part I.” on the title-page, two of the First with ‘‘ Epistle 
I.” on the title-page, three of the Second, two of the Third, 
and one of the Fourth. 

No recorded investigations are sufficiently advanced to be of 
service, and in the manner of the numbering of the lines or 
neglect to number, one theory is as plausible as another. It is 
granted, however, that the editions of the First Epistle with 
‘‘Part I.” on the title-page were earlier printed than those 
bearing ‘‘ Epistle I.” 

440 


2756. | POPE (ALEXANDER).] An Essay on Man, Being 
the First Book of Ethic Epistles. To Henry St. John, L. 
Bolingbroke. FIRSTCOMPLETE EDITION. 7 vignettes and tail- 
pieces. Ato, brown morocco gilt, gilt edges. 

London: Printed by John Wright for Lawton Gilliver, 1734. 


* “ Nocopy in the British Museum, Rowfant Library, nor in 
any of the Col. Grant Collections.” —Hoe Catalogue. 


2757. POPE (ALEXANDER). Letters of Mr. Pope and 
Several Eminent Persons, from the Year 1705, to 1735. Por- 
trait. 12mo, red levant morocco gilt, gilt edges, by The 
Club Bindery. . London, 1735 


* After page 266 is ‘‘ A Narrative of the Method by which Mr. 
Pope’s Private Letters were procured and published by Edmund 
Curll, Bookseller.” ’ 


2758. POPE (ALEXANDER) AND SWIFT (JONA- 
THAN). A Collection of Poems, &c. Omitted in the Fifth 
Volume of Miscellanies in Prose and Verse. 8vo, red levant 
morocco gilt, uneut, by The Club Bindery. 

London: Printed for Charles Davis, 1735 


2759. POPE (ALEXANDER). The Dying Christian to 
his Soul: an Ode, written by M'* Pope, Adapted for three 
Voices, and the Piano Forte. 4to, green figured silk, by The 
Club Bindery. London: Printed and sold by Preston [n.d. | 


* Three pages of music score. 
This poem was written in 1712, appeared in its original form 
in Lewis’s Miscellany in 1730, was altered in the same year, 
and appeared in its present form in 1736, 8vo. Pope never 
avowed its authorship. 


2760. POPE (ALEXANDER). Essais sur la Critique et 
sur l’?Homme. « Ouvrages traduits de |’Anglois en Francois. 
Nouvelleedition. 4to, old brown morocco, gilt borders, gilt 
edges. . A Londres, 1737 


*From the Chas. Forbes collection, with book-plate and 
autograph. 


2761. [POPE (ALEXANDER).|] Horace, his Ode to 
Venus. Lib. IV. Ode I, imitated by Mr. Pope. First EpI- 
TION. Folio, red morocco. 

London: Printed for J. Wright, 1737 


2762. POPE (ALEXANDER).  (I.) The First Epistle 
of the First Book of Horace Imitated. London: R. 
Dodsley, 1737. (II.) The Sixth Epistle of the First Book 
of Horace Imitated. London: Printed for L. Gilliver, 1737. 
(III.) The First Epistle of the Second Book of Horace, Imi- 
tated. London, Printed for T. Cooper, 1737. (IV.) The 
Second Epistle of the Second Book of Horace Imitated. 
London R. Dodsley, 1737. FIRST EDITIONS. 4 works in one 
vol., folio, red morocco. London, 1737 


*No. IV is of the issue with the correct numbering of the 
note, 15, at the foot of page 12, and no numeral in the lower 
right-hand corner of the page. 


441 


2763. POPE (ALEXANDER). One Thousand Seven 
Hundred and Thirty Eight. A Dialogue Something like 
Horace. [Dialogue 1.] Second Issue. Folio. red morocco. 

London: T. Cooper, 1738 


2764. POPE (ALEXANDER). One Thousand Seven 
Hundred and Thirty Eight. A Dialogue Something like 
Horace. (Dialogues [and II.) By Mr. Pope. First EDI- 
TIONS OF BOTH DIALOGUES. Folio, red levant morocco, by 
The Club Bindery. London: T. Cooper [1738] 


2765. [POPE (ALEXANDER).] The Universal Prayer. 
FIRST EDITION. Folio, red morocco, uneut, by The Club 
Bindery. London: R. Dodsley, 1738 


* Title and three leaves without signature. 


2766. POPE (ALEXANDER). Memoirs of the Life and 
Writings of Alexander Pope, Esq; Faithfully Collected 
from Authentic Authors, Original Manuscripts, and the 
Testimonies of many Persons of Credit and Honour: with 
Critical Observations (By William Ayre). Adorned with 
the Heads of divers Illustrious persons. 2 vols. small 8vo, 
red straight-grain morocco, gilt edges, by The Club 
Bindery. London, 1745 


2767. [POPE (ALEXANDER).] Verses Upon the Late 
D—ss of M [Duchess of Marlborough] By Mr. 
P—. Woodcuton title. Small folio, red levant morocco, 
by The Club Bindery. London: Printed for W. Webb, 1746 


* The Announcement on the last page reads: ‘‘ These Verses 
are Part of a Poem, entitled Characters of Women. It is gen- 
erally said, the D——ss gave Mr. P. 1000 1. to suppress them: 
He took the Money, yet the World sees the Verses; but this is 
not the first Instance where Mr. P’s practical Virtue has fallen 
very short of those pompous Professions of it he makes in his 
Writings.” 


2768. POPE (ALEXANDER). Works of Alexander 
Pope Esq. In Nine Volumes Complete. With his last 
corrections, additions, and improvements; As they were 
delivered to the Editor a little before his Death: together 
with the Commentaries and Notes of Mr. Warburton. 24 
engravings by Major. 9 vols. 8vo, Spanish ealf gilt, gilt 
tops, uncut, by Bedford. London, 1751 

* THICK PAPER COPY OF WARBURTON’S FIRST EDITION. 


2769. POPE (ALEXANDER). Céuvres diverses de Pope. 
Traduites de l’Anglois. Nouvelle edition, Considerablement 
augmentée. Portrat of Pope by Syfang, two frontispieces, 18 
plates engraved by Fritzsch and Punt after the designs of 
Hayman, Wale, Blakey, and Walker and seven fleurons on the 
titles, two of them different, and one by Punt. 6 vols. 12mo, 
red morocco gilt, gilt edges, probably by Padeloup. 

| Amsterdam, 1754 
442 


2770. POPE (ALEXANDER). Essai sur 1’7Homme, par 
Monsieur Alexandre Pope. Traduction francoise En Prose, 
par Mr. 8. * * * * [de Silhouette]. Nouvelle edition. Portrait 
of Pope on the title, engraved by Will in 1745 after Kneller, 
1722, four full-page engravings, eight vignettes and culs-de- 
lampe by Galimard and Soubeyran after Delamonce, and por- 
trait of Charles Frederic, Margrave of Baden and Hachberg, 
by Will after Guilhbaud. English text and French prose 
translation. 4to, red levant morocco gilt, gilt top, uncut, by 
David. A Lausanne, 1762 


2771. POPE (ALEXANDER). The Works of Alexander 
Pope, Esq. Complete, with his last Corrections, Additions, 
and Improvements; as they were delivered to the Editor a 
little before his Death. Together with the Notes of Mr War- 
burton. Plates by Grignion. 6 vols. 12mo, half blue morocco, 
gilt tops, uncut, by Lewis. London, 1764 

* LARGE PAPER copy, from the collection of George Daniel, 
who wrote on the fly-leaf: ‘‘This edition of Pope on Large 
Paper, and Uncut, is exceedingly rare. I never saw another 
copy. It was brought from Holland in 1829, and subsequently 


bound by C. Lewis. A few portraits (proofs) of Pope are added. 
George Daniel, Islington.’’ 


2772. POPE (ALEXANDER). (Cé«uvres complettes, tra- 
duites en Francois. Portrat by Le Beau after Kneller and 14 
plates after Marillier; a few imserted plates, and an original 
sepia drawing of Pope. 8 vols, half red morocco gilt, un- 
cut. Paris: Duchesne, 1779 


* LARGE AND THICK PAPER COPY. From the Pixérécourt and 
Emmanuel Martin collections. 


2773. POPE (ALEXANDER). An Essay on Man. A 
New Epition. To which is prefixed a critical essay by J. Aikin. 
4 plates after Stothard, etc. 12mo, half orange levant mo- 
rocco gilt, gilt top, uncut. London, 1796 


2774. POPE (ALEXANDER). The Rape of the Lock, an 
Heroi-Comical Poem. Adorned with plates. Royal 8vo, red 
levant morocco, gilt panels, gilt top, uncut, by Matthews. 

London: Bensley, 1798 
* LARGE PAPER Copy. In addition to the plates by Bartolozzi, 
fourteen others have been inserted, including an India proof 


portrait of Pope, engraved by C. Warren, and other proof illus- 
trations, some in two states. 


2775. POPE (ALEXANDER). The Poetical Works of 
Alexander Pope. <A new edition. Portrait, and 19 dlustra- 
tions after Stothard, Westall and others. 6 vols. royal 8vo, 
original boards uncut. London, 1804 

* LARGEST PAPER COPY, only 50 printed. 


443 


2776. POPE (ALEXANDER). The Iliad and Odyssey of 
Homer. Translated by A. Pope. 2 portraits and 48 plates 
(each in three states) by Schiavonett, Heath, Isaac Taylor, 
- Puseli, Smirke, Singleton, etc., and EXTRA-ILLUSTRATED by the 
isertion of 26 plates, proofs before letters, after Marillher, 
twenty-six other scenes to the Ilad (six on India paper), 
Bartolozzi’s engraving of Jupiter, and the Parting of Hector 
and Andromache, colored. like a mimature, 4 portraits, and 18 
scenes, 8 of which are on India paper. 12 vols. in 6, royal 8vo, 
rel levant morocco gilt, gilt edges, by Bedford. 

* LARGEST PAPER COPY. London, 1805-6 


2777. POPE (ALEXANDER). Works of Alexander 
Pope, in verse and prose. Containing the principal notes 
of Drs. Warburton and Warton: illustrations, and critical 
and explanatory remarks by Johnson, Wakefield, A. 
Chalmers, F 8.A., and others. To which are added, now 
first published, some Original Letters, with additional ob- 
servations, and Memoirs of the Life of the Author. By 
the Rev. William Lisle Bowles. 21 portraits & facsimiles. 
10 vols. 8vo, olive morocco gilt, gilt edges, by Lewis. 

London, 1806 
* LARGE PAPER COPY, EXTRA ILLUSTRATED with 40 plates and 


portraits, by Stothard, Burney, etc., artist's proofs on India 
paper, some in 2 states. 


2778. POPE (ALEXANDER). The Rape of the Lock. 
Embroidered with nine drawings by Aubrey Beardsley. 
Ato, vellum gilt, gilt top, uncut. ONE OF 25 COPIES ON 
JAPAN PAPER. London, 1896 


2779. POPEIANA. The Progress of Dulness. By an 
Eminent Hand. Which will serve for an Explanation of 
the Dunciad. Small 8vo, brown levant morocco gilt, fore 
and lower edges uncut, by The Club Bindery. London, 1728 

* A poem, ‘‘ The Progress of Dulness. To Duncan Campbell,” 
by H. Stanhope, dated White-Hall, June 6, 1720, is followed by 
‘*Observations on Windsor Forest, the Temple of Fame, and 
the Rape of the Lock,” Verses to the Countess of Warwick, by 
J. Markland. 


2780. POPEIANA. Two Epistles to Mr. Pope, Concern- 
ing the Authors of the Age. [By Edward Young.|] First 
EDITION. 8vo, red morocco, uncut, with the advertise- 
ments bound in, by The Club Bindery. 

London: Lawton Gilliver, 1730 


2781. POPEIANA. (I.) Stowe, the Gardens Of Richard 
Lord Viscount Cobham. Address’d to Mr. Pope... . 
London, 1732; (II.) A Dialogue on One Thousand Seven 
Hundred and Thirty-eight: together with a Prophetic Post- 
script as to One Thousand Seven Hundred and Thirty-nine. 
London, 1738; (III.) Are these Things So? the Previous 


444. 


Question, from an Englishman in his Grotto, to a Great 
Man at Court. . . . [by James Miller] London, 1740; (IV.) 
The Great Man’s Answer to Are these Things So? [by James 
Miller] London, 1740; (V.) Yes, they are: being an answer 
to Are these Things so? London, 1740; (VI.) What of 
that! Oceasion’d by a Pamphlet, intitled, Are these Things 


so? And its Answer, Yes, they are. . . . The Second Edi- 
tion. London, 1740; (VII.) They are Not. . . . The Third 
Edition. London, 1740; (VIII.) Pro and Con. .. . Lon- 


don, 1741. Folio, eight works in one volume, red morocco. 
London, 1732-41 


2782. POPEIANA. Of Verbal Criticism: An Epistle to 
Mr. Pope. London, Lawton Gilliver, 1733; The State 
Dunees. Inscribed to Mr. Pope. London, W. Dickenson, 
1733. FIRST EDITIONS. 2 vols. in one, folio, red morocco. 

London, 1733 


2783. POPEIANA. Of Verbal Criticism: An Epistle to 
Mr. Pope, oceasioned by Theobald’s Shakespear, and Bent- 
ley’s Milton. FIRST 8vo. EDITION. 8vo, morocco. _ 

London, 1733 


2784. POPEIANA. (I.) Are these Things So? The 
Previous Question, from an Englishman in this Grotto, to 
a Great Manat Court. [By James Miller] 1740; (II.) The 
Great Man’s Answer to Are these Things So? in a Dialogue 
between His Honour and the Englishman in His Grotto, 
1740; (III.) Mr. P-pe’s Picture in Miniature, but As Like 
as it can stare; a Poem: With Notes, 1743; (IV.) Tryal of 
Skill between a Court Lord, and a Twickenham Squire. 
Inscribed to Mr. Pope, 1734. 4 vols. in one, small folio, 
half brown levant morocco. London, 1734-43 


2785. POPEIANA. The Rape of the Smock. An Heroi- 
Comical Poem. By Mr. Jacob. Frontispiece. THE THIRD 
EDITION, with other miscellanies. 12mo, half straight-grain 
morocco. London, 1736 


2786. POPEIANA. A Plan of Mr. Pope’s Garden, as it 
was left at his Death, with a plan and perspective View of 
the Grotto: all taken by J. Serle, his Gardener. With an 
Account of all the Gems, Minerals, Spars, and Ores of 
which it is composed, and from whom and whence they 
were sent. With a Character of all his Writings. old- 
ing plan and 2 plates. EXTRA-ILLUSTRATED by the insertion 
of four engraved views and plans, three original pen and 
ink drawings, 2 original water-color drawings and two 
pencil sketches ; together with an AUTOGRAPH LETTER 
SIGNED, J p. 4to, from Pope to Mr. Richardson, the parnter. 
Ato, red levant morocco, gilt top, uncut. 

London: R. Dodsley, 1745 


* The autograph letter is of a personal character. 
445 


2787. POPEIANA. A Plan of Mr. Pope’s Garden, As it 
was left at his Death: with a Plan and Perspective View 
of the Grotto. All taken by J. Serle, his Gardener. With 
An Account of all the Gems, Minerals, Spars, and Ores of 
which it is composed, and from whom and whence they were 
sent. To which is added, A Character of all his Writings. 
Folded plate ‘‘ A Plan of Mr. Pope’s Garden” and 2 other 
plates. 4to, green morocco gilt, uncut, original blue wrap- 
pers bound in, by The Club Bindery. 

London: R. Dodsley, 1745 


2788. POPEIANA. Remarks on ’Squire Ayre’s Memoirs 
of the Life and Writings of Mr. Pope. in a Letter [signed 
J. H.| to Mr. Edmund Curl, Bookseller. with Authentic 
Memoirs of the Life and Writings of the said E—— C—l. 
8vo, red straight-grain morocco, gilt edges, by The Club 
Bindery. London, 1745 

* Contains the half-title. ; 


2789. POPE (WALTER). The Wish, written by Dr. 
Pope, Fellow of the Royal Society. First EDITION. 4to, 
brown levant morocco, gilt edges, by Riviere. London, 1697 


2790. PORDAGE (SAMUEL). Herod and Mariamne. 
A Tragedy. Acted at the Duke’s Theatre. FIRST EDITION. 
4to, half black morocco, gilt top, lower edges partly uncut, 
by Stikeman. London: William Cademan, 1673 


2791. PORTALIS (BARON ROGER). Les Dessinateurs 
d’Illustrations au dix-huitiéme siécle. Frontispiece after 
Meissomer and 19 portraits in various states (making forty- 
eight plates wm all), wmcluding engraver’s etchings, trial 
proofs, India paper proofs, and a set printed im bistre. 2 
vols. royal 8vo, red levant morocco, gilt backs, gilt edges, 
by Marius Michel. Paris, 1877 


* One of 50 copies on Whatman paper. The author was the 
collector of the noted library. 


2792. PORTER (THOMAS). The Villain, a Tragedy. 
First EDITION. Small 4to, dark green levant morocco gilt, 
gilt edges, by The Club Bindery. 

London: Printed for Henry Herringman, 1663 


2793. PORTER (THOMAS). The Carnival. A Comedy. 
As it was acted at the Theatre Royal. By his Majesties 
Servants. First EDITION. Small 4to, red levant morocco 
gilt, gilt edges, by The Club Bindery. (Title repaired.) 

London: Henry Herringman, 1664 
446 


2794. POSTEL (GUILLAUME). Les tres merveilleuses 
Victoires des Femmes du nouveau monde et comment elles 
doibvent a tout le monde par raison commander, & mesmes 
a ceulx qui hauront la Monarchie du monde vieil. 16mo, 
old French red morocco, gilt edges. : 

Paris: de l’imprimerie de Iehan Gueullart, 1553 


* A RARE EDITION of this curious book, not mentioned by 
Brunet. From the J, Renard Library. 


2795. POTTS (THOMAS). The Wonderfvll Discoverie 
of Witches in the Covntie of Lancaster. With the Arraigne- 
ment and Triall of Nineteene notorious Witches, at the 
Assizes and generall Gaole deliuerie, holden at the Castle 
of Lancaster, vpon Munday, the seuenteenth of August 
last, 1612. Before Sir Iames Altham, and Sir Edward 
Bromley, Knights. Together with the Arraignement and 
Triall of Iennet Preston, at the Assizes holden at the Castle 
of Yorke, the seuen and twentieth day of Iulie last past, 
with her Execution for the murther of Master Lister by 
Witcheraft. Published and set forth by commandement 
of his Maiesties Iustices of Assize in the North Parts. 
Curious woodcut of a witch bath. First EDITION. Small 
4to, calf, blind tooled, gilt edges, some edges uncut (corner 
of one page torn). 

London: Printed by W. Stansby for John Barnes, 1613 


2796. POURTRAITS DIVERS. Title-page within a 
woodcut border of fantastic design, and 63 woodcuts by ‘* Le 
Petit Bernard.’’ Small 8vo, green levant morocco, gilt 
edges. A Lion par Ian de Tournes, 1557 


* From the Desq and Renard collections. 


2797. POYNGZ (SIR FRANCIS). The table of Cebes. 
{translated out of laten in to englisshe by syr Francis 
Poyngz|. FIRST ENGLISH EDITION. Printed in Gothic type. 
Small 8vo, ealf, gilt edges, by Bedford. 

[Colophon] Thus endeth the table of Cebes, Imprinted 
at London in Fletestrete by Thomas Berthelet printer to 
the kynges most noble grace. Cum priuilegio. [n. d.] 

* The W. H. Crawford copy, with bookplate. 


2798. PRAYERS. The Book of Common Prayer, And 
Administration of the Sacraments, and Other Rites and 
Ceremonies of the Church, According to the Use of the 
Church of England: Together with the Psalter or Psalms of 
David, Pointed as they are to be Sung or Said in Churches. 
Engraved frontispiece to ‘‘ A Companionto the Altar.” Ru- 
bricated and red lined throughout. 8vo, old English black 
morocco, richly tooled, gilt edges. 

University of Oxford: Printed by John Baskett, 1716 


* See also under Elizabeth (Queen). 
447 


2799. PRAYERS. The Book of Common Prayer, And 
Administration of the Sacraments and other Rites and 
Ceremonies of the Church, According to the Use of The 
Church of England: 

Together with the Psalter or Psalms of David, Pointed 
as they are to be sung or said in Churches. 

12mo, rose levant morocco, richly ornamented, gilt edges, 
by Bedford. Cambridge: J. Baskerville, 1762 

* The University of Cambridge exacted £12.10.0 per thou- 
sand from the printer for permission to issue this volume. 
Bt ric: and Hopkins’ version of the Psalms is bound at the 
end, 


2800. PRAYER. The New Weeks Preparation for a 
worthy receiving of the Lord’s Supper, as recommended 
and appointed by the Churchof England. Hngraved front- 
isprece. 12mo,old English green morocco, richly gilt, with 
inlays in white morocco, gilt edges. London [18th century} 


2801. PRETTY PEGGY and other Ballads. Tilustrated 
by Rosina Emmet. 4to, red levant morocco, tooled in a 
pointillé design with green mosaic, gilt edges, in a green 


levant case, by Riviére. New York, 1880 
* THE 59 ORIGINAL WATER-COLOR DRAWINGS ARE BOUND IN 
THIS COPY. 


2802. PREVOST D’EXILES (A. F.). Mémoires et Avan- 
tures d’un homme de qualité, qui s’est retiré du monde. 
7 vols. 12mo, blue levant morocco, doublure of maroon 


morocco, gilt edges. 
Amsterdam: aux dépens de la Compagnie, 1731 


* Volume VII contains the First EDITION oF ‘‘ MANON 
LESCAUT,” 


2803. PREVOST D’EXILES (A. F.). Le Doyen de Kil- 
lerine, histoire morale. 3 vols. 12mo, old red morocco, gilt 
ornaments, gilt end-papers, gilt edges. Paris: Didot, 1750 


2804. PREVOST D’EXILES (A. F.). Histoire du Che- 
valier Des Grieux et de Manon Lescaut. 8 plates and a 
vignette (repeated) engraved by Lebas after Gravelot and 
Pasquier. 2 vols. 12mo, light brown levant morocco, with 
ornamental borders and centre pieces inlaid in red and olive 
morocco, pointillé tooling, gilt mosaic backs, doublure of 
olive morocco, gilt tooled dentelle borders, silk linings, gilt 
edges, in an embroidered silk case enclosed in a morocco 
case, by Marius Michel. Amsterdam (Paris), 1753 


448 


2805. PREVOST D’EXILES (A. F.). Histoire de Manon 
Lescaut et du Chevalier des Grieux. 8 charming plates en- 
graved by Lefevre after Coiny, PROOFS IN TWO STATES, be- 
fore letiers, and in the etched state. 2 vols. 12mo, green 
straight-grain morocco gilt, gilt edges, by Simier. 

Paris: Didot l’ainé, 1797 
* LARGEST ‘‘PAPIER VELIN.” Only 100 copies printed. In- 


serted are 4 plates by Leroux after Desenne, proofs before 
letters. : 


2806. PREVOST D’EXILES (A. F.). Manon Lescaut. 
19 inserted plates, including 3 portraits, one in 8 states, and 
the series of illustrations by Chauvet, also in 8 states. 8vo, 
red levant morocco gilt, gilt top, uncut, original covers 
bound in, by The Club Bindery. Paris: Jouaust, 1867 


* One of 300 copieson Whatman paper. 


2807. PREVOST D’EXILES (A. F.). Manon Lescaut. 
Portrait and 8 illustrations. 2 parts in one vol. Imp. 8vo, 
red levant morocco, gilt fillets and ornaments, gilt top, un- 
cut, original covers bound in. Paris: Glady Fréres, 1875 


*ONE OF 2 COPIES PRINTED ON VELLUM, with artist’s proofs 
before letters. 


2808. PREVOST D’EXILES (A. F.). Histoire de Manon 
Lescaut et du Chevalier Des Grieux, précédée d’une Pré- 
face par Alexandre Dumas, fils. Small 8vo, red levant 
morocco, gilt top, uncut, by Bedford. Londres, 1878 


* Copy in unusual state, printed on ‘‘ peau de velin.” 


2809. PREVOST (EUGENE MARCEL). L’Accordeur 
aveugle. Illustrations de Francois Courboin. 8vo, blue 
levant morocco, mosaic back and side borders in interlacing 
bands of citron morocco, small ivory morocco ornaments, 
gilt tooling, doublure of blue morocco, gilt edges, in a ease, 
by The Club Bindery. Paris, 1905 


*One of 20 copies on Japan paper, with the plates in 2 
states—black and colors. 


2810. PRIAPEIA. Sive Diversorum Poetarum in Pria- 
pum Lusus; [llustrati Commentariis G. Schoppi, Franci. 
Small 8vo, old green morocco, gilt borders, grey moiré silk 


linings, gilt edges. Patavii: G. Nicolaus, 1664 
*A rare collection of some of the most licentious verse of the 
ancients. 


2811. PRIDEAUX (SARAH T.). An Historical Sketch 
of Bookbinding, with a Chapter on Early Stamped Bind- 
ings. By E. Gordon Daff. 2 dllustrations. 8vo, buck- 
ram, uncut. London, 1893 

*One of 180 Large Paper copies. 


449 


2812. [PRIOR (MATTHEW).]| Poems on Several Oceca- 
sions: consisting of Odes, Satyrs, and Epistles with some 
select translations. Post 8vo, original sheep. 

London: R. Burrough and J. Baker, 1707 
* FIRST EDITION. The Locker copy, with the small bookplate, 


28138. PRIOR (MATTHEW). Poems on Several Occa-. 
sions. Hrontispiece engraved by- Du Guernier, and printer’s 
ornament on title. 8vo, green levant morocco gilt, gilt 
edges, by Bedford. London: Printed for Jacob Tonson, 1709 


* SECOND EDITION, BUT THE FIRST AUTHORIZED. It contains 
fifty-eight poems, whereas the edition of 1707 contains only 
seventeen. 


2814. PROCTOR (ROBERT). ‘Bibliographical Essays. 
Portrait and facsimiles. Royal 8vo, half leather. 
London, 1905 


2815. PROPERTIUS (SEXTUS). Elégies. Translated 
by J. Genouille. 8vo, red levant’ morocco gilt, with the 
monogram ‘‘ KE. B.,’’ gilt edges, by Belz-Niédrée. Paris, 1834 


2816. PROVERBS. Les [llustres Proverbes nouveaux et 
historiques. 2 vols. in one. 12mo, red levant morocco gilt, 
gilt edges, by Hardy. Paris: Pepingue, 1665 

* From the P. Desq collection. 


2817. PROVERBS. Les Proverbes communes. A colleec- 
tion of French proverbs. Square 12mo, red levant morocco, 
gilt ornaments, uncut, by Capé. , Paris, 1839 

| * PRINTED ON VELLUM. 


2818. PSALTERIUM, Hebreeum, Grecum, Arabicum & 
Chaldzum, cum tribus latinis interpretationibus & glossis. 
Printed in Hebrew, Greek, Arabic, Chaldean and Latin 
characters. Title in red and black, within an interlaced and 
ornamental woodcut border. Folio, brown levant morocco, 
gilt edges, by Capé. 

Genuze: Petrus Paulus Porrus in edibus Nicolai Justin- 
iani Pauli, 1516. | 

* FINE AND LARGE copy. Psalm XIX, ‘‘Coeli enarrant 


gloriam dei,” has a marginal note in which is given a biography 
of Columbus. Harrisse, B. A. V., no. 88. The A, Firmin-Didot 


copy. 


2819. PURCHAS (SAMUEL). Purchas his Pilgrims. 
The first containing The Voyages, &e., of Kings, Patriarkes, 
Apostles, &e., &e. (vol. 2) The sixth Contayning Naviga- 
tions to Africa. (vol. 3) Contayning Peregrinations in Asia, 
&e., and in the Northwest of America and in the New 
World, called America. (vol. 4) Contayning English Voy- 
ages to the East, West and South parts of America, French 


450 


Plantings, Spanish Supplantings, &c. (vol. 5) Relations of 
the World and the Religions, from the creation to the 
present. Woodcuts, engravings, maps in the text and two- 
page folding maps. 5 vols. folio, brown levant morocco, 
gilt edges, by Joly. 

London: William Stansby for Henry Fetherstone, 1625- 
1626. 


* This copy contains the leaf for cancelled pages 65-66, in the 
first part of volume 1, on which is ‘‘ Hondius, his map of the 
Christian World” (repeated at page 115), instead of the map 
usually found there, ‘‘ Designatio Orbis Terrarum.” <A copy of 
this map is given on page 39 of vol. 5, and entitled ‘‘Typus Orbis 
Terrarum.”’ Lacks Alphabetical Table of 4 leaves after p. 186 
(vol. 1) and dedication to Charles 1, one leaf after title (vol. 5). 
Measures 131¢ x 81¢ inches. 


2820. PUTEANUS (ERYCIUS). Bruma: Chimonopeg- 
nion, de laudibus hiemis, ut ea potissimum apud Belgas, 
ete. Hngraved title, 7 emblematic copper-plates by Sadeler, 
and his device at end. 8vo, cloth, uncut. Monaci, 1619 


2821. PUTTENHAM (GEORGE). The Arte of English 
Poesie. Contriued into three Bookes: The first of Poets 
and Poesie, the second of Proportion, the third of Ornament. 
WITH THE RARE FRONTISPIECE containing a woodcut portrait 
of Queen Hlizabeth. 4to, red levant morocco, in a mosaic 
design of rose-branches and roses, gilt pointillé ground, 
mosaic back, gilt edges, by Riviére. (Preliminary leaf 4, 
a blank, missing.) London: Printed by Richard Field, 1589 


* FIRST EDITION. It contains the 4 extra leaves between sig- 
natures N and O, rarely met with. HORACE WALPOLE’S COPY, 
rebound, but with the original vellum sides inlaid in the inside 
covers, and his bookplate on the verso of title. 


2822. [PUZA (VASCO DE).] Prouisiones, cedulas. In- 
struciones de su Magestad: ordenangas de difuntos y audi- 
encia, para la buena expedicion de los negocios, y adminis- 
tracion de justicia: y gouernacion desta nueua Espana: y 
para el buen tratamiento y conseruacion de los Indios, 
dende el aio 1525, hasta este presente de 63. Gothic char- 
acters, title within a woodcut border. Folio, green levant 
morocco, richly tooled and gilt in compartments of inter- 
laced scrolls and other ornaments in imitation of the Mexi- 
can sculptures, doublure of the same, gilt edges, by The 
Club Bindery, Léon Maillard finisher, in a case. (Title 
skilfully mended.) 

En Mexico: en casa de Pedro Ocharte, 1563 


* This work, generally known as the ‘‘Cedulario” of Puga, 
was THE FIRST PRINTED COLLECTION OF MEXICAN LAWS, and isa 
volume of great importance and extreme rarity, especially 
when complete, as is the above copy. 


451 


2823. UARLES (FRANCIS). A Feast for Wormes. 
Set forth in a poeme of the History of Ionah. 

Small 4to, red levant morocco gilt, gilt top, uncut by Riviere. 
eon Printed by Felix Kyngston, for Richard Moore, 


* SECOND EDITION. Very fine tall copy, with the preliminary 


blank leaf. The last six leaves comprise ‘‘Pentelogia: or, j the 


Quintessence of Meditation,’’ with a separate title. 


2824. QUARLES (FRANCIS). Divine Poems: Contain- 
ing the History of Ionah, Ester, Iob, Sampson, Sions Sonets, 
Elegies. Written and newly augmented, by Fra: Qvarles. 
8vo, red levant morocco, gilt borders, gilt edges, by The Club 
Bindery. London: Printed by M. F., 1633 


* SECOND COLLECTED EDITION. The first edition with ‘‘The 
Historie of Sampson’’ added. 


2825. QUARLES (FRANCIS). Divine Poems, containing 
the History of Jonah, Ester,. Job, Sampson, Sion’s Sonnets, 
Elegies, Written and newly augmented by Fr. Quarles. Firra 
Epition. Engraved title, and portrat after W. Marshall (in- 
serted). 12mo, contemporary morocco, elaborately tooled, gilt 
edges. London: J. Marriot, 1642 


* The text is the same as Second Edition, but the engraved 
title is dated 1643. 


2826. QUARLES (FRANCIS). | Argalus and Parthenia. 
THE Last Eprrion, Corrected, Amended, and Illustrated with 
30 Figures relating to the Story; 2. ¢., portrait by Cross, en- 
graved title, and 29 unsigned plates. Small 4to, brown levant 
morocco gilt, gilt edges, by Riviére. 

London: Printed by W. W. for Humphrey Moseley, 1656 
* Presumably the sixth edition. 


2827. QUARLES (FRANCIS). The Virgin Widow. A 
Comedie. Small 4to, blue levant morocco gilt, gilt edges, by 
The Club Bindery. London: Printed for R. Royston, 1656 


* SECOND EpiTion. Malone did not possess a copy of this 
edition. 


2828. QUARLES (FRANCIS). Emblemes (and ‘‘ Hiero- 
olyphikes of the Life of Man’’). Nwmerous plates by William 
Marshall. Small 8vo, red morocco gilt borders, gilt edges, 
lacks X1 (a blank). | 

London: Printed for G. W. and F. E. 1669 


2829. QUARLES (FRANCIS). Divine Poems, containing 
the History of Jonah, Ester, Job, Samson. ‘Together with 
Sion’s Sonnets, Elegies, Written and augumented by Fr. 
Quarles. Now Illustrated with Sculptures to the Several His- 
tories, not in former editions. Engraved frontispiece-title 
dated 1669, portrait, and 6 plates, each in 4 compartments. 
12mo, brown levant morocco, gilt edges, by The Club Bindery. 

London: Tho. Sawbridge, 1674 


* Presumably the ninth edition. 
452 


2830. QUARLES (FRANCIS). Emblems; with the Hiero- 
glyphicks: all the cuts Being newly Illustrated. Frontispiece 
and 94 copper-plate engravings. 12mo, brown morocco gilt, 
gilt edges, by Clarke and Bedford. 

London: M. G. and W. F., 1696 


2831. QUARLES (FRANCIS). Divine Poems, Contain- 
ing The History of Jonah, Esther, Job, Sampson, ete. THE 
Fourth Epirion. Now illustrated with Sculptures. 12mo, 
brown levant morocco gilt scroll and arabesque decorations, 
doublure of vellum, vellum fly-leaves. 

London: Printed for George Sawbridge, 1714 


2832. QUARLES (JOHN). Fons Lachrymarum; or a 
Fountain of Tears: from whence doth flow England’s Com- 
plaint, Jeremiah’s Lamentations paraphras’d with Divine 
Meditations; and an Elegy upon that son of Valor Sir Charles 
Lueas. Allegorical frontispiece, and portrait of Quarles by 
W. Marshall. 12mo, red levant morocco, gilt borders, gilt 
edges, by The Club Bindery. (Small part of title restored. ) 

London: Printed by J. Macock for Nathaniel Brooks, 1648 


2833. QUARLES (JOHN). Gods Love and Mans Un- 
worthiness. Frontispiece portrait by Cross (?) and engraved 
plate. 2 parts in one vol. 12mo, crimson levant morocco, 
gilt borders, gilt edges, by The Club Bindery. 

London: for John Stafford, 1651 
* First Epirion. The Heber copy. 


2834. QUATRE FILS AYMON. Les quatre filz aymon. 
Lettres batardes. 26 woodcuts, 4 being repeated. 4to, blue 
levant morocco, tooled and gilt in a Grolieresque design of 
interlacing, scrolls and arabesques, gilt edges, by Chambolle- 
Duru. (Last'4 leaves skilfully mended, and a few words and 
portion of the printer’s mark retouched with india ink.) 

Imprimé a Lyon sur le Rosne par Claude Nourry, dit le 
Prince: et Pierre de Vingle, 1526. 


* This Romance of Chivalry recounts the resistance offered 
to Charlemagne by Renaud and other sons of Aymon, 


2835. QUERLON (MEUNIER DE). Les Graces. Frontis- 
prece, title and 4 copper-plates by Simonet, Massard and others 
after Moreau and Boucher. Portrat of De La Mothe by 
Ingouf after Rank inserted. 8vo, half citron levant morocco 
eilt, gilt top, uncut, by W. Pratt: (Two leaves and 1 plate 
missing. ) Paris: Laurent Prault, 1769 

* LARGE PAPER COPY. 


2836. QUEVEDO (FRANCISCO DE.). L’Avantvrier 
Bvscon, Histoire Facecievse, Composée en Espagnol, par Dom 
Francisco de Quévédo, Caualier Espagnol. Ensemble les 
lettres du Cheualier de l’Espargne. Large woodcut on title. 
12mo, blue levant morocco gilt, gilt edges, by Thibaron. 

Paris: Pierre Billaine, 1635 
453 


2837. QUEVEDO (FRANCISCO DE). Works. Trans- 
lated from the Spanish. 3 frontispieces, by R. Scott after 
A. Carse. 3 vols. 8vo, half green morocco gilt, gilt tops, uncut. 

Edinburgh, 1798 


2838. QUEVEDO (FRANCISCO DE). Quvres Choisies 
de Francisco de Quevedo. Histoire de Pable de Segovie (El 
Gran Tacano). Traduite de 1’Espagnol et annotée par A. G. 
de Lavigne. Portrait and 91 woodcuts by D. Vierge. 8vo, 
half blue morocco gilt, gilt top, uncut, original covers bound 
in, by Zaehnsdorf. Paris, 1882 


2839. QUILLIAN (MICHEL). la Derniere Semaine, ou 
eonsommation du Monde. Par Michael Quillian, Sieur de la 
Touche. Reveu & augmente par l’Autheur. 12mo, red levant 
morocco gilt, gilt edges, by Trautz-Bauzonnet. 

Rouen: Claude de Villain, 1597 


* A poem on the end of the world, divided into seven days, — 
after the manner of Du Bartas. 


2840. QUILLET (CLAUDE). Callipedia: or, the Art of 
Getting Beautiful Children. A Poem in Four Books Made 
English by N. Rowe. Four plates by Van der Gucht. 12mo, 
polished calf gilt, gilt top, uncut, by Bedford. London, 1733 


2841. QUILLET (CLAUDE). La Callipédie. Ou l’Art 
d’avoir de Beaux Enfans. Traduction nouvelle de ce poéme 
Latin par J. M. Caillau. Frontispiece by Pallére. 12mo, red 
levant morocco, gilt over rough edges, by Chambolle-Duru. 

[Bordeaux de l’imprimerie de Pinard, 1799] 


* HOLLAND PAPER COPY. 


2842. QUILTER (HARRY). Giotto. Colored frontispiece 
and 12 other plates. 4to, cloth, gilt top, uncut. London, 1880 


2843. QUINAULT (PHILIPPE). Cé#uvres choisies. Por- 
trait on India paper and three others wserted, one on India 
paper also. 2 vols. royal 8vo, red levant morocco gilt, gilt 
edges, by Belz-Niédrée. Paris: Crapelet, 1824 


* One of 40 copies on large vellum paper. 


2844. QUINTILIANUS (MARCUS FABIUS). Institution 
Oratoire. Translated by C. V. Ouizille. 6 vols. 8vo, red levant 
morocco, gilt backs with monogram ‘‘E. B.,’’ gilt edges, by 
Belz-Niédrée. Paris, 1819-1835 


2845. QUINZE JOIES. Les Quinze Joies de Mariage. 
Folded facsimile and numerous woodcuts in the text. 2 parts 
in 1 vol. Square 16mo, half red morocco, gilt back, uneut. 

* ONE oF 100 COPIES ON HOLLAND PAPER. Paris, 1837 


454 


2846. ABAUT DE SAINT-ESTIENNE (J. P.). Précis 
Historique de la Révolution Francoise, suivi de 

l’Acte constitutionnel des Francois. SecoNpE EDITION, auG- 
MENTEE. 6 plates engraved by Simonet, Langlois, Halbou, 
and others, after Moreau, in two states, both proofs before 
letters, on vellum and on paper. 12mo, vellum, gilt borders, 
uncut. Paris: Didot l’ainé, 1792 


* PRINTED ON VELLUM. 


2847. RABELAIS (FRANCOIS). Pantagruel, Roy des 
Dipsodes, restitué a son naturel, auec ses faictz & prouesses 
espouentables: composez par feu M. Alcofribas abstracteur de 
quinte essence. Lettres batardes. 19 small cuts. 16mo, citron 
morocco, gilt edges, by Capé. 

On les vend a Lyon chez Francois Juste, 1542 


*The Second part of the ‘‘Vie tres horrificque du grand 
Gargantua,’’ issued from the same press, and in the same year. 

This edition, printed by Juste, is the one revised by the 
Author to avoid persecution by the Church. The Firmin-Didot 
copy. 


2848. RABELAIS (FRANCOIS). la Plaisante, & ioyeuse 
histoyre du grand Geant Gargantua. Prochainement reueue, 
et de beaucoup augmentée par 1’Autheur mesme; Pantagruel, 
roy deg dipsodes, restitué a son naturel: auec ses faictz, & 
prouesses espouuentables. 108 woodcuts, with numerous re- 
petitions. 2 parts in one vol. 16mo, blue levant morocco, 
tooled and gilt in compartments, with pointillé ornaments, in 
the manner of Le Gascon, gilt back, gilt edges, by Niédrée, in 
a morocco slip case. (Last leaf containing the printer’s mark, 
in facsimile. ) Lyon: chés Estienne Dolet, 1542 


* From the Yemeniz collection. An unauthorized [unexpur- 
gated] issue from the Lyons press of Etienne Dolet, the appear- 
ance of which enraged the author, and one of the rarest books 
from Dolet’s press. 


2849. RABELAIS (FRANCOIS). Le Quart Livre des 
faicts et dicts Heroiques du bon Pantagruel. Ornamental 
imtials in the style of Geofroy Tory. 8vo, red levant mo- 
rocco, gilt panelled sides, fleurons in the corners, gilt back; 
doublure of green levant, wide gilt dentelle borders, gilt edges, 
by Trautz-Bauzonnet. 

Paris: de l’imprimerie de Michel Fezandat, 1552 


* FIRST COMPLETE EDITION of the fourth book. One of the 
copies without the ‘‘ Briefue declaration.’’ From the libraries 
of Armand Bertin, De Clinchamp and De Montesson. 


2850. RABELAIS (FRANCOIS). Céuvres, augmentées 
de la vie de l’auteur & de quelques remarques sur sa vie et sur 
Vhistoire. 2 vols. 12mo, old red morocco, gilt edges. 

[Amsterdam: Louis and Daniel Elzevir], 1663 


* Portrait and 13 woodcuts by Thompson and others inserted. 
455 


2851. RABELAIS (FRANCOIS). Master Francis Rabelais. 
Five Books of the Lives, Heroic Deeds and Sayings of 
Gargantua and his son Pantagruel. Translated into English 
by Sir Thomas Urquhart and Peter Antony Motteux. Intro- 
duction by Anatole de Montaiglon. Jllustrations by Lowis 
Chalon. 2 vols. imperial 8vo, buckram, entirely uncut. 

* One of 210 copies on Japan paper. London, 1892 


2852. RACINE (JEAN). Le Thébayde, ou Les Fréres En- 
nemis. Tragédie. First Epition. 12mo, red levant morocco, 
eilt edges, by Trautz-Bauzonnet. (Leaf containing privilege 
and last blank missing. ) Paris: Gabriel Quinet, 1664 


2853. RACINE (JEAN). Alexandre le Grand. Tragédie. 
First Epirion. 12mo, red levant morocco, gilt edges, by 
Trautz-Bauzonnet. Paris: Théodore Girard, 1666 


2854. RACINE (JEAN). Andromaque. Tragédie. SECOND 
IssuE. 12mo, red levant morocco, gilt edges, by Trautz- 
Bauzonnet. Paris: Théodore Girard, 1668 


2855. RACINE (JEAN). Les Plaideurs. Comédie. First 
Epirion. 12mo, red levant morocco, gilt edges, by Trautz- 
Bauzonnet. Paris: Claude Barbin, 1669 


2856. RACINE (JEAN). Britannicus. Tragédie. First 
Epition. 12mo, blue levant morocco, gilt edges, by Duru. 
Paris: Claude Barbin, 1670 


2857. RACINE (JEAN). Bérénice. Tragédie. Firsr Ep1- 
TION. 12mo, red levant morocco gilt, gilt edges, by Masson- 
Debonnelle. Paris: Claude Barbin, 1671 


2858. RACINE (JEAN). Bajazet. Tragédie. First Epr- 
TION. 12mo, red levant morocco, gilt edges, by Trautz-Bauzon- 
net. Paris: Pierre Le Monnier, 1672 


2859. RACINE (JEAN). Mithridate, tragédie. First Epr- 
TION. 12mo, brown levant morocco gilt, gilt edges, by Lortic. 
Paris: Claude Barbin, 1673 


2860. RACINE (JEAN). Iphigénie. Tragédie. First Ept- 
TION. 12mo, red levant morocco, gilt edges, by Thibaron-Joly. 
Paris: Claude Barbin, 1675 


2861. RACINE (JEAN). (#uvres de Racine. First coL- 
LECTED EDITION. Hngraved frontispreces, the first by Leclerc 
after Lebrun and 9 plates by F. Chaveau. 2 vols. 12mo, red 
levant morocco, gilt panelled sides, gilt backs and edges, in a 
morocco slip case, by Hardy. Paris: Claude Barbin, 1676 


2862. RACINE (JEAN). Phédre & Hippolyte.. Tragédie. 
12mo, red levant morocco, gilt edges, by Trautz-Bauzonnet. 
} Paris: Jean Ribou, 1677 
456 


2863. RACINE (JEAN). (Céuvres de Racine. Suivant la 
Copie imprimée a Paris. Two engraved titles and 9 other 
plates, and with separate titles. 2 vols. 12mo, blue levant 
morocco gilt, gilt edges. Paris | Amsterdam, Wolfgang], 1678 

* From the Library of Henri Bordes. 


2864. RACINE (JEAN). Esther. Tragédie. First 12Mo0 
Epition. Engraved frontispiece. 12mo, red levant morocco 
gilt, gilt edges, by Capé. Paris: Denys Thierry, 1689 


2865. RACINE (JEAN). Athalie, tragédie. First Ept- 
TION. Frontispiece engraved by Mariette after Corneille. Ato, 
red levant morocco gilt, gilt edges, by Chambolle-Duru. 

Paris: Denys Thierry, 1691 

2866. RACINE (JEAN). Athalie, Tragédie. Tirée de 
l’Keriture sainte. Hngraving by Leclerc. 12mo, red levant 
morocco gilt, gilt edges, by Capé. Paris: Denys Thierry, 1692 


2867. RACINE (JEAN). (C#uvres complétes. Nouvelle 
édition, collationnée sur les meilleurs textes. Portrait by 
Ethiow after Desenne, with duplicate proof on India paper. 
8vo, purple antique calf, gilt fillets and edges, by Thouvenin. 

Paris, 1829 
_ * EXTRA-ILLUSTRATED by the insertion of 12 plates by Bosq, 
Larcher, Petit, &c., after Moitte, Desenne, Girodet, and others. 


2868. RACINE (LOUIS). La Religion, [et la Grace] 
Poéme. Portrmt by R. Delvaux after Aved. 2 vols. 16mo, 
red morocco gilt, gilt edges, by Padeloup. Londres, 1785 


2869. RADCLIFFE (ALEXANDER). The Ramble: an 
anti-heroick poem. ‘Together with Some Terrestrial Hymns 
and Carnal Ejaculations. First Epirion. 12mo, red levant 
moroceo gilt, gilt edges, by Riviére. 

London: Printed for the Author, 1682 


2870. RADCLIFFE (ANN WARD). The Italian; or, The 
Confessional of the Black Penitents. A romance. Vignettes 
on titles. 2 vols. 16mo, half green morocco gilt, gilt tops, un- 
eut. Chiswick: C. and C. Whittingham, 1826 


9871. RAIMBACH (MICHAEL THOMSON SCOTT— 
Editor). Memoirs and Recollections of the late Abraham 


Raimbach, Esq., Engraver . . . including a Memoir of Sir 
David Wilkie, R.A. Illustrations. Square 8vo, crimson levant 
morocco gilt, gilt edges, by Bedford. London, 1843 


* A few copies printed, not published. HEXTRA-ILLUSTRATED 
by the insertion of 98 selected plates, mostly proofs, including 
fine examples of Raimbach’s engraving and portraits of his 
contemporaries. 


457 


2872. RALEIGH (SIR WALTER). To day a man, To 
morrow none: Or, Sir Walter Ravvleighs Farewell to his 
Lady, The night before hee was beheaded: Together with his 
advice concerning Her, and her Sonne. Small 4to, red levant 
morocco gilt, gilt edges, by Alfred Matthews. 

* First EDITION. London: Printed for R. H., 1644 


2873. RALPH (JAMES). The Fall of the Earl of Essex. 
As it is Perform’d at the Theatre in Goodman’s-Fields. First 
Epition. 8vo, morocco, by The Club Bindery. 

London: W. Meadows, 1731 


2874. RAMPANT ALDERMAN. The Rampant Alderman ; 
or news from the Exchange; a farce. First Epition. 4to, 
ealf gilt, gilt edges. London: Randal Taylor, 1685 


2875. RANDOLPH (THOMAS). Poems, with the Muses 
Looking-Glasse: and Amyntas. First Epirion. Small 4to, 
old calf, arms on sides. (‘‘Gower’’ written on title.) 

Oxford: Leonard Lichfield, 1638 


* On the fly-leaf Mr. Hoe has written ‘‘ The largest and finest 
copy I ever saw, has rough leaves.’’ 


2876. RANDOLPH (THOMAS). Poetical and Dramatic 
Works. Now first collected and edited from the early copies 
and from MSS., with some Account of the Author, ete. By 
W. Carew Hazlitt. Portrait and plate (on. India paper, only 
50 issued). 2 vols. 8vo, green levant morocco, richly tooled, 
dentelle border, gilt edges, by Bedford. 

London: ee for private circulation, 1875 
* LARGE PAPER COPY. 


2877. RAVENSCROFT (EDWARD). £Scaramouch a 
Philosopher, Harlequin a School-Boy, Bravo Merchant and 
Magician. A Comedy. First Eprtion. 4to, cloth. 

London: Robert Sollers, 1677 


2878. RAWLINSON (GEORGE). The Sixth Great Orien- 
tal Monarchy; or the Geography, History, & Antiquities of 
Parthia. Maps and illustrations. First Epirion. 8vo, cloth, 
uncut (label on side). London, 1873 


2879. RAWLINSON (GEORGE). The Seventh Great 
Oriental Monarchy or the Geography, History, and Antiqui- 
ties of the Sassanian or New Persian Empire. 76 plates and 
maps. First Epirion. 8vo, cloth, uncut. London, 1876 


2880. RAYMOND (OLIVER). The Art of Fishing on the 
principle of avoiding cruelty. With approved rules for fish- 
ing used during sixty years’ practice, not hitherto published 
on any work on the subject. Illustrations. 12mo, cloth, uncut. 

London, 1866 
458 


THIRTY-SIXTH SESSION, THURSDAY, 2:30 PM. 


2881. REBELL (HUGUES). La Nichina, mémoires in- 
édits de Lorenzo Vendramin. First EDITION. 12mo, blue 
levant morocco, gilt fillets, gilt edges, original covers bound 
in, by The Club Bindery. Paris, 1897 


* No. 1 of fifteen copies on Imperial Japan paper. 


2882. REBELL (HUGUES). L’Espionne Impériale. 
Illustrations de A. Boyé. 12mo, half blue levant morocco, 
scroll and pointillé back, figured blue and grey silk sides, 
gilt top, uncut, original covers bound in, by the Club 


Bindery. Paris, 1899 
* One of 50 copies on Japan paper. 


2883. RECREATIONS FRANOCOISES. Les Récréations 
Frangoises, ou recueil des contes a rire, pour servir de 
divertissement aux Mélancoliques, et de joyeux entretien 
dans les Cours, les Cercles & les Ruelles. 2 vols. 12mo, 
old red morocco gilt, gilt edges. 

Paris, la Veuve Edme Pepingué: G. de Luynes (Vol. 11), . 
1658. 

* First EDITION, From the Library of Francisque Sarcey. 


2884. RECUEIL de figures historiques, Symboliques -& 
Tragiques. Pour servir a l’Histoire, du XVIII® siécle. 
Engraved title, unsigned, and 22 other plates, 17 signed by 
de Montalais, one by Nerblin, and 4 unsigned. Holland 
paper copy. Royal 8vo, half red morocco, uncut. 

Amsterdam, 1762 


2885. RECUEIL de Proverbes Francais, Latins, Espag- 
nols, Italiens, Allemands, Hollandais, Juifs, Américains, 
Russes, Tures, &c. A l’usage des Ecoles Publiques et 


des Maisons d’Education. Par le C™ D’H....([L. J. P. 
d’Humiéres]. 8vo, red levant morocco, gilt edges, by 
Thibaron. Paris [1801] 


2886. RECUEIL de Sonnets; Proposez par M. Mignon. 
12mo, blue levant morocco gilt, gilt edges, by Petit. 
Paris: G. Quinet, 1683 


2887. REGNARD (JEAN FRANCOIS). Qéuvres. 5 
vols. 18mo, green vellum, uncut. Paris: Didot, 1801 
*THE SYSTON PARK COPY; PRINTED ON VELLUM. 


2888. [REICHENTHAL (ULRICH VON).] Das Con- 
cilium. So zu Constantz gehalten ist worden, des jars do 
man zalt von der geburdt unsers erlésers M.CCCC. XIII. 
Jar. Mit allen handlungen inn Geystlichen und weltlichen 
sachen, auch was diss mals fiir Bapts, Kayser, Kunig 


459 


Fiirsten und herrn, ete. With about 600 woodcut coats of 
arms, and numerous wood engravings of large size repre- 
senting processions, liturgical ceremonies, consecration of 
the Pope, of the Emperor and King, scenes at the Council 
of Constanz, the Pope blessing the people, etc. Folio, brown 
levant morocco, gilt tooled centre and corner ornaments 
on the sides, gilt edges, by Lortic. 

Augspurg, durch Heinrich Steyner, 1536 


* From the Firmin-Didot library. 


2889. REID (MAYNE). The White Chief. A Legend 
of Northern Mexico. First EDITION. 3 vols. 12mo, orig- 
inal cloth, uncut. London, 1855 


2890. RETIF DE LA BRETONNE (NICOLAS EDMF). 
Les Frangaises, ou XXXIV Exemples choisis dans les 
Moeurs actuelles, Propres 4 diriger les Filles, les Femmes, 
les Epouses & les Méres. 34 plates, engraved by Grraud 
after Binet. 4 vols. 12mo, blue levant morocco gilt, gilt 
tops, uncut, by Chambolle-Duru. Neufchatel, 1786 


* The plates are proofs before letters. 


2891. RETIF DE LA BRETONNE (NICOLAS EDME). 
Tableaux de la Bonne Campagnie, ou Traits caractéris- 
istiques, anecdotes secrétes, Politiques, Morales & Littér- 
aires, recueillies dans les Sociétés du bon ton, 1786-1787. 
Accompagnés des planches en taille-douce, dessinées et 
gravées par Moreau le Jeune. FIRST EDITION. 2 vols. 
18mo, green levant morocco gilt, gilt ornaments, gilt edges, 
by Bedford. Paris, 1787 


2892. RETIF DE LA BRETONNE (NICOLAS EDME). 
Les Nuits de Paris, ou le Spectateur-Nocturne. Wath 17 
copper-plate engravings. 15 parts in 8 vols. 12mo, red 
levant morocco gilt, gilt over rough edges, by Chambolle- 
Duru. Londres, 1788-90 


2893. RETIF DE LA BRETONNE (NICOLAS EDME). 
L’ Année des Dames Nationales ou Histoire jour-par-jour 
d’une Femme de France. 40 illustrations. 12 vols. 12mo, 
red levant morocco gilt, gilt edges, by Chambolle-Duru. 

Geneva, 1791-1794 


* All the plates are proofs before letters. 


2894. RETIF DE LA BRETONNE (NICOLAS EDME). 
Le Drame de la Vie; contenant un homme tout-entier. 
Piéce en 13 Actes des Ombres, et en 10 Piéces reguliéres. 
FIRST EDITION. 5 vols. 12mo, red levant morocco gilt, 
gilt edges, by Chambolle-Duru. Paris, 1793 

* Contains the large folded quarto portrait of. the author by 
L. Berthet after L. Binet, which first appeared separately. 


460 


2895. RETZ (J. F. DE). Mémoires contenant ce qui 
s’est passé de remarquable en France pendant les premiéres 
années du Régne de Louis XIV. Portraits engraved by 
Thomassin. 4 vols. 1731.—Mémoires de Gui de Joly con- 
tenant l'histoire de la Régence d’ Anne d’ Autriche, Ouvrage 
qui sert de supplément aux Mémoires du Cardinal de Retz. 
2 vols. 1738. Together 6 vols. 12mo, green straight-grain 
morocco, gilt borders, gilt backs and edges. 

Amsterdam, 1731-38 


2896. REUSNER(NICOLAS). Aureolorum Emblematum 
Liber Singularis. Agalmatum Aureolorum. Border on each 
page, woodcut arms of Denmark and Norway, and 127 il- 
lustrations in the 1st part; arms, 45 woodcuts and portratt 
in the 2nd part. 2 parts in 1 vol., 12mo, blue levant mo- 
rocco, gilt borders, gilt edges, by The Club Bindery. 

Argentorati: B. Jobinum, 1591 


2897. REYNAERT (DE VOS). Een seer ghenouch- 
licke ende vermakelicke historie: in Franchoyse ende neder 
Duytsch. With 42 woodcuts. Small 8vo, Spanish ealf, 
gilt back, red edges. Antwerpen: C. Plantijn, 1566 

* Probably the Beckford copy. 


2898. [REYNOLDS (SIR JOSHUA).] Engravings from 
the Pictures and Sketches painted by Sir Joshua Reynolds, 
comprising the whole of his works, by 8. W. Reynolds, en- 
graver to the King. One engraved title, 384 portraits, his- 
torical and other subjects on 316 plates, OPEN LETTER PROOFS. 
3 vols. folio, red morocco, gilt edges. (Titles in manuscript, 
and manuscript life of Reynolds and Index in a contempo- 
rary hand addéd.) 
Published by 8S. W. Reynolds, 1820 (1822, ete.) 


* EXTREMELY RARE and most difficult to obtain in any state. 
A complete set should have 428 subjects on 355 plates, with 
three engraved titles, This collection ranks among the finest 
of English mezzotint engravings. 


2899. RICCOBONI (MARIE JEANNE LABORAS). 
Lettres dela Comtesse de Sancerre. 2 vols. 18mo, red mo- 
rocco gilt, gilt edges, by Derome. Paris, 1780 


2900. RICCOBONI: (MARIE JEANNE LABORAS). 
Lettres de Mylady Juliette Catesby. 18mo, red morocco, 
gilt fillets, gilt edges, by Derome. Paris, 1780 


2901. RICCOBONI (MARIE JEANNE LABORAS). 
Histoire d’Aloise de Livarot. 16mo, red morocco gilt, gilt 
edges, by Derome. Paris, 1780 


2902. RICHARD (JULES). L’Art de former une Bib- 
liothéque. 8vo, original vellum covers, uncut. Paris, 1888 
* One of 50 copies on Seychall-Mill paper. 
461 


2903. RICHARD LE PELERIN. La Chanson d’Anti- 
oche composée au commencement du XII® siécle par le Pel- 
erin Richard. Renouvelée sous le régne de Philippe 
Auguste par Graindor de Douay, publiée pour la premiére 
fois par Paulin Paris. 2 vols. 12mo, red levant morocco 
gilt, gilt edges, by Belz-Niédrée. -Paris, 1848 

* One of 500 copies on Holland paper. 
This Chanson is the oldest and the only truly historical por- 
tion of the collection of poems forming the legend of the Chev- 
alier au Cygne. . ; 


2904. RICHARD (RENE). Le Véritable Pére Josef 
ecapucin Nommé au Cardinalat contenant Vhistoire anec- 
dote du Cardinal de Richelieu. (avec la ‘ Reponse’). Por- 
trait. 12mo, old red morocco gilt, gilt edges, by Boyet. 

Imprimé a Saint Jean de Mauriene, Chés Gaspard Butler, 


1704. Ky, 
* FIRST EDITION, and the FIRST BOOK PRINTED AT ST, JEAN DE 
MAURIENE. From the Beckford and Lamoignon collections. 


2905. RICHARD (RENE). Le Véritable Pére Josef 
. contenant Vhistoire anecdote du Cardinal de Rich- 
elieu. Portrait. 12mo, 2 vols. old blue morocco, with the 
arms of L. C. de Machault, siegneur d’Arnouville, Lieu- 
tenant-General of Police, gilt edges. 
Imprimé 4 Saint Jean de Mauriene, chés Gaspard Butler, 
1704. 


* From the title, portrait and preface, the above is apparently 
another copy of the preceding number. It, however, bears the 
running headlines ‘‘ Histoire de la Vie du Pere Josef,” which 
according to Brunet was first published in 1702. As the list of 
Errata is given at the end of Vol. I, this is apparently the first 
edition with the title, portrait and second leaf of ‘‘ Le Verita- 
ble Pere Josef” prefixed. Vol. Il has no separate title, though 
the pagination begins anew with page 1. 

From the Portalis collection. 


2906. [RICHARDSON (SAMUEL).] Clarissa, or The 
History of a Young Lady. 7 vols. small 8vo, original half 
sheep and boards, entirely uncut, each volume in brown 
morocco case, by Riviere. London, 1748 


* FIRST EDITION. EXTREMELY RARE UNCUT, PRESENTATION 
COPY FROM THE AUTHOR. Page 267, Vol. 7, contains 16 lines 
in Richardson’s autograph, being two passages which were 
added to the text in subsequent editions. From the Stewart. 
Samuel collection. 


2907. RIMBAULT (EK. F.). A Little Book of Songs. and 
Ballads, gathered from Ancient Musick Books, MS. and 
Printed. 12mo, half green levant morocco gilt, gilt top, 
uncut. London, 1851 


2908. RINALDO. Innamoramento di Rinaldo di Monte 
Albano. Numerous small cuts. 8vo, brown levant mo- 
rocco, gilt edges. (Lateral margins cut short, title-page and 
a few leaves mended with some words supplied in writing. 


Sold with all faults. ) Venetia, 1537 
462 


2909. RITSON (JOSEPH). Annals of the Caledonians, 
Picts, and Scots; and of Strathelyde, Cumberland, Galloway, 
and Murray. 2 vols. 12mo, half lilac levant morocco, gilt and 
inlaid backs, gilt tops, uncut, by Champs. Edinburgh, 1828 


2910. RITSON (JOSEPH—Editor). Ancient Songs and 
Ballads, from the Reign of King Henry the Second to the 
Revolution. 2 vols. 12mo, half maroon levant morocco 
gilt, gilt tops, uncut, by Champs. London, 1829 


2911. ROBERT (LOUIS DE). UnTendre. Jillustrations 
de J. Dedina. 12mo, half citron levant morocco, scroll and 
pointillé back, figured silk sides, gilt top, uncut, original 
covers bound in, by The Club Bindery. Paris, 1899 


* One of 50 copies on Japan paper. 


2912. ROBERTSON (J. P.). Solomon Seesaw. With allus- 
trations by ** Phiz.”? 3 vols. 12mo, maroon levant morocco 
gilt, gilt tops, uncut, by The Club Bindery. London, 1839 


2913. ROBERTSON (WILLIAM). Works. With 4 por- 
traits, proofs on India paper. 8 vols. royal 8vo, olive green 
morocco gilt, dentelle borders, gilt edges, by Lewis. 

* One of 50 copies on large and thick paper. Oxford, 1825 


2914. ROBIDA (A.). Le Voyage de M. Dumollet. IJllus- 
trations (some in colors) by the author. Small folio, orna- 
mental cloth, uncut, original covers bound in. Paris[n. d.] 

* Japan paper copy. 


2915. ROBIDA (A.). Voyage de Fiangailles au XxX® 
siécle. Hrontispiece and text illustrations by the author. 
12mo, original paper covers, uncut. Paris: L. Conquet, 1892 


* One of 200 copies on India paper, and not for sale. Presen- 
tation copy from the publisher. 


2916. ROBIN HOOD. The Noble Birth and Gallant 
Achievements of that remarkable Outlaw Robin Hood; to 
which is added The Life of Robin Hood, from a MS. in the 
British Museum. 12mo, green morocco gilt, gilt edges, in 


a case. London: William Pickering, 1827 
* PRINTED ON VELLUM. 


2917. ROGERS (SAMUEL). The Pleasures of Memory, 
with other Poems. Small 8vo, red morocco, gilt edges. 
London, 1801 
* LARGE PAPER COPY. Illustrated by a set of 7 engravings 
by Westall, proofs on India paper, mezzotint portrait of Mrs. 
Siddons by Turner, an unlettered proof portrait of Rogers by 
Meyer, after Hoppner, and an autograph letter of the author, 
Jan. 7, 1836, in addition to the 15 exquisite vignettes by 
_ Stothard. 
From the collection of George Daniel. 


2918. ROGERS (SAMUEL). Italy,a Poem. First EDI- 
TION OF THE TWO PARTS. 2 vols. in 1. Small 8vo, red 
levant morocco gilt, gilt top, uncut, by Bedford. 

London, 1822-1828 
468 


2919. ROGERS (SAMUEL). Italy, a Poem. Hngravings 
by Turner, Stothard and others. 8vo, extended to 2 vols. 
4to, blue levant morocco, tooled in a Grolier pattern, gilt 
edges, by David. London, 1830 


* Inlaid on Whatman paper to quarto size, with 192 inserted 
plates, including double and triple states of the Turner and 
Stothard illustrations, scenes and views, proofs on India paper, 
and numerous portraits. An immaculate collection of proofs. 
and engraver’s etchings. 


2920. ROGERS (SAMUEL). Poems. TJillustrations. 8vo,-. 
extended to 2 vols. 4to, green levant morocco gilt, gilt 
edges, by Matthews. London, 1834 


* PROOF COPY, inlaid to 4to, and EXTRA-ILLUSTRATED by the 
insertion of 126 plates, anda letter of the author. Many of 
the origina] illustrations by Turner and Stothard are dupli- 
cated on India paper, and a large proportion of the portraits 
and views inserted are first proofs, 


2921. ROGERS (SAMUEL). Recollections. Edited by 
William Sharpe. 12mo, cloth, uncut. London, 1859 


2922. ROLAND (GEORGE). <An Introductory Course 
of Fencing. SECOND EDITION. 8vo, cloth. 
Edinburgh: Published by the author [n. d. } 


2923. [ROLEWINCK (WERNER).] Sermo in festo 
presentationis beatissimze Maris Virginis (by Werner 
Rolewinck). Gothic characters; 1 unnumbered leaf + 11 
numbered = 12 leaves, without signatures and catchwords; 
27 lines to the page. 4to, dark brown levant morocco, blind 
tooled borders, gilt edges, by Riviére. 

Cologne: Arnold ther Hoernen, 1470 
* Copinger, III, 5891; Proctor, 925. 


2924. ROLLENHAGEN (GABRIEL). (1) Nvelevs Em- 
blematvm selectissimorum, qve Itali vvlgo impresas vocant 
priuata industria studio singulari, vwndiqz conquisitus, non 
paucis venustis inventionibus auctus, additis carminib, 
illustratus. A Gabriele Rollenhagio, Magdebvrgense. 
Colonize E. Muszo ccelatorio Crispiani Passei. Prostant 
Apud Ioane Iansoniaii Bibliopolaé Arnhemiésé. [1611] 

(II) Gabrielis Rollenhagii selectorum Hmblematum 
Centuria Secunda. A° MDCXIII. Ultraiecti ex officinz 
Crispiani Passei. FIRST EDITIONS OF BOTH PARTS. Hn- 
graved titles, portraitin each part, and 100 plates of emblems 
an each by Crispin de Pass. 2 vols. in 1. Small 4to, old red 
morocco, gilt panels, with interlaced Y. and C. in the cor- 
ners, arms On covers, gilt edges. Cologne, 1611-1613 

*The plates were afterwards sold toan English bookseller and 
used to illustrate Withers’ Emblems, 1634. 


464 


2925. ROLLENHAGEN (GABRIEL). Nucleus’ em- 
blematum selectissimorum que Itali vulgo impresas vocant 
(Latin and French). Engraved title, portrait and 100 fine 
emblematic plates engraved by Crispin de Pass. 4to, old 
ealf, with the arms of LoUIS PHELYPEAUX, SEIGNEUR DE 
LA VRILLIERE, COUNCELLOR OF STATE, stamped in gold 
in the centre of the covers; gilt back and edges (cor- 
ners and joints skilfully restored). 

Colonize: apud Ioannem Jansonium, 1611 


* In the same volume are bound: 
BOISSARDUS (JANUS). Emblematum liber. Hmblematic 
copper engravings. Metis, 1588 
FRANCUS (JACOBUS). Reliqua librorum Aine Vici Par- 
mensis ad imperatorum historiam ex antiquis nummis perti- 
nensium, 68 coppér-plates. Venetiis, 1601 


ROMANCE OF THE ROSE. (See Nos. 2097, 2098 and 
2491.) 


2926. ROMANCERO (FRANCOIS). Histoire de quelques 
anciens trouveéres, et choix de leurs chansons. Le tout nou- 
vellement recueilli Par M. Paulin Paris. 12mo, red levant 
morocco gilt, gilt edges, by Belz-Niédrée. Paris, 1833 


2927. RONALDS (ALFRED). The Fly-Fishers Ento- 
mology. Illustrated by [19] colored representations of the 
natural and artificial Insect. FIRST EDITION. And accom- 
panied by a few observations and Instructions relative to 
Trout and Grayling Fishing. 8vo, cloth. London, 1836 


2928. RONDEAUX D’AMOUR. Cent Cinq Rondeaulx 
Damour. Publiésd’aprés un manuscrit du commencement 
du 16me siéele, par Edwin Tross. 12mo, citron levant mo- 
rocco, gilt dentelle borders, gilt edges, by Zaehnsdorf. 

Paris, 1863 


* One of 20 copies on vellum paper, with red lines. 


2929. RONSARD (PIERRE DE). Les Quatre Premiers 
liures des Odes de Pierre de Ronsard, Vandomois. En- 
semble son Boeage. Paris: chez iwuillaume Cauellat, 1550.— 
L’Hymne de France, composé par Pierre de Ronsard Van- 
domois. Paris: del’imprimerie de Michel Vaseosan, 1549.— 
Ode de la Paix par Pierre de Ronsard Vandomois, au Roi. 
Paris: chez Guillaume Cauellat, 1550. In one vol.. 8vo, 
old ealf gilt (back restored). 

Paris: chez Guillaume Cauellat, 1549-50: 
_* ALL First EDITIONS, and all very scarce. 


2930. ROOSEVELT (I. WEST—HEditor). In Sickness 
and in Health; a Manual of Domestic Medicine and Sur- 
gery, Hygiene, Dietetics, and Nursing, &¢e., by G. W. 
Crary, Frederick S. Lee, and others 4 colored plates, and 
numerous text iliustrations. Royal 8vo, brown morocco, 
gilt top, uncut, by The Club Bindery. New York, 1896 


465 


2931. ROPS (FELICIEN). Catalogue descriptif et ana- 
lytique de l’Qiuvre gravé de Félicien Rops, précédé d’une 
notice biographique et critique par E. Ramiro. Orné dun 
Frontispice et de Gravures d’aprés des Compositions inéd- 
wes de Félicien Rops, et de Fleurons et culs-de-lampe 
@aprés Rops, J. La Palette et Louis Legrand. Imperial 
- 8vo, red levant morocco, tooled in fillets, dots, and scrolls, 
gilt top, uncut, original covers bound in, by The Club 
Bindery. Paris: Librairie Conquet, 1887 


* One of 40 copies on Holland paper; EXTRA-ILLUSTRATED by ~ 
the insertion of over 20 etchings, 16 of them signed by Rops. 
Presentation copy from the author, with inscription. 


2932. [ROQUELAURE (DUC DE).]. Le Portrait et les 
Aventures divertissantes du due de Roquelaure, Suivant 
les Mémoires que 1’Auteur a trouvés dans le Cabinet du 
Maréchal D’H. ..-. Parle S. LR.) eerie ee oe 
cloth, uncut. Paris [n. d. | 


2933. ROSARIUM siue Psalterium Beatz . Virginis 
Mariz. Cum alijs pijs exercitijs, vt in Praefatione nota- 
tur. aT. W. A. editum. SHngraved title, 25 full-page cop- 
per-plate engravings by J. Collaert after M. de Vos. and 4 
ornamental chapter-headings. 16mo, red morocco, gilt 
edges, by C. Lewis. 

Antverpie: Apud Ioannem Keerbergium, Anno MVIc. 


[1600]. * The Preface is dated ‘‘ 8, Kalend, Iulij, 1599.” 


2934. ROSE (JOHN). The English Vineyard vindicated 
by John Rose, Gard’ner to His Majesty, at his Royal Gar- 
den in St. James’s. Formerly Gard’ner to her Grace the 
Dutchess of Somerset. With an Address, where the best 
Plants may be had at easie Rates. Molding plate. Small 
8vo, calf gilt. London: J. Grismond, for John Crook, 1666 

* FIRST EDITION, POSSIBLY THE ONLY COPY KNOWN, and very 
rare in any edition. It was reprinted in 1675, 1676, 1690, 1691. 
The Preface is by John Evelyn. The Forsyth copy, sold in 1894. 


29385. ROSSETTI (DANTE GABRIEL). Sonnets and 
Lyrical Poems. 8vo, vellum, uncut. 

Hammersmith: Kelmscott Press, 1893 
* One of 310 copies. 

2936. ROSSETTI (DANTE GABRIEL). Ballads and Nar- 
rative Poems. 8vo, vellum, uncut. 

Hammersmith: Kelmscott Press, 1893 
* One of 310 copies. 

2937. ROSSETTI (DANTE GABRIEL). The Blessed 
Damozel. Introduction by W. M. Rossetti. Decorations 
by W. B. Macdougall. Square 8vo, embroidered gray satin 
covers, gilt over rough edges, in a case, by The Club 
Bindery. London, 1898 

* One of 65 copies on Japan paper. 
466 


2938. ROSSI (GIOVANNI GHERARDO DE). Scherzi 
Poetici e Pittorici. [With a French translation in neat 
manuscript, by le Comte d’Ussy.| With 40 etchings by F. 
fosaspina after the designs in outline by the Portuguese 
Tekeira. 4to, purple morocco, tooled in the Grolier man- 
ner, arms on sides; brass corners and clasps with coronet 
and initials C. D.; doublure of purple morocco, with two 
miniatures on ivory, representing Cupid and Psyche, silk 
guards, gilt edges, by Thompson. Parma: Bodoni, 1795 


2939. ROSTAND (EDMOND). Cyrano de Bergerac. 
Comédie Héroique. 12mo, red levant morocco, richly tooled 
in compartments, outlined by fillets, and containing flowers, 
scrolls, dots, and other tools; doublure of red morocco with 
border, silk guards, gilt edges, original covers bound in, by 
The Club Bindery. Paris, 1898 


* First EDITION. With 380 ORIGINAL WATER-COLOR DRAW- 
INGS, by Grivaz. 


2940. ROTH-SCHOLTZ (FRIEDRICH). Thesavrvs Sym- 
bolorvm ac Emblematvm. i.e. Insignia Bibliopolarum et 
Typographorvm ab inevnabvlis typographize ad nostra 
vsqve tempora cvm indice dvplici vno bibliopolarvm et 
typographorvm altero vrbivm et locorvm. /ortrait by 
Knorris after Fuscher, memorial tablet, engraved title and 
49 plates containing 513 printers’ devices. Folio, russia 
gilt, narrow side borders, gilt edges. 

* Fine paper copy. Norimbergee et Altorfii, 1730 


2941. ROUSSEAU (JEAN JACQUES). Lettres de Deux 
Amans, Habitant d’une petite Ville au Pied des Alpes. 12 
engravings by Frankendaal after Gravelot. . 6 vols. 12mo, 
figured blue satin, gilt tops, uncut, by The Club Bindery 


(one cover repaired). Amsterdam: M. M. Rey, 1761 
* First EDITION of the famous Romance better known as 
‘‘La Belle Heloise.” Bound in are ‘‘La Nouvelle Heloise. 


Romance,” a poem of 21 pp,; and ‘‘ Lettres sur la Nouvelle 
Heloyse, ou Aloisia de Jean Jeacques Rousseau,” 1755. 


2942. ROUSSEAU (JEAN JACQUES). The Confessivus 
of Rousseau, the Reveries of the Solitary Walker. Trans- 
lated from the French. 2 vols. 12mo, yellow figured satin, 
uncut, in case, by The Club Bindery. London: J. Bew, 1783 

- * First EDITION OF THIS TRANSLATION. [Only 6 books. ] 


2943. ROUSSEAU (JEAN JACQUES). (Méuvres com- 
plétes. Avec des évlaircissements et des notes historiques 
par P. P. Auguis. 4500 engraved plates. 27 vols. 8vo, red 
levant morocco, scroll backs, gilt edges, by Masson-Debon- 
nelle. Paris: Dalibon [Jules Didot ainé], 1824-1825 


* Large papier vélin copy, with 2 original drawings of Rous- 
SEAU, one in pencil, the other in pen and ink; 24 portraits of 
him engraved by Ficquet, Savart, Le Mire, and others, some of 
them proofs before letters, 13 original designs by Alfred and 


467 


Tony Johannot, Roqueplan, etc.; frontispieces after Marillier, 
Boucher, Monnet, etc.; the series of plates after the designs of 
Moreau le jeune, in two states, artist’s proof and proof after 
letters; the series after Devéria, also in two states, artist’s 
proof and proofs before letters; the series after Moreau, proofs 
before letters; the two series after Marillier and Cochin; 
65 plates after Le Barbier, Gravelot, Monsiau, and others, and 
50 portraits of celebrated personages, including d’Alembett, 
Buffon, Hélvetius, Grimm, Voltaire, Racine, Corneille, Moliére, 
Louis XIV, the duc d’Orléans, Pope, etc. Altogether a superb 
collection of engravings, numbering 500 plates. 


2944. [ROUSSEAU (PIERRE).] Les Faux Pas, ou les 
memoires vrais, ou vrai-seamblables de la baronne de * * * 
2 vols. 12mo, old French green morocco, with the arms of 
BEATRIX DE CHOISEUL-STAINVILLE, DUCHESSE DE GRAM- 
MONT, gilt backs and edges. [Paris], 1755 


2945. ROUVEYRE(EDOUARD). Connaissances néces- 
saires aun bibliophile. Troisiéme édition revue corrigée et 
augmentée. Premiére Partie accompagnée de 7 planches et de 
5 spécimens de papier [Deuxiéme Partie accompagnée de 
plusiers planches|. 2 vols. 12mo, original vellum covers, 
uncut. Paris, 1879-80 


2946. ROUVEYRE (EDOUARD). Portraits & Mono- 
graphies dessinés par Rouveyre, 1906 & 1907. Carcasses 
divines. 95 full-page plates. 4to, original wrappers, un- 
cut. . Paris, 1907 


2947. RUSCELLI (GIROLAMO). Le Imprese Illvstri 
con espositioni, et discorsi. Con la Givnta di altre imprese 
tvtto riordinato et corretto da Fran. Patritio. Hngraved 
title, portrait, 22 large plates and 112 emblematic engravings, 
several of which are by Enea Vico. 4to, brown levant mo- 
rocco, gilt panelled sides, with arabesque borders, gilt back 
and edges, by Chambolle-Duru. Venetia, 1572 


2948. RUSKIN (JOHN). The Elements of Perspective 
arranged for the use of schools and intended to be read in 
connexion with the first three books of Euclid. Diagrams. 
First EDITION. 12mo, green morocco, gilt edges. 

London, 1859 


2949. RUSKIN (JOHN). The Seven Lamps of Archi- 
tecture. JZ4 illustrations by the author. NEW EDITION. 
Royal 8vo, boards, uncut. Orpington, Kent, 1880 


2950. LS (J.).] Certaine Worthye Manuscript Poems 

° of great Antiquitie. Reserved long in the 

Studie of a Northfolke Gentleman. Small 8vo, russia, 
blind tooled. London: for R. D., 1597: (Reprint). 


468 


2951. [S., J.] The Innocent Epicure: or, the Art of 
Angling. A poem. The preface signed by Nahum Tate. 
Small 8vo, brown levant morocco, gilt edges, by The Club 
Bindery. London, 1697 


* First EDITION. The Preface signed by Nahum Tate, 
begins, ‘‘The copy of this Poem being sent to me from the 
Unknown Author, with Commission to Publish or Suppress it, 
as I thought fitting.” etc. The poem ‘‘From J.S. toC.S8.,” 
which follows the Preface, would point to the author as the 
J. 8., who in 1696, wrote ‘‘The True Art of Angling.” 


2952. SABELLICUS (MARCUS ANTONIUS COCCIUS). 
Rerum Venetarum ab Urbe condita Decades. Roman 
characters. 2388 unnumbered leaves with signatures; 48 
lines to the page. WHITH 34 ORNAMENTAL INITIALS ILLUMI- 
NATED IN GOLD AND COLORS, INCLUDING ONE OF LARGE 
SIZE, HAVING IN THE CENTER A SMALL MEDALLION PORTRAIT 
OF FINE EXECUTION; AND WITH THE ARMS OF MARCO BAR- 
BARIGO, DOGE OF VENICE, PAINTED IN GOLD AND COLORS, 
WITHIN AN ORNAMENT ON THE FIRST PAGE OF TEXT. Folio, 
Old French red straight-grain morocco, gilt-tooled borders, 
gilt back, inside borders, vellum fly-leaves, gilt edges, by 
Bozerian. Venetiis: Andreas de Torresanis de Asula, 1487 


* FIRST EDITION. PRINTED ON VELLUM. ONLY 4 COPIES 
KNOWN, AND THE PRESENTATION COPY TO DOGE MARCO BARBA- 
RIGO. This is the oldest official account of Venice, and a mas- 
terpiece of printing. executed with the Jenson types by Andrea 
d’ Asola, the father-in-law of Aldus. It is very interesting also for 
its references to the introduction of the art of printing into 
Italy, which, according to Sabellicus, happened about 1462 
(see Book xxviii, signature 13), According to Hain a perfect 
copy should have 240 leaves. He mentions two leaves of errata, 
printed in Gothic characters; but the book may be considered 
complete without them, as they were printed after it had been 
put in circulation and the above copy was probably presented 
to the Doge before they were issued. 

The MacCarthy-Reagh-Syston Park copy. 


[See Reproduction. | 


2953. SACHS (HANS). COLLECTED WORKS, as follows: 
1. Ein erklerung diser figur, und was sie bedeut. Woodcut 
on title, £11. Nurnberg, Hermann Hamsing, n. d.—2. Chron- 
ica uber all Romische Kayser. Cut on title, 12 ll. Nurem- 
berg, Georg Merckel, 1554.—3. Die Neunerley heud einer 
bosen frawen. 2 cuts, 8 ll. Nuremberg, Georg Merckel, 
1553.—4. Der gantz Haussrat bey dreyhundert stucken. 
2 cuts, & il. Nuremberg, Georg Merckel, 1553.—5. Der 
Ehren spiegel der Zwolff Durchleuchtigen frawen des Alten 
Testaments. Woodcut on title, 12 ll. Nurnberg, Hermann 


469 


Hamsing, n. d.—6. Ein gesprech mit dem faulen Lentzen. 
Woodcut on title, 8 ll. Nurnberg, Georg Merckel, 1554.— 
7. Des verlagten frids Klagredt uber alle stendt der Weldt. 
2 cuts, 10 ll. Nuremberg, Georg Merckel, 1553.—8. Nachred 
das grenlich laster sampt seinen Zwolff Eygenschafften. 
Out on title, 8ll. Nuremberg, Georg Merckel, 1553.—9. 
Kin Kampff gesprech Zurischenfraw Tugent und fraw 
Glick. 712 ll. Nuremberg, Hermann Hamsing, n. d.—10. 
Der Samariter. Cut on title, Sll. Nurnberg, Hermann 


Hamsing, n. d.—11. Klagredt der weldt. Woodcut on title, . 


Sil. Nurnberg, Georg Merckel, n. d.—12. Ursprung des 
Behemischen Landes und K6nigreychs. 8/1. Nuremberg, 
Georg Merckel, 1553.—13. Die neun getrewen Hayden. 
12 ll. Nurnberg, Hermann Hamsing, 1553.—14. Die Drey 
Todtenn so Christus aufferweckt hat. 4/ll. Nurnberg, Her- 
mann Hamsing, n. d.—15. Die zeganzene Gothin Ceres. 4 Ul. 
Nurnberg, Herman Hamsing, n. d.—16. Die Neun verwand- 
lung im Khelichen Standt. Woodcut on title, Sill. Nurem- 
berg, Georg Merckel, 1559.—17. Eyn gesprech von den 
Scheinrverecken der Gaystlichen. Woodcut on title, 10 Wl. 
n. p.,n. d.—18. Eyn gesprech eynes Evangelischen Christen. 
Woodcut on title (repeated). 12ll. n. p., n. d.—19. Disputa- 
tion Zwischen einem Chorherren und Schuchmacher. 
Woodcut on title, 11 ll. and a blank. n. p., 1524.—20. Eyn 
freuntliches gesprech Zwischen eynem Parfusser minch 
auss der Provintz Osterreich der Observantz. Woodcut on 
title, 15 ll. and a blank, n. p., n. d.—21. Ain hupsch Ges- 
prech-viechlin von ainem Pfaffen und ainem Weber. Wood- 
cul on title. 17 ll. and a blank, n. p., n. d.—22. Eyn gesprech 
von dem gemaynen Schwabacher Kasten. Woodcut on title, 
7 ll. and a blank, n. p., n. d.—23. Dem Edlen und Vesten 
Ersamen und weysen, Wolff Christoffel von Wissenthaw 
genant, ete. Woodcuton title. Sill. and blank [n. p.][n.d. ]. 
23 pieces in one volume 4to, dark-green levant morocco, 
blind-tooled panelled sides, gilt edges, by Riviere. ALL 
VERY RARE TRACTS. 


2954. SACHS (HANS). Ein wunderliche weissagung von 
dem Bapstumb, wie es yhm bis an dasende der welt gehen 
sol, ynn figuren odder gemelde begriffen, gesunden zu 
Nurnberg, ym Cartheuser kloster, und ist seer alt. 30 
curious and Satirical woodcuts relating to the Pope. Ato, 
vellum, from an old manuscript antiphonery, with 3 illu- 
minated initials. [Nirnberg], 1527 


2955. SADLER (J.). Masquarade du Ciel: Presented to 
the Great Queene of the Little VVorld. <A Celestial] Map, 
representing The True Site and Motions of the Heavenly 
Bodies, through the yeeres 1639, 1640, &c. shadowing The 
late Commotions, between Saturn and Mercury, about the 
Northern Thule. VVith the Happy Peace and Union, 


470 


ee Oe 


Kf. ANTONI SABELLIC] RERVM VENETARVM AB VRBE 
CONDITA AD MARCVM BARBADICVM SERENISS. 
VENETIARVM PRINCIPEM ET SENATVM 
- LIBER PRIMVS PRIMAE DECADIS 

FOELICITER INCIPIT. 
@ VONIAM IGITVR SATIS CON 
ed {tit pnfcos Venctos & utbis & Impent 


Sr hac fcriptun fumus condirores 
futffe . nihil ab re fore ealtimaut quan 


res parum conftare uideo : priufq ur/ 
bis primordia aperiantur ; de tllorum 
| uetuftate aliquid brewster referre . Fue 
funt itag: pofa Venett non Italia indi 
genx :fed ut quidam tradiderunt a Ve 
netis Gallis oceant accolis ortundi; Neq: 
hi nomen tantum fecuti urdentur: Sed 
quia rei maritime ftudium & glorniam: 
qui Adnatict finus oram tenuerunt: ut 
Hs qui cn Gallia funé fi non lingua: monbus 
t Polybius ait per Gfimules : Alu uero cose Pav 
t: in quibus eft Liuius: Is Pylamene Duce ad 
ees ueniffe tradit : quod ipfum fecus 
procreatos credidie: Cormelius nepos &ipfe 
apidum arca Paphlagoniam tenuerunt: Vene/ 
ortos exifimauir: Sida Cappadoabus eam 
- Ciments muilitaffe : pofteag; Adriam 


m fim fententix: 

tata litera de 

mn mans Adnatia 
s fuere : Sed locus in 
Trotano deinde Pago no 


do de ongine gents inter ucteres aucto - 


Verde Ve 


netow or 
. 7 


gine Opi 7 
- * 
mo 


: Y 
Vera Vene 
tox orizo 


Troia Pa- 
gus in Vez 
netis 


SABELLICUS, VENICE, 1487: PRINTED ON VELLUM, 


(See No. 2952.) 


yy 


through the whole Little World, made by the Goodnesse of 
Phebus and His Royall Phebe. Small 4to, blue levant mo- 
rocco, gilt edges, by The Club Bindery. 
London: Printed by R. B. for 8. C., 1640 
* FIRST EDITION. The Jolley copy. 


2956. SAGARD-THEODAT (GABRIEL). Le Grand 
Voyage du pay des Hurons, situé en l’Amérique vers la 
Mer douce, és derniers confins de la Nouvelle France, dite 
Canada. Avec un Dictionaire de la langue Huronne. En- 
graved frontispiece. 8vo, red levant morocco gilt, gilt edges. 

Paris: Denys Moreau, 1632 
* First EpITIon. A work of great interest and importance. 


Copies in good condition, and perfect in every respect, as the 
above, are very rare. 


2957. SAILLY (THOMAS). Thesaurus Litaniarum ac 
orationum sacer, cum suis adversus sectarios Apologiis. 
Vignette on title, dedication arms and 37 copper engravings 
by P. Van der Borcht. 8vo, red levant morocco, gilt edges. 

Bruxelle: Rutgerus Velpius, 1598 


2958. SAINT-AMANT (M. A. DE GIRARD DE). La 
Rome Ridievle. Caprice. 12mo, orange levant morocco 
gilt, gilt edges, by Trautz-Bauzonnet. [Hollande], 1649 


2959. SAINT-EVREMOND (CHARLES DE). (£uvres 
Meslées. FIRST COLLECTED EDITION. Woodcut orna- 
ments. 12mo, red levant morocco, gilt edges, by Trautz- 
Bauzonnet. ’ Paris: Claude Barbin, 1668 


2960. SAINT GRAAL. L’Hystoire du sainct greaal Qui 
est le premier liure de la table ronde lequel traicte de plu- 
sieurs matiéres recréatiues. With 17 woodcuts. Lettres 
bdtardes, double columns. 2 parts in one vol. small folio, 
red levant morocco, gilt back, doublure of blue levant, 
borders of leaf sprays, gilt edges, by Trautz-Bauzonnet. 
(First 4 and last 2 leaves restored and a few letters re- 
touched with India ink.) 

Nouuellement imprime a Paris. Par Jehan petit, Galiot 
du pre et Michel le noir Libraires, le xxv iour de Sep- 
tembre, 1516. 

* First EDITION. 


2961. SAINT-JUST (ANTOINE). Organt; Poeme en 
vingt chants: Avec la clef. Etched Portrait on India 
paper. 2partsin1 volume. 16mo, green levant morocco 
gilt, uncut, by Chambolle-Duru. 

Au Vatican. [Paris], 1789-1867 
* One of 230 copies on Holland paper. 


471 


2962. SAINTE-MARTHE (ABEL DE). Discours au 
Roy sur le retablissement de la Bibliothéque Royale de 
Fontainebleau. 4to, contemporary red morocco, fleur-de-lys 
ornaments, gilt edges. | Paris] 1668 


2963. SAINT-PIERRE (JACQUES HENRI  BER- 
NARDIN DE). Paul et Virginie. 18mo, red straight- 
grain morocco, gilt tooled inlays of dark blue morocco, 
richly tooled back, silk linings, gilt edges, by Bozerian, in 
a green morocco slip case. ; . 

Paris: Imprimerie de Monsieur, 1789 


* FIRST EDITION. PRINTED ON VELLUM, and containing, in- 
stead of the engravings after Moreau and Vernet, 4 ORIGINAL 
WATER-COLOR DRAWINGS after the same designs, and a fifth 
unpublished one for the passage, entitled ‘‘ le Recit.” 


2964. SAINT-PIERRE (JACQUES HENRI  BER- 
NARDIN DE). Paul et Virginie. La Chaumiére Indienne. 
With many illustrations by Meissoner, Johannot, and 
others. One volume extended to 3. Royal 8vo, crimson — 
moroceo, decorated with leaf design and inlaid ornaments, 
silk linings, gilt tops, uncut, by Claessens. Paris, 1838 


* EXTRA-ILLUSTRATED by the insertion of over 250 steel and 
copper-plate engravings by Moreau, Prud’hon, Vernet, and 
others, nearly all of which are proofs, some in two or more 
states. 


2965. SAINT-PIERRE (JACQUES HENRY BER- 
NARDIN DE). Paul et Virginie. Portrait and 2 etchings 
by Larguillermie, in 2 states; proofs before and after letters. 
8vo, citron levant morocco, decorated in gold and mosaic, 
doublure of red morocco with mosaic compartments, figured 
silk guards, gilt over uncut edges, in a case, by Quinet. 

Paris: Jouaust, 1878 


*One of 20 copies on India paper. Inserted are 4 portraits 
and 46 engravings, including designs by Isabey, Girodet, 
Moreau, and others; etchings by Lalauze, and a set of colored 
illustrations by Guyot, after Dutailly; chiefly India proofs. 


2966. SAINT-SANTIN. Contes de Saint-Santin. The 

3 series complete, not printed for sale. Illustrations. &8vo, 
cloth, uncut, original covers bound in. 

Argentan: Imprimerie de Barbier, 1862-70 


* Presentation copy from the author to the brothers de Gon- 
court. Edmond de Goncourt's autograph and description are 
on the fly-leaf. The second series is printed on paper of various 
colors. 


2967. SAINT SERFE (SIR THOMAS). Tarugo’s Wiles: 
or, the Coffee House. A Comedy. As it was Acted at his 
Highness’s, the Duke of York’s Theater. Written By 
Tho. S* Serfe, Gent. FIRST EDITION. 4to, brown levant 
morocco, gilt edges, by The Club Bindery. (Some corners 
mended.) London: Henry Herringman, 1668 


AT2 


2968. SAINT-SIMON (LOUIS DE ROUVROY, DUC 
DE). Mémoires complets et authentiques sur le siécle de 
Louis XIV et la Régence, collationnés sur le manuscrit 
original par M. Chéreul et précédés d’une notice. par M. 
Sainte-Beuve. 20 vols. royal 8vo, red levant morocco gilt, 
with THE ARMS OF SAINT-SIMON in mosaic on the covers, 
gilt edges, by Chambolle-Duru. Paris, 1856-58 


*One of 100 Large Paper copies, with 523 portraits inserted, 
of which 44 are by Petitot, India proofs before letters, 141 old 
copper-plate engravings, and the remainder for the most part 
India proofs. The illustrations include three drawings and 
portraits of Madame de Maintenon and Voltaire by Ficquet. 


2969. SALLUSTIUS CRISPUS (CAIUS). M£uvres. 
Translated by Ch. du Rozoir. 2 vols. 8vo, red levant mo- 
rocco gilt, with the monogram ‘‘E. B.,’’ gilt edges, by 
Belz-Niédrée. Paris, 1829-33 


2970. SAMAIN (ALBERT VICTOR). Aux Flanes du 
Vase. 4to, original covers, in half cloth portfolio. 
Paris, 1898 


* FIRST EDITION. One of 20 copies on tinted papier vélin for 
the ‘‘ Société des XX.” 


2971. SAMAIN (ALBERT VICTOR). Le Chariot d’Or. 
Symphonie héroique. FIRST EDITION. Large 8vo, citron 
levant morocco gilt, gilt top, uncut, original covers bound 
in, by The Club Bindery. 

Paris: Société du Mercure de France, 1901 
* FIRST EDITION, One of 20 copies on papier vélin. 


2972. SAMBUCUS (JOANNKES). Arcus aliquot tri- 
umphales et monimenta Victor Classice, in honor. invictis- 
simi ac illustriss. Jani Austrie. 16 copper-plates of tri- 
umphal arches by Philippe Galle. Small folio, old stamped 
vellum. Antuerpiz: apud Ph. Galle, 1572 


2973. SANCTO MARCHO(HIERONYMUS DE). Opus- 
culum de vniuersali mundi machina ac de metheoricis 
impressionibus a Fratre Jeronimo de set6o Marcho ordinis 
minorum & in sacra theologia studéte Parisiense editum ad 
mentem Arestotelis... Gothic characters. xxi num- 
bered leaves and one unnumbered. Woodcut device No. 6 
of Richard Pynson on title, and 14 woodcuts representing 
the earth, the sphere and the 12 signs of the Zodiac. Ato, 
brown levant morocco, gilt panels, with centre ornaments, 
fleurons in the corners, gilt back, by Riviére. 

[London: Richard Pynson, ca. 1505] 
* ENTIRELY UNCUT. VERY SCARCE IN THIS CONDITION. 


2974. SAND (GEORGE). Valentine. 2 vols. 8vo, half 


blue levant morocco gilt, gilt tops, uncut, by Pagnant. 
Paris, 1838 


473 


2975. SAND (GEORGE). Consuelo. La Comtesse de 
Rudelstadt. Revue et Corrigée. 6 vols. 12mo, half green 
levant morocco gilt, gilt tops, uneut, by Hardy. 

Paris: Charpentier, 1845 


* EXTRA-ILLUSTRATED with 66 portraits (one of them by Cala- 
matta), 9 views, and a drawing, many of them in proof state. 


2976. SAND (GEORGE). Laure. First EDITION. 2 vols. 
inl. 24mo, half calf, gilt top, uncut, by Bedford. 

Bruxelles et Leipzig, 1854 

2977. SAND (GEORGE). Romans Champetres; André; 

La Petite Fadette; La Mare au Diable; ete. Illustrée par 

Tony Johannot. 2 vols. 8vo, half green levant morocco 

gilt, gilt tops, uneut, by Petit. Paris, 1860 


2978. SAND (GEORGE). Mauprat. Dix compositions 
par Le Blant Gravées a Veau-forte par H. Toussaint. 8vo, 
half blue levant morocco gilt, gilt top, uncut, original 
covers bound in, by Rousselle. Paris, 1886 


2979. SAND (GEORGE). Francois le Champi. Dessins 
et Aquarelles de Hugene Burnand: Gravure de Guillaume. 
8vo, original covers, uncut. ’ Paris, 1885 


2980. SAND (GEORGE). Les Beaux Messieurs de Bois- 
doré. Compositions de Adrien Moreau gravées al eau-forte 
par Boulard, Géry-Bichard et Vion. Préface par Francisque 
Sarecey. 2 vols. imp. 8vo, red levant morocco, filleted borders, 
with ornaments, doublure of blue levant, gilt over rough 
edges, original covers bound in, by Raparlier. Paris, 1892 


* One of 50 copies printed on laid paper, with a duplicate set 
of the illustrations on India paper. 


2981. SARASIN (J. F.). CEuvres. 2 vols. 12mo, old 
French red morocco, with the ARMS oF A LADY OF THE 
FRANCONVILLE FAMILY On the covers, gilt edges. Paris, 1685 


2982. SARCEY (FRANCISQVE). Théatres divers. 16 
portraits @artistes gravés a Veau-forte par Gaucherel et La- 
lauze. Royal 8vo, half red levant morocco gilt, gilt tops, 
uncut, original covers bound in. Paris: Jouaust, 1884 


2983. SAULIERE (AUGUSTE). Les Solutions Conju- 
gales. Dix eaux-fortes par Henry Somm. 12mo, half citron 
levant morocco, gilt top, uncut. Paris, 1876 


2984. SAUNIER (JEAN AND GASPARD DE). La Par- 
faite Connoissance des Chevaux; leur Anatomie; ete. Por- . 
trait by Hage, and 61 full-page plates by La Cave, relating 
to the anatomy of the horse. Folio, brown levant morocco, 
gilt back, THE ARMS OF A. J. C. J. MORNAY-SOULT, MAR- 
QUIS DE MORNAY-MONTCEVREUIL, on the sides, gilt edges, 


by Hardy-Mennil. La Haye: A. Moetjens, 1734 
2985. SAURIN (BERNARD JOSEPH). C£uvres choisies. 
18mo, green vellum, uncut. Paris: P. Didot, 1812 


* PRINTED ON VELLUM. 
474 


2986. SAVAGE (WILLIAM). Practical Hints on Dec- 
orative Printing. With illustrations engraved on wood, 
and printed in colors at the type press. Royal 4to, half 
maroon levant morocco gilt, gilt top, uncut, by All6. (Lacks 
frontispiece. ) London, 1822 


2987. SAVARY (ANNE-JEAN: DUC DE ROVIGO). 
Memoirs of the Duke of Rovigo (M. Savary), written by 
himself: illustrative of the history of the Emperor Napoleon. 
Hight parts in 4 vols. 8vo, blue morocco gilt, gilt edges. 

London, 1828 


2988. SAXE (JOHN GODFREY). Clever Stories of 
many nations. Rendered in rhyme. First Epirion. Jllus- 
trated by Champney. Small 4to, calf, gilt top, uneut, by 
Matthews. . Boston, 1865 


2989. SCARRON (PAUL). (Céuvres. Nouvelle édition. 
Revue, corrigée, et augmentée de |’Histoire de sa Vie et 
ses Ouvrages, &c. Portrait of Scarron, 6 frontispieces 
by J. Folkema after Dubourg, and 1 fleuron, repeated. 
7 vols. 12mo, citron straight-grain morocco, gilt borders, 
gilt edges,by Bozérian jeune. Amsterdam: J. Wetstein, 1752 

* From the Noailles collection. 


2990. SCHABAELIE (J. P.). Bibelsche Figuren. Hn- 
graved title and 87 copper-plate illustrations. Oblong 4to, 
blue levant morocco gilt, gilt edges, by Bedford. 

Amsterdam, 1648 

2991. SCHAUFELEIN (HANS LEONHARD). Doctrina, 
Vita et Passio Iesv Christi, Iuxta Noui Testamenti fidem 
& ordinem, artificiosissime effigiata. 74 full-page woodcuts 
of the life and passion of ,Christ, by Hans Schaufelein. 
Ruled in red ink. Ato, calf gilt, gilt edges. 

Francofort: apud Christianum Egenolphum, 1537 


* First EDITION of Schaufelein’s Little Passion, and bears 
his mark on the title. 


2992. SCHEDEL (HARMANNUS). NUREMBERG CHRON-” 
ICLE. Registrum huius operis libri cronicarum cum figuris 
et ymaginibus ab initio mundi. (Gothic character, 20 
unnumbered leavestcce numbered+2 blanks+4 unnum- 
bered leaves for the ‘* Sarmacia’’+1 blank; without signa- 
tures. Upwards of 2,000 large and small woodcuts by 
Wolgemuth and Pleydenwurf, including numerous large 
views of cities, genealogical trees, heads of celebrated per- 
sonages, a large woodcut representing the dance of death, 
maps, etc. Large folio, pigskin, blind tooled in imitation 
of the 15th century German bindings, gilt edges, by The 
Club Bindery. Nuremberge: Anthonius Koburger, 1493 


*Frrst Epition. Title restored, with a very small portion . 
of the lower ornament in facsimile, otherwise a very fine copy, 
large, and with portrait and biography of Pope Joan intact, 
and the three numbered blank leaves. Hain, 14508; Proctor, 
2084; Harrisse, B. A. V., 13. 


475 


2993. SCHILDITZ (HERMANNUS). SPECULUM MANU- 
ALE SACERDOTUM. Gothic characters. 16 unnumbered 
leaves without signatures and catchwords; 30 lines to the 
page. 4to, brown levant morocco, divided into four com- 
partments by blind-tooled bands, each compartment gilt, 
and all enclosed within an ornamental border; doublure of 
blue levant, gilt borders, gilt edges, in a morocco case. 


Mentz [ Printer of Darmstadt Prognostication, ca. 1475- 


1480]. 
* SAID TO BE THE ONLY COPY KNOWN: THAT IN THE MENTZ 


LIBRARY HAVING BEEN LOST. This volume, together with the 
‘‘Tractatus de celebratione Missarum” and the ‘‘ Darmstadt 
Prognostication,” has been ascribed by Fischer in his ‘‘ Essai 
sur les Monuments Typograph. de Jean Gutenberg,” to the 
press of Gutenberg and Johann Neumeister; and as having 
been printed about 1460-638. Dr. Hessels, however, on ex- 
amining the ‘‘ Prognostication’”’ in the Darmstadt library 
(which has a printed date reading ‘‘lx,” i. e. 1460), discovered 
that some numerals had been erased; and moreover found 
in the text a mention of Sixtus IV (Pope from 9 August, 1471 | 
to 12 August, 1484), For these and other reasons he places 
the date about 1480. Hain, 14519. 


2994. SCHILLER (FRIEDERICH VON). Poems and 
Ballads. Translated by Sir Edward Bulwer-Lytton. With 
brief sketch of Schiller’s Life. FIRST EDITION. 2 vols. 
8vo, cloth, uncut. Edinburgh, 1844 


2995. SCHLUSSEL uber das Hieroglyphiseche Beschlusz- 
Gedichte. Frontispiece, engraved title and 250 hieroglyphic 
panels illustrating Bible verses. Oblong 4to, blue levant 
morocco gilt, gilt edges, by Stikeman. Augsburg, 1692 


2996. SCHMAUS (LEONARDUS). Lucubratiunecula de 
morbo gallico et cura eius noviter reperta. Title within an 
ornamental woodcut border. Small 4to, wrappers. 

Auguste Vindelicorum: Sigismundus Grimm, 1518 


2997. SCHOONHOVIUS (FLORENTIUS). Emblemata: 
Partim Moralia, Partim etiam Civilia. Hngraved title and 
74 emblems engraved on copper. Small 4to, vellum. 

Amstelodami, 1648 

2998. SCHOPENHAUER (ARTHUR). The Wisdom of 
Life. Translated, with a preface by T. Bailey Saunders. 
12mo, cloth, uncut. London, 1891 


2999. SCHOPPERUS (HARTMANNUS). Speculum vitz 
aulice De admirabili fallacia et astutia Vulpeculze 
Reinikes libri quatuor. Numerous fine cuts by Jost Amman 
and Virgilius Solis. 12mo, maroon levant morocco, gilt 
floral decoration, inside dentelle borders, gilt edges, by 
David. Francof. ad Moen: Nicolaus Bassaeus, 1595 


476 


3000. SCHULTZ (ALWIN). Deutsches Leben im XIV 
und XV Jahrhundert, von D™ Alwin Schultz, ... With 15 
colored plates and 265 full-page and text illustrations. 2 vols. 
royal 8vo, original covers, uncut. Wien: F. Tempsky, 1892 


3001. [SCOT (THOMAS).] Newes from Pernassus. The 
Politicall Touchstone, Taken from Mount Pernassus: 
Whereon the Governments of the greatest Monarchies of 
the World are touched. 4to, sprinkled calf, gilt edges, by 
Bedford. Printed at Helicon, 1622 


3002. SCOTT (SIR WALTER). THE ORIGINAL MANU- 
SCRIPT OF SIR WALTER ScCoTtT’s LIFE OF JONATHAN SWIFT, 
which appears in the 1814 edition of Swift’s writings, edited 
by Scott. It is written on about four hundred sheets, 
mainly on both sides of the paper, and contains many page 
proofs and annotations. A few transcripts from old poems, 
ete., are in other hands. Bound in a thick 4to volume, 
russia, gilt. . [18—] 

* SCOTT MANUSCRIPT OF GREAT IMPORTANCE. From the 
Phillipps collection. 


3003. SCOTT (SIR WALTER). The Works of Walter 
Scott, Esq. Illustrated. 5 vols. 8vo, green levant morocco 
gilt, gilt edges, by The Club Bindery. 

Edinburgh: Printed by James Ballantyne and Co., 1806 


* EXTRA-ILLUSTRATED by the insertion of portrait by A. 
Raimbach after H. Raeburn; in Volume III 38 plates by A. 
Smith, F. Engleheart, and R. Golding after Westall; in Volume 
IV an original water-color half-title in a border, and a drawing 
of Sir Tristram’s armor in a similar border; in Volume V a 
plate, the engraved title from the Westall edition of 1809, and 
seven other designs by C. Heath after Westall, besides 9 en- 
gravings by J. Heath after J. C. Schetky. 


3004. SCOTT (DR.) AND DAVEY (SAMUEL). A Guide 
to the Collector of Historical Documents, Literary Manu- 
scripts, ete., with an index of valuable books of reference, 
where several thousand facsimiles of handwriting may be 
found; also A New Edition of Wright's Court-Hand Re- 
stored, with introductory chapter for the use of students 
and facsimiles of watermarks. Wath 152 plates. Ato, half 
green morocco, gilt top, uncut. London, 1891 


3005. SCROPE (WILLIAM). Daysand Nights of Salmon 
Fishing in the Tweed; with a short account of the 
natural history and habits of the Salmon, instructions to 
sportsmen, anecdotes, ete. Illustrated by 13 lithographs 
and 9 wood engravings by T. Landseer and S. Williams 
from paintings by Sir David Wilkie, Hdwin Landseer and 
others. First EDITION. Royal 8vo, green levant morocco, 
emblematic panels, corner ornaments and_ inside borders, 
gilt top, edges scraped, practically uncut, by David. . 

London: John Murray, 1843 


ATT 


3006. SEDLEY (SIR CHARLES). The Mulberry-Gar- 
den, a Comedy. As it is Acted by His Majestie’s Servants 
at the Theatre-Royal. SECOND EDITION. 4to, red levant 
morocco gilt, gilt edges, by Chambolle-Duru. 

London: H. Herringman, 1675 


3007. SEDLEY (SIR CHARLES). Antony and Cleopatra, 

a Tragedy. As it is Acted at the Duke’s Theatre. FIRST 

EDITION. Small 4to, green levant morocco, dentelle borders, 
gilt edges, by Mercier. 

London: Printed for Richard Tonson, 1677 — 


3008. SELDEN (JOHN). Table-Talk: being the Dis- 
courses of John Selden Esq; or his Sence of Various Matters 
of Weight and High Consequence Relating especially to 
Religion and State. First EDITION. Small 4to, blue 
straight-grain morocco, gilt edges, by The Club Bindery. 

London: Printed for E. Smith, 1689 

3009. SENECA. IL. Annei Senece opera omnia ex ult. 
I. Lipsii emendatione, et M. Annzi Senecsw# Rhetoris que 
extant ex And. Schotti recens. Hngraved title. 3 vols., 
1640. J. F. Gronovii ad L. & M. Annzeos Seneecas note, 
1649. Together, 4 vols. 12mo, blue straight-grain morocco 
(stained), gilt edges. (Upper and lower margins of 2 leaves 
of Vol. Isupplied.) Lugd. Batav.:apud Elzevirios, 1640-49 


3010. SENECA. L. A. Senecz Tragodiz cum notis et 
interpretatione gallica M. de Marolles. Hngraved frontts- 
pieces and portrait. 2 vols. 8vo, old French red morocco, 
with the arms of LOUIS-CHARLES D’ ALBERT DUC DE LUYNES 
stamped in gold in the centre of the covers, the quarterings 
alternately repeated on the panels of the backs, gilt edges. 

Lutetize Parisiorum, 1659 

3011. SENECA. Les Controverses; Les Epistres; Les 
Opuscules. 9 vols. in 6, 12mo, red morocco, gilt backs, gilt 
edges, by Boyet. Lyon, 1669 


3012. SENECA. Tragedie, Cum Notis Th. Farnabii. 
Engraved title-page. 16mo, red levant morocco, gilt back, 
uncut, by Bedford. Amstelodami: D. Elsevirium, 1678 


3013. SENECA. Tragédies. Translated by E. Greslou. 
3 vols. 8vo, red levant morocco, gilt backs with the mono- 
gram E. B., gilt edges, by Belz-Niédrée. Paris, 1834 


3014. SENECE (ANTOINE BAUDERON, SEIGNEUR 
DE). (Qé£uvres choisies. 16mo, brown levant morocco, gilt 
edges, by David. Paris, 1826 ° 

*One of 500 copies printed for Charles Nodier and N, Delangle. 

3015. SERLIO (SEBASTIANO). Il primo e secondo libro 
d’architettura (text in Italian and French). Title within a 
woodcut border, architectural woodcuts and diagrams. 
Ruled throughout in red ink. Folio. Contemporary Lyon- 
nese binding in brown morocco, the sides in compartments 


478 


formed by interlaced bands painted in dark brown within 

gold lines with arabesques, gilt edges. A very fine speci- 

men, although somewhat restored. (Title to second book 

missing. ) Paris, 1545 
* FIRST EDITION. 


3016. SERRES (JEAN DE). Vie de Messire Gaspar de 
Coligny. Seigneur de Chastillon, Admiral de France. 2 vols. 
in one, 12mo, old French red morocco, the arms of DENIS 
FEYDEAU DE Brovu, counsellor of the Parliament of Paris, 
stamped in gold on the sides, and his monogram on the panels 
of the back, gilt edges. Leyde: B. & A. Elzevier, 1643 


* First ELZEVIER EDITION. 


3017. SETTLE (ELKANAH). The Empress of Morocco. 
A Tragedy. With sculptures. First Eprrton. Small 4to, red 
levant morocco gilt, gilt edges, by Bedford. London, 1673 


* The six engravings are the first representations of an Eng- 
lish stage and its scenéry, and this is the first illustrated English 
play. 


3018. SETTLE (ELKANAH). Love and Revenge: A 
Tragedy. Acted at the Duke’s Theatre. First Epirion. 4to, 
red levant morocco, gilt edges, by Chambolle-Duru. 

London: William Cademan, 1675 


3019. SETTLE (ELKANAH). The Conquest of China, 
By the Tartars. A Tragedy Acted at the Duke’s Theatre. 
First Epirion. 4to, half maroon morocco, gilt top, by Stike- 
man. London: Printed by T. M. for W. Cademan, 1676 


3020. SETTLE (ELKANAH). Pastor Fido; or, the Faith- 
ful Shepherd. A Pastoral. As it is Acted at the Duke’s 
Theatre. First Epirion. Small 4to, half green morocco, gilt 
top, by The Club Bindery. 

London: Printed for William Cademan, 1677 


3021. SETTLE (ELKANAH). The Female Prelate: being 
The History of the Life and Death of Pope Joan. A Tragedy. 
As it is Acted at The Theatre Royal. First EpIrion. Small 
4to, half green morocco, gilt top, by The Club Bindery. 

London: Printed for W. Cademan, 1680 


3022. SETTLE (ELKANAH). Fatal Love; or, the Fore’d 
Inconstaney, a Tragedy. Acted at the Theatre Royal. First 
EpiITion.: Small 4to, half blue calf. 

London: Printed for William Cademan, 1680 


3028. [SETTLE (ELKANAH).] The Medai Revers’d. A 
Satyre against Persecution. By the Author of Azaria and 
Hushai. Small 4to, blue levant morocco gilt, gilt edges, by 
The Club Bindery. 

London: Printed for Charles Lee, Anno 1682 
* On the preliminary leaf is the inscription, ‘‘ Given me by ye 
illustrious Prince James, Duke of Monmouth.’’ 


479 


3024. SETTLE (ELKANAH). Distress’d Innocence; or, 
the Princess of Persia, A Tragedy. As it is Acted at the 
Theatre Royal by Their Majesties Servants. First EDIrIon. 


4to, half maroon morocco., 
London: Printed by E. J. for Abel Roper, 1691 


3025. SETTLE (ELKANAH). Philaster: or, Love lies a 
bleeding. A tragi-comedy. As it is now acted at His Majesty’s 
Theatre Royal. Revis’d, and the two last Acts new Written. 
First Epition. 4to, half maroon levant morocco, gilt top, by 
Stikeman. London: Printed for R. Bentley, 1695 


3026. SETTLE (ELKANAH). The World in the Moon; 
an Opera. As it is Perform’d at the Theatre in Dorset- 
Garden, By His Majesty’s Servants. First Epirion. Small 
Ato, half olive levant morocco. 

London: Printed for Abel Ropes 1697 
* The Lefferts copy wth bookplate. 


3027. SETTLE (ELKANAH). The City-Ramble: or, a 
Play-House Wedding. A Comedy. As it is Acted at the 
Theatre-Royal, by Her Majesty’s Company of Comedians. 
First Epirion. Small 4to, half blue calf. 

London: Printed for Bernard Lintott and Egbert Sanger, 
[1711] 


3028. SEWARD (ANNA). Monody on Major André; To 
which are added Letters addressed to her by Major André, in 
the year 1769. 4to, half calf, yellow edges, by Bedford. 

London, 1781 


SHAKESPEARE: SECOND, THIRD AND FOURTH FOLIOS. 


3029. SHAKESPEARE. Tue Seconp Fouio. Mr. William 
Shakespeares Comedies, Histories, and Tragedies. Published 
according to the true Originall Copies. The second Impres- 
sion. Portrat on title. Folio, red levant morocco gilt, sides 
gilt and decorated with small tools, gilt edges, in brown mo- 
rocco case, by F’. Bedford. 

London: Printed by Tho. Cotes for Robert Allot, and are 
to be sold at his shop at the signe of the Black Beare in Pauls 
Church-yard, 1632. 

* A very fine and large copy, measuring 13% x 834 in. More 

_ than one variation of the title-page occurs in this edition, and 

it is difficult to decide which was the first state. Errors in pagi- 

nation also occur, and this copy has two of this nature which 

are corrected in most, viz., in Romeo and Juliet, pp. 85 and 96 

are misprinted 58 and 67; the other errors of pagination usually 
found are also uncorrected. 


480 


OTHE 


ioe 
; ge cei 2 sella ’ 

: , 2 x 4 Gee. “"s 
a ee % : ie : 
: ; : @ Bask Ed sl sO f 
: : be Seen ¥ eee ie 
bess ge ee i 
pee i q # Se 4 e 

> > 


Tt iftory of the Me [~ 


chant of Venice. 


Withthe extreme cruelty of Shylocke— 
/ anclew towards the faide Merchant,in cut- 
ting aint pound of his flefh. And the obtaining 
| of Portia, by the choyfe of 
_ pbree (askets. 


Written by W.SHaAk ESPEAREs 


i Printed by 7. Roberts,} 600. 


MERCHANT OF VENICE, 1600. 
(See No. 3032.) 


yt z a ee ae ee 
‘ p 


3030. SHAKESPEARE. Tue Tuirp Fouio. Mr. William 
Shakespear’s Comedies, Histories, and Tragedies. Published 
according to the true Original Copies. The third Impression. 
And unto this Impression is added seven Playes never before 
Printed in Folio, ete. Portrait, and verses by Ben Jonson on 
leaf preceding title. Folio, maroon levant morocco, gilt with 
broad decorations in the 18th century French style, doublure 
of red levant morocco, gilt borders, gilt edges, in maroon 
levant morocco case, by Mercier. (Very small holes are in 
Bb7, Qq6, L11, and at p. 6 of The London Prodigal; at p. 828 
a small piece is torn out of the front blank margin; and at 
Fff4 a slight repair to the number of the page.) 

London: Printed for P..C., 1664 


* Agreeing with most of the known copies, but has in addi- 
tion the verses by Ben Jonson on a separate leaf included in the 
first signature. At p. 623 the headline of ‘‘Titus Andronicus’? 
reads ‘‘Romeo and Juliet.’’ 


3031. SHAKESPEARE. Tue Fourtrs Fouro. Mr. William 
Shakespear’s Comedies, Histories, and Tragedies. Published 
according to the true Original Copies. Unto which is added, 
Seven Plays, Never before Printed in Folio, ete. Folio, brown 
levant morocco, richly gilt, gilt edges, by The Club Bindery. 
Small hole in N4. 

London: Printed for H. Herringman, EH. Brewster, R. Chis- 
well, and R. Bentley, at the Anchor in the New Exchange; 
and at the Crane, and Rose and Crown in St. Paul’s Church- 
Yard, and in Russel-Street Covent Garden. 1685. 


* One of the very rare issues of the Fourth Folio with Chis- 
well’s name in the imprint. A very tall copy, measuring 
143 x 9% in. 


SHAKESPEARE QUARTOS. 


3032. SHAKESPEARE. The Excellent History of the 
Merchant of Venice. With the extreme cruelty of Shylocke 
the Jew towards the saide Merchant, in cutting a iust pound 
of his flesh. And the obtaining of Portia, by the choyse of 
three Caskets. Written by W. Shakespeare. Small 4to, blue 
morocco gilt, gilt edges, by W. Mansell. 

Printed by J. Roberts, 1600 


*Two editions were printed in 1600, one by Roberts, the 
other by ‘‘J.R. for Thomas Heyes,’’ and authorities are yet 
disputing as to which should have priority. In favor of the 
theory that this issue is the first there is the fact that Roberts 
obtained a license for printing it on July 22, 1598, nearly two 
years before a license was granted to Heyes. It is possible, 
however, that the date is fictitious as is the case 1n several 
other of Roberts’ publications. 

A TALL COPY, measuring 744 x 5% inches. 


[See Reproduction. | 
481 


3033. SHAKESPEARE. The first part Of the true & 
honorable history, of the Life of Sir Iohn Oldeastle, the good 
Lord Cobham. As it hath bene lately acted by the Right 
honorable the Earle of Notingham Lord High Admirall of 
England, his Seruants. Written by William Shakespeare. 
Small 4to, green levant morocco, covered with a foliage and 
panel design, doublure of red levant, dentelle borders, gilt 
edges, by Chambolle-Duru. : 

London: Printed for T. P. [Thomas Pavier.| 1600 
* First Eprrion. One of the seven spurious Shakespeare 
plays. From Henslowe’s Diary it appears that it was written 


in 1599 by Munday, Drayton, Wilson and R. Hathwaye. No 
second part is known to exist. : 


30384. [SHAKESPEARE.| The Puritaine or The Widow 
of Watling-Streete Acted by the Children of Paules. Written 
by W. 8. Small 4to, green levant morocco, panelled back and 
sides, gilt top, uNcuT, by Bedford. (Many margins and cor- 
ners repaired or replaced, blank leaf a 1, missing.) 

London: by G. Eld, 1607 


* First Epirion. One of the seven spurious plays which ap- 
peared in the third folio Shakespeare. Very rare in uncut 
state, and possibly the only copy known. 


3035. SHAKESPEARE. M. William Shake-speare, his 
True Chronicle History of the life and death of King Lear, 
and his three Daughters. With the unfortunate life of Edgar, 
sonne and heire to the Earle of Glocester, and his sullen and 
assumed humour of Tom of Bedlam. As it was plaid before 
the Kings Maiesty at White-Hall,.uppon S. Stephens night, in 
Christmas Holidaies. By his Maiesties Servants, playing 
usually at the Globe on the Banck-side. Small 4to, brown 
levant morocco gilt, doublure of maroon levant, covered with 
a seroll design, centre ornaments of brown levant mosaic, gilt 
edges, in a green levant morocco case, by David. 

Printed for Nathaniel Butter, 1608 


* SECOND EDITION. Measuring 6% x5 in. 


[See Reproduction. | 


3036. SHAKESPEARE. The Whole Contention betweene 
the two Famous Houses, Lancaster and Yorke. With the 
Tragicall ends of the good Duke Humfrey, Richard Duke of - 
Yorke, and King Henrie the sixt. Divided into two parts: 
and newly corrected and enlarged. Written by William 
Shakespeare, Gent London, for T. P. [1619]. The Late, and 
much admired Play, called PrericuEes, Prince of Tyre. With 
the true Relation of the whole History, adventures, and for- 


482 


Mz WVilliam shiveane: 


HIS 


o Curenicle Hiftory of the life 


and death of King Lear, and his 
: three Daughters, 


Wi th the unfortunate life of Eva ar, 


fonne and heire to the Earle of Glocefter, and 
| bis fallen and afjumed humour of TOM 
: of Bedlam. 


A sit was plaid before the Kings Maiesty at White-Hall, vp- 
a S. Stephens nig ht,in Christmas Hollidaies. 


_ Byhis Maiefties Seruants, playing vfually at the 
Globe on the Banck-fide. 


Printed for ONCahanie Barr. 


1608. 


King LEAR, SECOND EDITION, 1608. 
(See No. 3035.) 


tunes of the saide Prince. Written by William Shakespeare. 
Printed for T. P. 1619. 2 works in 1, 4to, red levant morocco, 
elaborately tooled, with compartments of green inlays and 
rich scroll tooling, doublure of red levant, gilt edges, by The 
Club Bindery. London: Thomas Pavier, 1619 


“The first play bears Shakespeare’s name, but is merely one 
of the plays of which he made use. Two issues of the 
‘*Pericles’’ appeared in 1609 and one in 1611. This is presum- 
ably the fourth issue. The pagination of the two plays is 
continuous. » 


- 3037. SHAKESPEARE. A Yorkshire Tragedy. Not so 
New as Lamentable and True. Written by W. Shakespeare. 
Woodcut. Small 4to, blue levant morocco, richly gilt tooled, 
doublure of red levant, gilt edges, in half levant morocco ease, 
by Cuzin. (Lacks the first blank as usual.) 

Printed. for TPs 1619 


* SECOND EDITION. One of the seven pseudo-Shakespearean 
plays. The running title reads ‘‘ All’s One, or One of the four 
Plaies in one, called a Yorkshire Tragedy. As it was plaid by 
the Kings Maiesties Players.’’ 

A tall copy, measuring 7 3/16 x 5% inches. 


30388. SHAKESPEARE. The most excellent Historie of 
the Merchant of Venice. With the extreame crueltie of Shy- 
locke the Jewe towards the said Merchant, in cutting a just 
pound of his flesh: and the obtaining of Portia by the choice 
of three Chests. As it hath beene divers times acted by the 
Lord Chamberlaine his Servants.- Written by William Shake- 
‘speare. Small 4to, red levant morocco gilt, gilt edges, by 
Chambolle-Duru. 

London: Printed by M. P. for Laurence Hayes, 1637 


* THIRD EDITION, and the first of Shakespeare’s plays to con- 
tain the Dramatis Persone. Fine copy, measuring 7x5 in. 


3039. SHAKESPEARE. Othello, the Moor of Venice. A 
Tragedy. As it hath been divers times Acted at the Globe, and 
at. the Black-Friers: and now at the Theatre Royal, by His 
Majesties Servants. Small 4to, red levant morocco gilt, gilt 
edges, Griswold arms, by Bedford. 

London: Printed for Richard Bentley, 1695 


*SrxtH Epition. Tall copy from the Griswold collection. 


3040. SHAKESPEARE. Venvs and Adonis. 16mo, origi- 
nal vellum binding, uncut, in morocco case. 

Edinbvrgh: Printed by Iohn Wreittoun, and are to bee sold 
in his Shop a litle beneath the salt Trone, 1627. 


* PRESUMABLY UNKNOWN IN THIS CONDITION, WITH THE FORE 
AND BOTTOM EDGES ENTIRELY UNCUT, AND THE PRELIMINARY 
LEAF A. THE ONLY OTHER KNOWN COPY IS IN THE BRITISH 
MUSEUM. 

The Griswold copy. 

483 


3041. SHAKESPEARE (WILLIAM) ann ROWLEY 
(WILLIAM). The Birth of Merlin: or,-The Childe hath 
found his Father. As it hath been several times Acted with 
great Applause. First Epirion. Small 4to, red levant mo- 
rocco, gilt edges, by Lortic (slight repair to title). 

London: Printed by Tho. Johnson for Francis Kirkman 
and Henry Marsh, 1662. 


* Although Shakespeare’s name appears on the title-page of 
this play, there is no reason to suppose that he wrote any part 
of it. 


3042, SHAKESPEARE. Macbeth, a tragedy. With all 
the alterations, amendments, additions, and new songs. As 
it’s now Acted at the Dukes Theatre. 4to, red morocco, gilt 
edges, by The Club Bindery. 

London: Printed for P. Chetwin, 1674 


* FIRST SEPARATE EDITION of Sir William Davenant’s alter- 
ation of the play, originally printed in the first folio, 1623. 


3043. SHAKESPEARE. Mr. William Shakespeares Come- 
dies, Histories, & Tragedies. Published according to the True 
Originall copies. Portrat. Folio, Cambridge calf gilt, gilt 
top, uncut, by Bedford. 

London: Printed by Isaac laggard, and Ed. Blount, 1623. 
London: J. Wright [1808]. 

* Wright’s reprint of the First Folio. 


3044. SHAKESPEARE. The Plays and Poems of William 
Shakespeare. Portrait. 11 vols. 8vo, brown levant morocco 
gilt, gilt tops, uncut by Louise Reymann. 

London: Wm. Pickering, 1825 


* A very fine set of Pickering’s famous ‘‘ Wreath’’ edition. 


3045. SHAKESPEARE. The Pictorial Edition of the 
Works of Shakspere. Edited by Charles Knight. Wiliam 
Shakspere; a biography. by C. Knight. Nwmerous woodcut 
allustrations. 8 vols. royal 8vo, cloth, uncut. 

London: Charles Knight and Co. [n. d.] [eirca 1843] 
* Original issue, comprising Comedies, Histories, Tragedies 
and Poems, Doubtful Plays, etc., and Biography (1843). 


3046. SHAKESPEARE. Dramatic Works of Shakespeare. 
With a Glossary. Printed in red and black, and with portrait 
(inserted). Post 8vo, blue levant morocco, gilt fillet, gilt 
edges, by Marius Michel. London, 1853 


* A three-page letter from Theodore De Vinne is laid in. 


3047. SHAKESPEARE. Dramatic Works; the text carefully 
revised with notes by Samuel Weller Singer F. 8. A. The Life 
of the Poet and Critical Essays on the Plays by William Wat- 
kiss Lloyd. Portrait on India paper, and woodcuts, by John 
Thompson after Stothard. 10 vols. small 8vo, green levant 
morocco gilt, gilt edges. London: Bell and Daldy, 1856 

* Large paper copy. 
484 


3048. SHAKESPEARE, DAVIES, ann MARLOWE. 
Venus and Adonis, from the hitherto unknown edition of 
1599; The Passionate Pilgrime, from the first edition of 1599; 
of which only two copies are known; Epigrammes, written by 
Sir John Davies, and certaine of Ovid’s Elegies, translated by 
Christopher Marlowe, from a rare early edition. Edited by 
Charles Edmonds. Small 4to, red levant morocco, uncut. 

London, 1870 


* ONE OF 6 COPIES PRINTED ON VELLUM, 3 of which are small 
4to. 


3049. SHAKESPEARE, DAVIES, ann MARLOWE. 
Venus and Adonis, from the hitherto unknown edition of 
1599; The Passionate Pilgrim, from the first edition of 1599. 
Epigrammes, by Sir John Davies, and Ovid’s Elegies, trans- 
lated by Christopher Marlowe. 1870. 16mo, green levant 
morocco, tooled in the manner of Roger Payne, gilt top, un- 
cut. London, 1870 


* One of 131 copies printed for subscribers. 


3050. SHAKESPEARE. Shakespeare’s Home; visited 
and described by Washington Irving and F. W. Fairholt, 
with a Letter from Stratford by J. F. Sabin, etc. Htchings 
on India paper by J. F. and W. W. Sabin. 8vo, cloth. 

New York, 1877 

3051. SHAKESPEARE. The Sonnets of Shakespeare. 
Edited by Edward Dowden. Portrmt. 12mo, original covers, 


uncut. London, 1881 
* One of 50 copies on Large Paper. 


3052. SHAKESPEARE. Works. 12 vols. 12mo, original 
covers, uncut. London: Kegan Paul, Trench & Co., 1882-1883 


* LARGE PAPER copy. One of 50 copies printed. 


30538. SHAW (G. BERNARD). Passion, Poison, & Petri- 
faction. A new and Original Tragedy in One Act, by the 
Chelsea Shakespear. HE ORIGINAL MANUSCRIPT OF THE PLAY, 
written in pencil on one side of 41 leaves. Attested to by 
Shaw. ‘‘This is the true and original copy written by me, 
mostly in Great Northern Express trains; hence the joggly 
handwriting in many places.’’ 4to, red morocco. 


[London] [1905] 


* Inserted there is a playbill of the first performance, and 2 
autograph letters from Shaw relative to the acquisition of the 
manuscript. 


3054. SHAW (HENRY). Details of Elizabethan Archi- 
tecture. 60 plates, 3 of which are colored. Imperial 4to, 
boards, leather back, uncut. Large PAPER COPY. 

London: Pickering, 1839 
A485 


3055. SHAW (HENRY). The Decorative Arts, Ecclesi- 
astical and Civil, of the Middle Ages. Numerous plates, 
beautifully aluminated in gold, silver and colors. Folio, 
original half morocco, uncut. London: Pickering, 1851 


* The special edition, of which only 25 copies were printed. 


3056. SHAW (HENRY). A Handbook of the Art of Illu- 
mination, as practised during the Middle Ages. With a de- 
scription of the metals, pigments, and processes employed by 
the artists at different periods. With 16 plates. Folio, cloth, 
uncut. London, 1866 


3057. SHELLEY (HARRIET). Harriet Shelley’s Letters 
to Catherine Nugent. 12mo, original paper covers, uncut. 
London: Privately Printed, 1889 
* Only 21 copies printed. 


3058. SHELLEY (MARY GODWIN). Rambles in Ger- 
many and Italy, in 1840, 1842, and 1843. 2 vols. 12mo, brown 
levant morocco gilt, gilt tops, uncut, by Riviere. London, 1844 


3059. SHELLEY (PERCY BYSSHE). Queen Mab; a 
Philosophical Poem; with Notes. 8vo, red levant morocco gilt, 
dentelle borders, gilt top, uncut, by Bedford. 

London: Printed by P. B. Shelley, 1813 

* THE EXTREMELY RARE First EpIvIon, containing Shelley’s 
name on the title-page, and also his name in the imprint on the 
last page, and with the dedication ‘‘To Harriet.’’ Almost all 


copies of the first issue have the name of the author cut out by 
Shelley himself. 


3060. SHELLEY (PERCY BYSSHE). The Cenci. A 
Tragedy in five Acts. 8vo, brown levant morocco gilt, gilt top, 
other edges uncut, by Riviére. Italy: C. and J. Ollier, 1819 


* First EDITION. ONE OF A FEW COPIES PRINTED ON THICK 
PAPER. 


486 


THIRTY-SEVENTH SESSION, THURSDAY, 8:15 P. M. 


3061. SHERBURNE (EDW ARD—Translator). Seneca’s 
Answer, to Lvcilivs His Qvere; Why Good Men suffer mis- 
fortunes seeing there is a Divine Providence? London, 1648. 
Medea: a tragedie. Written in Latine by Lucius Annzus 
Seneca. Englished by E.8., Esq. London, 1648. BotH 
FIRST EDITIONS. 8vo, 2 works in 1 vol. citron levant mo- 
rocco gilt, gilt edges, by The Club Bindery. 

-London: Printed for Humphrey Moseley, 1648 


3062. SHERBURNE (EDWARD). Poems and Transla- 
tions: Amorous, Lusory, Morall, Divine. First EDITION. 
Frontispiece. 12mo, brown morocco gilt, gilt edges, by 
Clarke and Bedford. 

London: W. Hunt for Thomas Dring, 1651 


3063. SHERBURNE (EDWARD—Translator). Troades: 
or the Royal Captives. A Tragedy. Written originally in 
Latin. Small 8vo, brown levant morocco gilt, gilt edges, 
by Riviere. London: Printed by Anne Godbid, 1679 


*FIRST EDITION. Contains the scarce preliminary blank leaf. 


3064. SHERIDAN (RICHARD BRINSLEY). The Critic; 
or, A Tragedy Rehearsed. A Dramatic Piecein Three Acts, 
as it is performed at the Theatre Royal in Drury Lane. 
Vignette on title. FIRST ISSUE, but without half-title, pp. 
98. 8vo, green levant morocco gilt, gilt top, uncut, by 
Riviére. London, 1781 


3065. SHERIDAN (RICHARD BRINSLEY). Dramatic 
Works, with an Introduction by Richard Grant White. 3 
different portraits of the author, engraved by Ritchie, each in 
two states—before and after letters. 3vols. 8vo, blue levant 
morocco, floral ornaments, dentelle borders, gilt edges, by 
Marius Michel. New York: De Vinne, 1883 


* One of 30 copies on Japan paper. 


3066. SHERLOCK (WILLIAM). The Scripture Proofs 
of our Saviour’s Divinity Explained and Vindicated, &e. 
8vo, English red morocco, panelled sides, tooled in a deli- 
cate pattern, with the MONOGRAM AND CROWN OF QUEEN 
ANNE in each corner, gilt edges. 

London: Printed for W. Rogers, 1706 


3067. SHIRLEY (EVELYN PHILIP). Lower Eating- 
ton; its manor house and church. With 5 woodcuts. Small 
4to, olive-green levant morocco, doublure and guards of 
maroon russia, gilt top, uncut, by Zaehnsdorf. 

London: Privately printed at the Chiswick Press, 1869 


487 


3068. SHIRLEY (JAMES). The Wedding, As it was lately 
Acted by her Majesties Servants, at the Phenix in Drury 
Lane. Small 4to, maroon levant morocco gilt, gilt edges, 
by Zaehnsdorf. London: Printed for John Grove, 1633 

* SECOND EDITION. Shirley’s first play. 


3069. SHIRLEY (JAMES). The Gratefvll Servant. A 
Comedie. As it was lately presented with good applause 
in the private House in Drury-Lane. By her Majesties 
Servants. Small 4to, ealf gilt, gilt top, uncut, by W.. 
Pratt. (Small corner of last leaf repaired.) 

London: Printed by I. Okes for William Leake, 1637 


* SECOND EDITION. VERY RARE UNCUT. It also contains 
the preliminary blank leaf Ai. 


3070. SHIRLEY (JAMES). The Schoole of Complement. 
As it vvas acted by her Majesties Servants at the Private 
house in Drury Lane. SECOND EDITION. Small 4to, red 
levant morocco gilt, gilt edges, by Riviere. 

London: Printed by J. H. for Francis Constable, 1637 


3071. SHIRLEY (JAMES). The Doubtful Heir. <A 
Tragi-comedie, as It was Acted at the private House in 
Black-friers. Never printed before. Crown 8vo, red 
levant morocco gilt, gilt edges, by Riviére. 

London: Printed for Humphrey Robinson... and 
Humphrey Moseley, 1652. 

* FIRST EDITION. 


3072. SHIRLEY (JAMES). Six New Playes, viz, The 
Brothers, (The) Sisters, (The) Doubtfull Heir, (The) Im- 
posture, (The) Cardinall, (The) Court Secret. The Five 
first were acted at the Private House in Black Fryers with 
great Applause. The last was never Acted. 12mo, red 
levant morocco gilt, gilt edges, by Riviére. 

London: Printed for Humphrey Robinson and Humphrey 
Moseley, 1653. 


* With the rare portrait of Shirley, by Marshall, laid in. 
Most copies have a portrait, that by Marshall, or the one by 
Gay wood. 


3073. SHIRLEY (JAMES). MHonoria and Mammon. 
Scene Metrololis, or New Troy. Whereunto is added the 
Contention of Ajax and Ulisses, for the Armour of Achilles. 
As it was represented by young Gentlemen of quality, ete. 
Portrait by R. Gaywood. 12mo, green levant morocco gilt, 
gilt edges, by Riviere. 

London: Printed for John Crook, 1659 

3074 SHIRLEY (THOMAS). The Angler’s Museum; 
or, the whole art of float and fly Fishing. Carefully col- 
lected from actual Experience. Portrait of John Kirby. 
12mo, green morocco gilt, gilt edges, by Hering. 

London: Printed for John Fielding [1784] 
*The Frederick Perkins copy, with bookplate. 


488 


3075. SHORE (JANE). Jane Shore to the Duke of 
Gloster, an Epistle. 4to, boards, leather back. London, 1749 
* This copy contains the half-title. 


3076. [SHORTHOUSE (HENRY).] John Inglesant. A 
Romance. FIRST EDITION. 2 vols. 8vo, half brown levant 
morocco, gilt tops, uncut. London, 1881 


3077. SHOUNSOUI (TAMENAGA). Les Fidéles Ronins. 
Roman Historique Japonais. Illustrated by Kei-Sai- Yei- 
Sen. Small 4to, half green morocco gilt, gilt top, uncut, 
original covers bound in, by Zaehnsdorf. Paris, 1882 


3078. SIDI-MOHAMMED. Lettres écrites pendant son 
Séjour en France en 1825. 12mo, ealf, gilt, with the ARMS 
OF LOUIS DE BOURBON, PRINCE DE CONDE, on the back. 

Paris, 1825 

3079. SIDNEY (ALGERNON). Discours sur le Gou- 
vernement, Par Algernon Sidney, Fils de Robert Comte de 
Leicester, et Ambassadeur de la République d’ Angleterre 
prés de Charles Gustave Roi de Suéde. . . . Publiez sur 
Original Manuscrit de l’Auteur. Traduits de l’Anglois 
[de 1698]. Portrait. 3 vols. 12mo, red morocco gilt, side 
borders, gilt edges. La Haye, 1702 


3080. SIDNEY (SIR PHILIP). The Countesse of Pem- 
brokes Areadia. Written by Sir Philip Sidney Knight. 
Now since the first edition augmented and ended. Folio, 
red levant morocco, gilt fillets, doublure of red morocco, 
a rich border in the style of Derome, gilt edges, in a case, 
by Mercier. 

London. Printed for William Ponsonbie. Anno Domini. 


1593. 

* SECOND EDITION. Made by the Countesse of Pembroke 
herself, on the basis of the imperfectly arranged First Edition, 
with many alterations and omissions. The border on the title 
is the same as that used for ‘‘ The Faerie Queene,” 1617. 


3081. SIGOURNEY (LYDIA H.). Scenes in my Native 
Land. Frontispiece and engraved title (foxed). FIRST 
EDITION. 16mo, cloth, gilt edges. Boston, 1845 


3082. SILIUS ITALICUS (TIBERIUS. CAIUS). Les 
Puniques. Translated by Corpet and Dubois. 3 vols. 8vo, 
red levant morocco, gilt backs, with the monogram HE. B., 
gilt edges, by Belz-Niédrée. Paris, 1836-38 


3083. [SILLIMAN (BENJAMIN).| Remarks made on a 
short tour between Hartford and Quebec in the autumn of 
1819: by the author of a journal of travels in England, 
Holland, and Scotland. Hngraved title and 9 plates. FIRST 
EDITION. 12mo, half red morocco, gilt top, uncut, by 
Riviére. New Haven, 1820 


3084. SILLIMAN (BENJAMIN). A Tour to Quebec in 
the Autumn of 1819. SECOND EDITION. Illustrated. 8Vvo, 


half red morocco, uncut. London, 1822 
489 


3085. SIMONIN (L.). Les Merveilles du Monde Souter- 
rain. Ouvrage illustré de 18 vignettes par A. de Neuville et 
accompagné de 9 cartes. 12mo, half cloth, uncut. PRINTED 
ON INDIA PAPER. Paris, 1868 


3086. SINCLAIR (ALEXANDER). Fifty Years of News- 
paper Life, 1845-1895: being chiefly Reminiscences of that 
Time. Frontispiece and woodcuts. Small 4to, blue mo- 
rocco, gilt fillets, gilt top, uncut. 

Printed for private circulation [n. d.] 
* Presentation copy from the author. 


3087. SINGER (SAMUEL WELLER). Researches into 
the History of Playing Cards. 19 plates, some in colors, 
and many woodcuts. FIRST EDITION. 4to, red levant 
morocco, richly tooled, gilt top, uncut, by David. 

* Only 250 copies printed for subscribers. London, 1816 


3088. SIR GILES GOOSECAP. Sir Gyles Goosecappe 
Knight. A Comedy lately Acted with great Applause at 
the private House in Salisbury Court. 4to, red levant mo- 
rocco, gilt fillets, gilt edges. | London: Hugh Perry [1636] 


* AN UNDATED COPY OF THE EDITION OF 1636. It is printed 
from the same forms and on similar paper, and corresponds 
with that edition in the minutest particulars, such as type out 
of alignment, etc. 

From the Jolley collection. 


3089. SKELTON (JOHN). Here after foloweth a litel 
boke ealled Colyn Cloute compyled by Mayster Skelton 
poete Laureate. 16mo, red nigerskin, Gasconesque tooling, 
doublure of the same morocco, gilt edges, by The Club 
Bindery. 

Imprinted at London by me Rycharde Kele dwellyng in 
the powltry at the long shop under saynt Myldredes 
chyrche. n.d. [ca. 1545]. 

* The first edition was probably that printed by Thomas God- 
fray without date, but about 1530 to 1535. The next earliest 
known edition is this printed by Richard Kele, probably about 
1545. Evidently more than one issue was made, as in some 
copies D7 has thesuppositious portrait of Skelton, while in this 
issue that leaf is blank, indicating that it preceded those issued 
with the portrait. ALL ISSUES ARE EXTREMELY RARE. OColla- 
tion: title and 29 leaves, followed by a blank leaf. 


3090. SKELTON (SIR JOHN). Charles I. Oolored 
frontispiece, 23 plates and 18 vignettes. Royal 4to, red mo- | 
rocco, gilt fillets, gilt top, uncut, by The Club Bindery. 

London and Paris, 1898 
-* One of 500 copies on Japan paper, with the large plates in 
duplicate. 


490 


3091. SKETCHLEY (W.). The Cocker; containing 
Every Information to the Breeders and Amateurs of that 
noble bird, The Game Cock: to which is added, a variety of 
other useful information for The Instruction of those who 
are attendants on the Cock Pit. Frontispiece. 8vo, boards, 
uncut. London, 1814 (Reprint). 


3092. SMITH (ALBERT). The Natural History of The 
Gent. With 4lillustrations. First EDITION. 16mo, half 
red morocco, gilt top, uncut, front cover bound in. 

London, 1847 


3093. SMITH (CAPTAIN JOHN). The Generall His- 
torie of Virginia, New-England, and the Summer Isles: 
with the names of the Adventurers, Planters, and Gover- 
nours from their first beginning An°: 1584. to this present 
1624. With the Procedings of those Severall Colonies and 
the Accidents that befell them in all their Journyes and 
Discoveries. Also the Maps and Descriptions of all those 
Countryes, their Commodities, people, Government, Cus- 
tomes, and Religion yet knowne. Divided into sixe Bookes. 
By Captaine Iohn Smith sometymes Governour in those 
Countryes & Admirall of New England. Hour maps and 
the engraved portraits of the Duchess of Richmond and 
Matoaka (cut down and inlaid). Folio, original brown 
morocco, elaborately gilt tooled in panels, the RoyAL ARMS 
OF JAMES I, WITH THE FEATHERS OF THE PRINCE OF WALES 
ON THE FRONT COVER, THE ARMS OF THE DUCHESS OF 
RICHMOND ON THE BACK COVER, the intervals studded with 
fleurs-de-lys, gilt edges, in brown morocco ease. (First 
4 leaves repaired.) 


London: Printed by I. D. and I. H. for Michael Sparkes, 
1624. 


* LARGE PAPER COPY, PROBABLY THE MOST INTERESTING 
KNOWN, as it is supposed to be the DEDICATION COPY To THE 
DucHESs OF RICHMOND, who contributed largely to the cost of 
publication. The above copy came from the Hamilton Palace 
Collection (described in that catalogue as the Dedication Copy). 
AN EARLY ISSUE OF THE FIRST EDITION, BEFORE THE ERRATA 
WAS PRINTED ON THE LAST LEAF; WITH THE MAP OF NEW ENG- 
LAND IN THE FIFTH OF TEN STATES‘ THAT OF ‘‘ OULD VIRGINIA ” 
IN THE FIRST STATE, THE BERMUDAS IN THE SECOND STATE, AND 
VIRGINIA PROBABLY IN THE SIXTH STATE. THE ORIGINAL POR- 
TRAITS ARE EXCESSIVELY RARE AND FOUND IN BUT FEW COPIES. 


[See Reproduction. | 
491 


3094. SMITH (CAPTAIN JOHN). The True Travels, 
Adventvres, and Observations of Captaine Iohn Smith, In 
Europe, Asia, Affrica, and America, from Anno Domini 
1593. to 1629. His Accidents and Sea-fights in the Straights; 
his Service and Stratagems of warre in Hungaria, Transil- 
vania, Wallachia, and Moldavia, against the Turks, and 
Tartars. Together with a continuation of his generall His- 
tory of Virginia, Summer-Iles, New England, and their 
proceedings, since 1624. to this present 1629; as also of the 


new Plantations of the great River of the Amazons, the . 


Iles of S* Christopher, Mevis, and Barbados in the West 
Indies. All written by actuall Authours, whose names you 
shall finde along the History. Wath the folding plate (small 
tear neatly repaired) mounted on linen, coat of arms on 
verso of title, and an extra portrait of Capt. Smith by Pass 
anserted. Small folio, dark green levant morocco, gilt 
tooled, gilt edges, by Matthews. 

London: Printed by J. H. for Thomas Slater, 1630 


* FIRST EDITION. LARGE COPY OF THIS RARE AND IMPORTANT 
ITEM OF AMERICANA. 


3095. SMITH (HENRY). The Princess of Parma. A 
Tragedy: As it is Acted at the New Theatre in Little Lin- 
colns-Inn-Fields. FIRST EDITION. 4to, red levant morocco, 
tooled in Grolieresque design, doublure of marquetry, gilt 
edges, by Kaufmann. (Some margins repaired.) 

London: Joseph Wilde, 1699 


3096. SMITH (WILLIAM). The History of the Province 
of NEW YorRK, from the First Discovery to the Year 
M.DCC.XXXII. To which is annexed A Description of 
the Country, with a short Account of the Inhabitants, their 
Trade, Religious and Political State, and the Constitution 
of the Courts of Justice in that Colony. Folding view of 
‘The South View of Oswego on Lake Ontario,’’ engraved 
by J. Mynde. 4to, dark blue levant morocco gilt, gilt 
edges, doublure of levant morocco, rich border of gold tool- 
ing, blue watered silk linings, by The Club Bindery. In a 


case. London, 1757 
* FIRST EDITION. Contains unusually fine impression of the 
folding plate, in perfect condition. The first history of New 

York, written by a distinguished lawyer and loyalist. 


3097. [SMOLLETT (TOBIAS).] The Expedition of 
Humphry Clinker. By the Author of Roderick Random. 
First EDITION. 3 vols. 12mo, sprinkled ealf, gilt backs, 
by Riviere. London, 1771 

* First issue, with the misprinted date (1671) in Vol. 1. 

3098. SMOLLETT (TOBIAS). Playsand Poems. Vignette 

portrait. 12mo, original boards, ENTIRELY UNCUT. 


London: Printed for T. Evans and R. Baldwin, 1777 
* First EDITION. There is no copy in the British Museum, 
the Bodleian Library, nor in the University or Trinity College 


492 


rit ert Ree fanies of the Ach naeee 
Planters, and Governours from their | 


He ee ning. An:1se 4. to this 
a ee I 62 a, 


eee: the AcSio ents nari fecen Ga er 


ike CS. 


| Alfo 0 aps es elripiay of all thofe | 


‘Coumtryes, their Commodities, people, 
Govemment,Cuftomes,and Religion 
t knowne . 
DiIvIDED SMITA ae BOOKES . 
By Captamg IQHN SMITH fom Epi, 
ih thole? Countryé if Ade 
us New Eels and 


LONDON. 
Printed byl D D. an 
Li. for Miche 


DEDICATION Copy oF SmiTH’s HISTORY OF VIRGINIA, 1624. 
(See No. 3093.) 


Libraries, Cambridge, and the copy in the Advocates’ Library, 
Edinburgh, bound in calf, lacks the preliminary half-title. 

The arrangement of preliminary leaves in this volume is so 
unusual as to give the impression on a first examination that 
cl is missing. But as the copy in the Advocates’ Library, 
Edinburgh, is similar to this, the supposition is that no leaves 
are lacking. 

The simplest explanation of the discrepancy is to suppose a 
printer's error in the pagination of preliminary matter. 

Laid in are 5 letters, mainly from the libraries mentioned, 
relating to this edition. Name on title. 


3099. SMOLLETT (TOBIAS). The Expedition of Hum- 
phry Clinker. With a Memoir of the author by Thomas 
Roscoe. Illustrated by George Cruikshank. 12mo, half ma- 
roon levant morocco, gilt top, uncut, by Krafft. London,1831 


3100. SMOLLETT (TOBIAS). The Adventures of Pere- 
grine Pickle. In which are included Memoirs of a Lady 
of Quality. 8 allustrations by George Cruikshank. 2 vols. 
12mo, half maroon levant morocco, gilt tops, uncut, by 
Braitt. |. London, 1831 


3101. SMOLLETT (TOBIAS). The Adventures of Roder- 
ick Random. JTllustrated by Cruikshank. 12mo, half ma- 
roon levant morocco, gilt top, uncut, by Krafft. Lond. 1831 


3102. SOLDIER’S POCKET BIBLE. An exact reprint 
of the original edition of 1643 With a Prefatory Note by 
George Livermore ‘‘Trust in the Lord, and keep the Powder 
dry.’’ 8vo, boards. Cambridge: PRIVATELY PRINTED, 1816 

* One of 10 copies on vellum. 


3103. SOMAIZE (ANTOINE BAUDEAU DE). Le Pro- 
cez des Pretieuses, en vers burlesques. Comédie. 16mo, 


ealf, gilt. Paris, 1660 
* ONE OF THE THREE ISSUES OF THE FIRST EDITION printed 
this year. 


3104. SOMAIZE (ANTOINE BAUDEAU DE). Les 
Véritables Pretieuses. Comédie. First EDITION. 18mo, 
ealf, gilt back, blind-stamped sides. Paris, 1660 


3105. SOMERVILLE (WILLIAM). The Chase. A 
Poem. Wood engravings by Thomas Bewick. London: 
Printed by W. Bulmer, 1796; Hobbinol. Field Sports and 
the Bowling Green. TJllustrated by Nesbit and Thurston. 
First EDITION of the first-named, with the Bewrck plates. 
2 vols. in 1, thick 4to, dark green levant morocco, tooled 
in an appropriate design composed of dogs, deer, falcons, 
leaves intertwined, etc., dentelle borders, gilt top, uncut, 
by David. London: William Bulmer, 1796 


* Extra-illustrated by the insertion of about 150 plates 
(many inlaid) views of the chase, field sports, portraits, etc., 
in proof state, some on India paper. 


493 


3106. SONGS. A Collection of English Songs, with an 
Appendix of original Pieces, collected by Alexander 
Dalrymple. 8vo, half red morocco gilt, gilt top, uncut. 

London, 1796. 


3107. SONGS. Songs from the Dramatists. Edited by 
Robert Bell. 8vo, blue levant morocco gilt, gilt over rough 
edges, in a brown levant case, by Cuzin. New York, 1882 


* LARGE PAPER COPY, AND THE ONLY ONE PRINTED ON 
VELLUM. 


3108. SONNETS ET EAUX-FORTES. Forty-two Son- 
nets by Coppée, Gautier, Houssaye, Sainte-Beuve, Catulle 
Mendés, Verlaine and others. Decorated title-page by Pru- 
natre after Renard and 42 EHtchings by HADEN, COROT, 
MILLET, BRACQUEMOND, DAUBIGNY, MANET AND OTHERS. 
Folio, half blue levant morocco gilt, gilt top, uncut, by 
Reyman. Paris, 1869 


* LARGE PAPER COPY WITH THE ETCHINGS IN TWO STATES. 
in black on India paper and in bistre. 


3109. SONREL (L.). Le Fond de la Mer. Ouvrage il- 
lustré de 98 gravures par Yan’ Dargent, Férat et A. Mesnel. 
India paper copy. 12mo, half cloth, uncut. Paris, 1868. 


3110. SOPHOCLES. Tragcedie septem cum commenta- 
riis, greece. EDITIO PRINCEPS. 8vo, brown morocco, gilt 
panelled sides, gilt edges, by Clarke and Bedford. [161 mm. } 

Venetiis: in Aldi Romani Academia, 1502 


3111. SOUTHEY (ROBERT). Amadis of Gaul by 
Vasco Lobeira. From the Spanish version of Garciordo- 
nez de Montalvo. 4 vols. 12mo, sprinkled ealf gilt, gilt 
tops, uncut, by Bedford. London, 1803 


3112. [SOUTHWELL (ROBERT).] Marie Magdalens 
Funeral Teares. 12mo, blue levant morocco gilt, gilt 
edges, by F. Bedford. (Margin of title and of final leaf 
restored; corners of several leaves supplied. ) 

London: Printed by J. W. for G. C., 1591 


* THE EARLIEST KNOWN EDITION AND PROBABLY THE ONLY 
KNOWN copy, not mentioned by Hazlitt, who gives 1594 as the 
earliest edition. With the unnumbered leaf ‘‘ Faultes escaped 
in the Printing.” All Southwell’s books are exceedingly rare, 
many having been destroyed when the author was executed 
for his Catholicism. The great poetical collections of Heber 
and Corser possessed later editions only of a few of Southwell’s 
writings. 


3113. SOUTHWELL (ROBERT). Saint Peters Com- 
plaint, Newly augmented With other Poems. Woodcut 
title. London; H. L. for William Leake: [1596?] (II) Me- 
oniz. Or, Certaine excellent Poems. London, V. Sims 


494 


for John Busbie, 1595. (III) The Triumphs ouer Death. 
London, V. Simmes for John Busbie, 1596. (IV) A Foure- 
fould Meditation, Of the foure last things. London, G. Eld: 
for Francis Burton, 1606. (V) Saint Peters Teares. Lon- 
don William Jones, 1602. (VI) Marie Magdalens Lamenta- 
tions. London, Adam Islip for Edward White. 1601. 6 
vols. in 1., original vellum wrappers (edges slightly dam- 
aged), with ties, in a morocco case. 

* Tall copies. From the George Lewis Way collection, with his 
bookplate. The Dictionary of National Biography says: ‘‘The 
only perfect copy known was in the library of Mr. G. L. Way, but 
is not now traceable. A fragment of another copy is in the 
British Museum.” ‘‘Saint Peters Complaint,” the first men- 
tioned, is undated, and has been placed as early as 1596 and as 
late as 1609. It was first printed in 1595. The copy of ‘‘ Me- 
oniz” is the first edition; ‘‘The Triumphs over Death,” the 
second. ‘‘A Fovre-Fovld Meditation”’ is the first edition and 
is said to be the only copy known. The copy in the British 
Museum is a fragment of only six leaves, and was acquired, 
with other rare volumes, from the Isham collection in 1894. 
The signer of the dedication, W. H., is supposed to have been 
William Hall, a book-seller’s purveyor. ‘‘Saint Peters Teares,” 
1602, is the second edition, a reissue of ‘‘Saint Peters Ten 
Teares” issued in 1597; ‘‘Marie Magdalens Lamentations,” 
generally ascribed to Markham, is the first edition, of which 
few copies are known. Many of the leaves are uncut; there 
are one or two small worm-holes, and a small blank corner of 
one leaf is missing, but has all the blank leaves. 


38114. SPEGHT (RACHEL). Mortalities Memorandvm, 
with a dreame prefixed, imaginarie in manner; reall in 
matter. FIRST EDITION. 4to, brown levant morocco, gilt 
panels, doublure of the original vellum covers, gilt edges, 
by Riviere. London: Edward Griffin for Jacob Bloome, 1621 


3115. SPENCE (JOSEPH). Anecdotes, Observations, and 
‘Characters, of Books and Men. Collected from the con- 
versation of Mr. Pope, and other eminent persons of his 
time. With notes and life of the author by S. W. Singer. 
Portraut. 8vo, half russia, gilt top, uncut. London, 1820 


3116. SPENSER (EDMUND). Complaints. Containing 
sundrie small Poemes of the Worlds Vanitie. Whereof the 
next Page maketh mention. Small 4to, red morocco, gilt 
edges, by C. Lewis. 

London: Imprinted for William Ponsonbie, 1591 

* FIRST EDITION. Heber had two copies, one bound in vellum, 
uncut, the other in morocco, by C. Lewis. The above is pos- 
sibly the latter, and in that case also from the Roxburgh and 
Sir M. M. Sykes libraries. 

The reference in the ‘‘ Tears of the Muses” to ‘‘Our pleasant 
Willy,” considered by early writers to have referred to Shake- 
speare, is now generally admitted to be a reference to Tarleton 
the actor. Shakespeare refers to this poem (‘‘ The Tears of 
the Muses’’) in ‘‘ Midsummer Night’s Dream.” 

495 


ts 


3117. SPENSER (EDMUND). The Faerie Qveene. Dis- 
posed into twelue bookes, Fashioning XII. Morall vertues. 
Printer’s device on title, London; Printed for V Villiam Pon- 
sonbie, 1596. The Second part of the Faerie Qveene, con- 
taining The Fovrth, Fifth, and Sixth Bookes. Printer’s 
device on title, Imprinted at London for V Villiam Ponsonby, 
1596; Colin Clovts Come home againe. Title within a 
woodcut border and woodcut device on title. London, | 
Printed for V Villiam Ponsonbie, 1595. 3 vols. in 1. Small 
Ato, old calf gilt, THE MONOGRAM OF JOHN EVELYN, ‘‘J. E.”’ 
between branches of palm and laurel in the back panels 
and in the centre and corners of the sides, gilt edges, in a 
red levant morocco case. London, 1595-1596 

* SECOND EDITION of the first part of ‘‘The Faerie Qveene,” 
FIRST EDITION of the second part, and FIRST EDITION OF COLIN 
CLOUT. JOHN EVELYN’S COPY. CONTAINING ON THE FLY-LEAF 


SEVENTEEN LINES IN HIS AUTOGRAPH, quoted from Camden’s 
Elizabeth. Tall copies. 


3118. SPENSER (EDMUND). Colin Clouts Come Home 
Againe. 4to, brown levant morocco, richly gilt tooled with 
foliage and interlaced scrolls, doublure of green levant, gilt 
edges, by The Club-Bindery. 

London: William Ponsonbie, 1595 


* First EDITION. A 16th Century owner has written in the 
margins the real names of the characters in the poem, among 
whom are Mary, Countess of Pembroke, Countess of Hunting- 
ton, Lady Price, Sir Philip Sidney, etc. 


3119. SPENSER (EDMUND). Fowre Hymnes, made by 
Edm. Spenser (together with, ‘‘ Daphnaida’’). Small 4to, 
citron levant morocco, gilt and mosaic back, sides covered 
with gilt tooling on a mosaic of red and green morocco in 
panels, gilt edges, by The Club Bindery. 

London: Printed for William Ponsonby, 1596 


* FIRST EDITION of the ‘‘Fowre Hymns,” and the second of 
‘* Daphnaida.”’ 


3120. SPENSER (EDMUND). Prothalamion Or A Spou- 
sall Verse made by Edm. Spenser. In honovr of the dovble 
mariage of the two Honorable & vertuous Ladies, the Ladie 
Elizabeth and the Ladie Katherine Somerset, Daughters to 
the Right Honourable the Earle of Worcester and espoused 
to the two worthie Gentlemen M. Henry Gilford, and M. 
William Peter Esquyers. Small 4to, red levant morocco, rich 
scroll borders on the sides, gilt edges, by The Club Bindery, 
in ease. At London. Printed for VVilliam Ponsonby, 1596 

* First EDITION. The catchword on B2 recto is correctly 
printed ‘‘ From” and not ‘‘ To.” 


496 


3121. SPENSER (EDMUND). The Shepheards Calender: 
conteyning twelve Aeglogues, proportionable to the twelve 
Moneths. Entituled, to the Noble and vertuous Gentleman, 
most worthy of all tytles, both of learning and chiualrie, 
Maister Philip Sidney. 12 woodcuts. Small 4to, citron 
levant morocco, gilt tooled, doublures of citron levant, gilt 
edges, by The Club Bindery, in a case. 

London: Printed by Thomas Creede for John Harrison, 
1597. 

* FIFTH EDITION. The title is skilfully repaired in two places, 
one just shaving the lettering on verso, and the corners of the 


first and second leaves of the Epistle to the reader have been 
restored. The woodcuts are very good impressions, 


3122. SPENSER (EDMUND). The Shepheards Calender: 
conteyning twelve Aeglogues, proportionable to the twelue 
Moneths. Entitvled, To the Noble and vertuous Gentle- 
man, most worthy of all tytles, both of learning and chiual- 
rie, Maister Philip Sidney. 72 woodcuts. Sixth Edition. 
Gothic type. 4to, red levant morocco, gilt ornaments, 
doublure of red morocco, richly tooled arabesques in com- 
partments, gilt edges, partly uncut, by Chambolle-Duru. 

London Printed by Thomas Creede, for Iohn Harrison 
the yonger. 1597. 


3123. SPENSER (EDMUND).- The Faerie Qveene, dis- 
posed into XII. Bookes, Fashioning twelue Morall Vertues. 
Small folio, olive morocco gilt, gilt edges, by T. Aitken. 

At London, printed by H. L. for Matthew Lownes, 1609 
* THIRD EDITION OF THE FIRST THREE BOOKS, AND SECOND 
EDITION OF THE FOURTH, FIFTH AND SIXTH. IT IS THE FIRST 


FOLIO EDITION, and frequently occurs with others of Spenser’s 
works bound at the end. 


3124. SPENSER (EDMUND). The Faerie Queen: the 
Shepheards Calendar: Together with the other Works of 
England’s Arch-Poét, Edm. Spenser: Collected into one 
volume, and carefully corrected. Folio, light brown levant 
morvcco, richly tooled in compartments, with many inlaid 
panels and ornaments in dark brown and green, doublure 
of brown levant, gilt over rough edges, by The Club Bindery. 

Printed by H. L. for Matthew Lownes, 1611 


* THE FIRST COLLECTED EDITION, with each of the sub-titles 
dated 1611. 


3125. SPENSER (EDMUND). Works, with the principal 
illustrations of various Commentators. To which are added 
notes, some account of the Life of Spenser, and Glossarial 
and other Indexes, by the Rev. Henry John Todd. Portrait 
by J. Collyer. 8 vols. royal 8vo, red levant morocco gilt, gilt 
tops, uncut, by Bedford. London, 1805 

* LARGE PAPER COPY. 


497 


3126. SPINNIKER (ADRIAN). Leerzaame Zinnebeel- 
den; 1757. Vervolg der leerzaame Zinnebeelden; 1758. 
Feestzang op de Vrede; 1748. 2 frontispieces, 2 fleurons 
and numerous copper-plates. 38 vols. in 1, 4to, half ealf, 
gilt back, uncut. Harlem: Jan Bosch, 1748-58 


3127. SPINOLA (GEORGE). Rules to Get Children by 
with handsome faces: or, Precepts for the Extemporary 
Sectaries which Preach, and Pray, and get Children with- 
out Book to consider and look on, before they leape. 4to,.. 
half sprinkled ealf. London: Printed for R. H., 1642 


* A PERFECT Copy, Lowndes quotes only one copy which he 
calls ‘‘damaged.” From the Pope collection. 


3128. SPOONER (LAWRENCE). A Looking-Glass for 
Smoakers, or, The Danger of the Needless or Intemperate 
Use of Tobacco. A Poem. Small 8vo, brown levant mo- 
roceo, gilt tooled, rough edges, by The Club Bindery. 

London: A. Baldwin, 1703 
* ORIGINAL ISSUE of this singular work, with the half-title. 


3129. SPRAT (THOMAS). The Plague of Athens, which 
hapned in the Second Year of the Peloponnesian Warre. 
First described in Greek by Thucydides, then in Latin by 
Lucretius. Now attempted in English by Tho. Sprat.* 4to, 
blue levant morocco gilt, gilt edges, by Riviére. 

London: Printed by E. C. for Henry Brome, 1665 


3130. STADEN (HANS). Warhafftige Historia und Be- 
schreibung einer Landtschafft der Wilden, Nacketen, Grim- 
migen Menschfresser Leuthen, in der Newen Welt America, 
ete. Title in red and black, woodcut on title and 40 other 
woodcuts in the text. Ato, brown levant morocco, gilt pan- 
els, gilt edges, by The Club Bindery. 

Franckfurdt am Mayn: Weygandt Han [1557] 


* ONE OF THE MOST IMPORTANT BOOKS RELATING To SOUTH 
AMERICA, dealing chiefly with the Tupi Indians of Brazil, 
among whom the author spent nine months in captivity. The 
truthfulness of his narrative has been attested from the per- 
sonal experiences of later travellers. It was translated into 
Latin in 1592 for the third part of De Bry’s Grand Voyages. 


3131. STAFFORD (THOMAS). Pacata Hibernia, Ire- 
land appeased and redveced: or, an Historie of the late 
VVares of Ireland, especially within the Province of Movn- 
ster, under the Government of Sir George Carew, Knight, 
VVherein the Siedge of Kinsale, the Defeat of the Earle of 
Tyrone, and his Armie; The Expulsion and sending home 
of Don Iuan de Aguila, the Spanish Generall, with his 


498 


Forees; and many other remarkeable Passages of that time 
are related. Illustrated with Seventeene severall Mappes for 
the better understanding of the Storie. Folio, green levant 
morocco, gilt edges, by Bedford. 

London: Printed for Robert Milbourne, 1633 


* First EpiTion. This copy hasan original impression of the 
Map of Munster. which is often lacking, and is sometimes sup- 
plied from Speed’s maps; also the portrait of George Carew, 
Earl of Totnes, in armor, engraved by Voerst, and portrait of 
Queen Elizabeth with globe and scepter, above verses by 
G.[eorge] W. [ither. | 


8132. STANLEY (HENRY MORTON). How I found 
Livingstone: travels, adventures and discoveries in Central 
Africa: including an account of Four Months’ Residence 
with Dr. Livingstone. Maps and illustrations. F1iRST EDI- 
TION. 1 vol. in 2, 8vo, half green moroceo gilt, gilt tops, 
uncut. New York, 1872 


3183. STANLEY (HENRY MORTON). In Darkest 
Africa or the quest rescue and retreat of Emin Governor 
of Equatoria by Henry M. Stanley. 150 illustrations and 
maps. FIRST EDITION. 2 vols. 8vo, half maroon morocco 
gilt, gilt tops, uncut. London, 1890 


3134. [STAPYLTON (SIR ROBERT).] The Slighted 
Maid, a comedy, Acted with great applause at the Theatre 
in Little Lineolns-Inn-Fields. By His Highness the Duke 
of York’s Servants. FIRST EDITION. Small 4to, light 
brown levant morocco, gilt borders, gilt edges, by The 
Club Bindery. London: Printed for Thomas Dring, 1663 


3135. STATIUS (PUBLIUS PAPINIUS).  Statii Syl- 
varum Libri Quinque; Thebaidos libri duodecim Achille- 
idos duo; Orthgraphia et Flexus Dictionum Grecarum, ete. 
8vo, red levant morocco, panelled sides, Aldine anchor in 
center, gilt edges, by Thibaron-Joly. 

Venetiis: in edibus Aldi, 1502 
* FIRST ALDINE EDITION. 


3136. STATIUS (PUBLIUS PAPINIUS). C£uavres Com- 
plétes. Translated by Rinn and Achaintre. 4 vols. 8vo, 
red levant morocco gilt, with the monogram E. B., gilt 
edges, by Belz- Niédrée. Paris, 1829-32 


3137. STATUTS et Réglements pour la Communauté des 
Maistres Relieurs et Doreurs de Livres de la Ville et Uni- 
versité de Paris, Enterpris & rédigés du tems & par les soins 
des Sieurs Jacques-Augustin Bonnet, Alexis-Nicolas Ducas- 
tin, Pierre Anguerand & Antoine-Joseph Monvoisin. 12mo, 
old green morocco, gilt back, gilt end-papers, gilt edges. 

Paris, 1750 
* A list of ‘‘Gardes ” from 1699 to 1750, at the end, has been 
continued in manuscript to the year 1758, 


499 


3138. STEDMAN (EDMUND CLARENCE). Poets of 
America. With ten portraits on India paper. 2 vols. 8vo, 
cloth, uncut. Cambridge: Riverside Press, 1885 

* One of 150 copies on Large Paper. 


3139. STEELE (SIR RICHARD). The Funeral: or, 
Grief A-la-mode. A Comedy. As it is Acted at the Theatre 
Royal in Drury-Lane, by his Majesty’s Servants. FIRST 
EDITION. 4to, polished calf gilt, gilt edges, by Lloyd. 

London: Printed for Jacob Tonson, 1702 


3140. STEELE (SIR RICHARD). The Lucubrations of 


Isaac Bickerstaff Esq; THE ORIGINAL 271 NUMBERS of 
‘*‘The Tatler,’’ from April 12, 1709, to January 2, 1711, 
published three times a week, on Tuesdays, Thursdays and 
Saturdays. 2 vols. folio, green vellum, gilt, ENTIRELY 
UNCUT. London, 1709-1711 
* From the libraries of Lord Hope and the Earl of Munster. 

See No. 17, ‘< ‘The Spectator.” 


3141. STEELE (SIR RICHARD). ‘‘ The Guardian.” A 
COMPLETE FILE, AS ORIGINALLY ISSUED (175 numbers) from 
Thursday, March 12, 17138, to Thursday, Oct.1,1713. ‘‘ The 
Englishman.’ Being a Sequel to ‘‘ The Guardian.”? Num- 
bers 1 to 56, from Tuesday, Oct. 6, 1718, to Thursday, 
Feb’y 11, 1714. ‘‘ The Lover,’’ written in imitation of the 
Tatler. Numbers 1 to 40. From Thursday, Feb’y 25, 
1714, to May 27th. Bound together in one volume. Folio, 
green vellum, gilt sides, ENTIRELY UNCUT. London, 1713-14 

* From the libraries of Lord Hope and the Earl of Munster. 


3142. STEELE (SIR RICHARD—Editor). Poetical Mis- 
cellanies, Consisting of original poems and translations. 
By the best Hands. Frontispiece. Small 8vo, light brown 
levant morocco, gilt edges, by The Club Bindery. 

London: Jacob Tonson, 1714 

* SECOND EDITION, with the misprint in the date on the title- 

page corrected, and the contents reset in smaller type in two 

leaves instead of three. Although the text is the same, line 

for line, as in the First Edition, an examination of ene 
pages shows that the type has been reset. 


3143. STEELE (SIR RICHARD). The Dramatick Works 
of Steele. Containing the Conscious Lover, The Funeral, 
The Tender Husband, The Lying Lover. Frontispiece. 


12mo, green levant morocco, gilt and mosaic back, gilt 
edges. London [1730-1733] 


3144. STEELE (SIR RICHARD). The Dramatic Works 
of Steele. With an Account of his Life and Writings. 
Portrait after Kneller, and an extra one wserted. 12mo, 
red straight-grain morocco, by The Club Bindery. 

London, 1761 
* Contains The Funeral, dated 1758; The Tender Husband, 
1761; The Lying Lover, 1760; The Conscious Lovers, 1764 


(probably a misprint). 
500 


3145. [STEEVENS (THOMAS).] A Miscellany of Poems 
upon Several Occasions, both Moral and Amorous; with 
many odes, songs, acrosticks, Epigrams and elegies; as 
also Divine Hymns. Composed by T. 8. Small 8vo, brown 
levant morocco gilt, vilt edges, by The Club Bindery. 

London: Printed for Joseph Knight, 1689 
* The Jolley copy. 


3146. STENGEL (GEORGE). Ova Paschalia Sacro Em- 
blemate inscripta, ete. Hngraved title, portraits, shields 
and 100 copper-piates. 2 parts in 1 vol. 12mo, citron 
straight-grain morocco, blind tooled, gilt edges. 

Ingolstadii, 1672 


3147. STERNE (LAURENCE). A Sentimental Journey 
through France and Italy. 2 vols. 12mo, red levant mo- 
rocco, covered with mosaic design of olive, gray, citron and 
pink morocco, in compartments, with alternate floral em- 
blems; doublure of red morocco, with a border of heavy 
tools and the monogram ‘‘ R. H.,”’ gilt over marbled edges, 
in morocco eases, by Mercier. 

London: Printed for T. Beckett and P. A. De Hondt, 1768 


* A LARGE PAPER COPY OF THE FIRST EDITION, with leaf of 
advertisement (from a smaller copy) laid in. Contemporary 
autograph of ‘‘S. Gideon” on page 1 of each volume. 


3148. STERNE (LAURENCE). Voyage Sentimental, 
suivi des Lettres d’Yorick a Eliza, en Anglais et en Fran- 
eais. Ornée de 6 figures d’aprés ‘Monsiau. 3 vols. 18mo, 


original boards, uncut. Paris: Didot, 1799 
*The plates are proofs before letters, engraved by Le 
Villain. 


3149. STERNE (LAURENCE). A Sentimental] Journey 
through France and Italy. By Mr. Yorick. 2 vols. 12mo, 
gree) levant morocco, profusely gilt tooled, vellum linings 
and end-papers, gilt tops, uneut, in morocco slip-cases, by 
Riviére. London, 1768 [New York: De Vinne & Co., 1885] 


* ONE OF 4 COPIES PRINTED ON VELLUM. 


3150. STEVENS (FRANK EVERETT). Wakefield’s 
History of the Black Hawk War. Reprint of the first edi- 
tion by John A. Waketield. Colored frontispiece and other 
illustrations. 8vo, half vellum, uncut. 


Chicago: Caxton Club, 1908 
* One of 203 copies printed. 


3151. STEVENS (HENRY—of Vermont) AND LUCAS 
(FRED W.—Editors). The New Laws of the Indies for 
the Good Treatment and Preservation of the Indians pro- 
mulgated by the Emperor Charles the Fifth 1542-1543. A 
Facsimile Reprint of the Original Spanish Edition To- 
gether with a literal Translation into the English Language 
To which is prefixed an Historical Introduction. Macsimile 


501 


woodcuts of the Spanish edition. Folio, dark red levant 
morocco, gilt panels, doublure and end-papers of vellum, 
gilt top, by The Club Bindery. 
London: Privately printed at the Chiswick Press, 1893 
* ONE OF 13 COPIES PRINTED ON VELLUM. 


3152. STITH (WILLIAM). The History of the First 
Discovery and Settlement of Virginia: being An Essay 
towards a General History of this Colony. By William 
Stith. A. M. Reetor of Henrico Parish, and one of the 
Governors of William and Mary College. 8vo, sprinkled 
‘calf gilt, gilt edges, by Bedford. 

Williamsburg: William Parks, 1747 

* First EpItion. With the Appendix, containing a collection 
of charters relating to the period described. Two issues were 
published in 1747, but no attempt has been made to determine 
their priority. 


3153. STOWE (HARRIET BEECHER). Uncle Tom’s 
Cabin; or, The History of a Christian Slave. With an In- 
troduction by Elihu Burritt. Jllustrated by siateen en- 
gravings by Johnston from original designs by Anelay. 
8vo, half green levant morocco gilt, gilt top, uncut, by 
Krafft. London: Partridge and Oakey, 1853 


3154. STOWE (HARRIET BEECHER). La Case de 
VOncle Tom; La Clef de la Case de ’LOnecle Tom. Portrait 
and numerous illustrations after G. Cruakshank. 2 vols. 
royal 8vo, cloth (not original), uncut, original covers bound 
in. Paris, 1853 


3155. STRADAN (HANS). Passio, Mors et Resurrectio. 
Engraved title and 20 plates, fine impressions, by Th. Galle, 
Collaert, Wrerix, and de Pass, after Stradan’s designs. 
Folio, red levant morocco, gilt edges, by Hardy. 

[Antwerp] [ca. 1600] 


3156. STRAPAROLA (GIOVANNI FRANCESCO). Les 
Facétieuses Nuits. 50 allustrations by L. Lebégue. 2 vols. 
8vo, blue levant morocco, gilt panels, gilt tops, uncut, 
original covers bound in, by The Club Bindery. Paris, 1907 


* One of 50 copies printed on Japan paper, with an extra set 
of 50 illustrations in colors and an extra set of initials in red at 
the end of the second vol. 


3157. STUBBES (JOHN). The Discoverie of a Gaping 
Gvlf vvhereinto England is like to be swallovved by an other 
French mariage, if the Lord forbid not the banes, by letting 
her Maiestie see the sin and punishment thereof. Small 8vo, 
red levant morocco gilt, gilt edges, by Chambolle-Duru. (One 
leaf repaired. ) n. p.—Anno 1579 


*First Epition. The author had his right hand eut off in 
the market place at Westminster, for writing this book. The 
publisher, Page, was similarly punished, but the printer, 
Singleton, was pardoned. The occasion for the volume was the 
proposed marriage of Queen Elizabeth to the Duke of Anjou. 


502 


3158. [STUKELEY (THOMAS).] The Famous Historye | 
of the life and death of Captaine Thomas Stukeley. With his 
marriage to Alderman Curteis Daughter, and valiant ending of 
his life at the Battaile of Alcazar. As it hath beene Acted. 
_ Printed in Gothic type. First Epition. Small 4to, red 

levant morocco gilt, gilt edges, by Bedford. 

[London] Printed for Thomas Pauyer, 1605 


3159. STURT (JOHN). The Orthodox Communicant, by 
way of Meditation. On the Order for the Administration of 
the Lord’s-Supper, or Holy Communion; According to the 
Liturgy of the Church of England. 88 vignettes and tail- 
pieces and with text engraved throughout. 12mo, red levant 
morocco gilt, gilt edges, by Bedford. London, n. d. 


3160. SUAREZ (FRANCOIS). Sermons Panegyriques a 
l’honneur de Nostre-Dame des Anges, & du seraphique pére 
St. Francois. Full-page portraits of Anne of Austria and 
the Dauphin, afterwards Lowis XIV, engraved by Boudan. 
4to, blue levant morocco, gilt edges, by Trautz-Bauzonnet. 

Paris, 1639 


3161. SUBLIGNY (PERDOU DE). La Folle Querelle ou 
la Critique d’Andromaque. Comédie representée par la 
Troupe du Roy. First Epirion. 12mo, red levant morocco 
gilt, gilt edges, by Thibaron. Paris, 1668 


3162. SUCKLING (SIR JOHN). Fragmenta Aurea. A 
Collection of all the Incomparable Peeces written By Sir John 
Suckling. And published by a Friend to perpetuate his 
memory (with separate titles to the various parts). Brilliant 
impression of the portrat by Marshall. 8vo, red levant mo- 
rocco gilt, gilt edges, by F. Bedford. 

London: Printed for Humphrey Moseley, 1646 


* First EDITION. 


3163. SUCKLING (SIR JOHN). Works, containing his 
Poems, Letters and Plays. Portrait engraved by Van der 
Gucht. 8vo, red levant morocco, gilt borders, gilt: edges, by 
The Club Bindery. Larner PapEr copy. 

London: Printed for Jacob Tonson, 1709 


3164. SUCKLING (SIR JOHN). Works; Containing his 
Poems, Letters and Plays. 2 vols. small 8vo, brown levant mo- 
rocco gilt, gilt edges, by Brany. London: T. Davies, 1770 


3165. SUCKLING (SIR JOHN). The Poems, Plays and 
other remains of Sir John Suckling, a new edition With a 
Copious Account of the Author, Notes, and an Appendix of 
Illustrative Pieces. Edited by W. C. Hazlitt, with life and 
bibliography. Portrait. 2 vols. 8vo, boards, uncut. 

London: Privately printed, 1874 


503 


3166. SUE (EUGENE). The Mysteries of Paris. Nwmer- 
ous woodcuts by Henri Valentin. 3 vols. royal 8vo, red levant 
morocco, gilt panels, gilt tops, uncut, by Riviére. 

London, 1845-1846 


3167. SUETONIUS TRANQUILLUS (CAIUS). Suétone. 
Translated by de Golbery. 3 vols. 8vo, red levant morocco, 
gilt back with the monogram ‘‘E. B., r oilt edges, by Belz- 
Niédrée. Paris, 1830-33 


3168. SUFFOLK GARLAND. Collection of Poems, Songs, 
Ballads, Sonnets, ete. Small 4to, citron levant morocco gilt, 
gilt top, uncut. Ipswich: John Raw, 1818 


3169. SURREY (HENRY HOWARD, EARL OF). 
Songes and Sonnets, written by the Right honourable Lord 
Henry Haward late Earle of Surrey, and others. Woodcut 
headband and ornament on trtle. Small 8vo, brown levant 
morocco, richly tooled, doublure of vellum ornamented with 
leaf sprays, gilt edges, in half morocco case, by Mercier. (One 
or two headlines slightly cut into.) 

Imprinted at London by John VVindet, 1585 


* SEVENTH EDITION. PRINTED IN GOTHIC TYPE. THE WAY- 
ADEE COPY. EXCESSIVELY RARE. | 


[See Reproduction. | 


3170. SURREY (HENRY - HOWARD, EARL OF). 
Poems; printed from a Correct Copy; with Poems of Sir 
Thomas Wiat and others, his famous contemporaries, (and) 
some Memoirs of his Life and Writings, by Dr. Sewell. 8vo, 
russia, gilt fillets, gilt edges, by RogkR Payne. London, 1717 


3171. SURTEES (ROBERT SMITH). MHandley Cross; 
or, Mr. Jorrocks’ Hunt. First Eprrion. Colored and other 
illustrations by John Leech. 8vo, cloth, uneut. London, 1854 


3172. SURTEES (ROBERT SMITH). ‘‘Ask Mamma;”’ 
or, the Richest Commoner in England. 13 colored plates and 
69 woodcuts by John Leech. 8vo, orange levant morocco gilt, 
cilt top, uneut, by Joly. London, 1872 


3173. SWEDENBORG (EMANUEL). ~ Heaven and its 
Wonders, the world of spirits, (or the intermediate region, 
which is the first receptacle after death), and Hell. Trans- 
lated by S. Noble. 8vo, red morocco, gilt back, gilt edges, by 
Bedford. London, 1851 


504 


ag nf 
pes 


S”SONGES 
ANDSON- 


BOLTS, WRITTEN. 
by the Right honourable 
Lord Henry Hamard 


fate Earle of Surrey,and 
“others, 


Imprinted at moadcn by isin VVinw 
det. 35 $5. : 


SONGS AND SONNETS OF THE EARL OF SurRREY, 1585. 
(See No. 3169.) 


3174, SWEERTIUS (FRANCISCUS). XII Cesarum 
Romanorum Imagines e numismatibus express, et historica 
narratione illustrate. Hngraved title and 12 medallion por- 
traits, surrounded by charming ornamental frames engraved 
on copper. 4to, green levant morocco gilt, gilt edges, by 
Koehler. Antuerpie: apud I. B. Vrintium, 1603 


* The Firmin-Didot copy. 


3175. SWIFT (JONATHAN). Travels into several Re- 
mote Nations of the World. In four parts. By Lemuel Gul- 
liver, First a Surgeon, and then a Captain of several Ships. 
Portramt. 2 vols. 8vo; green levant morocco, side borders in 
floral and bird designs, doublure of red levant, floral border, 
figured silk guards, gilt over rough edges, by The Club Bind- 
ery. - London: Printed for Benj. Motte, 1726 


* FIRST EDITION ON LARGE PAPER, OF WHICH VERY FEW COPIES 
ARE KNOWN (only three, the Hoe catalogue states). IT con- 
TAINS THE PORTRAIT IN THE FIRST STATE, without the inscrip- 
tion in the oval and an English instead of Latin inscription 
beneath, ‘‘Captain Lemuel Gulliver, of Redriff Aetat. fuae 58.’’ 
It has also the 8 preliminary leaves (A1~A8) instead of 6. 
Measures 8 15/16x5 3/8. 


3176. SWIFT (JONATHAN). Voyages de Gulliver; tra- 
duits de ]’Anglais par l’Abbé Desfontaines. Four wnsigned 
engravings. 2 vols. 12mo, old red morocco, gilt edges, THE 
ARMS OF MADAME JEANNE Du BARRY AND HER MOTTO ON THE 
SIDES, gilt edges. Paris: Chéz Martin, 1727 


* From the libraries of Baron de La Roche Lacarelle and 
Henri Bordes. THE FIRST FRENCH TRANSLATION. 


3177. SWIFT (JONATHAN). Voyages de Gulliver. With 
10 engravings. 4 vols. 16mo, red straight-grain morocco, gilt 
fillets, gilt edges, uncut. Paris: Didot, 1797 


* The plates are proofs before letters. From the library of 
Comte Mosbourg. 


3178. SWIFT (JONATHAN). A Tale of a Tub, written 
for the universal improvement of mankind. ... To which is 
added, an Account of a Battle between The Ancient and 
Modern Books in St. James’s library. Frontispiece and 6 
other plates in colors by Rhodes. 8vo,. Scotch plaid silk, un- 
eut, by The Club Bindery. London, 1811 


3179. SWIFT (JONATHAN). Voyages de Gulliver; Le 
Nouveau Gulliver, ou Voyage de J. Gulliver, fils du Cap. Gul- ~ 
liver. 4 copper-plate engravings. 4 parts in 2 vols. 12mo, 
green levant morocco gilt, gilt edges, by Trautz-Bauzonnet. 

Paris, 1827-1830 
505 


3180. SWIFT (JONATHAN). Travels into several remote 
Nations of the World. Etchings by Lalauze. 8vo, cloth, un- 
cut. London, 1882 


* LARGE PAPER COPY, only 150 printed. 


3181. SWIFT (JONATHAN). Voyages de Gulliver. Four 
full-page colored plates by V. A. Poirson, numerous illustra- 
tions wn the text, head and tal pieces, and initials, almost all 
of them colored. 4 parts in 1 vol: 4to, half red morocco, fig- 
ured red silk sides, gilt top, uncut, original covers bound in, 
by The Club Bindery. Paris: A. Quantin [1883] 

* One of 100 copies on Japan paper. 


3182. SWINBURNE (ALGERNON CHARLES). Ata- 
lanta in Calydon. A Tragedy. First Epirion. 4to, original 
white buckram, ornamented, uncut. London, 1865 


3183. SWINBURNE (ALGERNON CHARLES). Ata- 
lanta in Calydon. Printed in red and black, with woodcut 
decorations. Small folio, vellum, with silk ties, uncut. 

Printed by Wiliam Morris at the Kelmscott Press, 1894 


* ONE OF A FEW COPIES PRINTED ON VELLUM. 


3184. SWINBURNE (ALGERNON CHARLES). The 
Age of Shakespeare. First Eprrion. 12mo, cloth, gilt top, 
uncut. London, 1908 


3185. SWINHOE (GILBERT). The Tragedy of The 
unhappy Fair Irene. First Epirion. Small 4to, dark blue 
levant morocco, gilt edges, by Zaehnsdorf. 

London: Printed by J. Streater for W. Place, 1658 


3186. SYMEONI (GABRIELLO). Le Imprese heroiche 
et morali. With 35 woodcut emblems. First Epitrion. 4to, 
contemporary brown morocco, covered with a Grolieresque de- 
sign of interlacings painted black and outlined in gold, arab- 
esques and crescents painted blue, red, grey, green and white. 

Lyone: G. Rovillio, 1559 


3187. SYRUS (PUBLIUS). Sentences. Translated by J. 
Chenu. 8vo, red levant morocco gilt, with the monogram 
+H. B., gilt edges, by Belz-Niédrée. Paris, 1835 


3188. PPABLEAU (LE) de la croix répresenté dans les 
ecéremonies de la Ste. messe. Teat engraved 

throughout. Title, portrait, 39 full-page plates, and 39 
pages, each containing two saints, and 20 historiated bor- 
ders. 8vo, old French olive morocco, the sides tooled and 
gilt in compartments, with centre and corner inlays of 
citron and red morocco, the initials L. M. and E. H. in the 
panels of the back; doublure of red morocco elaborately 
tooled and gilt with pointillé, fleurs-de-lys, ete., gilt edges, 
by Le Gascon. Paris: chez Mazot, 1651 

506 


= 


3189. TABLEAU. Le Tableau de la Vie & du Gouverne- 
ment de Messieurs les Cardinaux Richelieu & Mazarin, & 
de Monsieur Colbert, representé en diverses Satyres & 
Poésies ingenieuses; avec un Recueil d’Epigrammes sur la 
vie & la mort de Monsieur Fouquet, & sur diverses choses, 
qui sont passées a Paris en ce temps-la. Small 8vo, blue 
levant morocco, gilt panels with centre ornament, gilt 
edges, by Lortic. Inaecase. Cologne: Pierre Marteau, 1693 


3190. TACITUS (PUBLIUS CORNELIUS). Muvres. 
Translated by C. L. F. Panckoucke. 7 vols. 8vo, red levant 
morocco, gilt backs, with the monogram E. B., gilt edges, 
by Belz-Niédrée. Paris, 1837-38 


3191. TACONET (MAURICE). Par les Sentiers: Contes 
et Souvenirs. 52 etchings by Ed. Rudaux and Ch. Léandre. 
12mo, green levant morocco, gilt fillets, gilt top, uncut, 
original covers bound in, by Carayon. Paris, 1894 

* One of 30 copies on large Japan paper. 


3192. TAILLEMONT (CLAUDE DE). La Tricarite. 
Plus gelqes chants, an faveur de pluzieurs Damoézelles. With 
a woodcut portrait. 8vo, maroon morocco, gilt panelled 
sides, fleurons in the corners, ‘‘ EX MUS4O CAROLI NODIER’’ 
in the centre of the front cover, and the name of the binder, 
‘* EX OFFICINA JOS. THOUVENIN,’’ on the back cover, gilt 
edges. Lyon: Jean Temporal, 1556 

* From the Yemeniz and Renard libraries. Rare. 


3193. TALLEMANT DES REAUX (GEDEON). Les 
Historiettes. TROISIEME EDITION, entiérement revue sur 
le manuscrit original disposée dans un nouvel ordre et 
précédée d’une notice historique et littéraire inédite sur 
auteur, par MM. de Monmerque et Paulin Paris. 6 vols. 
12mo, half citron levant morocco gilt, gilt tops, uneut, by 
_ Hardy. Paris, 1862 

* EXTRA-ILLUSTRATED by the insertion of 316 portraits, in- 
cluding selected impressions of copper-plates by P. de Jode, 
De Leu, Moncornet, and others, and many proofs on India 
Paper of modern steel plates. 50 drawings in sepia and color 
were specially executed for this book, generally where no 
engraved portrait was procurable. 


3194. TANSILLO (LUIGI). Stanze di cultura sopra gli 
horti delle donne et in lode della menta. 7 small cuts. 
2 vols. 8vo, red morocco gilt, gilt edges, by Lortic. (Bind- 
ings not quite uniform. ) Venetia, 1544 


3195. TARTAGLIA (NICOLO). Qvesiti et Inventioni 
diverse, di novo restampati con vna gionta al sesto libro, 
nella quale si mostra duoi modi di redur una Citta in- 
espugnabile. Woodcut portrait of the author on the title, and 


507 


numerous cuts in the text. 4to, green levant morocco, 
panelled sides, gauffred gilt edges, by Bedford. 
Venetia: Nicolo de’ Basearini, 1554 


* In the volume are bound the following tracts by the same 
author: 


La Noua Scientia con una gionta al terzo Libro. full-page 
woodcut on title, and cuts and diagrams in the text. Venetia: 
Nicolo de Bascarini, 1550. 

Regola Generale da sullevare con ragione e misura non sola- 
mente ogni affondata nave, ma una torre solida di metallo, 


intitolata la Travagliata inventione. Woodcut portrait on title, - 


cuts in the text and folding-table at end. Venetia: Nicolo 
Bascarini, 1551. 


ALL RARE TRACTS. 


3196. TASSO (TORQUATO). Il Forno, overo della 
nobilta, Dialogo. FIRST EDITION. Small 4to, original 
vellum. (Last blank leaf missing.) 


Vicenza: Appresso Perin libraro et Georgio Greco com- | 


pagni, 1581. 


3197. TASSO (TORQUATO). Gerusalemme Conquistata. 
Vignette portrait on title. 12mo, old French red morocco 
gilt, gilt edges. Parigi: Abel l’Angelier, 1595 

* ONE OF THE COPIES CONTAINING 8 STANZAS (75, 76 and 77 of 


Canto XX) SUPPRESSED BY ORDER OF THE PARLIAMENT OF 
PaRIs. From the library of the Duc de la Valliére. 


3198. TASSO (TORQUATO). La Gierusalemme Liber- 
ata Aggiuntovi La Vita dell’ Autore scritta da Gio. Battista 
Manso, Marchese di Villa. Portrait of Tasso, 2 fleurons, 
enitials and 20 plates engraved by G. Van Der Gucht, after 
Bb. Castells. 2 vols. royal 4to, old blue morocco gilt, red 
silk linings, gilt edges. _ Londra, 1724 


3199. TASSO (TORQUATO). La Gerusalemme Liber- 
ata. Hrontispiece and 40 other plates by Aug. de Saint-Au- 
bin, J. B. Trlliard, Dambrun, de Launay, Delignon, 
Duclos, Lingée, Patas, Ponce, Prévost, Simonet, Triére, and 
Varin, after the designs of C. N. Cochin. 2 vols. 4to, 
green morocco gilt, side borders, rose silk linings, gilt 
edges, by Derome. | Paris: Didot l’ainé, 1784 


3200. TASSO (TORQUATO). Frontispiece and 39 plates 
engraved by Dambrun, De Launay, Delignon, Duclos, 
Lingée, Patas, Ponce, Prévost, St. Aubin, Simonet, Tilliard, 
Triére and Varin, after Cochin, to illustrate the Edition of 
the ‘‘Gerusalemme Liberata’’ edition of Paris, Didot, 
1784. ALL ENGRAVER’S PROOFS, plates 24 and 30 being in 
the first and second state. 4to, red Jevant morocco, 
doublure of light brown levant with gilt tooled borders, 
gilt edges, by Cuzin. [ Paris, 1784] 

508 


3201. TASTU (AMABLE). Poesies. Nwmerous vig- 
nette woodcuts printed within ornamental borders. Royal 
8vo, purple straight-grain morocco, emblematic gilt back, 
stamped side corners with blind and gilt ornaments, the 
crowned monogram C, M. on the front and a gold harp on 
the back cover, inside borders, gilt edges, by Simier. 

Paris: J. Tastu, 1826 
* LARGE PAPER COPY. 


3202. TAURELLIUS (NICOLAUS). Emblemata Phys- 
ico-Ethiea, ete. Woodcut border on the title, arms on the 
recto and 116 woodcut illustrations. Small 8vo, contempo- 
rary French binding of pierced silver-gilt over red velvet 
with clasps, on the front cover the Virgin and Child, on 
the back the Vision of St. Francis, blue silk linings, gilt 
edges. Norimberge: C. Lochneri, 1602 


3203. TAVANNKES (JACQUES DESAULX, COMTE DE). 
Memoires Ou 1’on rapport les Causes, les Motifs, et divers 
Mouvements des Fractions des Princes, du Parlement et 
du Paris; durant les derniers troubles qui ont affligé la 
France jusqu’en l’année 1653. Portrait and coat-of-arms 
of Tavannes. 16mo, red levant morocco, gilt edges, by 
Trautz-Bauzonnet. Paris: Pierre Marteau, 1691 


3204. [TAYLOR (JEREMY).] Psalms. The Psalter 
of David: with Titles and Collects [by Bishop Jeremy Tay- 
lor] according to the matter of each Psalme. Whereunto is 
added, Devotions For the help and assistance of all Chris- 
tian People, in all occasions and necessities. 12mo, old 
brown morocco, with clasps, gilt edges. 

London: R. Royston, 1646 


3205. TAYLOR (JEREMY). The Rvle and Exercises 
of Holy Dying. In which are described The Means and 
Instruments of preparing our selves, and others respect- 
ively, for a blessed Death. With frontispiece litle and a 
folded plate engraved by Lombart. Small 8vo, blue levant 
morocco, gilt edges, by Riviére. 

London: Printed for R. Royston, 1651 
* FIRST EDITION. 


3206. TAYLOR (JEREMY). The Great Exemplar of 
Sanctity and Holy Life, according to the Christian Institu- 
tion: Described in the History of the Life and Death of 
the ever blessed Jesus Christ the Saviour of the World. In 
three Parts; with many Additionals. By Jer: Taylor, D.D. 
Chaplain in Ordinary to his late Majesty. Portrait by 
Lombart, engraved title and 11 plates by Fatthorne. SECOND 
EDITION. Folio, red levant morocco gilt, gilt edges. 

London: James Flesher for Richard Royston, 1653 


509 


3207. TAYLOR (JEREMY). Dvctor Dvbitantivm, or 
the Rule of Conscience In all her generall measures; Serv- — 
ing as a great Instrument for the determination of Cases 
of Conscience. In Four Books. Frontispiece, and portrait 
by Lombart. Folio, old English red morocco, gilt panels, 
gilt edges. . 

London: Printed by James Flesher, for Richard Royston 
at the Angel in Ivy-lane, 1660. | 


* FIRST EDITION, Books J. and II. only are in this edition. 
Books III. and IV. were printed for the first time in the sec- _ 
ond edition, 1671. 


3208. TEMPESTA (ANTONIO). A series of 220 copper- 
plate Engravings of Biblical Scenes. 12mo, blue levant 
morocco gilt, vellum lining, gilt edges, by Riviere. 

La Haye, ca. 1700 

3209. TENNEUR (J. A.). De sacra Ampulla Remensi, 
tractatus apologeticus adversus J. J. Chifletium. 4to, con- 
temporary French red morocco, sémis of gilt fleurs-de-lys 
and crowned Ls on the sides, repeated on the panels of 
the back, WITH THE ARMS OF KING LOUIS XIV in the 
centre of both covers, gilt edges. Parisiis, 1652 


* THE PRESENTATION COPY TO LOUIS XIY. On the title- 
page are two ‘‘ Ls, probably in the King’s autograph. 


8210. TENNYSON (ALFRED, LORD). In Memoriam. 
Vignette portrait on title,and steel (proof), portrait (inserted). 


12mo, red morocco gilt, gilt edges. 
Boston: Tieknor and Fields, 1861 


* THICK PAPER COPY. 


3211. TENNYSON (ALFRED, LORD). The Princess, 
a Medley. Frontispiece. 12mo, brown levant morocco, 
gilt top, uncut. London, 1882 


3212. TERENCE. Comoedie cum directorio vocabulorum, 
glossa interlineari et commentariis Donati, Guidonis et 
Ascensii. Roman characters of two sizes, 6 unnumbered 
leaves and 178 leaves (numbered by mistake claxvi), with 
signatures. 7 large full-page woodcuts, and numerous 
smaller ones throughout the text. Folio, russia, blind tooled 
borders, gilt edges (some pages slightly stained and several 
woodeuts crudely colored). 

Argentine: Magister Johannes Griininger, 1496 
* Hain-Copinger, 15481: Proctor, 473. 


3213. TERENCE. Therence en francois Prose et Rime 
auecques le latin. Lettres bdtardes, double columns. 3876 
leaves, numbered by mistake ccclaxav, with signatures; 46 
and 50 lines to the page. 8 interesting large and 297 small 
woodcuts; evidently inspired by those of the Latin edition of 


510 


Strassburg, Griininger, 1496. Folio, red levant morocco 
gilt, gilt edges, by Chambolle-Duru, last blank leaf missing. 
Imprimé a Paris pour Anthoine Verard [ca. 1500] 


* FIRST FRENCH EDITION. RARE, Hain-Copinger, 15485; 
Proctor, 8457; Macfarlane, 152. ° 


3214. TERENCE. Comecedizw sex, ex recensione Hein- 
siana. Hngraved title. 12mo, blue levant morocco gilt, 
gilt edges, by Trautz-Bauzonnet. 

Lugd. Batavorum: ex officina Elzeviriana, 1635 


3215. TERENCE. Les Comédies. Translated by Amar. 
3 vols. 8vo, red levant morocco, gilt backs with the mono- 
gram E. B., gilt edges, by Belz-Niédrée. Paris, 1830-31 


3216. TESTAMENTUM NOVUM, grece. In 2 vols. 
16mo, old French red morocco gilt, gilt edges, by Derome 
le Jeune, with his ticket. 

Lutetiz: ex officina Roberti Stephani, 1549 
* LARGE COPY FROM THE YEMENIZ LIBRARY. 


3217. TESTAMENTUM NOVUM. Le Novveav Testament 
de Nostre Seigneur Iesvs Christ. 10 fine cuts. 16mo, red 
levant morocco, giltedges. Lion: par Ian de Tournes, 1558 


3218. TESTAMENT. The Nevv Testament of Iesvs 
Christ, translated faithfvlly into English, out of the au- 
thentical Latin, according to the best corrected copies of 
the same, diligently conferred vvith the Greeke and other 
editions in diuers languages: VVith Argvments of bookes 
and chapters, Annotations, and other necessarie helpes, for 
the better vnderstanding of the text, and specially for the 
discouerie of the Corrvptions of diuers late translations, 
and for cleering the Controversies in religion, of these 
daies: In the English College of Rhemes. 4to, blue levant 
morocco, gilt ornaments, gilt edges, by Riviére. 

Printed at Rhemes, by Iohn Fogny, 1582 


* FIRST EDITION OF THE RHEMISH TESTAMENT, translated for 
the use of Roman Catholics, It was rigidly suppressed and 
destroyed on account of heretical annotations, which were 
either totally omitted or altered in later editions, 


3219. TESTAMENTUM NOVUM. Printed in Greek. 
Engraved title with sphere. 16mo, old red morocco, gilt 
back and covers, with stars, thistles and leaf-sprays, gilt 
edges. Amsterdami, 1633 


* Inscribed ‘* Ro. Boswell to Alexr Boswell 1789.” In an old 
Scotch binding. 


3220. TESTAMENT. Le Nouveau Testament, ec’est a 
dire la nouvelle Alliance de nostre seigneur Jesus Christ 
(avec le Pseaumes de David mis en rime francoise par 
Marot et Theo. de Beze). Hngraved frontispiece. 2 parts 
in 1 volume. 12mo, old Freneh brown morocco, richly 
tooled and gilt in the manner of Le Gascon, gilt edges. 

Se vend a Charenton, 1656 
511 


3221. TESTAMENT. Le Nouveau Testament, c’est-a- 
dire, La Nouvelle Alliance de notre seignenr Jesus Christ 
(avec les Pseaumes de David mis en vers frangois, revus 
et approuvez par le Synode Walon des Provinces Unies). 
2 parts in 1 vol. 12mo, old French red morocco, sémis of 
gilt fleurs-de-lys on the sides and back, silk lining, gauffred 
gilt edges. La Haye, 1731 


3222. TESTAMENT. The New Testament of Our Lord 
and Saviour Jesus Christ. Hngravings on wood from de- 
signs of Fra Angelico, Pietro Perugino, Francesco Francia, 
Lorenzo di Credi, Fra Bartolommeo, Titian, Raphael and 
others. 4to, blue levant morocco, richly tooled, gilt edges, 
by Bedford. London, 1864 

* Large Paper copy, 200 printed- 


3223. THEATRES ETRANGERS. Chefs-d’ceuvre des 
Théatres Etrangers, allemand, anglais, chinois, danois, 
espagnol, hollandais, indien, italien, polonais, portugais, 
russe, suédois; traduits en francais par Messiers Aignan, 
Andrieux, Benjamin Constant, Charles Nodier, et vingt 
autres. 25 vols. 8vo, half red levant moroceo gilt, gilt tops, 
uncut. Paris: Ladvoecat, 1822-1823 


* Printed on papier vélin. 


3224. THEO-CRIT. Vive le Mariage. Frontispiece and 
numerous woodcuts by Uzes. 12mo, half blue levant mo- 
roceo gilt, gilt top, uncut, original covers bound in, by The 
Club Bindery. ONE. OF 50 COPIES ON HOLLAND PAPER. 

Paris [n. d. | 


3225. THEOCRITUS. Théocrite. L’Oaristys. Texte 
Gree et Traduction de André Bellessort, précédée d’une 
lettre de Sicile par Anatole Franee. TJllustrations by 
Georges Bellenger, engruved on wood by Froment. Ato, 
dark blue levant morocco, emblematic mosaic borders of 
light blue, olive, brown, red, citron, rose and ivory morocco, 
tooled and eilt, mosaic back, silk linings, gilt edges, by 
Gruel, in a case. Paris, 1896 


* ONE OF 3 COPIES PRINTED ON vélin du Marais a la forme, 
with two duplicate sets of the engravings, artist’s proofs 
signed by the engraver, on Japan and on India paper. Inserted 
is an original drawing by Bellenger. 


3226. THEOLOGIE MORALE DE 8. AUGUSTIN. Ou 
Le Precepte de l’Amour de Dieu: etc., expliquées par E. B. 
[E. Bourdaille]. Ruled with red ink. Small 8vo, old French 
morocco, doublure of red morocco with dentelle borders, 
gilt edges. Paris: Guillaume Desprez, 1686 


3227. THESAURUS Historiarum Veteris et Novi Testa- 
menti Elegantissimus Iconibus expressus. Hngraved title 
and 85 mezzotint plates by Gabriel Bodenehr after Mathieu 
Merian. Oblong 4to, brown levant morocco gilt, gilt edges, by 
Motte. Academiz Cesareo Franciscer, [ca. 1700] 


512 


3228. THEVET (ANDRE). Les Singularitez de la France 
Antarctique, autrement nommée Amerique: & de plusieurs 
Terres & Isles decouuertes de nostre temps. 41 interesting 
woodcuts. Ato, old ealf. 

A Paris: chez les heritiers de Maurice de la Porte, 1558 


* 32 pages are given to the description of Canada, and there 
are many woodcuts illustrating it. These woodcuts represent 
interesting details of the lives of the inhabitants, customs and 
eruelties, and they probably furnished subject-matter for the 
plates engraved by De Bry. 


3229. THIRION (H.). Les Adam et Clodion. With the 
plates in two states, proofs before letters on Japan paper, and 
with letters on vellum paper. Folio, blue morocco gilt, gilt 
top, uncut, original covers bound in [by The Club Bindery]. 
One of 50 copies on Whatman paper. Paris, 1885 


3230. THOINAN (ERNEST). Les Relieurs francais 
(1500-1800) Biographie critique et anecdotique précédée de 
histoire de la communauté des relieurs et doreurs de livres de 
la ville de Paris et d’une étude sur les styles de reliure. 33 
large wood engravings, a map, wlustrations in the text. Ato, 
brown levant morocco, gilt panels, gilt top, uncut, with the 
original covers, by The Club Bindery. One of 20 copies on 
Japan paper. Paris, 1893 


* Extra-illustrated with 79 reproductions of book-bindings, 
etchings, colored plates, ete. 


3231. THOMAS (WILLIAM). The Historye of Italye. 
A booke exceding profitable to be red: because it intreateth 
of the astate of many and dyuers common weales, how they 
haue bene, and now be gouerned. Gothic type, with the blank 
leaves at A4-T4. 4to, brown levant morocco gilt, gilt edges, 
by Riviére. 

[Colophon| Imprynted at London in Fletestrete nere to 
Saincte Dunstons Chureche by Thomas Marshe. Anno Domini. 


1561. 
* SECOND EDITION. Autograph of John Evelyn on the title- 
page. This book was suppressed and publicly burned. 


3232. THOMASSIN (LOUIS). Traitez Historiques et 
Dogmatiques, sur divers points de la Discipline de 1’Eglise, 
et de la Morale Chrétienne. Vol. I (all published). 8vo, old 
French red morocco, the arms of JEAN-BAPTISTE CoLBErT, 
MARQUIS DE SRIGNELAY, stamped in gold on the covers, fleurons 
in the corners, gilt back and edges. Paris, 1680 


3233. THOMS (W. J.—Editor). Early English Prose Ro- 
mances, with bibliographical and_ historical introductions. 
Second edition, enlarged. Larcr PAPER copy. 3 vols. 8vo, 
green morocco gilt, gilt edges, by Riviere. London, 1858 


513 


3234. THOMS (W. J.). Curll Papers. Stray Notes on 
the Life and publications of Edmund Curll. From Notes and 
Queries. 12mo, half green morocco, gilt top, original cover 
boundin. [London]: Reprinted for Private Circulation, 1879 


* Presentation copy of Lieut.-Col. Francis Grant. Several 
specimens of Curll’s imprints are inserted. 


3235. THOMSON (JAMES). Les Saisons. Poéeme. Tra- 
duit de l’Anglois. Engraved title, four plates and four culs- 
de-lampe by C. Baquoy after the designs of Eisen, all brilliant 
umpressions. Small 8vo, green levant morocco gilt, gilt edges, 
by Motte. Paris, 1769 


3236. THOMSON (JAMES). The Works of James Thom- 
son. With his last corrections and improvements. ‘To which is 
prefixed the Life of the Author by Patrick Murdock. 38 vols. 
bound in 4, 12mo, blue levant morocco, gilt borders, Roger 
Payne style, inside borders, silk linings, gilt edges, by Riviére. 

London, 1788 
* EXTRA ILLUSTRATED by the insertion of 180 engravings on 
copper and steel, including 25 portraits of the author, with the 
head engraved by Caroline Watson and others in two states. 
Nearly all the various series of plates to the ‘‘Seasons,’’ etc., 
are included, many in from two to four states, and the engrav- 
ing by Audinet after Stothard, of ‘‘Shepherding,’’ is supple- 
mented by an original drawing said to be by Stothard. 


3237. THOU (J. A. DE). Historiz sui temporis. LARGE 
Paper. Engraved title. 2 vols. 8vo, contemporary limp vel- 
lum, with the arMs or Kine Henry IV stamped in gold on the 
covers, gilt edges. Parisiis, 1604 


3238. THRONUS CUPIDINIS. P. T. L. Thronyvs Cvpi- 
dinis. Epirio TERTIA; Prioribus emendatior, & multo auctior. 
33 copper-plate engravings. Oblong 24mo, green morocco, gilt 
edges, by Capé. Amsterdami, 1620 


3239. THUCYDIDES. De Bello Peloponnesiaco libri VIII, 
greece. Folio, old black Venetian morocco, panelled sides, gilt 
centre arabesque ornaments and fleurons in the corners, gilt 
edges. Venetiis: in domo Aldi, 1502 


* EDITIO PRINCEPS. A MAGNIFICENT COPY, WITH THE TWO 
BLANK LEAVES. 


3240. THUCYDIDES. Eight Bookes Of the Peloponnesian 
Warre Written by Thvcydides the Sonne of Olorvs. Inter- 
preted with Faith and Diligence Immediately out of the 
Greeke By Thomas Hobbes Secretary to y late Earle of Deuon- 
shire. Frontispiece-title containing portrat of Thucydides, 
engraved by Cecill, two single maps, Platea and the island 
Sphacteria with surroundings, and two double ones, ‘‘ Antient 
Sicele’’ and ‘‘ Syracuse beseeged by the Athemans.’’ SECOND 
Epitrion. Small folio, brown morocco, gilt fillets, gilt edges, by 
The Club Bindery. London: Imprinted for Hen: Seile, 1629 


514 


_ 3241. TIBULLUS AND SECUNDUS NICOLAIUS. 
Hlégies de Tibulle, Avec des notes et recherches de Mythologie, 
d’Histoire et de Philosophie; suivies des Baisers de Jean Sec- 
ond; traduction nouvelle, Adressée du Donjeon de Vincennes, 
par Mirabeau, l’ainé, a Sophie Ruffey. Portrait of Mirabeau 
by Borel and of 8S. Ruffey by Elluwin, and 12 plates engraved 
by Elluin and Dupréel after Marillier and Borel; all proofs 
before letters. 3 vols. 8vo, old red morocco gilt, blue silk lin- 
ings, gilt edges. Paris, 1795 


* Printed on large papier vélin. 


3242, TIMOLEON;; or, The Revolution. A Tragi-Comedy. 
First Epition. Small 4to, half green levant morocco, gilt top, 
by Riviere. (Inner margin of title restored.) 

London: Printed by W. Onley, for John Sturton, at the 
Post-Office, 1697. 


3243. TISSANDIER (GASTON). La Houille. Owuvrage 
wllustré de 66 vignettes par A. Jahandier, and others. 12mo, 
half cloth, uncut. Printed on India paper. Paris, 1869 


3244. [TOFTE (ROBERT—Translator).]| Honovrs Acad- 
emie. Or the famovs Pastorall, of the faire Shepheardesse, 
Ivletta. A worke admirable, and rare, Sententious and 
eraue: and no lesse profitable, then pleasant to pervse. 
VVherein are many notable Discourses, as well Philosophicall, 
as Diuine: Most part of the Seuen Liberall Sciences, being 
comprehended therein: with diuers Comiecall, and Tragicall 
Histories, in Prose, and Verse, of all sorts. Done into English, 
by R. T. Gentleman. Printer’s device on title. Folo, brown 
levant morocco, gilt borders, gilt edges, by The Club Bindery. 

Imprinted at London by Thomas Creede, 1610 
* First EDITION. 


3245. [TOFTE (ROBERT—Translator).| Ariostos Seven 
Planets Governing Italie. Or his Satyrs in Seven Famous 
discourses, shewing the estate of the Court and Courtiers; of 
Liberty, and the Clergy in general; of the Romane Clergie; of 
Marriage; of Soldiers, Musicians, and Lovers; of Schoole- 
masters and Schollers; of Honour, and the happiest life. 
Newly Corrected and Augmented with many excellent and 
noteworthy Notes, together with a new Addition of three most 
excellent Elegies, written by the same Lodovico Ariosto. 4to, 
red levant morocco, gilt edges, by The Club Bindery. 

London: William Stansby, 1611 


3246. TOLSTOY (COMTE LEO). Résurrection; Premiére 
et deuxiéme parties traduits du Russe par Teodor de Wyzewa. 
12mo, half citron levant morocco gilt, gilt top, uncut, original 
eovers bound in, by The Club Bindery. ONE oF 25 COPIES ON 
HOLLAND PAPER. Paris, 1900 

515 


3247. TOMKIS (THOMAS). Albumazar. A Comedy pre- 
sented before the Kings Maiestie at Cambridge, the ninth of 
March, 1614. By the Gentlemen of Trinitie Colledge. 4to, 
red levant morocco gilt, gilt edges, by The Club Bindery. 

London: Nicholas Okes for Walter Burre, 1615 


* First Edition. There were two editions published in this 
year. 


3248. TOMKIS (THOMAS). Albvmazar. A Comedy pre-- 


sented before the Kings Maiesty at Cambridge. By the 
Gentlemen of Trinity Colledge. Newly revised and corrected 
by a speciall Hand. Small 4to, brown levant morocco gilt, 
gilt over rough leaves, by Zaehnsdorf. 

London: Printed by Nicholas Okes, 1634 


3249. TOPFFER (RUDOLPH). Voyages en Zigzag ou 
Excursions d’un Pensionnat en Vacances dans les cantons 
Suisses et sur le revers Italien des Alpes. Jllustrée d’aprés les 
dessins de l’auteur et ornés de 15 grands dessins par M. 
Calame. Imperial 8vo, half green levant morocco gilt, uncut, 
.by Magnin. Paris, 1844 


* Inserted are an autograph letter and a pen-and-ink sketch 
by Topffer, and a large lithographic poster by Calame. 


3250. TOPFFER (RUDOLPH). Nouveaux Voyages en 
Zigzag a la Grande Chartreuse, autour du Mont Blanc, dans 
les Vallées d’Herenz, de Zermatt, au Grimsel, a Génes et a la 
Corniche. Précédés d’une notice par Sainte-Beuve. Jllustrée 
d’aprés les dessins originaux de Topffer par Calame, Karl 
Girardet, Francas, d’Aubigny, de Bar, Gagnet, Forest. Im- 
perial 8vo, half olive levant morocco, uncut, original covers 
bound in. Paris, 1854 


* An autograph letter, dated March, 1827, and two pen-and- 
ink sketches by the author are inserted. 


516 


THIRTY-EIGHTH SESSION, FRIDAY, 2:30 P.M. 


3201. TOUDOUZE (GUSTAVE). Le Vice, mceurs con- 
temporains. 12mo, original wrappers, uncut. HoLLAND PAPER 
COPY. Paris, 1883 


3202. TOUDOUZE (GUSTAVE). Toinon, meurs paris- 
iennes. 12mo, original wrappers, uncut. HonLaANp PAPER 
COPY. Paris, 1885 


3253. TOUDOUZE (GUSTAVE). La Vengeance de 
Peaux-de-Bique. Illustrations by J. Le Blant, with a dupl- 
cate set, proofs before letters. Imperial 8vo, half maroon mo- 
rocco, inlaid back, uncut, original covers bound in, by Carayon. 
ONE OF 50 COPIES ON INDIA PAPER. Paris, 1896 


3204. TOURNAMENT OF TOTTENHAM. (I.) The 
Turnament of Totenham and the Feest: Two early Ballads 
printed from a Manuscript preserved in the Public Library of 
the University of Cambridge (II.) Songs and Carols Printed 
from a Manuscript in the Sloane Collection in the British 
Museum. 2 vols. in 1, 16mo, red levant morocco gilt, gilt top, 
uncut, by Matthews. London: William Pickering, 1836 


3255. TOUSSENEL (A.). L’Esprit des Bétes. Illustrated 
by Emile Bayard. Imperial 8vo, half morocco, uncut. 
Parise | n.d ica tei10 


3256. TOWER MENAGERIE (THE), comprising the 
natural history of the animals contained in that establish- 
ment; with Anecdotes of their Characters and History. Illus- 
trated by portraits of each, taken from life, by William 
Harvey; and engraved on wood by Branston and Wright. 
8vo, half blue silk, gilt top, uncut. PRINTED ON INDIA PAPER. 

London: [Charles Whittingham], 1829 


3257. TOWNSEND (W. H.). A System of Foliage, with 
hints on the acquirement of a touch, being an introduction to 
the study of nature, designed for the use of amateurs. 20 
plates. Oblong 4to, cloth. London, [1843] 


3258. TOWNSHEND (THOMAS). Poems. Vignettes by 
Stothard. Royal 8vo, half green levant morocco gilt, gilt 
top, uncut, by Allo. LARGE PAPER COPY. London, 1796 


517 


3259. TRACTS. Smeeton’s Historical & Biographical 
Tracts. Vol. 1. Contains: England’s Remembrancer; The 
Fatal Vespers; The Gunpowder Treason; Memoirs of Duke of 
Buckingham, &c., &. Vol. 2. Life and Actions of Duke of 
Monmouth; Vicar’s England’s Worthies; Life of Hugh 
Peters; Life of Captain James Hind, &., &. Engraved 
frontispieces and 20 plates and portraits. 2 vols. small 4to, 
red niger skin, gilt borders, corner ornaments, gilt tops, un- 
cut, by The Club Bindery. ; 


Westminster: George Smeeton, 1820 . 


* Only 250 copies printed, many of which were destroyed by 
fire. This set is complete. The separate titles run from 1817 
to 1820. 


3260. TRACTS. Fugitive Tracts written in verse which 


illustrate the Condition of Religious and Political Feeling in 
England And the State of Society there during Two Centuries 
First Series—1493-1600 [Second Series—1600-1700]. ac- 
sumile titles, and woodcuts. 2 vols. square 8vo, brown levant 
morocco, gilt and blind tooled, doublures and guards of 
maroon russia, gilt tops, uncut, by Zaehnsdorf. 
{Chiswick Press]: Printed for private circulation, 1875 
* One of 50 copies printed. Edited by Henry Huth. 
Volume I. is a presentation copy to Robert S. Turner from 
the Editor, with his inscription on the half-title. 
Among the authors represented in the First Series are Sir 
Thomas More, George Marshall, Thomas Gibson, Edmond El- 
viden, Thomas Nelson, W. Kempe, Maurice Kyffin and Thomas 
Churchyard. In the Second Series Richard Johnson, John Lane, 
(‘* W. L.’’) William Lisle, Francis Quarles, George Richard- 
son, ‘‘S8.S.’’ [Samuel Sheppard], Lady Eleanor Audley, 
Carew Reynell, etc. 


3261. TRAICTE. Le traicte des eaues artificielles: Les 
vertus z proprietes dicelles. Lettres batardes. 40 leaves. 
Woodcut on title and at the end. 8vo, green levant morocco, 
gilt edges, by Trautz-Bauzonnet. 

Nouuellement imprimé a Paris en la rue neufue nostre dame 
a lenseigne de lescu de France. [Alain Lotrian, ca. 1520. ] 


3262. TREITZSAURWEIN (MARX). Der Weiss Kunig. 
Eine Erzehlung von den Thaten Kaiser Maximilian des Ersten. 
Herausgegeben aus dem Manuscripte der kaiserl-konigl. Hof- 
bibliothek. 236 large woodcuts PRINTED FROM THE ORIGINAL 
' BLOCKS, engraved after the designs and under the direction of 
Hans BureKmMair. Folio, brown levant morocco, gilt edges, 
by Marius Michel. Wien, 1775 


* First EDITION. 


3263. TREZENIK (LEO). Cocquebins. Frontispiece by 
Willette and numerous illustrations. 12mo, half green levant 
morocco, gilt top, uncut, original covers bound in, by Thierry. 

* ONE OF 10 COPIES ON HOLLAND PAPER. Paris, 1887 


518 


ao 


3264. TRISTAN. Tristan cheualier de la table ronde. 
nouellement imprimé a Paris.—[colophon] Cy finist le second 
et dernier volume fait z compilé a lhonneur z memoire 
du tres vaillant noble z excellent cheualier Tristan .... Im- 
primé a Paris pour anthoine verard .... Black letter (lettres 
batardes). With beautiful large woodcuts. 2 vols. in one, 
small folio, purple straight-grain morocco, richly gilt tooled in 
the cathedral style, gilt back; doublure and linings of brown 
morocco, with gilt borders, gilt edges, several leaves uncut, by 
Thouvenin. In half morocco ease. 

Paris: Antoine Verard [ca. 1506] 


* A short prologue reveals the name of the compiler of this 
celebrated and rare work, which is generally regarded as the 
most beautiful of the Round Table romances: ‘‘ Je Luce cheualier 
seigneur du chasteau de Gast voisin prochain de Salesbiere (Salis- 
bury) en Angleterre ay voulu rediger et mettre en volume aucten- 
tique des vertueux nobles et glorieux faictz du tres vaillant et 
renommé cheualier Tristan.’’? As showing the rarity of Verard’s 
editions of Tristan, it may be mentioned that Didot had no 
copy; the earliest edition in his collection being that of 1533. 
The Hamilton Palace copy. 


3265. TRISTRAM (W. OUTRAM). Coaching Days and 
Coaching Ways. 2/4 illustrations by Hugh Thomson and 
Herbert Railton. Imperial 8vo, buckram, uncut. 

* LARGE PAPER. Only 250 copies printed. London, 1893 


3266. TROLLOPE (FRANCES MILTON). The Life and 
Adventures of Jonathan Jefferson Whitlaw; or, Scenes on the 
Mississippi. First Epirion. 15 engravings, drawn and 
etched by A. Hervieu. 3 vols. 12mo, red levant morocco gilt, 
gilt tops, uncut, by The Club Bindery. London, 1836 


3267. TROLLOPE (FRANCES MILTON). Jessie Phil- 
lips. A Tale of the Present Day. Portrait and 11 plates by 
John Leech. First Epirion. 3 vols. 12mo, green levant mo- 
rocco gilt, gilt tops, uncut, by The Club Bindery. 

London, 1843 


3268. TRUBLET (NICOLAS C. J.).  Essais sur divers 
sujets de Littérature et de Morale. Quatriéme Edition, revue, 
eorrigée & augmentée. 4 vols. 8vo, red morocco gilt, gilt 
edges, by Derome. Paris, 1749 


* LARGE PAPER COPY. 


3269. TUCKERMAN (HENRY T). Book of the Artists. 
American Artist Life, comprising biographical and critical 
sketches of American artists: preceded by an historical ac- 
count of the rise and progress of art in America. Portrait of 
D. Huntington. 8vo, cloth, gilt top, uncut. Large paper. 

London, 1867 
519 


3270. TUKE (SIR SAMUEL). The.Adventures of Five 
Hours. A Tragi-Comedy. First Eprrion. Folio, red levant 
morocco gilt, gilt edges, by Chambolle-Duru. 

London: Printed for Henry Herringman, 1663 


3271. TUSSER (THOMAS). Five Hundred Points of 
Good Husbandry. As well for the Champion or open Coun- 
trey, as also for the Woodland or Several, mixed in every 
Moneth, with Houswifery, over and besides the Book of Hous- 
wifery. Corrected, better ordered, and newly augmented to 
a fourth part more, with divers other lessons, as a diet for the 
Farmer. 4to, red levant morocco gilt, gilt edges, by Riviére. 
(Wormholes through a few pages. ) London, 1672 


* Printed in Gothic type. The entire work, including all intro- 
ductory matter, is in verse. 


38272. TYPOTHIUS (JACOBUS). Symbola divina et 
humana pontificum, imperatorum, regum. Tvtles and 152 
plates containing nearly 900 emblems, engraved by Egidius 
Sadeler. 3 vols. in one, folio, old vellum. First plate supplied 
from a shorter copy. Prage, 1601-3 


3273. TYPOTHIUS (JACOBUS). Symbola Divina & Hu- 
mana Pontificum Imperatorum Regum. Frontispiece and 176 
copper-plates contamng 350 emblems. 12mo, green levant 
moroceo, gilt panels, centre ornaments, gilt edges, by Riviére. 

Arnhemie, 1666 


3274. TUPVS Mvndi in quo eius Calamitates, et Pericvla, 
nee non Diuini, humanique Amoris Antipathia, Emblematice 
olim proposita a R.R.C.S.I.A. [rhetoribus collegii Soc. Jesu 
Antuerp.| Nune denuo in lucem eduntur. Hngraved title 
having on the verso an engraving of Loyola, standing on a 
globe containing the outlines of America, and 32 plates of 
emblems. 12mo, red levant morocco, gilt panels, gilt top, un- 
cut, by Riviére. Dilinge: Apud Io. Caf. Bineard, 1697 


B275. NGRATEFUL FAVOURITE. The Ungrateful 

- Favourite. A Tragedy. Written by a Person 

of Honour. First Eprrion. Small 4to, dark brown ealf, gilt 
edges. (Some margins worn.) 

London: Printed by J. Cottrel, 1664 


3276. UNVERZAGT (WOLFGANG P. I.). Annys Po- 
sitionvm Mathematicarvm Quas’ defendit ae demonstrauit 
Perill. Anno, 1641. Frontispiece title engraved by Tac. 
Neeffs after Ph. Fruitiers, and 35 other emblematic engravings 
by Neeffs after Frutiers and Mart. Mandekens. Folio, russia, 
silt and blind tooled panels, gilt edges. (Corner of title re- 
paired and one cover loose.) ; 

[Colophon] Lovanii Apud Euerardum de VVitte, 1640 


* LARGE PAPER COPY. 
520 


3277. URQUHART (SIR THOMAS). Epigrams, divine 
and morall. By Sir Thomas Vrchard, Knight. Frontispiece 
and portrmt engraved by Glover. Small 4to, red levant mo- 
rocco, gilt panels, gilt edges, by Riviére. 

London: Printed for William Leake, 1646 
* SECOND EDITION, with the frontispiece of the author seated 


above the Castalian fountain and crowned by muses. This is 
probably one of three impressions of this frontispiece on record. 


8278. URSINS (J. WYNNE COMTESSE DES). Les 
Morlaques. Engraved title with vignette and dedication. 
Vol. I (no volume II was published). S8vo, green morocco, 
gilt. 7 [n. p.|] 1788 


* FIRST AND LIMITED EDITION, privately printed for the author. 


3279. [UTTERSON (EDWARD VERNON).] Select 
Pieces of Early Popular Poetry. Republished principally 
from Early Printed Copies, in the Black Letter. First Ept1- 
TION. 2 vols. 12mo, half citron morocco gilt, gilt tops, uncut, 
by Allo. London, 1817 


3280. UZANNE (OCTAVE). Caprices d’un Bibliophile. 
Etched frontispiece by Adolphe Lalauze in four states, includ- 
ings proofs in black and bistre. 12mo, maroon levant morocco 
gilt, green silk linings, gilt edges, by Chambolle-Duru. 

* ONE OF 2 COPIES ON VELLUM. Paris, 1378 


3281. UZANNE (OCTAVE). la Chronique Scandaleuse. 
Publiée par Uzanne, avec Préface, Notes et Index. Frontis- 
prece wn two states, one proof before letters. Royal 8vo, origi- 


nal wrappers, uncut. One of 50 copies on India paper. 
Paris, 1879 


3282. UZANNE (OCTAVE). Le Bric-a-Brac de 1’Amour. 
Préface de Jules Barbey d’Aurevilly. Htched frontispiece by 
Ad. Lalauze and text and ornaments printed in two colors. 
Royal 8vo, original covers, uncut. Paris, 1879 


* One of 50 copies on Whatman paper. 


3283. UZANNE (OCTAVE). la Gazette De Cythere. 
Avee Notice Historique. Frontispiece. Royal 8vo, original 


wrappers, uncut. Limited edition. Whatman paper. 
Paris, 1881 


3284. UZANNE (OCTAVE—HEditor). Les Mceurs Secrétes 
du XVIIIe Siécle. publiées par Octave Uzanne avec préface, 
notes et index. Tinted frontispiece and vignette by Paul 
Avril. Royal 8vo, original wrappers, uncut. Limited edition 
on. Whatman paper. Paris, 1883 


d21 


3285. UZANNE (OCTAVE). Son Altesse La Femme. II- 
lustrations de Henri Gervex, J. A. Gonzales, L. Kratké, A. 
Lynch, Adrien Moreau et Félicien Rops. Royal 8vo, original 
covers, in ornamental portfolio, with ties. 

Paris: Quantin, 1885 
; One of 100 copies on Japan paper, with the plates in two 
States. 


3286. UZANNE (OCTAVE). la Franeaise du Siécle: 


modes—meeurs—usages. Illustrations a l’aquarelle de Albert - 


Lynch, gravées a l’eau-forte en couleurs par Hugéne Gaujean. 
Royal 8vo, original covers, uncut, in ornamental portfolio, with 
ties. Paris: Quantin, 1886 


* One of 100 copies on Japan paper, with the plates in three 
states, two of each in colors. 


3287. UZANNE (OCTAVE). les Zigzags d’un Curieux. 
Causeries sur l’art des livres et la littérature d’art. Htched 
frontispiece in 2 states, with and without border. 12mo, origi- 
nal covers, uncut. Paris, 1888 

* One of 30 copies on Whatman paper. 


3288. UZANNE (OCTAVE anp ROBIDA (A.). Contes 
pour les Bibliophiles par Octave Uzanne et A. Robida. Nom- 
breuses wlustrations dans le texte et hors texte. 4to, half 
brown levant morocco gilt, gilt top, uncut, original covers 
bound in. Paris, 1895 


* No. 26 of thirty copies on Japan paper, with the full-page 
illustrations in two states. Inserted is an autograph letter from 
Octave Uzanne. 


3289. UZANNE (OCTAVE). Voyage Autour de sa Cham- 
bre. Illustrations de Henrv Caruchet, gravées a l’eau-forte 
par Frédéric Massé, relevées d’Aquarelles ad la main. 4to, 
blue levant morocco, panels of fillets and dots with scroll orna- 
ments, doublure of rose morocco, mosaic floral border of blue 
morocco outlined in gold, gilt over uncut edges, with the 
original covers bound in, by The Club Bindery. 

Paris: Henry Floury, 1896 


* One of 210 copies printed, with duplicate set of the plates 
in black, printed for ‘‘Les Bibliophiles Indépendants. ’’ 


3290. UZANNE (OCTAVE) aANpd oTHeErRS. Féminies. 
Huit chapitres inédits dévoués a la Femmé, a 1’ Amour, 4 la 
Beauté, par Gyp, Abel Hermant, Henri Lavedan, Marcel 
Schwob & Octave Uzanne. Frontispreces en couleurs d’apres 
Félicien Rops, Encadrements et vignettes de Rudmcki. Royal 
8vo, half red levant morocco, gilt top, uncut, original covers 
bound in. Paris, 1896 


* EXTRA-ILLUSTRATED by the insertion of proofs of the title 
and half-title, proofs before letters of Rops’ plates, the pros- 
pectus, six autograph letters each of Gyp and Hermant, four of 
Lavedan, eight of Schwob. 


522 


ae a> P 
, sie ie 


3291. UZANNE (OCTAVE). la Nouvelle Bibliopolis. 
Voyage d’un novateur Au Pays des Néo-Icono-Bibliomanes. 
Lithographies en couleurs et marges decoratives de H. P. Dil- 
lon. Frontispiece a leau-forte d’aprés Félicien Rops [et] 
nombreuses illustrations dans le texte et hors texte. 12mo, 
red levant morocco, gilt panels, floral ornaments, gilt top, un- 
eut, original covers bound in, by The Club Bindery. Paris, 1897 


*One of 100 copies on Japan paper, with the plates in two 
states, one in color. 


3292. Pee NUS (OTHO). Quinti Horatii Flacci Em- 

blemata. 103 full-page copper engravings. 

4to, red morocco, gilt edges. Antuerpix, 1612 
*The Syston Park copy. 


3293. VASNIUS (OTHO). Amoris Divini Emblemata; 
1660. Emblemata sive Symbola, 1624. Title vignette and 60 
copper-plates (proofs). 2 works in one vol. 4to, olive morocco 
gilt, gilt edges. Antverpia, 1624-60 


3294. VAINIUS (OTHO). Amorum Emblemata. Portrait 
of Ovid by P. Bouché and 125 plates by C. Boel. Oblong 4to, 
red levant morocco, richly tooled, gilt edges, by The Club 
Bindery. : Bruxellex, 1667 


3295. VAWNIUS (OTHO). Le Théatre moral de la vie 
humaine, representée en plus de cent Tableaux divers, tirez 
du Poéte Horace, et expliquez en autant de discours moraux 
par le Sieur de Gomberville. Portrait of Venus engraved by 
Pontius and 103 emblematic copper-engravings. Folio, half 
- levant morocco, gilt top. Bruxelles, 1678 


3296. VAENIUS (OTHO). Zinnebeelden der Goddelyke 
Liefde, etc. With 60 copper-plate illustrations. 12mo, vel- 
lum boards. Amsterdam, 1703 


3297. VZANIUS (OTHO). Le Spectacle de la Vie Hu- 
maine; ou Lecons de Sagesse, exprimées avec art en 103. 
Tableaux en taille-douce, Dont les sujets sont tirés d’ Horace. 
103 emblematic copper-engravings. 4to, vellum, gilt top, 
uncut. La Haye, 1755 


3998. VALERIUS MAXIMUS. Factorum dictorumque 
memorabilium libri IX. Gothic characters. 198 unnumbered 
leaves without signatures and catchwords; 30 lines to the 
page. Title of the work and printer’s mark at the end printed 
in red. Small folio, blue straight-grain morocco gilt, broad 
inside borders, silk linings, gilt edges. 

Mentz: Peter Schoeffer, 1471 
* FIRST DATED EDITION. Large copy, from the Bateman lib- 
rary. Hain-Copinger, 15774, Proctor, 95. 
523 


3299. VALERIUS MAXIMUS.  Faits et paroles Mémor- 
ables. Translated [into French] by C. A. F. Frémion. 3 vols. 
8vo, red levant morocco, gilt backs, with the monogram E. B., 
gilt edges, by Belz-Niédrée. Paris, 1827-28 


3300. VALLET (PIERRE). Le Iardin du Roy trés 
chrestien Henry IV Roy de France et de Navare dedié a la 
Royne. Architectural engraved title, portrait of the author, 
and 74 fine plates of flowers. Folio, old vellum, with ties. 
(Writing on the portrait. ) [Paris] 1608 


3301. VANBRUGH (SIR JOHN). The Relapse; or, Vir- 
tue in Danger: Being the Sequel of the Fool in Fashion. A 
Comedy acted at the Theatre Royal in Drury Lane. Small 
4to, red levant morocco gilt, gilt edges, by The Club Bindery. 

[London] Printed for Samuel Briscoe, 1697 


* FIRST EDITION. ONE OF THE MOST FAMOUS OF VANBRUGH’S 
PLAYS, recast by Sheridan. as ‘‘A’Trip to Scarborough.’? | 


3302. VANBRUGH (SIR JOHN). The Provok’d Wife: a 
Comedy, As it is Acted at the New Theatre, in Little Lincolns- 
Inn-Fields. First Epirion. 4to, dark brown ealf, gilt top, 
uneut, by Riviere. (Last page repaired.) 

| London: J. O. for R. Wellington, 1697 


33038. VANBRUGH (SIR JOHN). The False Friend, a 
Comedy. As it is Acted at the Theatre-Royal in Drury-Lane, 
by His Majesty’s Servants. First Epirion. Small 4to, green 
levant morocco, gilt and mosaic panels, gilt edges, by Zaehns- 
dorf. London: Jacob Tonson, 1702 


8304. [VANBRUGH (SIR JOHN).] The Confederacy. 
A Comedy. As it is Acted at the Queen’s Theatre in the 
Hay-Market. By Her Majesty’s Sworn Servants. First 
Epit1on. 4to, half red morocco (defect in paper on one page). 

London: Jacob Tonson, 1705 


3305. VANBRUGH (SIR JOHN). The Mistake. A 
Comedy. As it is Acted at the Queen’s Theatre in the Hay- 
Market. By Her Majesty’s Sworn Servants. First Eprrion. 
Small 4to, citron levant morocco, gilt extra, gilt edges, by 
Zaehnsdorf. Contains the leaf of advertisement. 

London: Jacob Tonson, 1706 


3306. VANBURGH (SIR JOHN). Plays. Portrat en- 
graved by J. Miller. 2 vols. 12mo, green levant morocco, gilt 
borders, gilt edges. London: Printed for C. Hitech, 1759 


3307. VAN DER DONCK (ADRIAEN). VERTOOGH VAN 


Nigu-NeperR-LANpD. SMALL 4T0, VELLUM. LATERAL AND LOWER 


EDGES UNCUT. In ’s Graven-Hage: Michiel Stael, 1650 


* PERHAPS THE MOST IMPORTANT WORK ON THE HISTORY OF 
NEw NETHERLANDS PUBLISHED UP TO 1650. The Brinley copy. 


524 


3308. VAN DER DONCK (ADRIAEN).  Beschryvinge 
van Nieuw-Nederlant (Ghelijch het tegenwoordigh in Staet is) 
Begrijpende de Nature, Aert, gelegentheyt en vruchtbaerheyt 
van het selve Lant; ete. Copper engraving representing 
t’ForRT NIEUW AMSTERDAM OP DE MANHATANS, on p. 9. Ato, 
red levant morocco gilt, gilt top, SEVERAL EDGES UNCUT, by 
Bedford. (Several corners restored.) 

Amsterdam: Evert Nieuwenhof, 1655 

*First EpiTion. The plate here contained is THE SECOND 
ENGRAVED VIEW OF NEW YORK, WHICH ORIGINALLY APPEARED IN 
1651. It was not issued as a text engraving in the second 
edition of the above work, published the following year, but 
was included in the map [see No.: 3309]. This treatise pos- 
sesses an interest aside from its rarity, being the relation of an 


educated man regarding the Indians of the island and in the 
neighborhood of New York. 


[See Reproduction. ] 


3309. VAN DER DONCK (ADRIAEN).  Beschryvinge 
van Nieuw-Nederlant. Seconp Epirion. With a folding map 
of New Netherland engraved on copper, contamng in the lower 
part a small view of Nizeuw AMSTERDAM oP T HYLANT MAN- 
HATANS. 4to, red levant morocco, richly tooled and gilt in 
the manner of Le Gascon, gilt edges, by David. 

Amsterdam: Evert Nieuwenhof, 1656 


* No copy of this edition is in the Church collection. 


3310. VAN DER NOODT (JOHAN). Theatrum, das ist 
Schawplatz darein die Hitelheit, etc. Portrait, coat-of-arms 
repeated and 20 woodcut plates. 8vo, blue levant morocco, 
richly tooled, by Lortic Fréres. Coln, 1572 


* Hach page printed within an ornamental border. 


3311. [VARENNES (CLAUDE DE).] Le Voyage de 
France dressé pour |’instruction et commodité tant des Fran- 
cois que des estrangers. 8vo, green levant morocco gilt, gilt 
edges, by Lortic. Paris, 1643 


3312. VAUGHAN (HENRY—trHE Sivurist). Silex Scin- 
tillans; or Sacred Poems and Private Hiaculations. Hngraved 
title. 16mo, dark green levant morocco, rich gilt scrolls with 
inlays of different colored leathers, IN CENTRE OF FRONT COVER 
A PANEL OF SILVER, REPOUSSE, WITH THE RECLINING FIGURE OF 
Psycue, doublure of dark green levant morocco, gilt edges, by 
The Club Bindery. 

London: Printed by T. W. for H. Blunden, 1650 
* FIRST EDITION. 
525 


3313. VAUGHAN (HENRY). Silex Scintillans. Sacred 
Poems and Private Ejaculations. Memoir by Rev. H. F. Lyte. 
12mo, cloth, uncut. London, 1847 


3314. VAUGHAN (HENRY). Poems, edited by E. K. 
Chambers. 2 vols. 12mo, half vellum, gilt tops, uncut. 
* LARGE Papzr, one of 100 copies. London, 1896 


3315. VAUGHAN (SIR WILLIAM). The Chvrch Mili- 
tant, historically Continued from the Yeare of Our Saviovrs 
Incarnation 33, untill this present, 1640. First Eprrion. 
Small 8vo, red levant morocco, red edges, by The Club Bind- 
ery. London: Printed by Tho. Paine, 1640 


3316. VECELLIO (CESARE). De gli habiti antichi, et 
moderni di diverse parti del mondo, libri due. First Epirion. 
420 full-page woodcuts of costumes of Europe, Asia and 
Africa, within ornamental borders. 8vo, red levant morocco, 
tooled and gilt with scrolls and arabesques in the Venetian 
manner of the 16th century, gilt edges, by Bedford. 

Venetia: presso Damian Zenaro, 1590 


* The designs of the woodcuts are said to be the work of 
Tiziano. 


3317. VECELLIO (CESARE). Costumes Anciens et Mo- 
dernes. Habiti Antichi et Moderni di tutto il mondo di Cesare 
Vecellio, précédés d’un Essai sur la Gravure sur bois, par 
M. Amb. With 513 engravings on wood. 2 vols. in 1, 8vo, 
brown levant morocco, covered with a Grolieresque design of 
scrolls and azured fleurons, doublure of dark brown morocco, 
wide Grolieresque border, with crest in centre, gilt over uncut 


edges, by Chambolle-Duru. Paris: Firmin-Didot, 1860 
* Printed on India paper. Contains the Essay on Wood En- 
graving. 


3318. VELDGEZANGEN VAN THYRSIS. De Veldege- 
zangen van Thyrsis, Giefierd met toegepaste Zinneminne- 
beelden door W. M. Frontispiece title engraved by H. Eland 
and 20 illustrations. 4to, brown morocco gilt, blind tooled 
fillets, gilt edges, by The Club Bindery. 

Leyden: H. van Damme, 1702 


3319. VELMATIUS (JOANNES MARIA). Veteris & 
noui testamenti opus singulare, ac plane divinum. Tvtle with- 
in an historiated woodcut border and 11 very fine woodcuts in 
the text. 4to, olive morocco, gilt edges, by Clarke. (Small 
wormhole in the first and last leaves.) Venetiis, 1538 

* With the Errata. 


3320. VENTO (CLAUDE VIOLETTE). Les Peintres de 
la Femme. With 47 illustrations. Royal 8vo, original covers, 
uncut. Paris, 1888 

526 


es 


t Fort niciw Amfterdam op de Manhatans 


sey 


THE SECOND ENGRAVED VIEW OF NEW YorK, AMSTERDAM, 1655. 
(See No. 3308.) 


‘ 
ot ro) 
‘ 
’ 
. 
- 
’ 
, 
’ ‘ ve 
Paes 
2 
\ ' 
oY 
* 


3321. VENTURI (A.). La Madone. Représentations de 
la Vierge, dans l’Art Italien. Numerous illustrations, some on 
tented paper. Imperial 8vo, original covers, uncut. 

Paris [1902]. 


3322. VERGIER (JACQUES—anp otTHmrs). Contes Nou- 
velles et Poesies Diverses du Sieur Vergier Et de quelques 
Auteurs Anonymes. NouvELLE Epition Augmentée d’un Vol- 
ume. Frontispieces. 3 vols., small 8vo, blue levant morocco 
gilt, gilt tops, uncut, by Masson-Debonnelle. Rouen, 1748 


3323. VERGIER (JACQUES). C#uvres de Vergier. Por- 
trait. 3 vols. 24mo, calf (spotted) gilt, gilt edges. 
Paris, 1770 


3324. VERLAINE (PAUL). Choix de Poésies; avee un 
portrait de l’auteur par Eugéne Carriére. 12mo, dark brown 
levant morocco, gilt and mosaic ornament on the back, floral 
ornaments of green and mauve morocco, gilt and blind-tooled 
on the sides, doublure of light brown morocco, floral borders 
in mosaic of ivory, dark brown, and mauve, gilt and blind- 
tooled, gilt over uncut edges, original covers bound in, by 
René Kieffer. Paris: Bibliothéque Charpentier, 1891 

* First Epit1on. One of 30 copies on Holland paper. ExTra- 


ILLUSTRATED by the insertion of special title, and 98 ORIGINAL 
MARGINAL DRAWINGS by Coulon. 


3325. VERONE (FRANCOIS DE). (I) Apologie povr 
Iehan Chastel Parisien, Execvté a mort, et povr les péres & 
escholliers, de la Societé de Iesvs, bannis du Royaume de 
France. Contre l’arrest de Parlement, donné contre eux a 
Paris, le 29. Decembre, 1594. Diuisée en cing parties.... 
L’An ele.cl.xev. (II) Advertissement avx Catholiqves, sur 
l’Arrest de la Cour de Parlement de Paris. En la cause de 
Tean Chastel...L’An M.D.XCV. Small 8vo, old red morocco, 
gilt back, ARMS OF CLAUDE Marig FEVREL DE FONTELL, CON- 
SEILLER AU PARLEMENT DE BourGgoyNeE [1710-1772], on the 
sides, gilt edges. [1595] 

* First Epirion of this libel, which is attributed to Jean 


Boucher, Curé de Saint-Benoit. Three pages of the fly-leaves 
are filled with contemporary handwriting. 


3326. VERRIEN (NICOLAS). Livre curieux et utile pour 
les Scavans, et Artistes. Composé de trois Alphabets de Chiffres 
simples, doubles & triples, fleuronnez et au premier trait. 
Accompagné d’un tres grand nombre de Devises, Emblémes, 
Médailles et autres figures Hieroglyfiques. Portrait engraved 
by Edelinck after Jouvenay, 63 plates containing 945 em- 
blems, 153 of monograms, and 17 plates of heraldic supporters. 
8vo, red levant morocco, gilt edges, by Marius Michel. 

Paris [1685] 
527 


33827. VERRYKE (E.). Zederyke Zinnebeelden. Frontis- 
prece, vignette and 100 copper-plate emblems. 8vo, tree calf, 
gilt back. Amsterdam: Isaac Trojel, 1712 


3328. VERSTEGAN (RICHARD). Theatrum Crudelita- 
tum Hereticorum Nostri Temporis. Frontispiece and 29 
plates. Firsr Epition. 4to, green levant morocco, gilt edges, 
by Capé. Antverpie: A. Huberti, 1587 


*On page 85 there is an engraving and an account of the 


execution of Mary, Queen of Scots, who was beheaded Feb. 8, © 


1587. 


3329. VERSTEGAN (RICHARD). Théatre des Cruautez 
des Hereticques de nostre temps. Hngraved title and 29 
plates. 4to, contemporary red morocco gilt, gilt edges, prob- 
ably by Derome. Avers: A. Hubert, 1588 


* Although this translation contains the second impression of 
the plates, it is more desirable than the original Latin text be- 
cause of its additions. 


3330. [VESALIUS (ANDREAS).] Vive Imagines Par- 
tivm Corporis Hvmani ereis formis expresse. Title within 
an architectural border engraved on copper and 42 fine 
anatomical copper-plates. Folio, brown levant morocco, 
covered with a Grolieresque design of interlacing bands in- 
laid in dark brown and blue morocco, outlined in gold, gilt 
scrolls with arabesques of blue and white morocco, mosaic 
back; doublure of vellum richly tooled and gilt in the manner 
of the Eves, gauffred gilt edges, in morocco case, by Cuzin. 
(Blank leaves V2 and last missing. ) 

Antwerpiz: ex officina Christophori Plantini, 1566 


3331. VESPUCCIUS (AMERICUS). Lettera di Amerigo 
vespucci delle isole nuovamente trovate in quattri suoi viaggi. 
(At end) Data in Lisbona adi 4 di Septembre 1504: Servitore 
Amerigo Vespucci in Lisbona. Sixteen leaves, Roman type, 
with signatures, but no pagination. Four woodcut illustra- 
tions and large ornamental imtials. Sine nota; 

Lettera di Andrea Corsali allo Illustrissimo Signore Duca 
Iuliano de Medici, Venuta Dellindia del Mese di Octobre Nel 
M.D.XVI. (At end) Stampato in Firenze per Io. Stephano 
di Carlo da Pavia. Adi x. di Dicembre Nel M.D.XVI. Six 
leaves, Roman type, without pagination. 

Two vols. small 4to, uniformly bound in crimson levant mo- 
rocco, tooled in a Grolieresque design of interlacing gilt panels, 

528 


3teet 


relieved by blind tooling, doublure of blue levant morocco 
gilt, silk guards, gilt edges, in crimson levant case, by Lortic. 

* H. 87. First EpitTion of the complete account of the Four 
Voyages of Vespuccius. ONLY FOUR OTHER COPIES ARE KNOWN, 
ALL OF WHICH ARE IN EUROPEAN PUBLIC LIBRARIES. The Court- 
Kalbfleisch copy bought by Quaritch for Mr. Kalbfleisch and 
later sold to Mr. Hoe, and the one from which the London book- 
seller made the facsimile for his Monograph on the Voyages of 
Columbus. 

This extraordinarily rare book is with little reason assigned to 
the year 1516, by Harrisse, from the fact that Heber’s copy was 
bound with the Corsali letter of 1516, in a binding of the early 
part of the XVIth century. Harrisse, however, was not aware 
that there was another copy, described by D’Avezac, in a con- 
temporary binding with a pamphlet by St. Basel printed in 
January 1506 by the printer of the ‘‘ Lettera di Vespucci,’’ thus 
taking the date back to the beginning of the year 1506. 

Another fact, apparently overlooked, is that Waldseemiiller 
in his account of the voyages of Vespuccius printed about April, 
1507, either copied from this edition, or from the manuscript on 
which it was founded, and gave the incorrect date of the third 
voyage as May 10, 1501, as in this edition. In all other editions 
(about the same time or later), the date is given as May 14. 

Harrisse also states that the types of the Letter of Vespuccius 
and the pamphlet by Corsalis are identical, which is only par- 
tially true, as the printer of the letter—Stephano di Carlo, came 
into possession of the types of the original printer. A ‘few 
letters have without doubt been recast, the capital ‘‘Q’’ for 
instance, while others possibly had new letters cut on the same 
body. 

It was this statement by Harrisse that probably induced Mr. 
Hoe to add the Letter of Corsalis to the Vespuccius, as Mr. 
Quaritch’s original bill for the latter only is laid in, showing 
that Mr. Hoe purchased the Corsalis at some other time. 

THERE CAN BE LITTLE DOUBT THAT ‘‘ LETTERA DI AMERIGO VES- 
PUCCI’’?’ WAS PRINTED NOT LATER THAN JANUARY, 1506, AND IT 
MAY HAVE BEEN PRINTED SHORTLY AFTER THE DATE OF THE LAST 
LETTER IN THE VOLUME, SEPTEMBER 4, 1504. 

The editions of the letters of Vespuccius are extremely rare. 
The Florence edition of the Four Voyages is by far the rarest 
of the known editions. There is a copy in the British Museum 
in the Grenville Library. This library was presented in 1847 
and Sir Thomas Grenville bought books at the Heber sale. The 
Heber and Grenville copies may be the same, otherwise all trace 
of the Heber copy has disappeared. A second copy is that de- 
scribed by Varnhagen, which seems to agree with the Poggiali 
copy, and which cannot be traced since 1863. This copy is said 
also to have once been a part of the Palatina Library in Florence, 
where was to be found another copy bound separately and not 
with the tract of St. Basil found in both the Varnhagen and 
Poggiali copies. 

A third (or fourth) is now in the Capponi Library, Florence. 
The only other known copy is the above, the history of which is 


\ 529 


as follows: Somewhere in the ‘‘seventies’’ this copy was 
owned by the bookseller Tross of Paris, and passed into the col- 
lection of Docteur J. Court, a famous French collector. At that 
time it had the Corsali Letter bound with it, but the volume 
was broken up by Dr. Court and each of the two bound sepa- 
rately. The sale of the Court books took place in 1884, and 
both these volumes were purchased by Bernard Quaritch as they 
appear in his catalogue for June, 1885. They were bought by 
the late Charles Kalbfleisch of New York, and finally passed 
into the possession of Robert Hoe. A careful argument narrows 
down the number of copies. The Heber and the Tross-Kalb- 
fleisch-Hoe copy had bound with them the Corsali Letter; were 
these two the same? The Varnhagen and Poggiali copies in 
like manner were bound up with the tract of Saint Basil—were 
these also one and the same copy? And will that copy ever 
come to light? So FAR THE HOE COPY IS THE ONLY ONE THAT 
HAS EVER BEEN IN THE POSSESSION OF AN AMERICAN COLLECTOR, 
AND THE ONLY ONE THAT CAN EVER HOPE TO BE KEPT IN AMERICA, 
THE OTHERS BEING IN NATIONAL LIBRARIES. 


[See Reproduction. ] 


3332. VESPUCCIUS (AMERICUS). Mundus nouus. (ln 
gothic type; followed by Roman.) Albericvs Vespvtivs Lav- 
rentio | Petri De Medicis Salutem Pluri | mam Dicit. | Teat 
of the narrative commencing on the first page. Four leaves, 
small Gothic type, forty-two lines to the full page, no signature 
or pagination. Small 4to, red levant morocco gilt, gilt top, 
uneut, by F. Bedford. 

Sine nota. |Rome, Eucharius Silber, 1504] 


* VESPUCCIUS’ NARRATIVE OF HIS THIRD VOYAGE. H. 23. VERY 
FINE TALL COPY MEASURING 814 x 554 IN. ONLY FOUR OTHER 
COPIES ARE KNOWN. The types, although a little worn, are the 
same as those used by Silber in the letter of Columbus (1493), 
of which a copy is in this catalogue (no. 835). 


3333. VESPUCCIUS (AMERICUS). Folo 1, recto: Mun- 
dus Nouus. Folio 1, verso: Albericus vespucius Laurentio 
Petri de me | dicis salutem plurimam dicit. || Four leaves, 
small Gothic type, 44 and 45 lines to the page, without sig- 
nature or pagination, verso of last leaf blank. Small 4to, red 
levant morocco, gilt edges, by Chambolle-Duru. Sine. nota. 

* VESPUCCIUS’ NARRATIVE OF HIS THIRD VOYAGE. H. 30 AND 
ADDITIONS 14 (?). HARRISSE GIVES ONLY FORTY-FOUR LINES TO 


A PAGE. EXTREMELY RARE, SEVEN OTHER COPIES BEING ALL THAT 
CAN BE TRACED. Probably printed in Germany. 


530 


 - Zettera di Amerigo yefpnect 
 deile tfole nuouamente 
trouagte in quattro. 
— _- {uot plaggi. 


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VeEsPuccIuS’ LETTER [1506]. 
First EDITION OF THE ‘‘FouR VOYAGES,’’ THE ONLY COPY IN AMERICA. 
(See No. 3331.) 


3334. VESPUCCIUS (AMERICUS). SEnsuyt le Nou— 
veau mode (et) na | uigations: fai | ctes par Emeric de ves- 
puce Florentin. Des | pays (et) isles nouuellemét trouuez, 
au pauat | ano(us) incogneuz. 

Colophon, at bottom of verso of A4: On les vent a paris 
en la rue neufue no | stre dame a lenseigne de lescu de 
France. four preliminary folios unnumbered, and num- 
bered folios 1 to 88 (the last wrongly paged 90). French 
Gothic type, 89 lines to a page, with signatures. Title in 
red and black. Curious woodcut on the title of the Ptolemaic 
conception of the universe. Small 4to, blue levant morocco, 
open tooling of a scroll and foliage design, doublure of red 
morocco gilt, gilt edges, by The Club Bindery. s. d. [1515] 

*H. 88 BoTH BRUNET AND HARRISSE AGREE IN ASSIGNING 

> THE DATE OF 1515 TO THIS EDITION, AND AS PRECEDING GALLIOT 
DU PRE’S EDITION. It contains in addition to the voyages of 
Vespuccius, those of Columbus, Vasco da Gama, and other 


early navigators, being a translation of Montalboddo’s Paesi 
Novamente Retrovati, 1507. 


3335. VIARDOT (LOUIS). Les Merveilles de la Peinture. 
21 woodcuts, by Pasquier. 2 vols. 12mo, half cloth, uncut. 
Printed on India paper. Paris, 1868-69 


3336. VIARDOT (LOUIS). Les Merveilles de la Sculp- 
ture. Ouvrage illustré de 62 vignettes par Chapuis, Petot, 
P. Seller, etc. 12mo, half cloth, uncut. Printed on India 
paper. Paris, 1869 


3337. [VIAUD (THEOPHILE).] Le Parnasse Satyrique 
du Sieur Théophile. 12mo, citron levant morocco, in com- 
partments formed by inlaid interlaced bands of green mo- 
rocco, outlined in gold, the spaces tooled and gilt with 
pointillé and scrolls ornaments, ‘‘ a la fanfare,’’ gilt mosaic 
back, gilt edges, by Capé; in a morocco slip case. 


[Leyde: Hackius], 1660 


* THE MOST CHARMING AND THE RAREST EDITION of this collec- 
tion of very curious poems. Annexed to the Elzevirs. 


3338. VIAUD (THEOPHILE). Les Oevvres de Theo- 
phile, Diuisées en trois Parties. Premiere Partie, conte- 
nant Vimmortalité de l?Ame, auec plusieurs autres piéces. 
La seconde, la Tragedie de Pirame & Thisbé, & autres mes- 
langes. Et la troisiesme, les pieces qu’il a faites pendant 
sa prison. Reueués & corrigées en cette derniere Edition 
de plusieurs fautes notables. 12mo, red levant morocco, 
gilt panels, gilt edges, by Belz. 

Paris, chez Nicolas Pepingvé, 1662 


3339. VICARS (JOHN—Translator). Babels Balm: or 
The Honey-Combe of Romes Religion. With A neate 
draining and straining-out of the rammish Honey thereof. 
Sung in tenne most elegant Elegies in Latine, by that most 


531 


worthy Christian Satyrist, Master George Good-vvinne. And 
Translated into tenne English Satyres, by the Muses most 
vnworthy Eecho, Iohn Vicars. FIRST EDITION. Small 4to, red 
morocco, gilt edges. (Title cut close and portion defective. ) 

London: George Purslowe for Nathanaell Browne, 1624 


3340. VICTORIUS (PETRUS). Commentarii in primum 
librum Aristotelis de Arte Poetarum. Folio, old red mo- 
rocco gilt, giltedges. Florentiz, in officina Iuntarum, 1560 

* From the Lamoignon and Wodhull collections. 


33841. [VIDOCQ (FRANOQOIS JULES).] Mémoires d’un 
Foreat, ou Vidoeqg dévoilé. 3 vols. 8vo, half green mo- 
rocco, uncut. Paris, 1828 


3342. VIDOCQ (FRANCOIS JULES). Mémoires de Vi- 
doeq, chef de la police de sureté, jusqu’en 1827, aujourd’hui 
propriétaire et fabricant de papiers a Saint-Mandé. FIRST 
EDITION. Portrait. 4 vols. 8vo, half green morocco, uncut. 

* Signature of the author in Vols. land III. Paris, 1828 


3343. VIE du Roi Salomon, Rédigée par Théophile, 
Prince R.*. C.:. Souverain d’Héredon. Frontispiece. 12mo, 
green levant morocco, gilt edges, by Bauzonnet. 

[n. p.]. An 5802 de la Creation [end of XVI Century. | 
* From the Library of Comte Henri de La Bédoyére. 


3344. VIE ELEGANTE (LA). Littérature, Voyages, 
Sport, ete. Title-page by Rops and numerous illustrations, 
full-page and in the text. 2 vols. small folio, brown morocco, 
gilt tops, uncut, original covers bound in. Paris, 1882-83 


* Printed on Holland paper, with duplicate set of the full- 
page plates in Vol. I, on heavy tinted paper; in Vol II, proofs 
before letters. 


3345. VIGNY (ALFRED, COMTE DE). Les Destinées, 
précédées de Moise. 46 illustrations de G. Bellenger gravées 
par Hroment. Royal 8vo, blue levant morocco, gilt borders, 
gilt top, uncut, original covers bound in, by The Club 
Bindery. Paris, 1898 


* One of 15 copies on Large Japan paper, with duplicate set 
of the illustrations on India paper. 


3346. VIGNY (ALFRED, COMTE DE). Servitude et 
Grandeur Militaires. Exemplaire unique. 31 ORIGINAL 
WATER-COLOR DRAWINGS, BY CHARLES MOREL. 2 vols. in 1. 
Royal 4to, red levant morocco, gilt fillets, gilt edges, by 


Canapé. Paris, 1598 
* LARGE PAPER COPY. 


3347. VILLANOVANUS (ARNOLDUS). L’Eschole de 
Salerne en vers burlesques et poema Macaronicum, de Bello 
Huguenotico. 4to, red levant morocco gilt, gilt edges, by 
Riviere. Paris: J. Henault, 1650 


582 


3348. VILLEDIEU (MARIE C. H. DESJARDINS DE). 
Cléonice ou le Roman galant. FIRST EDITION. 12mo, red 
levant morocco gilt, gilt edges, by Trautz-Bauzonnet. 

Paris, 1669 


3349. VILLEMAIN (ABEL FRANCOIS). Tableau de 
Eloquence Chrétienne au IVe siécle. NOUVELLE EDITION, 
revue et augmentée. 8vo, half green morocco gilt, gilt top, 
uncut, by Matthews. Paris, 1849 


3350. VILLEMAIN (ABEL FRANCOIS). Souvenirs Con- 
temporains d’Histoire et de Littérature. FIRST EDITION. 
2 vols. 8vo, half green morocco gilt, gilt top, uncut, by 
Matthews. Paris, 1854 


3351. VILLEMAIN (ABEL FRANCOIS). Cours de Lit- 
térature Frangaise. Tableau de la Littérature au XVIIIe 
siecle. 4 vols. 8vo, half green morocco gilt, gilt tops, un- 
cut, by Matthews. Paris, 1855 


3352. VILLEMAIN (ABEL FRANOQOIS). Choix d’Etudes 
sur la Littérature Contemporaine. FIRST EDITION. 8vo, 
half green morocco gilt, gilt top, uncut, by Matthews. 

Paris, 1857 


3353. VILLEMAIN (ABEL FRANCOIS). M. de Cha- 
teaubriand, sa vie, ses écrits, son influence littéraire et po- 
litique sur son temps. FIRST EDITION. §8vo, half green 
morocco gilt, gilt top, uncut, by Matthews. Paris, 1858 


3354. VILLENEUVE- BARGEMONT (FRANOQOIS 
LOUIS, MARQUIS DE TRANS). Histoire de René d’An- 
jou, Roi de Naples, Due de Lorraine, et C* de Provence. 17 
plates, consisting of portraits, views, facsimiles, and music. 
3 vols. 8vo, brown straight-grain morocco, gilt borders, the 
ARMS OF THE DUCHESSE DE BERRY (1798-1870) on both cov- 
ers, gilt edges, by Simier. Paris, 1825 


3355. VILLON (FRANCOIS). Les Givres Maistre Fran- 
coys Villon. Le Monologue du frane Archier de Baignol- 
let. Le Dyalogue des seigneurs de Malle paye & Bailleuent. 
Small 8vo, brown levant morocco, in a mosaic formed by 
ornamental inlays of black, green and red morocco, out- 
lined in gold; doublure of vellum with gilt leaf sprays, 
gauffred gilt edges, in a morocco case, by Mercier. (Writing 
on title.) 

Paris: a l’enseigne de l’escu de France [chez la veuve 
Jean Trepperel], 1533. 


* Similar to the issue of 1532, and even rarer. 
533 


3356. VILLON (FRANCOIS). The Poems of Master 
Frangois Villon of Paris, now first done into English verse, 
in the original forms, with a biographical and critical in- 
troduction, by John Payne. 8vo, vellum boards, gilt top, 
uncut. Limited issue. 

London: Printed for the Villon Society, 1892 


3357. VINGTRINIER (AIME). Histoire de l’Imprimérie 
a Lyon de lorigine jusqu’a nos jours. Many woodcuts im 
the text. 8vo, orginal covers, uncut. Lyon, 1894 


3358. VIOLLET-LE-DUC (EUGENE EMMANUEL). 
Dictionnaire Raisonné de l Architecture Francaise du XI¢ au 
XVIe siécle. Nearly 4,000 illustrations. FIRST EDITION. 
10 vols. royal 8vo, half brown levant morocco, gilt tops, 
uncut. Large paper copy, only 100 printed. Paris, 1854-68 


8359. VIOLLET-LE-DUC (EUGENE EMMANUEL). 
Dictionnaire Raisonné du Mobilier Franeais de l’époque 
Carlovingienne a la Renaissance. 8&2 colored plates and 
many hundred woodcuts. 6 vols. royal 8vo, half red mo- 
rocco, gilt tops, uncut. Paris, 1871-75- 


3360. VIRGIL. Opera. 8vo, red levant morocco, gilt — 


interlaced borders, doublure of red levant morocco, gauf- 
fred gilt edges, in a morocco ease. 
Venetiis: in edibus Aldi Romani, 150f 
* FIRST ALDINE EDITION. 


3361. VIRGIL. Opera. First large initial in colors. 8vo, 
brown levant morocco, richly tooled and gilt in a Grolier- 
esque pattern of interlacing and arabesques, gilt back, 
vellum linings, gilt edges, by Bedford. (Margins of some 
leaves supplied). 

Venetiis: in edibus Aldi et Andree Soreceri, 1514 


* THE SECOND OF THE TWO EDITIONS DATED 1514 with the 
errors corrected; but not printed before 1519. 


3362. VIRGIL. Les cuvres de Virgile. Translatées de 
latin en francoys et nouuellement imprimées, veues et cor- 
rigées oultre les précédents impressions. Slack letters, 
double columns. Title within a woodcut border, and 159 
woodcuts. Folio, red levant morocco, covered with a rich 
design of mosaic compartments and ornaments in dark 
brown, blue, green and citron morocco, gilt tooled ‘‘a la 
fanfare,” gilt mosaic back, doublure of blue levant, gilt. 
leaf-spray borders, silk linings, gilt edges, in a morocco 
slip ease, by Lortic. Paris: Oudin Petit, 1540 


* A VERY EARLY FRENCH TRANSLATION OF VIRGIL AND A 
BEAUTIFUL SPECIMEN of modern bookbinding. 


584 


3363. VIRGIL. Opera Omnia innumeris pene locis ad 
veterum Petri Bembi Cardinalis et Andres Navgerii exem- 
plarium fidem, postrema hac editione castigata. Cum XI. 
Commentarijs, Seruio presertim ac Donato, ad suam integ- 
ritatem restitutis. Title within an architectural woodcut 
border and 112 woodcuts by a German master. Folio, 
brown levant morocco, gilt edges, by Lortic. 

Venetiis: apud heredes Luczantonii Iunte, 15 52 


38364. VIRGIL. L’Eneidetranslatée de Latin en Francois, 
par Louis des Masures Tournisien. [In verse.] Title within 
an ornamental woodcut border and 12 woodcuts ascribed to 
Bernard Salomon called ‘‘le Petit Bernard.’’ 4to, blue 
levant morocco, gilt centre ornaments on the sides, gilt 
edges, by Trautz-Bauzonnet. Lion: Ian de Tournes, 1560 


3365. VIRGIL. The XII Atneids of Virgil, the most re- 
nowned Laureat-Prince of Latine Poets; translated into 
English deca-sylables, by Iohn Vicars. FIRST EDITION. 
Engraved title-page. Square 16mo, original limp vellum, 
with ties. [ Lond. ] 1632 


3366. VIRGIL. The Works of Publius Virgilius Maro. 
Translated, adorned with Sculpture and illustrated with 
annotations, by John Ogilby. Frontispiece portrait by 
Faithorne and about 100 plates, anda map, by Faithorne, 
Lombart, Richer, &c., besides vignettes and initials. FIRST 
FOLIO EDITION. Folio, brown morocco, gilt panels, gilt 
edges, by Matthews. Lond. 1654 


3367. VIRGIL. Bucolica et Georgica tabulis zeneis olim 
a Johanne Pine illustrata. Hngraved title, fine plates, 
vignettes and tail-pieces by John Pine. Royal 8vo, red 
levant morocco, gilt panelled sides, gilt inside borders, gilt 
top, uncut. Londini, 1774 


3368. VIRGIL. Qé£uvres completes. Translated by 
Charpentier, Villenave and Amar. 4 vols. 8vo, red levant 
morocco, gilt backs with monogram E. B., gilt edges, by 
Belz-Niédrée. Paris, 1833-35 


3369. VIRGIL. Carmina Omnia perpetuo commentario 
ad modum J. Bond. Engraved title and 27 head-pvieces. 
16mo, brown levant morocco, gilt back, gilt edges, by David. 

| Paris, 1858 

3370. VIRGIL. Publii Virgilii Maronis Carmina Omnia 
perpetuo commentario ad modum Joannis Bond explicuit 
Fr. Dubner. Engraved title and 27 head-pieces. 16mo, 
red levant morocco, gilt panels, giltedges, by Matthews. 

Paris : Firmin-Didot, 1863 


VIRGIL. See No. 2673, Phaer and Twyne. 
535 


3371. VIRTUTES. Cardinales Ethico Emblemate Ex- 
presse. Hngraved title, four plates and printer’s device 
on the last leaf. 4to, citron levant morocco, gilt back, gilt 
edges, by David. Antverpie, 1645 


3372. VISSCHER (ROEMER). Sinnepoppen. 83 en- 
gravings on copper. Oblong 4to, russia, panelled sides, 
gilt edges. Amsterdam: VVillem Ianfz, 1614 


3373. VITO DI GOZZI (NICOLO). Dello Stato delle 
Republiche Secondo la Mente d’Aristotele. 4to, red mo- 
rocco gilt, anchor on covers, GILT TOP, UNCUT. 

*The Syston Park copy. In Venetia: Aldo, 1591 


3374. VITRUVIUS. M. Vitrvvivs per Iocvndvm Solito 
castigatior factvs cvm figvris et tabvla vt iam legi et 
intelligi possit. Title within an ornamental woodcut border 
and 186 woodcuts, including one representing a boat driven 
by means of a paddle-wheel. Folio, old French brown mo- 
rocco, gilt edges. Fine large copy with 16 INITIALS IN GOLD 
AND COLORS AND A COAT-OF-ARMS painted on the lower border 
of first page of text. Venetiis: Ioannes de Tridino, 1511 


3375. VITRUVIUS. De Architectura, libri decem ad 
Cesarem Augustum, omnibus omnium editionibus longe 
emendatiores; collatis veteribus exemplis. Woodcut por- 
trait and numerous illustrations in the teat; also a folded 
table containing an ancient Roman inscription. 4to, olive 
calf, gilt ornaments, gilt inside borders. 

Lugduni: Joan Tornesium, 1552 


3376. VITRUVIUS. Architecture ou Art de bien bastir 
mis de Latin en Frangoys par Ian Martin. Tle within a 
woodcut border and over 150 architectural woodcuts by Jean 
Goujon. Folio, red levant morocco, gilt edges, by Cuzin. 

Paris: H: de Marnef & G. Cavellat, 1572 

* At the end is a dissertation on architecture by Jean Goujon, 

accompanied by two plates of palaces in the style of the French 
Renaissance, 

3377. VOISENON (CLAUDE HENRI DE FUSEE DE). 
Romans et Contes. Portrait by Vigée and 4 plates by Que- 
verdo, engraved by de Launay. 2 vols. 12mo, original 
boards, uncut. Paris, 1798 


3378. VOLTAIRE (JEAN F. M. AROUET DE). C£dipe, 


tragedie. Small 8vo, old red morocco, gilt back and edges. 
A Paris: Chez Pierre Ribou, &e., 1719 


* FIRST EDITION of Voltaire’s first publication. 


3379. VOLTAIRE (JEAN F. M. AROUET DE). (1). La 


Ligue ou Henry le Grand, poéme epique. Genéve (Rouen, 
Viret), 1723; (2). Reflexions critiques sur un poéme intitulé 
La Ligue, Imprimé a Genéve, & attribué a M. de Voltaire. 


536 


Seconde edition. 1724; (3). Lettre critique ou paralelle des 
trois poémes epiques anciens, Seavoir, |’ Iiade, l’?Odyssé a’ Ho- 
mere & |’Eneide de Virgile, avec le Poéme nouveau, intitulé, 
La Ligue, ou Henry le Grand, Poéme Epique. 1724; (4). 
Seconde Lettre et critique generale [signée de Bellechaume] 
ou parallele des trois poémes epiques anciens [same imprint 
as (3)]. 4 vols. in 1. 12mo, red levant morocco, gilt edges, 
by Cuzin. Genéve, 1723-4 


* THE FIRST WORK IS THE FIRST EDITION of ‘‘LA HENRIADE,” 
in nine cantos only, published secretly at Rouen by Thierot, 
secretary and friend of Voltaire. It contains the blank leaf V 4. 


3380. VOLTAIRE (JEAN F. M. AROUET DE). Oreste, 
Tragédie. Also, Samson, Tragédie Lyrique. Small 8vo, 
red morocco, gilt back, the ARMS OF FERIOL on the sides, 
gilt edges, by Padeloup. A Paris, 1750 


* FIRST EDITIONS. Includes ‘‘ Mensonges Imprimés.” The 
pagination is continuous. 


3381. VOLTAIRE (JEAN F. M. AROUET DE). Can- 
dide, ou l’Optimisme. Wirth 4 inserted plates by Chodo- 
wieckt. 12mo, red levant morocco, gilt edges, by Cuzin. 

: in. p.|.1759 


33882. VOLTAIRE (JEAN F. M. AROUET DE). La 
Pucelle d’Orleans. Frontispiece, 20 plates engraved on cop- 
per, portrart of Voltaire, 2 vignettes and 1 cul-de-lampe, all 
unsigned. 8vo, polished ealf gilt, gilt top, uneut, by Bed- 
ford. Londres, 1764 


3383. VOLTAIRE (JEAN F. M. AROUET DE). La 
Guerre Civile deGéneve. Poéme Heroique, avee des Notes 
Instructives. DERNIER EDITION. 6 curious unsigned plates. 
Square 18mo, half red morocco. Besangon, 1768 


*The following title precedes the one given above: ‘‘ La 
Guerre Civile de Geneve. Nouvelle edition. Paris MDCCLX- 
LY 6 ay 


3384. VOLTAIRE (JEAN F. M. AROUET DE). La 
Tactique et Autres Piéces Fugitives. FIRST EDITION. 8vo, 
red levant morocco gilt, uncut by Riviére. Geneve, 1774 


3385. VOLTAIRE (JEAN F. M. AROUET DE). Romans 
et Contes. Fleuron on titles, portrait of Voltaire engraved 
by Cathelin after La Tour, 57 plates by Baquoy, Chatelain, 
Deny, Dambrun, Lorieux, Putas, Vidal and Elisabeth 
Thiébaut, after Marillier, Martini, Monnet and Moreau, 
ALL BEFORE THE NUMBERS, and 13 vignettes by Deny after 
Monnet. 3 vols. 8vo, red levant morocco, doublure of cit- 
ron levant with gilt tooled large dentelle borders, in the 
manner of Derome, silk linings, gilt over UNCUT EDGES, by 
Marius Michel. 

Bouillon: aux dépens de la Société typographique, 1778 


537 


3386. VOLTAIRE (JEAN F. M. AROUET DE). (I) La 
Henriade, poéme, suivie de notes et de variantes. (II) Suite 
de la Henriade, contenant l’essai sur les guerres civiles de 
France, une dissertation sur la mort de Henri IV, et l’essai 
sur la poesie epique. 2 vols. royal 8vo, red levant morocco, 
gilt backs, gilt edges, by Chambolle-Duru. 

De Vimprimerie de la Société Litteraire-Typographique 
{Kehl] 1785. 


* THE ONLY COPY PRINTED ON VELLUM, In Volume I are 
portrait of Henri IV by Tardieu after Pourbus and 10 plates 
after Moreau le jeune engraved by Dambrun, de Launay, 
Duclos, Guttenberg, Helman, Lingée, Patas, Romanet, Simonet, 
and Triére, on Holland paper. Inserted are two portraits of 
Henri IV by Cathelin after Jannet and by Dequevauvillier 
after Pourbus, the latter on India paper, and 10 plates after 
Gravelot. 

In Volume II are an inserted portrait of Henri lV, by Tardieu 
after Pourbus, a frontispiece by Flipart after Gravelot, and 3 
other plates, the two last, after Gerard, in 2 states, including 
India proofs before letters. 

Presentation copy from the actress Sarah Félix, with her 
autograph on the half-title of Volume I. 


3387. VOLTAIRE (JEAN F. M. AROUET DE). Collec- 
tion of Engravings for the works of Voltaire. 113 plates en- 
graved by Coiny, Croutelle, Delvaux, Girardet, de Ghendt, 
Godefroy, Halbou, Ingouf, Nicollet, Petit, Ribault, Roger, 
Romanet, Simonet, Thomas, Triére, Villecog, Villerey and 
De Villiers after Moreau le jeune; with Renouard’s addition 
of the 34 portraits engraved by St. Aubin, and the other 12 
portraits of which he had the plates. Large 8vo, red levant 
morocco gilt, gilt top by Bertrand. [ Paris: Renouard, 1802] 


3388. VOLTAIRE (JEAN F. M. AROUET DE). Romans 
de Voltaire. Proof wmpressions of the 27 plates by Moreau le 
jeune. 3 vols. 8vo, half red levant morocco gilt, gilt tops, un- 
cut, by Allo. Paris, 1821 

* Large Paper. 


3389. VOLTAIRE (JEAN F. M. AROUET DE). Lettres 
inédites de Voltaire a Mademoiselle Quinault, a M. D’Argental, 
au Président Hénault, a M. Damilaville, a Madame D’Epinay, 
et autres personnages remarquables. Royal 8vo, half red 
levant morocco, pointillé back, gilt top, uneut, by Capé. 

Paris, 1822 


* LARGE VELLUM PAPER copy. Inserted are 12 portraits (5 
proofs on India paper), including 4 of Voltaire, after Hou- 
don’s bust and de Latour’s painting. 


3390. VOLTATRE (JEAN F. M. AROUET DE). Céuvres 
de Voltaire. Avec Préfaces, Avertissements, Notes, &c., par 
M. Beuchot. 72 vols. in 71, royal 8vo, half red levant morocco, 
pointillé backs, gilt tops, uncut, by Capé.. = Paris, 1829-1840 


* PRINTED ON LARGE VELLUM PAPER. Inserted are over 2,100 
plates, including over 100 portraits of Voltaire, after St. Aubin, 


538 


Houdon, de Latour, Desenne, de Largilliére, and others in 
various states, and an artist’s proof impression of the very 
rare portrait engraved by Ficquet. The first series of illus- 
trations after Moreau is in two states, including proofs before 
letters on India paper; the second series is also in two states, 
engraver’s etching and proofs before letters; the two -series 
after Desenne and Devéria are proofs before letters on India 
paper. 

This superb collection of plates contains many rare French 
and English portraits in various states, and a number of unique 
illustrations. Among them are (Volume I) the rare portrait 
of Moreau engraved by St. Aubin after Cochin; (VI) an 
original drawing by Moreau, different from the plate; (IX) 
a rare artist’s proof impression of the first plate of 
‘“Agathocle’’ engraved by Delignon after Moreau, the pub- 
lished one having been engraved by Simonet; (X) ten original 
drawings by Le Prince for the ‘‘ Henriade,’’ in sepia; an original 
pencil drawing of Jacques Clemént by Massard, with accom- 
panying engraving; an original sepia drawing of Ravaillac by 
Massard, with plate; frontispiece by Moreau in three states, 
the first very rare, the first and third states being on India 
paper; the series of illustrations after de Troy for the first 
edition; the series after Hisen, Devéria (India paper) and N. 
Vieughels; (XI) ‘‘La Pucelle,’’ an original sepia drawing 
(page 77) by Steinel, with plate; the two series of illustra- 
tions after Monsieau and le Barbier, both in two states, engrav- 
er’s proof and proof before letters; and (page 154) the rare 
vignette of Judith, proof before all letters; (XIII) an 
original wash drawing (page 177) of the Duchesse du Maine, 
and (page 240) an original sepia drawing of Mlle. Clairion by 
Vanloo, (XIV) the series of illustrations for the ‘‘ Poésies’’ 
by Monnet on India paper, and an original wash drawing of 
Madame de Pompadour by Cazenave; (XVI) a pen and pencil 
portrait of Friedrich Barbarossa (page 98); (XX) a folded 
facsimile of the signatures of the ‘‘Protecteurs des Acadé- 
miciens’’ and of the ‘‘ Académiciens;’’ (XX XIII) an original 
sepia drawing of ‘‘Jeannot et Colin’’ by Choquet, 1816 (page 
369), and the rare series of plates by Moreau for ‘‘Candide,’’ 
in two states, (LXVIII) the rare plate, ‘‘Partage de la 
Pologne, ou le Gateau des Rois,’’ proof before letters. 


3391. VOLTAIRE (JEAN F. M. AROUET DE). Lettres 
inédites de Voltaire recueillies par M. de Cayrol et annotées 
par M. Alphonse Francois, précédées d’une préface de M. 
Saint-Mare Girardin. 2 vols. 8vo, half red levant morocco, 
pointillé backs, gilt tops, uncut, by Capé. Paris, 1856 


* PRINTED ON PAPIER VELIN, AND EXTRA-ILLUSTRATED by the 
insertion of 10 portraits (4 proofs on India paper), including 
2 of Voltaire, after de Latour and Firilley, the latter a proof 
before letters on India paper. 


539 


3392. VOLTAIRE (JEAN F. M. AROUET DE). La 
Pucelle d’Orléans. Portraits of Voltaire, portrait, proof be- 
fore all letters, of Jeanne d’Arc, frontispiece and numerous 
vignettes. 2 vols. in one, 12mo, red levant morocco gilt, gilt 
edges, by Capé. Paris, 1865 


* One of 15 copies on India paper. 


3393. VOLTAIRE (JEAN F. M. AROUET DE). Le Sot- 
tisier de Voltaire publié pour la premiére fois d’aprés une 
copie authentique faite sur le manuscrit autographe conservé 
au Musée de 1’Ermitage a Saint-Pétersbourg, avec une préface 
par L. Léouzon le Due. 8vo, half blue levant morocco gilt, un- 
eut, by Champs. Paris, 1880 

* One of 300 copies on Holland Paper. 


3394. VORAGINE (JACOBUS DE). Legenda aurea. 
Gothic characters, double columns. Title in red, with woodcut, 
historiated and ornamental imtials. 4to, brown levant mo- 
rocco, richly tooled to a Groleresque pattern of interlacing 
and arabesque on a gold dotted ground, with the title of the 
book stamped in capitals on each cover, gilt back and inside 
borders, vellum linings, gilt edges, in morocco slip case, by 
Riviére. (Title skilfully mended.) 

Lugduni: Claudius d’Avost alias de Troys, 1504 


3395. VORAGINE (JACOBUS DE). Hier beghint twinter 
stuck des Passionaels. Dat ghehieten is Aurea legenda. Gothic 
character, double columns; title in red and black. Woodcut 
on title, 77 spirited woodcuts in the text and a full-page wood- 
cut of all the Saints in glory on the verso of last leaf. Folio, 
brown levant morocco, gilt edges, by Lortie. 

Uoleynt te Parijs in sint: Jacobs strate. By Wolffgang hopyl. 
int teyken van sint Jorys voer Willem Houtmart. boee ver- 
coper wonende te Brusel in brabant, 1505. 


3396. [VORAGINE (JACOBUS DE).] Hier begint tsomer 
stuck vanden Passionael. Gothic character, double columns; 
title in red and black. Woodcut on title, 112 spirited woodcuts 
in the text representing scenes from the life and passion of 
Christ, saints, etc., and a full-page woodcut of all the Saints in 
glory on the verso of last leaf. Folio, brown levant moroeco, 
gilt edges by Lortie. 

Gheprent te Pariis in sint Jacobs strate in teyken van sint 
Jorys voor Willem Houtmart, boeck verecoper wonende te 
Brusel, 1507. 


540 


097. ALL (VICOMTE DE). Porte-Feuille d’un 
Jeune Homme de vingt-trois ans. 8vo, green 

straight-grain morocco, gilt and blind tooled, gilt edges, by 
Thouvenin. Paris, 1788 


* VELLUM PAPER COPY, 50 printed for presentation and issued 
in no other form. 


From the library of Comte Henri de La Bédoyére. 


3398. WALLER (EDMUND). The VVorkes of Edmond 
VValler Esquire, Lately a Member of the Honourable House 
of Commons, In this present Parliament. Leaf of Imprima- 
tur Na. Brent. Decem. 30, 1644. Small 8vo, red levant mo- 
roceo gilt, gilt edges, by Bedford. 

London: Thomas Walkley, 1645 


* FIRST AND RAREST ISSUE OF THE ‘‘spurious’ first edition, 
printed without the author’s permission. 


3399. WALLER (EDMUND). Poems, &. Written by 
Mr. Ed. Waller of Beckonsfield, Esquire. All the Lyrick 
Poems in this Booke were set by Mr. Henry Lavves Gent. of 
the Kings Chappell, and one of his Majesties Private Musick. 
Printed and Published according to Order. 12mo, brown 
levant morocco gilt, gilt edges by Riviére. 

London: Printed by T. W. for Humphrey Mosley, 1645 


* SECOND ISSUE of the ‘‘spurious’’ first edition. The sheets 
of the preceding issue, with new title, dedication, and the mis- 
leading Advertisement to the Reader. 

An unusually large copy, with 8 pages at the end giving a 
list of 76 books put forth by Moseley. This copy has not only 
the inserted signature ‘‘I,’’ containing the poems and the 
table first published in this edition, but also the speeches, G7- 
H8. It thus agrees in collation with the Locker-Lampson copy. 


3400. WALLER (EDMUND). Poems, &c. Written by 
Mr. Ed. Waller of Beckonsfield, Esquire; Lately a Member 
of the Honourable House of Commons. And Printed by a 
Copy of his own hand-writing. All the Lyrick Poems in this 
Booke were set by M?. Henry Lavves, Gent. of the Kings 
Chappell, and one of his Majesties Private Musick. Printed 
and Published according to Order. (With the Speeches.) 
12mo, red levant morocco, doublure of blue levant, wide bor- 
ders, gilt edges, by Cuzin. 

London: Printed by I. N. for Hu. Mosley, 1645 


* THICK PAPER copy of the First EpITION. Known as the 
First GENUINE EDITION. 


3401. WALLER (EDMUND). Poems, &e. Written Upon 
Several Occasions, And To Several Persons. Never till now 
Corrected and Published with the approbation of the Author. 
12mo, red levant morocco, richly tooled in compartments, gilt 
inside borders, gilt edges, by Riviere. 

London: Printed for Henry Herringman, 1664 


* SECOND EDITION. First AUTHORIZED EDITION, with the 
several leaves of misprinted pagination, to which is prefixed 
the License Leaf,—‘‘ January 10th, 1663. Imprimatur, Roger 
L’Estrange.’’ 

541 


3402. WALLER (EDMUND). Poems, &. Written upon 
Several Occasions, And to Several Persons: THe Tuirp Ept- 
TION, with Several Additions, Never before Printed. ks 
red levant morocco gilt, gilt edges, by Riviere. 

London: Printed for Henry Herringman, 1668 


* THIRD EDITION, published with the approbation of the 
author. Contains the 4 lines of Errata. 


3403. WALLER (EDMUND). Poems, &. Written upon 
several Occasions, And to several Persons: THE FoURTH EDI- 
TION, With several Additions, Never before Printed. Portraits 
by Vander Banck. 8vo, original old English black morocco, 
covered with gilt tooling, gilt edges. 

London: Printed for Henry Herringman, 1682 


* FourTH EDITION. Fourteen poems are added to this edition, 
including ‘‘Of Divine Love,’’ published here for the first time. 


3404. WALLER (EDMUND). Divine Poems. Small 
8vo, red levant morocco gilt, gilt over uncut edges, by Mat- 
thews. 

[London] In the Savoy: Printed for Henry Herringman, 
1685. : 


“SECOND EpitTion of ‘‘Divine Love,’’ which first appeared 
in the Fourth Edition of the Poems, in 1682, and First EDITION 
of ‘Divine Poesie.’’ 


3405. WALLER (EDMUND). Poems, &c. Written upon 
several Occasions, And to several Persons. THE FirtH EpI- 
TION, With several additions never before printed. Portrait 
of the author at the age of 76, by Van der Banck. Small 8vo. 
red levant morocco gilt, gilt edges, by Riviere. 

[London]: Printed for H. Herringman, 1686 


3406. WALLER (EDMUND). The Maid’s Tragedy 
altered. With some other Pieces. Not before Printed in the 
several Editions of his Poems. Small 8vo, red levant mo- 
rocco gilt, gilt edges, by Chambolle-Duru. 

London: Printed for Jacob Tonson, 1690 


* First AUTHORIZED EpiTion. The play was never intended 
to be published, but after the author’s death it was printed by 
his friends to rectify the spurious version published by Dean 
Atterbury. 


3407. WALLER (EDMUND). The Second Part of Mr. 
Waller’s Poems. Containing, His Alteration of the Maids 
Tragedy, And whatever of his is yet unprinted: Together 
with some other Poems, Speeches, &c. that were Printed sev- 
erally, and never put into the First Collection of his Poems. 
Small 8vo, red levant morocco gilt, gilt edges, by Riviére. 

London: Printed for Tho. Bennet, 1690 


* First Epirion. This version differs from ‘‘The Maid’a 
Tragedy Altered,’’ published in the same year, with the license 
leaf preceding title. 

542 


| - R 
a 
ie: 


Pe SS » Pay 


3408. WALLER (EDMUND). Poems, &e. Written upon 
several Occasions.’ And to several Persons: THe SrxrH EpI- 
TION with several Additions. Never before Printed. Portrait 
by Van der Banck. Small 8vo, dark blue levant morocco gilt, 
gilt edges, by Riviére. 

London: Printed for H. Herringman, 1693 


3409. WALLER (EDMUND). (I.) Poems, &c. Written 
upon several Occasions, And to several Persons; THE SrixTH 
Epittion; with several Additions. Never before Printed. 
London: Printed for H. Herringman, 1694; (II.) The Maid’s 
Tragedy altered. With some other Pieces. First Epition. 
Not before Printed in the several Editions of his Poems. 
London: Printed for Jacob Tonson, 1690. 2 vols. in 1, small 
8vo, brown levant morocco gilt, gilt edges, by Riviere. 

London, 1690, 1694 


* THE SHEETS OF THE SIXTH EDITION of the Poems, with a 
new title-page, and another copy of THE First Epirion of 
‘<The Maid’s Tragedy altered.’’ 


3410. WALLER (EDMUND). Poems, &e. Written upon 
several Occasions, And to several Persons: THE SEVENTH EDrt- 
TION With several Additions, Never before Printed. Portrait 
by Vandrebanc. |Van der Banck.] 8vo, old English green 
morocco gilt, gilt edges. 

London: Printed for the Assignes of H. H., 1705 


* NintTH EDITION, although the title-page says ‘‘the seventh,’’ 


38411. WALLER (EDMUND). Poems, &e. Written upon 
several Occasions, And to several Persons. THE EicHtH Ept- 
TION, with Additions. To which is Prefix’d The Author’s Life. 
10 portrats and plates. 8vo, red levant morocco gilt, gilt 
edges, by Pratt. London: Jacob Tonson, 1711 


* TENTH EDITION, although the title-page reads ‘‘the eighth.’’ 
THICK PAPER COPY. 


38412. WALLER (EDMUND). Poems, &e. Written upon 
several Occasions, And to several Persons. THE NintH EpI- 
TION, with Additions. To which is Prefix’d The Author’s Life. 
Portrat of Waller, aged 76, and 2 plates, inserted. 18mo, old 
English red straight-grain morocco, gilt inside borders, gilt 
edges. London: Printed for Jacob Tonson, 1712 


* HLEVENTH EDITION, although the title-page reads ‘‘the 
ninth. ’’ 


3413. WALLER (EDMUND). Poems, &e. Written upon 
several Occasions, And to several Persons. By Edmond 
Waller, Esq.; Tae TENTH Eprrion, with Additions. To which 
is Prefix’d The Author’s Life. Portrait of Waller, aged 76. 
12mo, brown levant morocco, dentelle borders, gilt edges, by 
Riviere, London: Printed for Jacob Tonson, 1722 

* TWELFTH EDITION. Contains the ‘‘Speeches’’ and a list of 
books printed for Tonson. 


543 


3414. WALLER (EDMUND). The Works of Edmund 
Waller, Esq., in Verse and Prose. Published by Mr. Fenton. 
Portrats and engravings by Vertue. 4to, old English red 
morocco, tooled with curious design of birds, foliage, figures, 
&e., gilt edges. . London: I. Tonson, 1729 


* JOHN WILKES’ copy, with his book plate and an autograph 
note on the fly-leaf, ‘‘ The gift of Mr. White.’’ 


3415. WALLER (EDMUND). Poems. Edited by G. 
Thorn Drury. Portrait. 12mo, cloth, vellum back, gilt top, 


uncut. London, 1893 
* One of 200 copies printed on Large Paper. 


3416. [WALPOLE (HORACE).] The Castle of Otranto, 
A Story. Translated by William Marshall, Gent. From the 
Original Italian of Onuphrio Muralto, Canon of the Church of 
St. Nicholas at Otranto. First Eprrion. Small 8yvo, light 
brown levant morocco, inside gilt tooled borders, by The Club 
Bindery. London: Printed for Tho. Lownds, 1765 


38417. WALPOLE (HORACE). The Mysterious Mother. 
A Tragedy. 8vo, blue straight-grain morocco, ornate borders, 
floral corner ornaments on pointillé groundwork, inside panel 
of small dots, pointillé and floral back, gilt edges, by Clarke 
and Bedford. Printed at Strawberry Hill, 1768 


* First EDITION. Only 50 copies printed. 


3418. [WALPOLE (HORACE).| <A Description of the 
Villa of Walpole... at Strawberry Hill. With an inventory 
of the furniture, pictures, curiosities, &e. 27 plates after E. 
Edwards. 4to, green straight-grain morocco, gilt edges. 

Strawberry Hill: Printed by Thomas Kirgate, 1784 

* THIRD EDITION. 200 copies printed. EXTRA-ILLUSTRATED by 
the insertion of a duplicate title, in red, blue, and black, 56 
portraits, including 6 water-colors, &c., 14 views, and several 
plates in duplicate. 

3419. WALPOLE (HORACE). The Castle of Otranto, a 
Gothic Story. Translated by William Marshal, Gent. from the 
original Italian of Onuphrio Muralto. Royal 8vo, citron 
levant morocco, gilt borders in scrolls, flowers, foliage, and 
small tools, gilt edges, in a brown straight-grain morocco ease, 
by Bedford. [Parma]: Printed with Bodoni’s characters, 1790 


* Marshal Junot’s copy. ONE OF SIX PRINTED ON VELLUM. 


3420. WALPOLE (HORACE). The Castle of Otranto, a 
Gothic Story. Translated by William Marshall, from the 
original Italian of Onuphrio Muralto. Tur SrxrH EpiIrIon. 
Frontispiece in two states. Royal 8vo, red morocco gilt, with 
the crest of Lord Gosford on sides, gilt edges, by C. Lewis. 

Parma: J. Edwards, 1791 

* LARGE PAPER Copy. Extra-illustrated by the insertion of 

2 portraits, 4 original sepia drawings by Bertie Greathead, a 
two-page autograph letter of Horace Walpole, signed ‘‘ Or- 


ford’’; and a letter from Edwards, the publisher. With Lord 
Orford’s bookplate on the half-title. . 


544 


3421. WALPOLE (HORACE). Jeffery’s Edition of the 
Castle of Otranto, a Gothic Story. Translated by William 
Marshal, Gent. from the original Italian of Onuphrio Muralto. 
7 plates wm colors, engraved by Birrell, with gold border to 
each plate. 8vo, red levant morocco, gilt top, uneut, by Cham- 
bolle-Duru. (Writing on title.) 

London: Cooper and Graham, 1796 


3422. WALPOLE (HORACE). Anecdotes of Painting 
in England; with some Account of the Principal Artists, 
collected by George Vertue. With considerable additions by 
Rev. James Dalloway. 5 vols. 8vo, citron levant morocco gilt, 
gilt over rough edges, by Bedford. London, 1828 


* In addition to the published illustrations, this copy has an 
EXTRA SET OF THE PLATES ON INDIA PAPER, 289 engravings, and 
an ORIGINAL DRAWING BY HARDY, OF WALPOLE AS A CHILD. 


3423. WALPOLE (HORACE). The Letters of Horace 
Walpole, Earl of Orford: including numerous Letters now 
first published from the original manuscripts, 1735-1797. 24 
portraits on steel. First COLLECTED EDITION. 6 vols. 8vo, 
eloth, uncut. London, 1840 


3424. WALPOLE (HORACE) sanp REEVE (CLARA). 
The Old English Baron. A Gothie Story. By Clara Reeve, 
also, The Castle of Otranto. A Gothic Story. By Horace Wal- 
pole. Two portraits and four drawings, by A. H. Tourrier; 
etched by Damman. 8vo, cloth, uncut. London, 1883 

* One of 150 copies on Large Paper. 


3425. WALPOLE (HORACE). Horace Walpole and his 
world. Select passages from his Letters. Edited by L. B. 
Seeley. With 8 illustrations after Sir Joshua Reynolds and 
Sir Thomas Lawrence. Square 8vo, red levant morocco gilt, 
gilt top, uncut, by Matthews. London, 1884 


* LARGE PAPER COPY, with 100 portraits and views inserted, 
including mezzotints after Reynolds, a large number of proofs 
before letters and on India Paper. 


545 


THIRTY-NINTH SESSION, FRIDAY, 8:15 P.M. 


WALTON’S ANGLER, 
First to Fifth Editions, with Ten other Rare and Early Editions. 


3426. WALTON (ISAAC). The Compleat Angler or the 
Contemplative Man’s Recreation. Being a Discourse of Fish 
and Fishing, not unworthy the perusal of most Anglers. Rus- 
sia gilt, emblematic tooling, in green morocco ease. 


London: Printed by T. Maxey for Rich. Marriot, in 8. Dun- 
stans Church-yard Fleet Street, 1653. | 
* THE First Epirion. A large copy, measuring 55% x35% 
inches. Page 245 reads: 


‘“And if contentment be a stranger, then 
I’] nere look for it, but in heaven again.’’ 


Collation: ‘Title, the first 8 words within an engraved dolphin 
device, A 1; Dedication, A 2-4. To the Reader, A 5-7. Table 
of Contents, A 8. There are 6 engravings on copper, supposed 
to be by Lombart, and on pages 216 and 217 The Angler’s 
Song, set to music by Mr. Henry Lawes. The numeration of page 
217 reversed, recto of A 3 has ‘‘dilgence’’; page 88 ‘‘ For- 
didg,’’? &e. - ' 


3427. WALTON (ISAAC). The Compleat Angler or the 
Contemplative Man’s Recreation. Being a Discourse of 
Rivers, and Fish-Ponds, and Fish, and Fishing. Not un- 
worthy the perusal of most Anglers. The Second Hdition, 
much enlarged. London: Printed by T. M. for Rich. Marriot, 
and are to be sold at his Shop in St. Dunstans Church-yard 
Fleetstreet, 1655. Engravings of the first edition with 4 
more, of fishes, added. 12mo, green levant morocco gilt, gilt 
edges, in green levant morocco case, by Riviére. London, 1655 


* THE SECOND EDITION, even more rare than the first. Com- 
mendatory verses by 7 writers are for the first time inserted 
and the 246 pages in 13 chapters of the first edition are increased 
to 355 pages in 21 chapters. Measuring 554 x 3% inches. 


3428. WALTON (ISAAC). The Compleat Angler or the 
Contemplative Man’s Recreation. Being a Discourse of 
Rivers, Fish-ponds, Fish and Fishing. To which is added 
The Laws of Angling; with a new Table of the Particulars 
in this Book. The Third Edition much enlarged. London: 
Printed by J. G. for Rich. Marriot, at his Shop in St. Dun- 
stans Churchyard, Fleet-street, 1661. 8vo, green levant mo- 


rocco, gilt edges, by The Club Bindery. London, 1661 
* THE THIRD EpiTIoN. Tall copy, measuring 534 x 3% inches. 
546 


aw 


3429. WALTON (ISAAC). The Compleat Angler or the 
Contemplative Man’s Recreation. Being a Discourse of . 
Rivers, Fish-ponds, Fish, and Fishing. To which is added, 
The Laws of Angling. With a new Table of the Particulars 
of this book. THe FourrH Epition. Much corrected and 
enlarged. 8vo, green morocco. 

London: Printed for R. Marriot, and are to be sold by 
Charles Harper, 1668. 


*FourTH EDITION. Tall copy, measuring 5% x 35¢ inches. 
The same text as the THIRD EDITION, with the exception of 
some few corrections. 


3430. WALTON anp COTTON.—(I.) The Compleat Ang- 
ler or the Contemplative Man’s Recreation. The first part. 
Part I. Being a Discourse of Rivers, Fish-ponds, Fish and 
Fishing. THe FirraH Epition much corrected and enlarged. 
London: Printed for Richard Marriott. 1676. (II.) The 
Compleat Angler. Being Instructions how to angle for a 
Trout or Grayling in a clear Stream. Part II. [monogram] 
London: Printed for Richard Marriott, and Henry Brome, 
1676. With copper-plates. Small 8vo, olive morocco gilt, 
wide dentelle borders, gilt edges. (Imprint on engraved title 
eut into.) London, 1676 


* THE FirtH EDITION; sixth title-page of Walton (engraved) ; 
and first of Cotton (printed, with monogram.) 


3431. WALTON anp COTTON. The Universal Angler, 
Made so, by Three Books of Fishing. The First Written by 
Mr. Izaak Walton; the second by Charles Cotton, Esq.; the 
Third by Col. Robert Venables, all which may be bound to- 
gether, or sold each of them severally. 8vo, green levant mo- 
rocco, emblematically tooled, gilt edges, by The Club Bindery. 

London: Richard Marriott, 1676 


* THIS WORK CONSISTS OF THE FIFTH EDITION of Walton’s 
complete Angler, the First Epirion of Cotton and THE 
FourtH EpITIoN of Venables. With the rare general title, and 
second title for part I: also ‘‘License’’ leaf to part II. 
Measuring 5%4 x 3% inches. 


3432. WALTON anp COTTON. The Compleat Angler: 
or, Contemplative Man’s Recreation. In Two Parts. Wath 
Exact Representations of all the Fish, and The Addition of 
several Copper-Plates, designed as an Embellishment to the 
Work. Carefully and correctly published, From the best 
Editions, with a number of occasional notes by Moses Browne. 
To which are added, The Laws of Angling; and an Appendix. 
12mo, light brown levant morocco gilt, gilt edges, by J. Wright. 

London: Henry Kent, 1750 


* Hirst EDITION OF BROWNE’S TEXT. 


34338. WALTON AND COTTON. The Complete Angler, 
&e. .. In Two Parts... [Edited by Sir John Hawkins.] 9 
plates by Ryland after Wale, vignettes of fish, &e., and por- 


547 


trait of Sir Henry Wotton [inserted]. 8vo, olive straight- 
grain morocco gilt, gilt edges, by C. Lewis. 
London: Printed only for Thomas Hope, 1760 


* HAWKINS’ First EpIrion, but the figure of the Roach, page 
243, is changed from its inverted position. 


3434. WALTON anp COTTON. The Complete Angler; 
or, Contemplative Man’s Recreation. Being a Discourse on 
Rivers, Fish-Ponds, Fish, and Fishing. To which are now 
prefixed, The Lives of the Authors. Jllustrated with cuts of 
the several Kinds of River-Fish, and of the Implements used 
im Angling, Views of the principal Scenes described in the 
Book, and Notes Historical, Critical and Explanatory, London, 
1760. Also W. Lauson’s The Secrets of Angling. London, 
1811, and Fishing by John Duncombe. London, 1809. 2 vols. 
8vo, red morocco, emblematic and blind-tooling, gilt edges, by 
Gosden. London, 1760-1811 


* HAWKINS’ First EDITION, BOUND BY GOSDEN, with the 
first impression of the plate having the figure of the Roach on 
page 243 inverted. Extra-illustrated with 50 portraits and plates. 


3435. WALTON ann COTTON. The Complete Angler; or, 
Contemplative Man’s Recreation. Being a Discourse on 
Rivers, Fish-Ponds, Fish and Fishing. Illustrated with up- 
wards of 380 copper-plates by Mr. Ryland. To which is now 
prefixed, The Lives of the Authors. And Notes Historical, 
Critical, and Explanatory. By John Hawkins, of: Twicken- 
ham, Esq. THE Seconp Epition. 8vo, calf, gilt back, gilt 
edges, by Bedford. London, 1766 


* HAWKINS’ SECOND EDITION. This copy is printed on thick 
paper. Part 2 dated 1760. 


3436. WALTON anp COTTON. The Complete Angler; or, 
Contemplative Man’s Recreation. Being a Discourse on 
Rivers, Fish-Ponds, Fish, and Fishing. Jllustrated with up- 
wards of Thirty Copper-Plate Cuts of the several Kinds of 
River-Fish, of the Implements used in Angling, and Views of 
the principal Scenes described in the Book. To which are 
prefixed, The Lives of the Authors. And Notes Historical, 
Critical, and Explanatory. By Sir John Hawkins, Knt. THE 
THIRD EpITION. 8vo, green levant morocco, emblematic tooled 
back, gilt edges, by The Club Bindery. London, 1775 


* HAWKINS’ THIRD EDITION. 


3437. WALTON anp COTTON. The Complete Angler; or, 
Contemplative Man’s Recreation ; being a Discourse on Rivers, 
Fish-Ponds, Fish, and Fishing; with The Lives of the Authors, 
and Notes Historical, Critical, and Explanatory. By Sir John 
Hawkins, Knt. Tar Fourta Epirion, with large Additions. 
Portrait, and Plates by Ryland. 8vo, calf, gilt back, gilt top, 
uncut, by Bedford. London, 1784 


* HAWKINS’ FourrH Epirion. Very unusual in uncut state. 
548 


3438. WALTON ann COTTON. The Complete Angler; or, 
Contemplative Man’s Recreation ; being a Discourse on Rivers, 
Fish-Ponds, Fish, and Fishing; in two parts; The First writ- 
ten by Mr. Isaac Walton, The Second by Charles Cotton, Esq. ; 
with The Lives of the Authors, and Notes Historical, Critical, 
and Explanatory. By Sir John Hawkins, Knt. Portrait, and 
plates, by Ryland. 8vo, brown levant morocco, gilt panels, gilt 


edges, by The Club Bindery. London, 1792 
* HAWKINS’ FIFTH EDITION; second issue, with title dated 
1792. 


3439. WALTON anp COTTON. The Complete Angler... 
with the Lives of the Authors, and Notes Historical, Critical 
and Explanatory. Woodcut and five plates. Post 8vo, old Eng- 
lish blue straight-grain morocco, back panels richly gilded and 
finished with small dots, sides blind and gilt tooled with 
floriated ornaments, the corners filled with small dots, gilt 
edges. London: F. and C. Rivington, 1797 

* HAWKINS’ SrxtH EDITION, ON LARGE AND THICK PAPER, of 


which but 50 were issued. It has no half title, but has the 
blank T6, seldom found. 


3440. WALTON anp COTTON. The Complete Angler; or, 
Contemplative Man’s Recreation; with the Lives of the 
Authors and Notes Historical, Critical, &¢., by Sir John 
Hawkins, Knt. Jllustrated with plates and portraits. Ato, 
green morocco gilt back, gilt edges, by Lewis. 

London: Samuel Bagster, 1808 


* LARGEST-PAPER COPY OF HAWKINS’ SEVENTH AND BAGs- 
TER’S First Epirion. Extra-illustrated by the insertion of 
112 engravings, mostly artist’s proofs on India paper. These 
plates include 20 fine portraits, and the Absolon illustrations. 


3441. WALTON (ISAAC). The Compleat Angler... 
being a Discourse on Fish and Fishing. Vignette illustrations 
of Fish engraved from silver (?) plates. Small 8vo, original 
boards, uncut. London: Printed for 8. Bagster, 1810 


* THE RARE BAGSTER REPRINT OF THE FIRST EDITION, many 
copies of which were destroyed by fire. Presentation copy from 
Sir [S]imon Taylor, Bart., 1812. 


3442, WALTON anp COTTON. The Complete Angler, 
&e. .. In Two Parts ... With the lives of the Authors; and 
notes historical, supplementary, and explanatory, by Sir John 
Hawkins and the present editor [Sir Henry Ellis]. Portraits 
of Walton and Cotton, and 50 illustrations (frontispiece 
foxed). Large 8vo, brown straight-grain morocco gilt, gilt 
edges. London: Printed for Samuel Bagster, 1815 

* LARGE PAPER. EIGHTH HAWKINS’ AND SECOND BAGSTER 


EpiTion. Contains 16 illustrations that did not appear in the 
Bagster edition of 1808. 


549 


3443. WALTON anp COTTON. The Complete Angler, 
&¢e. In Two Parts... With the lives of the authors; and notes, 
historical, supplementary, and explanatory. By Sir John 
Hawkins. Portraits by Maile, and the 13 plates of the Gosden 
series. 8vo, calf gilt, gilt top, uncut, by Bedford. 

London: Printed for James Smith, 1822 


* HAWKINS’ NINTH EDITION, edited by T. Gosden. 


3444. WALTON anp COTTON, The Complete Angler... 
extensively embellished with engravings on copper and wood, 
from original paintings and drawings... to which are added 
an introductory essay, &. 14 plates, and 77 woodcuts, by 
Wale, Nash, dc., India proofs. 8vo, half green morocco, gilt 
tops, uncut. London: John Major, 1823 


* Masor’sS First EDITION ON LARGE PAPER, EXTRA-ILLUS- 
TRATED by the insertion of 13 plates of the Gosden series, proofs, 
including the mezzotint portraits of Walton and Cotton, by 
Maile. 


3445. WALTON anp COTTON. The Complete Angler... 
extensively embellished with engravings on copper and wood, 
from original paintings and drawings. . . to which are added 
an introductory essay, &. With 14 copper-plates, and 77 
woodcuts. 8vo, half green morocco gilt, gilt top, uncut, by 
Hayday. London: John Major, 1824 


* MAJOR’S SECOND EDITION ON LARGE PAPER; with the plates 
on India paper, and the verses from the pen of the editor, 
afterwards suppressed. 


3446. WALTON anp COTTON. A set of the illustrations 
to the Complete Angler, Major’s edition of 1824, with all 
the plates and [73] woodcuts, proofs on India paper. The 
plates are in three states, engraver’s etching, artist’s proofs, 
and finished plate. 4to, green morocco, gilt back and side 
panels, gilt edges, by C. Lewis. . [London, 1824] 


3447. WALTON anp COTTON. The Complete Angler. 
[With the lives of the authors, &c., by Sir John Hawkins. | 
Portraits of Walton and Cotton, and 2 vignettes by Thompson. 
2 vols. 16mo, half green levant morocco gilt, uncut, by All6. 

Chiswick: Printed by C. Whittingham, 1824 


3448. WALTON anp COTTON. The Complete Angler... 
In Two Parts .. Frontispiece and engraved title after 
Stothard, and numerous woodcuts of fish. 32mo, green levant 
morocco gilt, gilt edges. London: William Pickering, 1825 


3449. WALTON anp COTTON. The Complete Angler, 
&e...In Two Parts... Engraved title dated 1827, woodcuts, 
proofs on India paper, n addition to the usual illustrations. 
LarcE Paprgr. 32mo, green levant morocco, gilt panels, gilt 
top, uncut, by Tout. London: William Pickering, 1826 


550 


Pea) 3 


a Ms Oil YS 


3450. WALTON anp COTTON. The Complete Angler or 
the Contemplative Man’s Recreation; with original memoirs 
and notes by Sir Harris Nicolas K. C. M. G. Two volumes in 
4, royal 8vo, green levant morocco gilt, gilt edges, by Bedford. 

London: William Pickering, 1836 


* THE PICKERING EDITION, containing the variations of all 
the first five editions. Extended to four volumes by the inser- 
tion of 450 engravings of the highest merit and rarity, includ- 
ing an unlettered set of proofs of the Pickering series, as well 
as similar and other proof states of the Absalon, Gosden and 
Major illustrations, a curious etching of a Trout executed and 
printed in Newgate Prison by W. Thomson, September, 1828, 
two drawings by Corbould, colored plates of Flies, &. A dis- 
tinctive feature is the presence of nearly all the original cop- 
per-plate portraits that have served as copies for modern engrav- 
ings. These originals are by Droeshout, Marshall, Loggan, Lom- 
bart, Gaywood, Cecill, Hole, Hollar, and the Passe family. 


3451. WALTON anp COTTON. The Complete Angler; or, 
Contemplative Man’s Recreation. With Lives and Notes, by 


Sir John Hawkins, Knight. Edited by James Rennie. A new 


edition. Portrait of Walton, and cuts of Walton’s house and 
fishes. Small 8vo, green morocco gilt, gilt top, uncut, by 
Matthews. ; 

London: Allan Bell and Co., and H. Washbourne, 1836 


3452. WALTON anp COTTON. The Complete Angler, 
&e. With notes Biographical and Explanatory, and the Lives 
of the Authors. Illustrations. 8vo, brown levant morocco 
gilt, gilt edges, by Matthews. London: L. A. Lewis, 1839 


* Contains the illustrations for Major’s First Edition, for the 
most part re-engraved, and in addition, the portrait of Dr. 
Thomas Wharton by Worthington. 


3453. WALTON anp COTTON. The Complete Angler, 
or the Contemplative Man’s Recreation. Edited by John 
Major. Portraits, facsimile and 9 plates by Willmore, also 
74 woodcuts. 8vo, green morocco, gilt borders, gilt edges, by 
Clarke and Bedford. London: D. Bogue, 1844: 


* LARGE PAPER copy OF MAJor’S FourRTH EDITION. 


3454. WALTON anp’ COTTON. The Complete Angler, 
&e. . . with notice of Cotton and his writings by .. . Rev. 
George W. Bethune. To which is added an Appendix, in- 
cluding Illustrative Ballads, Music, &. . . Also, a General 
Index to the whole work. [Parts I. and II.] Portraits and 
plates on steel, and numerous woodcuts. 8vo, half red levant 
morocco gilt, gilt tops, uncut, by R. W. Smith. 

New York and London: Wiley and Putnam, 1847 


3455. WALTON anp COTTON. The Complete Angler... 
In Two Parts ... with a new introduction and notes. Hm- 
bellished with 85 engravings on copper and wood by Cook and 
Pye after Wale and Nash, the one at p. lum representing a 
printing office in 1750, title-vignette. Small 8vo, original 
cloth, uncut. London: H. K. Causton, 1851 

551 


3456. WALTON anp COTTON. The Complete Angler, 
&e. .. With lives of the authors, and variorum notes, historical 
and practical. Edited by Edward Jesse. To which are 
added papers on fishing-tackle, &c., by Henry G. Bohn. 26 
steel engravings and 203 woodcuts. 8vo, cloth, uncut. 

London: Henry G. Bohn, 1861 


3457. WALTON sanp COTTON. The Complete Angler, 
&e. Frontispiece by Willmore after Absolon. Small 8vo, 
original cloth, gilt top, uncut. 


London: [Chiswick Press] 1864 — 


3458. [WALTON anp COTTON.] Westwood (Thomas). 
The Chronicle of the ‘‘Compleat Angler’’ of Izaak Walton 
and Charles Cotton. Being a Bibliographical Record of its 
various phases and mutations. Large Papmr. 4to, half mo- 
rocco, uneut (cover loose). London, 1864 


3459. WALTON anp COTTON. The Complete Angler... 
Edited by John Major. Vignette on title, 12 engraved plates 
after Absolon, India proofs, and 74 woodcuts. 8vo, brown 
levant morocco gilt, gilt top, uncut, by Joly. 

Boston: Little, Brown & Co., 1866 


* ONE OF 100 COPIES ON LARGE PAPER. 


3460 WALTON anp COTTON. Index to the Original and 
Inserted Illustrations contained in ‘‘The Complete Angler,’’ 
Pickering, publisher, in 5 vols., with 1026 illustrations, com- 
prising portraits, views, &c. 4to, cloth (stained). 

New York: Privately Printed, 1866 


3461. WALTON anp COTTON. The Complete Angler, 
&e. .. Edited by John Major. With 8 etchings by Ben Dam- 
man after Tourrier, in 2 states, one on India paper, and the 
woodcuts on India paper. 8vo, cloth, gilt top, uncut. 

London: Nimmo and Bain, 1883 


3462. WALTON ann COTTON. The Complete Angler, 
&e. . . with an abridgment of the lives of the authors, by Sir 
John Hawkins. Edited... by J. E. Harting. 53 allustrations, 
including etchings by Percy Thomas from paintings, by John 
Linnell, Sr., and engravings of riverside animals and birds, 
by G. E. Lodge. 2 vols. royal 8vo, half vellum gilt, side orna- 
ments, gilt tops, uncut. . 

London: Samuel Bagster and Sons, 1893 


* Tercentenary Edition. One of 350 copies on Large Paper, 
with the engravings and etchings on Japan paper. 


3463. WALTON (ISAAC). The Compleat Angler; or, the 
Contemplative Man’s Recreation. A New Edition edited with 
an Introduction by Andrew Lang, and illustrated by H. J. 
Sullivan. Portrait and illustrations. 8vo, decorated cloth, 
gilt top, uncut. London, 1896 


ee =~ 


3464. [WALTON (ISAAC).] The Life of John Donne, 
Dr. in Divinity and Late Dean of Saint Pauls Church London. 
THE SECOND IMPRESSION, corrected and enlarged. Portrait. 
Small 8vo, brown levant morocco gilt, tooled border, gilt edges, 
by The Club Bindery. London: J. G. for R. Marriot, 1658 


3465. WALTON (ISAAC). The Life of Mr. Rich. Hooker, 
The Author of those Learned Books of the Laws of Ecclesiasti- 
eal Polity. Small 8vo, red levant morocco gilt, gilt edges, by 
Bedford. London: J. G. for Rich. Marriott, 1665 


* First EDITION, with the leaf of ‘‘Imprimatur.’’ 


3466. WALTON (ISAAC). The Life of Mr. George Her- 
bert. To which are added some Letters Written by Mr. George 
Herbert, at his being in Cambridge; with others to his Mother. 
Written by John Donne, afterwards Dean of St. Pauls. Por- 
trait of Herbert engraved by R. White. First Epirion. 16mo, 
dark brown levant morocco, wide dentelle borders, gilt edges, 
by Chambolle-Duru. London: Printed by Tho. Newcomb, 1670 


3467. WALTON (ISAAC). The Life of Dr. Sanderson, 
late Bishop of Lincoln. To which is added, Some Short Tracts 
or Cases of Conscience, his Judgment Concerning Submission 
to Usurpers, and a Sermon of Richard Hooker. With the title- 
pages to each of the three parts. 8vo, brown morocco gilt, gilt 
over red edges, by Riviere. London: Richard Marriott, 1678 


*WirrH Epirion. Inserted there are portraits of Sanderson 
by White, and one by Hollar. 


3468. WALTON (ISAAC). The Lives of Dr. John Donne; 
Sir Henry Wotton; Mr. Richard Hooker; Mr. George Herbert ; 
and Dr. Robert Sanderson. By Isaac Walton. With Notes, 
and the Life of the Author. By Thomas Zouch, M.A. Seven 
portraits and a view of Leighton Church engraved on copper. 
4to, boards, morocco back, uncut. 


York: Printed by Wilson, Spence and Mawman.. . Anno 
1796. 


3469. WALTON (ISAAC). The Lives of Dr. John Donne, 
Sir Henry Wotton, Mr. Richard Hooker, Mr. George Herbert, 
and Dr. Robert Sanderson. To which are added the auto- 
graphs of those eminent men, now first collected; an index, 
and illustrative notes. 11 copper-plates, proofs on India 
paper, and 52 woodcuts. One vol. extended to 2, 8vo, green 
levant morocco gilt, gilt over uncut edges, by Bedford. 

London: John Major, 1825 
* LARGE PAPER COPY. EXTRA-ILLUSTRATED by the insertion of 
120 plates, including an original drawing of Queen Elizabeth, 


portraits of Donne by Lombart, of Paul V. and Clement VIII, 
by Crispin de Passe, and many plates in two states. 


5038 


3470. WALTON. (ISAAC). A complete set of the 11 steel 
plates and 53 woodcut illustrations, executed for Walton’s 
Lives, edited by Major, 1825, all printed on India paper; the 
steel plates are artist’s proofs. 4to, green morocco, gilt back 
and side panels, gilt edges, by C. Lewis. [London, 1825] 


3471. WALTON (ISAAC). The Lives of Dr. John Donne, 
Sir Henry Wotton, Mr. Richard Hooker, Mr. George Herbert, 
and Dr. Robert Sanderson. To which are added, the auto- 
graphs, an index, and illustrative notes. Portraits and plates 
on India paper. 8vo, green levant morocco, gilt back, gilt top, 
uncut. London: John Major, 1825 


* LARGE PAPER COPY. 


3472. WALTON (ISAAC). The Lives of Donne, Wotton, 
Hooker, Herbert and Sanderson. Frontispiece. 32mo, green 
morocco, gilt top, uncut. London: Wm. Pickering, 1827 


* LARGE PAPER COPY. 


3473. WALTON anp COTTON. Rules and Regulations of 
the Walton and Cotton Club. Instituted 19th March, 1817. 
Illustrated. Small 4to, green levant morocco, emblematically 
tooled, with inlays, and having in the centers reproductions of 
the frontispiece, in gold; wide inside borders, gilt edges, by 
Hayday. London, 1840 


* Presentation copy, from W. Pickering, with inscription. From 
the Sir Edward Sullivan collection. 


3474. [WALTON (ISAAC).] The Tercentenary of Wal- 
ton. By Andrew Lang. Portrait and other ilustrations. Ato, 
vellum boards, uncut. London, 1893 

* Only a few copies printed for private circulation. 


3475. [WARD (EDWARD).] (1). Sot’s Paradise; or, 
the Humours of a Derby-Ale-House; with a Satyr upon the 
Ale. (2). A Step to Stir-Bitch-Fair; with remarks upon the 
University of Cambridge. [Bound with several other works. | 
Folio, blue morocco, gilt inside borders, by The Club Bindery. 

London: Printed and Sold by J. How, 1700 
* First Epirions of both the above. In the same volume are, 


—John Tutchin’s The Apostates, 1701; George Sewell’s The 
Patriot, 1712; Lewis Theobald’s The Mausoleum, 1714. 


3476. [WARD (NATHANIEL).] The Simple Cobler of 
Aggavvam in America. Willing To help ’mend his Native 
Country, lamentably tattered, both in the upper-Leather and 
sole, with all the honest stitches he can take. And as willing 
never to bee paid for his work, by Old English wonted pay. It 
is his Trade to patch all the year long, gratis. Therefore I 


~ 654 


pray Gentlemen keep your purses. By Theodore de la Guard. 
4to, brown levant morocco gilt, gilt top, uncut (some margins 
skilfully supplied), by Bedford. London, 1647 
* PRESUMABLY THE SECOND EDITION, and without the border 

of printers’ ornaments. The two editions were printed in the 


same year, but contain many variations. VERY UNUSUAL IN 
UNCUT STATE. 


- 8477. WARD (THOMAS). England’s Reformation. From 
the time of King Henry the VIIIth, To the end of Oates’s Plot. 
4to, black morocco, gilt and blind tooled, gilt edges, by The 
Club Bindery. Printed at Hambourgh, 1710 


* The 4 cantos have separate pagination and signatures. 


3478. WARNER (WILLIAM). (1.) Albions England. A 
Continued Historie of the same Kingdome, from the Originals 
of the first Inhabitants thereof: With most the chiefe Altera- 
tions and Accidents theare hapning, vnto, and in the happie 
Raigne of our now most gracious Soueraigne, Queene Eliza- 
beth: First penned and published by Wiliam Warner: and 
now reuised, and newly inlarged by the same Author. London: 
Printed by Edm. Bollifant, 1602; (II.) A Continvance of 
Albions England: By the first Author. W. W. First Epirion, 
London: Imprinted by Felix Kyngston for George Potter, 1606. 
Two parts in one volume, 4to, blue levant morocco gilt, gilt 
edges, by Rivieére. ) London, 1602-1606 

* THE SixtH Epirion of Albion’s England, containing thir- 
teen books for the first time. FIRST EDITION of the ‘‘Con- 


tinuance,’’ sometimes bound separately, but usually with the 
1602 edition of the first part, as here. 


3479. WARTON (THOMAS). The History of English 
Poetry, from the close of the eleventh century to the com- 
mencement of the eighteenth century. To which are prefixed 
Three Dissertations: by Thomas Warton, From the Edition of 
1824 superintended by the late Richard Price Esq. including 
the Notes of Mr. Ritson, Dr. Ashby, Mr. Douce, and Mr. Park. 
Now further improved. Portrait. 3 vols. 8vo, calf gilt, gilt 
edges, by Matthews London, 1840 


3480. WATSON (THOMAS). The ‘EKATOMIIAOIA or 
Passionate Centurie of Loue, diuided into two parts: where- 
of, the first expresseth the Authors sufferance in Loue: the 
latter, his long fare-well to Loue and all his tyrannie.. Title 
within an ornamental woodcut border. 4to, brown morocco, 
MONOGRAM oF G&rorGE DANIEL in the centre, gilt edges, in 
citron levant morocco case. (First blank missing, lateral 
margin of title and corners of a few leaves supplied, with 
555 


small damage to the upper corner of the border and, some 
wormholes skilfully mended. ) 
London: Imprinted by John Wolfe for Gabriell Cawood 
[1582]. 
* ONE OF SIX PERFECT COPIES KNOWN: two in the Bodleian 
Library, others in the British Museum, The Huth collection, 
Britwell library, and the above, which formerly belonged to Mr. 
Bright, Mr. Corser, Mr. Daniel, and Mr. E. G. Asay of Chicago. 
When Mr. Daniel purchased it the last leaf was wanting, and 
was supplied by him from George Stevens’ copy in 1838. 
INDEPENDENT OF ITS GREAT RARITY ITIS A VOLUME OF CONSIDER- 
ABLE LITERARY INTEREST, AS SHAKESPEARE APPEARS TO HAVE 
BEEN AMONG THE NUMBER OF ITS READERS, THE PASSAGE IN 
‘*VENUS AND ADONIS.’’ ‘‘Leading him prisoner in a red-rose 
chain,’’ was probably taken from the LX XXIIIth Sonnet ‘‘ The 
Muses not long since intrapping Loue in chaines of roases.’’ 


3481. WATTS (ALARIC A.). The Literary Souvenir; or, 
Cabinet of Poetry and Romance. Numerous plates by and 
after Heath, Finden, Goodall, and others, all proofs on India 
paper. Larae Parser. 8vo, contemporary green morocco, 
tooled in a Grolieresque design of interlacing fillets and 
fleurons, doublure of vellum, with wide borders of scrolls and 
fleurons, vellum fly-leaves, gauffred edges on gilt, by Hering. 

London: Printed for Hurst Robinson and Co., 1826 


3482. WEBSTER (NOAH). An American Dictionary of 
the English Language. Thoroughly revised, and greatly en- 
larged and improved by Chauncey A. Goodrich, and Noah 
Porter. Portrait of Webster, and engraved title on India 


paper. 2 vols. folio, brown morocco, gilt tops, uncut, by 


Matthews. Cambridge, 1865 
* Large Paper copy, 250 printed. 


3483. WEIGEL (CHRISTOPHER). Ethica Naturalis seu 
Documenta Moralia, ete. 100 copper-plate engravings. Ato, 
brown levant morocco gilt, gilt edges, by Riviére. 

Norimberge: [ca. 1700]. 


3484. WEIGEL (CHRISTOPHER). Denckwiirdige Kriegs- 
und Friedens-Begebenheiten des 18ten Jahr-hunderts nach 
Christi gebiirt. Frontispiece and 27 plates and 2 (inserted) 
plates of 32 medallic heads of princes. 4to, blue morocco, 
gilt back, gilt edges. Niirnberg, 1722-27 


* From the Museo Van der Helle. 


3485. WESLEY (S., Jr.). The Battle of the Sexes. A 
Poem. SEconp EpitTion. 8vo, unbound and uncut. 
London: Printed for J. Brotherton, 1724 


556 


3486. WESTMINSTER SCHOOL (Sr. Perrser’s Cot- 
LEGE). Comitia Westmonasteriensium, in Collegio Sti Petri 
habita die anniversario fundatricis sue Regine Elizabeth In- 
augurate Jan. xv. Engraved coat of arms. Folio, red mo- 
rocco, by The Club Bindery. (Bound with two other Latin 
works. ) Londini: Typis Guil. Bowyer, 1728 

* Included in the above are, a Latin Poem to Geo. II. by 
Robert Hay, an English Poem by Lord Middlesex, a Latin 
Address by Thomas Kingsman, 82 short poems in Latin and 
English by alumni of the College, an English ‘‘Speech’’ by 
James Noel, &c. On page 63 is pasted four lines of Errata, 
and on page 64 is a list of the six men under whom the meet- 


ing was begun in 1726-27, and of some of their successors. From 
the Heber collection. 


3487. WESTMORELAND (MILDMAY FANE, EIGHTH 
EARL OF). Otia Sacra Optima Fides. 2 engraved titles by 
Marshall, and 3 copper-plates. Small 4to, brown levant mo- 
rocco gilt, gilt edges, by The Club Bindery. 

London: Printed by Richard Cotes, 1648 

* PRIVATELY PRINTED FOR THE AUTHOR’S FRIENDS, AND ONE 

OF THE RAREST VOLUMES OF ENGLISH POETRY. A perfect copy 

in the original calf in Part I. of the Hoe Library brought $1,000. 

The margins of the first engraved title have been repaired, and 

the two leaves at the end (1* and 2%) are lacking, in the pres- 

ent volume, but it contains the two folding leaves between 70-71 

and 110-111, which are missing in the three copies in the 
British Museum. 


3488. WHARTON (SIR GEORGE). The Works of that 
late most excellent Philosopher and Astronomer, Sir George 
Wharton. Collected into one entire volume. By John Gad- 
bury. Portrait and numerous woodcuts. 8vo, brown levant 
morocco, gilt edges, by The Club Bindery. 

London: Printed for H. H. 1683 


3489. WHARTON (GRACE). The Literature of Society. 
With an Introductory chapter on the Origin of Fiction. 
First Epition. 2 vols. 12mo, green levant morocco gilt, gilt 
over uncut edges, by The Club Bindery. London, 1862 


3490. WHARTON (GRACE anp PHILIP). The Queens 
of Society. Illustrated by Charles A. Doyle, and the Brothers 
Dalziel. First Epirion. 2 vols. 8vo, red levant morocco, 
gilt panels, gilt edges, by The Club Bindery. 

London: James Hogg & Sons [n. d.] 


38491. WHARTON (HENRY THORNTON). Sappho. 
Memoir, Text, Selected Renderings, and a Literal Translation. 
Seconp Epirion. Portrait of Sappho after Alma-Tadema, 
and facsimiles. 12mo, vellum, uncut. London, 1887 


3492. WHEATLEY (HENRY BENJAMIN). Notes on 
the Life of John Payne Collier; with a complete list of his 
works, and an account of such Shakespeare documents as are 
believed to be spurious. 12mo, original vellum wrappers, 


uncut. London, 1884 
557 


3493. WHEATLEY (HEWETT). The Rod and Line: or, 
practical hints and dainty devices for the sure taking of trout, 
grayling, ete. Wirth 9 plates in colors. 12mo, original cloth, 
uncut. London, 1849 


3494. WHEWELL (WILLIAM). Astronomy and Gen- 
eral Physics considered with reference to Natural Theology. 
8vo, cloth, uncut. London: William Pickering, 1833 


WHISTLER (J. McN.). See No. 1179 Duret. 


3495. WHITBOURNE (CAPTAINE RICHARD). A 
Discovrse and Discovery of Nevv-fovnd-land, with many rea- 
sons to prooue how worthy and beneficiall a Plantation may 
there be made, after a far better manner than now is. To- 
gether with the laying open of certaine enormities and abuses 
committed by some that trade to that Countrey, and the 
meanes laide downe for reformation thereof. Hngraved coat- 
of-arms of England. Small 4to, red levant morocco gilt, gilt 
edges, by Bedford. (Lacks 2 blank leaves A and N2.) 

Imprinted at London by Felix Kyngston, for William Bar- 
ret, 1620. 


* First EpiTion. This work was written by the ‘‘Father of 
New-found-land,’’ and bears the same relation to that colony 
as the works of Champlain to New France. - 


3496. WHITE (GLEESON). English Illustration, ‘‘the 
sixties.’’ Numerous facsimiles after Keene, Millats, Rossetti, 
Whistler, Walker and others. Imperial 8vo, cloth gilt, gilt 
top, uncut. London, 1897 


3497. WHITE (RICHARD GRANT).  Shakespeare’s 
Scholar: being historical and critical studies of his text, char- 
acters, and commentators, with an examination of Mr. Col- 
lier’s folio of 1632. First Eprrion. 8vo, cloth, gilt top, 
uncut. New York, 1854 


3498. WHITE (RICHARD GRANT). An Essay on the 
Authorship of the three parts of King Henry the Sixth. En- 
graved portrait of the king by Worthington, inserted. 8vo, 
half brown morocco, gilt top, uncut. 

Cambridge: Riverside Press, 1859 
* Only 25 copies printed. 

3499. WHITE (RICHARD GRANT). Memoirs of the 
Life of William Shakespeare, with an essay toward the ex- 
pression of his genius, and an account of the rise and progress 
of the English Drama. Portrait on India paper, after Bur- 
bage. 8vo, half olive morocco, gilt top, uncut. Boston, 1866 

* One of 100 copies on nage Paper. 


3500. WHITEHEAD (CHARLES). Richard Savage. A 
Romance of Real Life. 17 etchings after John Leech. First 
Eprrion. 3 vols. 12mo, red levant morocco, gilt tops, uncut. 

London, 1842 


~ 508 


3501. WHITEHEAD (WILLIAM). Atys and Adrastus, 
a tale, In the Manner of Dryden’s Fables. First Epirion. 
Folio, boards, leather back, by The Club Bindery. 
London: Printed for R. Manby, 1744 


3002. WHITEHEAD (WILLIAM). The School for 
Lovers, a comedy. As it is Acted at the Theatre Royal in 
Drury Lane. First Epirion. 8vo, brown morocco, by The 
Club Bindery. London: Printed for R. and J. Dodsley, 1762 


3503. WHITEHEAD (WILLIAM). Plays and Poems by 
Whitehead. First Contiectep Epition. 3 vols. 12mo, half 
crimson levant morocco gilt, gilt tops, uncut, by Bedford. 

London, 1774-1788 


* Three portraits of the author inserted, two on India paper, 
one a proof before letters. 

The third volume is printed at York and comprises ‘‘ Poems 
by William Whitehead ... to which are prefixed, Memoirs of his 
Life and Writings by W. Mason. 


3504. WHITNEY (GEFFREY). A choice of Emblemes, 
and other Devises, for the moste parte gathered out of sundrie 
writers, englished and moralized. Full-page woodcut of the 
arms of Robert, Earl of Leicester, to whom the work 1s dedi- 
cated, on the verso of title, and 247 emblematic woodcuts. Ato, 
red levant morocco gilt, gilt edges, by Bedford. (Last blank 
leaf missing. ) 

Leyden: in the house of Christopher Plantyn, by Francis 
Raphelengius, 1586. 


* THE FIRST ENGLISH BOOK OF EMBLEMS, and of interest to 
the supporters of the Bacon-Shakespeare theory. 


3505. WICQUEFORT (A. DE). Advis fidelle aux veri- 
tables Hollandois, touchant ce qui s’est passé dans les 
Villages de Bodegrave et Swammerdam, et les cruautés 
inoiiies, que les Frangois, y ont exercées. § plates engraved 
by Romain de Hooghe, representing the cruelties of the 
French to the Dutch. 4to, green levant morocco gilt, gilt 
edges, by The Club Bindery. |La Haye: Steucker], 1673 


3506. WIELAND (CHRISTOPH MARTIN). Musarion 
ou la Philosophie des Graces. Poéme en 3 chants. Traduit 
de l’allemand par M. de Laveau. Frontispiece, 3 plates 
and 3 culs-de-lampe engraved by Holzhalb after St. Quentin. 
8vo, red levant morocco gilt, gilt edges, by Petit. 

Basle, 1780 


3507. WIERIX (J. H.). Eighteen engravings, by J. H. 
Wierix, of scenes from the Passion of Christ; taken from a 
book of the 16th century. Mounted on heavy paper. Small 
- 4to, marbled calf. [XVIth Cent. ] 


559 


3508. WILD (ROBERT). Iter Boreale. With other 
Select Poems: being An Exact Collection of all hitherto 
Extant. And some Added: Never Printed before this 
Year, 1671. 16mo, red levant morocco gilt, gilt edges, by 
Bedford. London: Printed for R. R. and W. C., 1671 

* There is little doubt that thisis a spurious edition, from the 
fact that the title-page says ‘‘ Never Printed before this Year, 
1671.” The Poems had previously been printed in 1661, 1668, 
and 1670. 

3509. [WILD (ROBERT).] The Benefice. A Comedy. 
Now made Publick for promoting Innocent Mirth. FIRST 
EDITION. 4to, red levant morocco, gilt edges. (Margins 
repaired, title-page badly washed out.) London, 1689 


3510. WILDE (OSCAR). The Portrait of Mr. W. H. 
Small 4to, original covers, uncut. 
[London]: Privately Printed [1889] 
* One of 200 copies. 


3511. WILDE (OSCAR). The Picture of Dorian Gray. 
(Lippinecott’s Magazine, Philadelphia, July, 1890.) 
* FIRST ISSUE. When published in book form, London, 1891, 
the text was revised, the preface and seven chapters added. 


3512. WILDE (OSCAR). A House of Pomegranates. 
Decorated and illustrated by C. Ricketts and C. H. Shannon. 
4to, decorated cloth. London, 1891 

* FIRST EDITION. PRESENTATION, COPY FROM WILDE to Byron 
Webber, with inscription. 

3513. WILDE (OSCAR). Intentions, The Decay of Lying, 
Pen, Pencil and Poison, Critic and Artist, The Truth of 
Masks. FIRST EDITION. 12mo, cloth, uncut. London, 1891 

3514. WILDE (OSCAR). Lady Windermere’s Fan, a 
play about a good woman. Small 4to, buckram, uncut. 


London, 1893 
* FirsT EDITION. One of 50 copies on Large Paper. 


3515. WILDE (OSCAR). The Sphinx. Decorations by 
Charles Ricketts. FIRSTEDITION. 4to, vellum, gilt, uncut. 


* One of 200 copies. London, 1894 
3516. WILDE (OSCAR). A Woman of No Importance. 
4to, yellow buckram, uncut. London, 1894 


* FIRST EDITION. Large Paper copy, 50 printed. 


3517. WILDE (OSCAR). Salome, a tragedy in one act: 

translated [by Lord Alfred Bruce Douglas] from the French 

of Oscar Wilde. Pictured by Le, Beardsley. Ato, 

olive green silk, uncut. London, 1894 
* FIRST EDITION IN ENGLISH. Only 100 copies printed. 


3518. WILDE (OSCAR). Phrases and Philosophies for 
the Use of the Young. 12mo, original paper wrappers. . 
London: printed for private circulation, 1894 


* One of 75 copies. 
560 


3519. [WILDE (OSCAR).] The Priest and the Acolyte. 
FIRST EDITION. Small 4to, original brown wrappers, uncut. 
[London]: Privately Printed for Presentation only [1894] 


3520. WILDE (OSCAR). Apologia pro Osear Wilde. 
By Dal Young. 4to, cloth, original covers bound in. 

London [1895] 

3521. WILDE (OSCAR). The Ballad of Reading Gaol. 

By C.3.3. First [and limited] EDITION. vo, half vellum, 

uncut. London, 1898 


3522. [WILDE (OSCAR).] The Importance of being 
Earnest, a trivial comedy for serious people. First EDI- 
TION. 4to, cloth, uncut. London, 1899 


3523. WILDE (OSCAR). An Ideal Husband. By the 
author of Lady Windermere’s Fan. FIRSTEDITION. Square 
12mo, cloth, uneut. Limited edition. London, 1899 


3524. WILDE (OSCAR). Essays, Criticisms and Re- 
views. NOW FIRST COLLECTED. 4to, boards. 
[London]: privately printed, 1901 


3525. WILDE (OSCAR). Vera; or the Nihilists. A 
drama in a prologue, and four acts. NOW FIRST PUB- 
LISHED. Small 4to, original covers, uncut. 

[London]: Privately printed, 1902 
* One of 200 copies. 


3526. WILDE (OSCAR). Ave Imperatrix: a Dirge of 
Empire. Jllwminated initial letters in gold and colors. 
12mo, red ealf, uncut. Snohomish, Washington, 1902 

' * One of 150 copies. 


3527. WILDE (OSCAR). Poems. Together with his 
Lecture on the English Renaissance. NOW FIRST PUB- 
LISHED. 8vo, vellum boards, uncut. Paris, 1903 

* One of 50 copies on Japan paper. 


3528. WILDE (OSCAR). The Soul of Man under Social- 
ism. 12mo, original covers, uncut. 
* One of 250 copies. London: Privately printed, 1904 


3529. WILDE (OSCAR). Rose-Leaf and Apple-Leaf. 
L’Envoi. 12mo, original wrappers, uncut. 
London: Printed for Private Circulation, 1904 
* One of 250 copies. 


3530. WILDE (OSCAR). The Sphinx without a Secret, 
The Canterville Ghost, The Model Millionaire. Small 4to, 
original wrappers, uncut. [London]: Privately printed, 1904 

* One of 300 copies. 


3531. WILDE (OSCAR). De Profundis. First ENG- 
LISH EDITION. 12mo, cloth, gilt top, uncut. 
London: Methuen and Co., n. d. [1905] 


561 


3532. WILDE (OSCAR). Impressions of America. Edited 
with introduction by Stuart Mason. 12mo, original covers, 
uncut. Keystone Press, Sunderland, 1906 

* One of 500 copies printed. 


3533. WILDE (OSCAR). Works, with an Editorial note 
by Robert Ross. 14 vols. 8vo, white cloth, gilt tops, uneut. 
* A limited issue, printed on handmade paper. Paris, 1908 


35384. WILKINS (GEORGE). The Miseries of Inforst 
Marriage. FOURTH EDITION. 4to, dark brown ecalf, gilt 
edges. London, 1637 


3535. WILLAN (LEONARD). Astrea, or, True Love’s 
Myrrour. <A Pastoral. WITH THE RARE PORTRAIT BY 
Cross. Small 8vo, citron levant morocco, entirely covered 
with mosaic inlays in red, brown, white, blue and green, 
within narrow white and green borders; back gilt tooled 
and inlaid; doublures of citron levant, gilt edges; con- 
taining OVER 1300 SEPARATE INLAYS; in slip case, by The 
Club Bindery, finished by Leon Maillard. 

London: Printed by R. White, for Henry Cripps, and 


Lodowick Lloyd, 1651. 
* EXCEEDINGLY RARE. The Heber copy. 


3536. WILLETTE (ADOLPHE). (£uvres choisies con- 
tenant 100 dessins choisis dans le ‘‘ Courrier Frangais ”’ de 
1884 4 1901. Préface illustré de Vauteur. Imperial 8vo, 
citron levant morocco gilt, gilt over uncut edges, with orig- 
inal covers bound in, by The Club Bindery. Paris, 1901 


* One of 20 copies on papier velin ‘‘ pour les XX.” 


3537. WILLIAMS (D. E.). The Life and Correspond- 
ence of Sir Thomas Lawrence, President of the Royal 
Academy. Portraits. Two volumes extended to 4, 8vo, 
red levant morocco, gilt backs, gilt edges, by Bedford. 

London, 1831 


* In addition to the 3 portraits of Lawrence issued with this. 
book, 206 portraits, &c., have been added, including all the im- 
portant examples of the artist’s lifework. The greater majority 
of these inserted plates are in proof state, some are colored, 
and all are selected impressions. AN AUTOGRAPH LETTER OF 
LAWRENCE is also inserted, and special title-pages. 


3538. WILLIS (ROBERT—Translator). Facsimile of 
the Sketch-book of Wilars de Honecort, an architect of the 
thirteenth century; with commentaries and descriptions by 
M. J. B. A. Lassus and by M. J [ules] Quicherat, Translated 
and Edited, with many additional Articles and Notes, by the 
Rev. Robert Willis. Mrontispiece, 73 plates on India paper 
and 43 woodcuts. 4to, purple levant morocco gilt, gilt 
edges. : London, 1859 

562 


3539. WILLS (WILLIAM GORMAN). Melchior.  4to, 
vellum boards, uncut. | London], 1884 
* One of 7 copies privately printed. 


3540. WILSON (CHARLES HEATH). Life and Works 
of Michelangelo Buonarroti, the Life partly compiled from 
that by the Commend. Aurelio Gotti. Illustrated. Royal 
8vo, cloth, gilt top, uncut. — London, 1876 


3541. WILSON (JAMES GRANT). The Life and Let- 
ters of Fitz-Greene Halleck. Porlrait by Hall after Inman 
and engraved title-page. Royal 8vo, cloth, uncut. 

* One of 100 Large Paper copies. New York, 1869 


3542. WILSON (JOHN). The Poetical Works of Pro- 
fessor Wilson, (‘‘ Christopher North’’). 12mo, ealf, gilt 
back. Edinburgh, 1858 


3543. [WILSON (THOMAS).|] <A Catalogue Raisonné 
of the select Collection of Engravings of an Amateur: 
Plates on India paper. 4to, blue levant morocco, gilt 
panels, gilt edges, by Matthews. 

London: Privately printed, 1828 


* Extra-illustrated by the insertion of 113 portraits and other 
engravings, the majority of which are proofs; after Bartolozzi, 
Raphael Morghen, Rembrandt, &c. Two autograph letters by 
Wilson are laid in. 


3544. [WILSON (THOMAS).] A Descriptive Catalogue 
of the Prints of Rembrandt. Byan Amateur. Royal 8vo, 
cloth, uncut. London, 1836 


* LARGE PAPER COPY, of which ten were printed. 
Presented by the author to Mr. Tiffin, Sept. 19, 1836, with an 
inserted letter from Wilson pertinent to the subject. 


3545. WINCHESTER (WILLIAM POWLET, MAR- 
QUIS OF). The Lord Marques Idleness: containing mani- 
fold matters of acceptable deuise, as sage sentences, 
prudent precepts, morall examples, sweete similitudes, ete. 
Title within an ornamental border. 4to, red morocco gilt, 
gilt edges (first blank missing). 

Imprinted at London by Edmund Bollifant, 1587 


* APPARENTLY THE ONLY COPY KNOWN WITH THE DATE 
1587, all the others being dated 1586. The Halliwell-Tite copy. 


3546. WINKELMANN (JOHANN JOACHIM). Histoire 
de l’Art chez les Anciens. Traduite de Allemand; avec 
des notes historiques et critiques de differens auteurs. par 
Huber, et revue par Jansen. Portrart, frontisprieces and 
68 plates. 3 vols. 4to, half citron levant morocco gilt, gilt 
tops, uncut, by Roger de Coverly. Paris, [1794-1803] 


* LARGE PAPER COPY. The third volume or second part of 
the second volume was published by Gide after an interval of 
nine years. 

563 


3547. WITHER (GEORGE). Abvses Stript, and Whipt: 
or Satyricall Essayes. Diuided into two Bookes. Reuiewed 
and enlarged. Wuth curious woodcut. Small 8vo, russia 
gilt, gilt edges, by Bedford. 

London: Printed for Humfrey Lownes, 1617 
* The Heber copy. 


3548. WITHER (GEORGE). Britain’s Remembrancer 
containing a Narration of the Plague lately past; a De- 
claration® of the Mischiefs present; and a Prediction of — 
Judgments to come; (if Repentance prevent not). Hngraved 
frontispiece, in the lower compartment of which is a bird’s- 
eye view of England and Scotland. 12mo, green levant mo- 
rocco, richly tooled and gilt in compartments, doublure of 
the same, gilt edges, in a case, by The Club Bindery. 

Imprinted for Great Britain, and are to be sold by John 
Grismand, 1628. 


3549. WITHER (GEORGE). Hymns and Songs of the 
Chureh. With an introduction by Edward Farr. Portrait 
by Alais. 12mo, cloth, uncut. London, 1856 

* Contains the tunes composed by Orlando Gibbons. 


3550. WITHER (GEORGE). Speculum Speculativum: 
or, a Considering-Glass; Being an Inspection Into the 
present and late sad Condition Of these Nations; With 
some cautional expressions made thereupon, Immediately 
after His Majesties Restauration: To preserve in himself 
and others a Christian Obedience to God’s various Dispen- 
sations. Hereby also are some Glimmerings discovered Of 
what will probably ensue hereafter. Small 8vo, brown 
levant morocco gilt, doublure of maroon russia gilt, gilt 
edges, by Zaehnsdorf. London. . . . Imprinted, 1660 


*Second issue of the first edition, with no list of Errata at the end. 


3551. WITHER (GEORGE). An Improvement of Im- 
prisonment, Disgrace, Poverty, into Real Freedom; Honest 
Reputation, Perdurable Riches. Evidenced ina few Crums 
and Seraps; Lately found ina Prisoners Basket at Newgate. 
FIRST EDITION. Small 8vo, olive straight-grain morocco, 
blind tooled, gilt edges. London: Printed in the Year 1661 


3552. WITKOWSKI (G. J.—Editor). Curiosités médi- 
eales, littéraires et artistiques sur les seins et l’allaitement 
recueillies. 180 figures dans le texte. 8vo, original covers, 
uncut. Paris, 1898 


3553. WORLIDGE (THOMAS). A Select Collection of 
Drawings from Curious Antique Gems, etched after the 
manner of Rembraudt Hitched portrait and 182 plates. 2 
vols. 4to, old red straight-grain morocco, gilt borders, gilt 
edges, by C. Smith. London, 1768 


* LARGE PAPER COPY. 

The text calls for only one hundred and eighty plates, but 
there are two Fauns at No. 11, and preceding No. 85, at the 
beginning of Volume II, is an extra plate, ‘‘ Medusa Antique.” 


564 


3054. WORLIDGE (THOMAS). [Select Collection of 
Drawings from curious Antique Gems, etched after the 
manner of Rembrandt.] 169 plates. Royal 8vo, red levant 
morocco gilt, gilt edges, by Allo. [London, 1768] 


* The correct edition of 1768, without the letterpress. 


3905. WYCHERLEY (WILLIAM). Love in a Wood; 
or, St. James’s Park. A Comedy, As it is Acted at the 
Theatre Royal, by his Majesties Servants. Small 4to, 
crimson levant morocco gilt, gilt edges, by The Club Bind- 
ery. London: Printed by J. M., 1672 


* A TALL COPY OF THE First EDITION OF THE AUTHOR'S 
FIRST BOOK. 

3096. WYCHERLEY (WILLIAM). The Country-Wife, 
a comedy, Acted at the Theatre Royal. FIRST EDITION. 
4to, blue levant morocco, gilt edges, by Chambolle-Duru. - 

London: Thomas Dring, 1675 

3557. WYCHERLEY (WILLIAM). The Plain-Dealer. 
A Comedy. As it is Acted at the Theatre Royal. 4to, blue 
levant morocco, gilt edges, by Chambolle-Duru. 

London: T. N. for James Magnes and Rich. Bentley, 1677 


* FIRST EDITION; one of three issues made in 1677, 


3558. WYCHERLEY (WILLIAM). The Gentleman Danc- 
ing-Master. A comedy, As it is Acted By Their Majesties 
Servants. FIRST EDITION. 4to, blue levant morocco, gilt 
edges, by Chambolle-Duru. London: H. Herringman, 1693 


3559. WYCHERLEY (WILLIAM). Miscellany Poems: 
as Satyrs, Epistles, Love-Verses, Songs, Sonnets, &e. Folio, 
blue straight-grainm morocco, gilt fillets, gilt edges, by Bed- 
ford. ‘ London: Printed for Jeffery Wale, 1706 

* SECOND EDITION, with a brilliant impression of the mezzo- 
ae portrait of Wycherley engraved by Smith, after Sir Peter 
ely. 

3560. WYCHERLEY (WILLIAM). The Posthumous 
Works of William Wycherley Esq; in Prose and Verse. 
Faithfully publish’d from His Original Manuscripts, by 
Mr. Theobald. In two parts. To which are Prefixed, Some 
Memoirs of Mr. Wycherley’s Life. By Major Pack. FIRST 
EDITION. 8vo, brown levant morocco gilt, gilt edges, by 
The Club Bindery. (A few leaves stained.) London, 1728 


3561. WYCLIFFE (JOHN—Translator). The New Tes- 
tament in English translated by John Wycliffe Circa 
MccecLxxx Now first printed from a contemporary Manu- 
script formerly in the Monastery of Sion Middlesex late in 
the Collection of Lea Wilson. 4to, brown levant morocco, 
blind-tooled, gilt over uncut edges, by David. 

London: Printed by Charles Whittingham for William 


Pickering, 1848. 
* THICK PAPER COPY, printed in Old English type, differing 
from the version printed by Lewis and Baber. 
565 
@ ’ 


3962. WYNKEN DE WORDE. SERMO PRO EPISCOPO 
PUERORUM. Jblack letter, double columns. 12 unnumbered 
leaves with signatures a—b6; 29 lines to the page. Fol. 1r.: 
In die Innocencium sermo pro | Episcopo puerorum. Fol. 
Lv. blank. Fol. 2 7., col. 1: Laudate pueri do- | minum. 
psalmo Centesi- | mo. xij? et pro huius col- | lacionis funda- 
mento. | (P) Rayse ye childern (sic) | almyghty god as | the 
phylosophre (sic) sayth ... Mol. 10 v., col. 7) ine 16; 
AMEN | ( Explicit sermo ista (.) @Sequunt indulgencie | 
quas papa Johanes. xxij. | concessit . . . Fol. 11 v., col. 2, 
linell: ... | ma (quoqz terret) sez de | mones. | [ Caaxton’s 
small woodcut device]. Last leaf contains a woodcut represent- 
ing the Crucifixion on the recto, verso blank. 4to, blue 
morocco, gilt edges, by C. Lewis, in a blue levant morocco 
case, lined with silk. Small blank portion of last leaf sup- 
plied. [ Westminster: Wynkyn de Worde, ca. 1496] 

* EXTREMELY RARE AND DIFFERING FROM THE COPY IN THE 
BRITISH MUSEUM DESCRIBED BY COPINGER (II. 3299). From — 


the J. F. Russell collection with 2 letters from John G. Nichols 
to him regarding the book, laid in. 


[See Reproduction. ] 


3563. WYNKEN DE WORDE. Demands Joyous. The 
Demaundes Joyous. 

[Colophon] {Thus endeth y® Demaundes Joyous Em- 
prynted at London in Fleetestrete at the sygne of the 
swane by me Wynkyn de Worde In the,yere of our lorde a 
MCCCCC and XI. _ 12mo, green levant morocco, gilt edges 
(last leaf repaired). One of 50 copies printed for private 
distribution. 

[Reprinted by Thomas White, Johnson’s Court (1829). ] 


WYNKEN DE WORDE. See No. 845, ‘‘ Communyea- 
con,’’ and No. 1616, ‘‘S. Hieronymus.’ Nos. 1286 and 
1287 Fisher’s ‘‘ Saynges of Dauyd.”’ 


3564. Y AUVILLE (D’). Traité de Vénerie. 40 en- 
graved music plates of hunting fanfares. Ato, 
green levant morocco gilt, gilt edges, by Chambolle-Duru. 


SCARCE. Paris, 1788 
3565. YEATS (WILLIAM BUTLER). The Wind among 
the Reeds. 12mo, half cloth, uncut. London, 1903 


3566. YOUNG (EDWARD). On the late Queen’s Death . 
and his Majesty’s Accession to the Throne. Inscribed to 
Joseph Addison. First EDITION. Folio, blue morocco. 

: London, 1714 
566 
) 


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tencie fruct?.gé eft trant? 
acta peccata oeflere-et ca 
Det iferil non omiffere. 


ficut Ccriptit eft. Ne adici7 


as peccati Cup peccatit.et 
oicas magna eft mia det. 
q Auquiinus. Null? der 
bet intvare eccl'tam vl ext 


re. quint accipiat aqua. 


bndicta.quia [i nd accepe 
rit.dtabolus {cdens {y ar 
— gulo ip dederit. vel baz 

betinoeilum 
@ Berita vilionis cozpe 


ucds ferret. 

Dic exponuné predicti 
ouo verfus CRoborat (cs 
fide: cet lenigah {cs pe 
nam Cconducif ad penta 
fertcia Cauget) (c5 birtuz 
fes Cet omat) {c3 mores, 
Celectaty (cz (pitaliter 
COclefvenialiacvegetat> 
{c3 Cenfus cpalcit {cs ant 
tia CQuags ferret) (c5 de7 


ris Fpl. Dilla cauctgsoes FEST 
let. prebet robur binié ce eee SEs 


@ Bic expontt ap iffa ca B 


uet) {cs mortalia coelet) IR \\Y) 


{cs pertalia Cpbetrobur>  {f 


(c3 otra intmcos Coinit? 5 eS. 
fc5 nes dco Cet angen ics | Paaenet re 


e 


| Acquuné ano ali pevs ee 


fus oe cadet materia, 
Roborat et leulgat cond 
cit auget et omat. Delecs 
tat oclet vegetat palcit 


SERMO PRO EpIscoro PUERORUM, PRINTED BY WYNKYN DE WORDE, 1496. 


(See No. 3562.) 


= 
Fe 
= 
ri 


3067. YOUNG (EDWARD). The Brothers. A tragedy. 
Acted at the Theatre Royalin Drury-Lane. FIRST EDITION. 
8vo, brown morocco, gilt edges, by The Club Bindery. 

London: R. Dodsley, 1753 


3568. YOUNG (EDWARD). Works of the Author of the 
Night Thoughts. Revised and corrected by himself. Por- 
trait by Boitard. 6 vols. 12mo, red morocco, gilt edges, 
by J. Clarke. London, 1774-78 


3969. YOUNG (EDWARD). Night Thoughts by Edward 
Young. With the Life of the Author, and notes critical & 
explanatory. Portrait and 8 illustrations after Stothard. 
LARGE PAPER. Royal 8wo, Spanish calf, marbled edges 
(worn). London, 1798 


3570. PO UARIA (JUST FRIEDRICH WILHELM). 

Les Quatre Parties du Jour, Poeme traduit de 

Vallemand par Muller. frontispiece, four plates and vig- 

nettes engraved by C. Baquoy after Hisen. 8vo, old citron 
morocco, silver tooled, gilt end papers, gilt edges. 

Paris, 1769 


* Bound with the above is Saint Lambert’s Les Saisons, Am- 
sterdam, 1769. 


3571. ZEEVSCHE Nachtegael ende Des selfs dryderley 
gesang: Geheel anders in der vvaerheyt verthoont, als de 
selve voor desen by sommighe uyt enckel mis-verstant ver- 
keerdelijek is gheoordeelt. FIRST EDITION. Frontispiece 
and 7 half-page plates engraved by P. de Jode, C. van Que- 
booren and others, after Adriaen vande Venne. Ato, three 
parts in one volume, original vellum covers. Bound with 
several other works of the same period. Middelburgh, 1623 


* Among the contributors to this work are Johanna Coomans, 
Anna Roemers, Apollonius and Jacob Schotte, Jacob Cats and 
Adriaen vande Venne. 


3572. ZINCGREFIUS (J. G.). Emblematum Ethico- 
Politicorum Centuria. Hngraved title and 100 circular 
copper engravings of emblems. 4to, old calf (rebacked). 

Heidelberg, 1666 


3573. ZOLA (EMILE). Mon Salon, augmenté d’une 
dédicace et d’un appendice. FIRST EDITION. 12mo, half 


cloth, original covers bound in. Paris, 1866 
3574. ZOLA (EMILE). La Confession de Claude. FIRST 
EDITION. 12mo, half calf. Paris, 1866 


3575. ZOLA (EMILE). Le Voeu d’une Morte. FIRstT 
EDITION. 12mo, original wrappers [dated 1867], uncut 
7 : Paris, 1866 


567 


3576. ZOLA (EMILE). Ed. Manet. Etude biographique 
et critique. Accompagnée d'un portrait d’ Ed. Manet par 
Bracquemond et W@une eau-forte d’Ed. Manet d’aprés 
Olympia. FIRST EDITION. 8vo, half red morocco, original 
covers bound in. Paris, 1867 


3577. ZOLA (EMILE). Thérése Raquin. First EDITION. 
12mo, half brown levant morocco gilt, figured silk sides, 
gilt top, uncut, original covers [dated 1867] bound in, by 
The Club Bindery. Paris, 1868 


3578. ZOLA (EMILE). Madeleine Férat. Facsimile. 
FIRST EDITION. 12mo, original wrappers, uncut. Paris, 1868 


3579. ZOLA (EMILE). La Fortune des Rougon. FIRST 
EDITION. 12mo, half cloth, nneut, original wrappers [dated 
1872] bound in. Paris, 1871 


3580. ZOLA (EMILE). La Curée. First EDITION. 12mo, 
half red levant morocco, gilt top, uncut, original covers 
{dated 1872] bound in, by Ourvand. Paris, 1871 


3581. ZOLA (EMILE). Contesa Ninon. Nouvelle édi- 
tion. 12mo, half citron levant morocco, gilt top, figured 
silk sides, uncut, by The Club Bindery. _ Paris, 1874 

* ONE OF 25 COPIES ON HOLLAND PAPER. 


3582. ZOLA (EMILE). Contes a Ninon. 12mo, half red 
levant morocco gilt, gilt top, uncut, by Canapé. 
Paris, [n. d. ] 


3583. ZOLA (EMILE). Nouveaux Contes a Ninon:—Un 
Bain, Les Fraises, Le Grand Michu, &c. FIRST EDITION. 
12mo, half red levant morocco gilt, gilt top, uneut, with 
the original covers bound in, by Canapé. 

Paris: Charpentier, 1874 


3584, ZOLA Men L’Assommoir. FIRST EDITION. 
12mo, half red levant morocco, gilt top, uncut, original cov- 
ers bound in, by Ourvand. Paris, 1877 

* ONE OF 75 COPIES ON HOLLAND PAPER, 


3585. ZOLA (EMILE), L’Assommoir. Numerous wood- 


cuts. Royal 8vo, cloth. [Paris], n. d. 
3586. ZOLA (EMILE). Théatre. 12mo, half red levant 
morocco gilt, gilt top, uncut, by Pouillet. Paris, 1878 


* ONE OF 75 COPIES ON HOLLAND PAPER. 


3587. ZOLA (EMILE). Mes Haines; Causeries littéraires 
et artistiques; Mon Salon (1866); Edouard Manet, étude bio- 
graphique et critique. Nouvelle édition. 12mo, half blue 
levant morocco, figured blue silk sides, gilt top, uncut, 
original covers bound in, by The Club Bindery. Paris, 1879 

* ONE OF 75 COPIES ON HOLLAND PAPER. 


568 


3588. ZOLA (EMILE). Nana. First EDITION. 12mo, 
half blue levant morocco gilt, figured silk sides, gilt top, 
uncut, original covers bound in, by The Club Bindery. 

* ONE OF 325 COPIES ON HOLLAND PAPER. Paris, 1880 


3589. ZOLA (EMILE), DE MAUPASSANT (GUY) and 
four others: J. K. Huysmans, Henry Céard, Léon Hen- 
nique, Paul Alexis. Les Soirées de Médan. G. Charpen- 
tier, Editeur. FIRST EDITION. 12mo, half red levant mo- 
rocco, uncut, original covers bound in, by Champs. 

: Paris, 1880 


* ONE OF 50 COPIES ON HOLLAND PAPER, with autographs of 
the six authors. 


3590. ZOLA (EMILE). Pot-Bouille. Frrsr EDITION. 
12mo, half olive levant morocco gilt, plaid silk sides, gilt 
top, uncut, original covers bound in, by The Club Bindery. 

Paris, 1882 
* ONE OF 250 COPIES ON HOLLAND PAPER. 


3591. ZOLA (EMILE). Nana. dition illustrée par 
Andre Gill, Bertall, etc. 4to, half red levant morocco gilt, 
gilt top, uncut, with the original covers bound in. Paris, 1882 


* One of 100 copies on Large Holland paper, with duplicates 
of the woodcuts on India paper. 


3592. ZOLA (EMILE). Au Bonheur des Dames. FIRst 
EDITION. 12mo, half brown levant morocco gilt, figured 
silk sides, gilt top, uncut, original wrappers bound in, by 
The Club Bindery. Paris, 1883 

* ONE OF 150 COPIES ON HOLLAND PAPER. 


3593. ZOLA (EMILE). Le Capitaine Burle. 12mo, half 
brown levant morocco gilt, figured satin sides, gilt top, un- 
cut, by The Club Bindery. Paris, 1883 

* ONE OF 50 COPIES ON HOLLAND PAPER, 


3594. ZOLA (KMILE). Une Page d’Amour. 2 vols. 
royal 8vo, green levant morocco, gilt fillets, gilt tops, uncut, 
original covers bound in, by The Club Bindery. Paris, 1834 


* ONE OF 20 COPIES ON THICK INDIA PAPER, WITH THE 
ETCHINGS IN TWO STATES. 


3595. ZOLA (EMILE). Nais Micoulin. 12mo, half green 
levant morocco gilt, Dresden silk sides, gilt top, uncut, 
original covers bound in, by The Club Bindery. Paris, 1884 

* ONE OF 100 COPIES ON HOLLAND PAPER, 


3596. ZOLA (EMILE). Les Mystéres de Marseille. 
Nouvelle édition. 12mo, half green levant morocco, figured 
silk sides, gilt top, uncut, by The Club Bindery. Paris, 1884 

* ONE OF 50 COPIES ON HoLLAND PAPER. 


569 


3597. ZOLA (EMILE). La Joie de Vivre. First EDI- 
TION. 12mo, half blue levant morocco gilt, figured satin 
sides, gilt top, uncut, original covers bound in, by The Club 
Bindery. Paris, 1884 

* ONE OF 150 COPIES ON HOLLAND PAPER. 


3598. ZOLA(EMILE). Germinal. First EDITION. 12mo, 
half green levant morocco gilt, gilt top, uncut, original 
wrappers bound in, by Canapé.- Paris, 1885 


* ONE OF 10 COPIES ON JAPAN PAPER. Presentation copy 
from the author to Edmund de Goncourt, with inscription on - 
the half-title. 


3599. ZOLA (EMILE). L’CGiuvre. First EDITION. 12mo, 
half blue levant morocco, figured silk sides, gilt top, uncut, 
original covers bound in, by The Club Bindery. Paris, 1886 

* ONE OF 175 COPIES ON HOLLAND PAPER. 


3600. ZOLA(EMILE). LaTerre. First EDITION. 12mo, 
half brown levant morocco gilt, gilt top, uncut, original 
wrappers bound in, by Canapé. Paris, 1887 

* ONE OF 80 COPIES ON JAPAN PAPER. 


3601. ZOLA (EMILE). La Terre. FIRST EDITION. 12mo, 
half brown levant morocco, uncut, original covers bound 
in. Paris, 1887 

* ONE OF 275 COPIES ON HOLLAND PAPER, 


3602. ZOLA (EMILE). Renée. Piéce en cing Actes. 
FIRST EDITION. 12mo, half red levant morocco, gilt top, 
uncut. Paris, 1887 


3603. ZOLA (EMILE). Le Réve. First EDITION. 12mo, 
half brown levant morocco gilt, figured silk sides, gilt top, 
uncut, original covers bound in, by The Club Bindery. 

* ONE OF 25 COPIES ON JAPAN PAPER. Paris, 1888 


_ 3604. ZOLA (EMILE). Le Voeu d’une Morte. NOUVELLE 

EDITION. 12mo, half brown levant morocco gilt, figured 

silk sides, gilt top, uncut, by The Club Bindery. Paris, 1889 
* ONE OF 100 COPIES ON HOLLAND PAPER. 


3605. ZOLA (EMILE). La Béte Humaine. First EpDI- 
TION. 12mo, half red levant morocco gilt, gilt top, uncut,’ 
original covers bound in, by Canapé. Paris, 1890: 


* ONE OF 30 COPIES ON JAPAN PAPER, Edmond de Gon- 
court’s copy, with his autograph. 


3606. ZOLA (EMILE). L’ Argent. First EDITION. 12mo, 
half blue levant morocco gilt, gilt top, uncut, original covers 


bound in, by Canapé. Paris, 1891 
* ONE OF 25 COPIES ON JAPAN PAPER, 

3607. ZOLA (EMILE). La Débacle. Frrst EDITION. 
12mo, half blue levant morocco gilt, figured satin sides, gilt. 
top, uncut, original covers bound in, by The Club Bindery. 

* ONE OF 830 COPIES ON HOLLAND PAPER. Paris, 1892. 
570 


3608. ZOLA (EMILE). Le Docteur Pascal. Folding 
plate. First EDITION. 12mo, half green levant morocco 
gilt, plaid silk sides, uncut, original covers bound in, by 
The Club Bindery. Paris, 1893 


* ONE OF 40 COPIES ON JAPAN PAPER. 


3609. ZOLA (EMILE). La Curée. Compositions de 
Georges Jeanniot. Imp. 8vo, brown levant morocco, chis- 
elled figufre of a man on front cover, gilt over uncut edges, 
with the original covers bound in, by Raparlier. 

Paris: E. Testard, 1894 


* One of 130 copies on India paper, with duplicate set of the 
illustrations, proofs before letters. 


3610. ZOLA (EMILE). Les Trois Villes. Lourdes. First 
EDITION. 12mo, half green levant morocco gilt, plaid 
silk sides, gilt top, uncut, original covers bound in, by 
The Club Bindery. Paris, 1894 

* ONE OF 340 COPIES ON HOLLAND PAPER. 


3611. ZOLA (EMILE). Tes Trois Villes. Rome. First 
EDITION. 12mo, half brown levant morocco gilt, figured 
silk. sides, gilt top, uncut, original wrappers bound in, by 
The Club Bindery. Paris, 1896 

* ONE OF 800 COPIES ON HOLLAND PAPER. 


3612. ZOLA (EMILE). Nouvelle Campagne, 1896. 12mo, 
halt light brown levant morocco gilt, figured brown and 
green silk sides, gilt top, uncut, original covers bound in, 
by the Club Bindery. Paris, 1897 


* FIRST EDITION of articles which, except the last, appeared 
in Le Figaro, ONE OF 20 COPIES ON HOLLAND PAPER. 


3613. ZOLA (EMILE). Les Trois Villes. Paris. First 
EDITION. 12mo, half citron levant morocco gilt, figured 
silk sides, gilt top, uncut, original covers bound in, by The 
Club Bindery. Paris, 1898 

* ONE OF 300 COPIES ON HOLLAND PAPER, 


3614. ZOLA (EMILE). Les Quatre Evangiles. Fécon- 
dité. FIRST EDITION. 2 vols. 8vo, half blue levant morocco 
gilt, plaid silk sides, gilt tops, uncut, original covers bound 
in, by The Club Bindery. 3 Paris, 1899 

* ONE OF 50 COPIES ON JAPAN PAPER. 


3615. ZOLA (EMILE), Les Quatre Evangiles. Travail. 
FIRST EDITION. 2 vols. 8vo, half red levant morocco gilt, 
figured silk sides, gilt tops, uncut, original covers bound in, 
by The Club Bindery. Paris, 1901 


* ONE OF 30 COPIES ON JAPAN PAPER. 
OTL 


3616. ZOLA(EMILE). L’Attaque du Moulin. Tilustra- 
tions by Claude Faivre after Emile Boutigny in four states 
in color in the text, and separately in bistre and wood en- 
graving on India paper. The allustration on the cover 1s m 
sia states, three showing the states of the color printing. 8v0, 
red levant morocco, decorated with borders, compartments, 
and centre ornament composed of small eighteenth century 
tools, red moiré silk linings, -gilt edges, original covers 
bound in, by The Club Bindery. Paris, 1901 

* ONE OF 20 COPIES ON JAPAN PAPER. 


3617. ZOLA (EMILE). . L’Affaire Dreyfus. La Vérité 
en Marche. FIrRst EDITION. 12mo, half brown levant mo- 
rocco gilt, figured silk sides, gilt top, uncut, original covers 
bound in, by The Club Bindery. Paris, 1901 

* ONE OF 20 COPIES ON HOLLAND PAPER. 


3618. ZOLA (EMILE). Les Quatre Evangiles. Vérité. 
First EDITION. 2 vols. 8vo, half red levant morocco gilt, 
figured silk sides, gilt tops, uneut, original covers bound 
in, by The Club Bindery. Paris, 1903 


* ONE OF 30 COPIES ON JAPAN PAPER, 


3619. ZOOLOGICAL SOCIETY. The Gardens and Men- 
agerie of the Zoological Society Delineated. Published with 
the Sanction of the Council. Printed on India paper, with 
woodcut illustrations of Quadrupeds and Birds, engraved 
after drawings by Wiliam Harvey. 2 vols. in 1, 8vo, calf 
gilt, gilt edges. Chiswick: Chas. Whittingham, 1831 


3620. ZOUCH (THOMAS). The Life of Isaac Walton, 
including notices of his contemporaries. Wa2ath 21 plates, 
proofs on India paper, and 5 other India proofs, laid an. 
LARGEST PAPER. 4to, half morocco, uneut. London, 1824 


3621. ZURCHER anp MARGOLLE—HKditors. Les Ascen- 
sions célébres aux plus hautes montagnes du globe. SECOND 
EDITION. 39 dllustrations. 12mo, half cloth, uneut. 

* PRINTED ON INDIA PAPER. Paris, 1869 


e 


American Historp and Diterature, 


DATE. 
1493. Columbus. 
1494. Columbus. 
1503. Bergomensis. 
1504. Vespuccius. 
1504. Vespuccius. 
1504. Vespuccius. 
1512. Montalboddo. 
1515. Vespuccius. 
1516. Giustiniani.. 
1534. Amandus. 
1535-57. Oviedo. 
1539. Apianus. | 
1552-53. Las Casas. 
1554. Gomara. 
1554. Gomara. 
1556. Oviedo. 
1556. Munster. 
1557. Staden. 
1558. Thevet. 
1560. Cieca di Leone. 
1563. Puga. 
1578. Beste. 
1580. Monardes. 
1586. Laudonniére. 
1590. Hariot. 
1590-1634. De Bry. 
1598. Las Casas. 
1606. Baxter. 
1612. Hudson. 
1612. Martyr (Peter). 
1613. Champlain. 
1618. Lescarbot. 
1620. Whitbourne. 
1621. Philoponus. 


AUTHOR OR TITLE. 


Epistola Christofori Colom. 

Veradus-Columbus. 

Cronicarum. 

Lettera. 

Third Voyage. 

Third Voyage. 

Paesi nouamente ritrouati. 

Nouveau Monde et Naviga- 
tions. 

Psalter. 

Chronica. 

La historia general des las 
Indias. 

Cosmographia. 

Complete Set of Tracts. 

Historia General de las Indias. 

Historia de Mexico. 


L’Histoire Naturelle des Indes. 


Cosmographie Universelle. 
Historia und Beschreibung in 
den Newen Welt America. 
Les Singularitez de la France 
Antarctique. 

Cronica del Gran Regno del 
Perv. 

Prouisiones, cedulas. 

Voyages of Martin Frobisher. 

Joyfvll Newes out of the new- 
found world. 

Histoire de la Floride. 

Raport de la Virginie. 

Grand Voyages. 

Narratio Regionum Indicarum 
per Hispanos. 

Sir Philip Sydneys Ourania. 

Descriptio Detectionis Freti. 

Historie of the West Indies. 

Les Voyages. 

Histoire de la Nouvelle France. 

Discovery of Nevv-fovnd-land. 

Nova Typis Transacta Navi- 
gatio. 


573 


LOT NO. 
835 
836 
402 

3331 

3332 


3333 


2351 


3334 
2818 
75 


2597 

118 
1960 
1465 
1466 
2598 

260 


3130 


3228 


798 
1563 
421 


2335 
1968 
969 
968 


1961 

342 
LTLE 
2217 

732 
2021 
3495 


2679 


DATE. 

1624. 
1625-26 

1630. 


1632. 
1632. 
1637. 
1643. 
1647. 
1647. 


1648. 
1649. 
1649. 
1652. 
1653. 
1655. 
1655. 
1656. 
1659. 
1662. 
1669. 
1671. 


1671. 
1672. 


1672. 
1674. 
1675. 


1689. 


1702. 
1730. 
1744, 
1747. 
1749. 
1753. 
1753. 
1757. 


1759. 
1769. 
1774. 
1775. 


1781. 
1783. 


Smith. 
Purchas. 
Smith. 


Champlain. 


Sagard (Theodat). 


Morton. 
Eliot. 
Eliot. 
Ward. 


Eliot. 

Eliot. 

Bullock. 

Eliot. 

Eliot. 

Eliot. 

Van Der Donck. 
Van Der Donck. 
Eliot. 

Gray. 

Morton. 


Eliot. 
Josselyn. 


Lederer. 
Josselyn. 


Byfield. 


Mather (Cotton). 
Charlevoix. 
Horsmanden. 
Stith. 

New York Laws. 
Livingston. 
Livingston. 
Smith. 


Burke. 


Massachusetts Bay. 


Hubbard. 
Dusimitier. 
Dusimitier. 


AUTHOR OR TITLE. 


Historie of Virginia. 


Pilgrims. 


Travels, etc., in Europe, Asia, 
Affrica and America. | 


Les Voyages. 


Voyage du pay des Hurons. 
New English Canaan. 


Indian Tracts. No. 
Indian Tracts. No. 


The Simple Cobler 
vvam. 


Indian Tracts. No. 
Indian Tracts. No. 


Virginia. 


Indian Tracts. No. 
Indian Tracts. No. 
Indian Tracts. No. 


Nieuw-Nederlant. 
Nieuw-Nederlant. 


Indian Tracts. No. 


Virginia’s Cure. 


1. 
2. 
of Agga- 


3. 
4. 


5. 


- 


New-Englands Memoriall. 
Great Storm in the Gulph of 


Florida. 


Indian Tracts. No. 
New-England Rarities 


covered. 
Discoveries. 


a 


Two Voyages to New England. 


King Philip’s War Narratives, 


Nos. 1, 3, and 4. 


Late Revolution in New-Eng- 


land. 
Magnalia Christi. 


Histoire de S. Dominique. 


Journal. 
Virginia. 


Independent Reflector. 
Occasional Reverberator. 
History of the Province of 


New York. 


Surprising appearance of a 


Ghost. 
Case 

America. 
Regulations. 


of Great-Britain and 


Indian Wars in New-England. 


Portraits. 


Portraits of the Revolution. 


574 


Dis- 


LOT NO. 
3093 
2819 


3094 

733 
2956 
2395 
17194 
1192 


3476 
1193 
1194 

618 
1195 
1196 
1197 
3308 
3309 
1198 
1479 
2394 


1014 
1499 


1809 
1976 
1810 


2545 


652 
2229 

750 
1700 
3152 
2548 
2548 
2548 


3096 


2546 


632 
2222 
1715 
1182 
1183 


AUTHOR OR TITLE. 


DATE. 
1784. Filson. 
[1790-1800]. End XVIII Century. 
1804. Irving. 
1805. Irving. 
1809. Irving. 
1816. Barbé-Marbois. 
1819. Irving. 
1830. Irving. 
1833. Irving. 


1840-44. Audubon. 


1849-1854. Audubon and Bachman. 
1888. 


1892. 
1893. 


Harrisse. 


Harrisse. 
Stevens. 


5 


Discovery, ete., of Kentucky. 
Chap-Books. 
Early Manuscript Journal. 
Early Manuscript Note Book. 
History.of New York. 
Complot d’Arnold et de Clinton. 
History of New York. 
Manuscript Note Books. 
Manuscript Note Books. 
Birds of America. 
Quadrupeds of North America. 
Columbus and the Bank of 
Saint George. 
Discovery of North America. 
New Laws of the Indies. 


75 


LOT NO. 
1284 
739 
1758 
1759 
1762 
323 
1763 
1760 
1761 
153 
155 


1560 
1561 
3151 


FJneunabula, 


GERMANY. 


MAINZ [n. a. 1454]. 


Printer of the 42 line Bible. [1450-54.] 
Biblia Latina. [1450-55]. No. 656. 
Peter Schéffer with Johann Fust. 1457-66. 

Bonifacius VIII. Liber Sextus Decretalium. 17 Dec. 1465. No. 500. 

Peter Schoffer alone. 1467, March 6-1500, Oct. 5. 
Valerius Maximus. 14 June 1471. No. 3298. 
Aquino (Thomas de). Summa, prima secunde. 8 Nov. 1471. No. 126. 
Bonifacius VIII. Liber Sextus Decretalium. 5 Apr. 14738. No. 501. 

Printer of the Catholicon (J. Gutenberg?) 1460. 
Balbus. Catholicon. 1460. No. 304. 

Printer of the Darmstad Prognostication. [n. a. 1476. ] 

Schilditz. Speculum Manuale sacerdotum. [c. 1475-80.] No. 2993. 


STRASSBURG [n. a. 1461]. 


Printer of the 1481 ‘‘ Legenda aurea”’ (Martin Schott?). 1481-83. 

Eyb. Margarita poetica. [c. 1482.] No. 1240. 

Johann Reinhard of Griiningen. 1483 Aug. 28-1500 and later. 
Terentius. Comoedize. 1 Nov. 1496. No. 3212. 

Johann Priiss. 1483-1500 and later. 
[Bidpay.] Directorium humane vite. [14837] No. 4389. 
Printer of the 1483 ‘‘ Jordanus de Quedlinburg.” 1483-99 
Aisopus Fabule, [a. 1488.] No. 25. 
Martin Flach. 1487 May 10-1500 and later. 

Molitor. De laniis et phitonicis mulieribus. [c. 1490.] No. 2384. 


KOLN, 1466. 


Ulrich Zelof Hanau. 1466-94. 
Augustinus. Enchiridion de fide. [c. 1467.] No. 156. 
Gerson. Opusculum tripartitum. [c. 1468.] No. 1398. 
Arnold ter Hoernen. 1470-1482. 
[Rolewinck.] Sermo in festo presentionis B. Virginis. 1470. No. 2928. 
Johann Koelhoff the Elder. 1472-93. 
[Kannemann.] Duarum passionum collectio. [c. 1477.] No. 1881. 
Printer of the Sarum Breviary. [date ?] 
Homeliarius Doctorum, [c. 1475.] No. 1653. 
Ludwig of Renchen. 1483-92. 
Nider. Preeceptorium. [c. 1486.] No. 2553. 


576 


NGRNBERG, 1470. 

. Anton Koberger. n. a. 1471-1500 and later. 
Biblia Latina, 16 Nov. 1475. No. 657, 
Hieronymus. Vite sanctorum patrum.- 7 May 1478. No. 1615. 
Biblia Latina. 10 Nov. 1478. No. 659. 
Durandus, Rationale. 19 Apr. 1480. No. 1172. 
Schedel. Liber chronicarum, 12 July, 1493. No. 2992. 

Caspar Hochfeder. 1491 March 27-1498 March 19. 
Kempis. Opera. 29 Nov. 1494. No. 1841. 


ITALY. 


Roma, 1467. 
Conrad Sweynheym and Arnold Pannartz. 1467-1478 Dec. 31. 
Czesar. Commentarii. 12 May 1469. No. 670. 
Cicero. Epistole ad Brutum, etc. 1470. No. 790. 
Eucharius Silber. 1480 May 20-1500 and later. 
Columbus. Epistola de insulis noviter repertis. [a. April 29] 1493. 


No. 8385. 
VENEZIA, 1469. 


Wendelin of Speier. 1469-1477, March 10. 

Boccaccio. Genealogize deorum et de montibus, etc. 1472-738. No. 470. 

Nicolas Jenson of Sommevoire. 1470-1480 Sept 20. 
Leonardus Aretinus. De belloitalico. 1471. No. 128. 
Diogenes Laertius. Vitz philosophorum. 14, Aug, 1475. No. 1054, 
Plinius. Historia naturale tr. da C. Landino. 1476. No. 2703. 
Biblia Latina. 1476. No. 658, 

Adam of Ammergau., 1471 May 18-1472. 

Cicero. Orationes. 1472. No. 791. 

Bartolomeo of Cremona, alone, 1472-1473 Nov. 30. 
Antoninus, Confessionale (Defecerunt). [n. a. Aug.] 1473. No. 117. 

A. de Paltasichis alone. 1473 Jan. 31-1492 Jan. 21. 
Aulus Gellius. Noctes Atticz. 1477. No. 1392. 

Andrea Torresano di Asola, alone. 1486 Aug. 29-1500 Jan. 12. 
Sabellicus. Res Venetz. 21 May 1487. No. 29852. 
Aldo Manutio. 1494 Febr. 28-1500 and later. 

Aristoteles. Opera, greece. Vol. I. 1 Nov. 1495. No. 134. 
Bembus, Attna, Febr. 1495. No. 392. 
Theophrastus, greece. 1 June 1497. No. 287. 
Leonicenus. De morbo gallico. June 1497. No. 2014. 
Hore, greece. 5 Dec. 1497. No. 1681. 
Epistole greece. 1499. No. 1217. 


FERRARA, 1471 July 2. 
Lorenzo Rossi of Valenza with A. de Grassis. 1492-93. 
Leonicenus. Plinii et aliorum errores. 18 Dec. 1492. No. 2013, 


z FIRENZE, 1471 Nov. 7. 
Francesco Buonaccorsi, alone. 1485-87 and 1490-96. 
Lilius. Orbis Breviarium. 7 Apr. 1496. No, 2058. 
Lorenzo Morgiani and Johann Petri. 1490 Oct. 8-1498 
Nesius. Oraculum de novoszculo. 8 May 1497, No. 2540. 
Lorenzo di Francesco di Alopa [n. b. 1492]-1496. 
Appollonius Rhodius. Argonauticon libri IV. greece. 1496. No. 171. 


577 


Napoul, 1471. 


Matthias of Olmiitz [Moravus]. 1475-1491 Jan 31. ~ 
Plinius. Epistole. July 1476. No. 2704. 


SWITZERLAND. 
BASEL [n. a. 1468]. 
Johann Bergmann of Olpe. 1494 Febr. 11-1499. 
Verardus—Columbus. 1494. No. 886. 
Brant. Stultifera navis. 1 Aug. 1497. No. 541. 


FRANCE. 
PaRIs, 1470. 
Ulrich Gering with Martin Kranz and Michael Friburger. 1470-78. 
Fichet. Rhetorica. [July 1471.] No. 1268. 
Philippe Pigouchet. 1491 Dec. 1-1500 and later. 
Heures a l’usage de Romme. 17 Sept. 1496. No. 1680. 
Books printed for Antoine Vérard. 1488-1500 and later. 
Froissart. Chronique [1495-1500]. No. 1342. 
La Fleur des Commandements [6 Sept. 1499?] No. 1306. 
Terence. [c. 1500]. No. 3213. 


HOLLAND. 
GoupA, 1477 May 24. 


Gerardus Leeu. 1477 May 24-1484 June 19. 
Dialogus Creaturarum. 31 Aug. 1482. No. 1028. 


BELGIUM. 
LOUVAIN [a. 7 Aug. 1474.] 
Johann of Paderborn [J. de Westphalia] 1474 Dec. 9-1496 Nov. 7. 


Henricus de Zoemeren—Epitoma. 1481. No. 1594. 
Johannes Junior. Scala coeli. 1485. No. 2553. 


ANTWERP, 1481 June 8, 


Gerardus Leeu. 1484 Sept. 18-1493. 

Ludolphus Carthusiensis. Tboeck vanden leven Ihesu Christi. 3 Nov. 
1487. No. 2140. 
ENGLAND. 
WESTMINSTER, 1477. 
William Caxton. 1477-90. 
Chaucer. Canterbury Tales [1477-78.] No. 757. 
Higden. Polychronicon. [a. 2July.] 1482. No. 1618. 
Wynkyn de Worde. 1493-1500 (later in London). 

Vitas patrum [b. 21 Aug.] 1495. No. 1616. 
Sermo pro episcopo puerorum,. [c. 1496.] No. 3562. 
Communycacyon betwene God and Man. [c. 1499?] No. 845. 


St. ALBANS, 1480. 


The Schoolmaster Printer. 1480-86. 
Chronicles of England. [n. b, 1483.] No. 780. 


578 


Armorial and Association Bindings. 


ENGLISH. 
Anne (Queen), 1838, 3066. 


Charles I, 280. 

Charles IT, 218, 2059. 

Clare (John—Earl of), 2514. 

Dudley (Robert—Earl of Leicester), 173. 
Evelyn (John), 3117. 

Gosford (Lord), 3420. 

James I, 3093. 

Henrietta Maria, Queen of Charles I, 244. 
Laud (Archbishop), 291. 

Richmond (Duchess of), 3093. 


FRENCH. 


Albert (Charles d’), Duc de Luynes, 2716, 3010. 
Angouléme (Duchesse d’), 2646. 

Anna of Austria, 1'75. 

Audenet (Adolphe), 776. 

Berry (Duchesse de), 3354. 

Bévy (Louis Philibert Joseph Joly de), 2487. 
Boucherat (Louis), Comte Compans, 2448. 

Boullion (Claude de), 222. 

Bourbon (Charles Louis de), Count of Villafranca, 1617. 
Bourbon-Conti (Louis de), 2015, 3078. 

Bourbon (Jeanne Baptiste de), 176. 

Bouthillier (Léon de), Count de Chavigny, (?), 1122. 
Coislin (Marquis de), 1001. 

Colbert (Jean Baptiste), Marquis de Seignelay, 178, 3232. 
Des Portes (Philippe), abbé de Thyron, 203. 

Du Barry (Madame Jeanne), 3176. 

Elizabeth (Princess), sister of Louis XIV, 234. 
Feriol Family, 33880. 

Fevret de Fontelle (Claude Marie), 3325. 

Feydeau de Brou (Denis), 3016. 

Fleury (Cardinal de), 537. 

Fouquet Family, 177. 

Francis I,, 215. 

Franconville Family, 2981. 

Grammont (Beatrix de Choiseul-Stainville, Duchesse de), 1870. 
Grolier (Jean), 247, 256, 269, 278. 

Henry IT., 260, 2482. 

Henry II. and Diane de Poitiers, 241, 287. 

Henry III., 207, 273. 

Henry IV., 182, 248, 2440, 2441, 3237. 

Hoym (Count de), 791, 1892, 25380. 

La Bedoyére (Henri de), 2354. 

La Croix-Laval (Count de), 2423. 

Lagondie (Conte Joseph de), 2352. 


Le Douarain (l’ Abbé), 2815. 
579 


Longepierre (Baron de), 1673, 1865. 

Louis XIII, 251, 2440, 2441, 2590. 

Louis XIII. and Anna of Austria, 250. 

Louis XIV., 206, 263, 2682, 3209. 

Louis XV., 1258, 2400, 2661, 2705. 

Louis XVIII., 2089. 

Louis-Joseph, son of Louis XVI., 271. 

Louis Philippe, 2364, 2562. : 

Machault (L. C. de), siegneur d’Arnouville, 2905. 

Malinfant (Jacques), almoner of the Queen of Navarre, 213. 

Marie Antoinette, 192, 1914. 

Marie Leczinska, 264, 2506, 2509, 2566. 

Mazarin (Cardinal), 228. 

Mazarin (Louis-Jules), Baron Mancini, 282. 

Medici (Marie de’), 201. 

Miroménil (Armand-Thomas Hue de), chancellor of France, 2622. 

Morante (J. Gomez de La Cortina, marquis de), 2163. 

Mornay-Soult (A. J. C. J.), marquis de Mornay-Montchevreuil, 2984. 

Napoleon I., 221. 

Orléans (Marie-Anne-Louise d’), 274. 

Phélypeaux (Louis), marquis de la Vrilliere, 2925. 

Pompadour (Madame de), 172, 180, 276, 358. 

Richelieu (Armand du Plessis Wignerot, Duc de), 53. 

Richelieu (Cardinal), 196. 

mare d’Aguillon (Lady of the family of Du Plessis de Wignerot de), 
16. : 


Richelieu (Marechal de), 1181. 

Rohan (Charles), Prince de Soubise de, 960. 

Sartines (A. R. J. Gualbert-Gabriel de), 1953. 

Savoy (Cardinal Emanuel of), 267. 

Savoy (Marie Josephine Louise of), 249. 

Savoy (Eugene, Prince of), 2627. 

Saxe (Marie Josephe de), 229. 

Seilliére (Baron Achille), 773. 

Sophie de France, daughter of Louis XV., 198. 

Thou (J. A. de), 24,227, 2176. 

Valois de Saint-Remy (Marie-Marguerite de), 258,268. 
Verrue (Jeanne-Baptiste d’ Albert de Luynes, Comtesse de), 933, 2670. 
Victoire de France, daughter of Louis XV, 225, 2625. 


ITALIAN. 
Albani Family, 202, 2444. 


Barberini (Cardinal), 2422. 
Benedict XIII., 248. 

Canevari (Demetrio), 170, 200, 288, 
Clement XI., 2383. 

Ferrari (Gabriel Giolito de’), 2511. 
Foscarini (Marco, Doge), 990. 
Foscarini Family, 2048. 

Gonzaga Family, 194. 

Maioli (Thomas), 242, 272. 

Spinola Family of Genova, 688, 833. 


580 


Winders and Winding. 


AMERICAN BINDERS. 


The Club Bindery. Nos. 116, 214, 452, 472, 597, 670, 1200, 1219, 1413, 
1442, 1443, 1446, 1453, 1569, 2461, 2508, 2510, 2822, 3036, 3535, 
and 409 other examples. 

Matthews (Alfred and William). 2229, and fifty-two other examples. 


ARABIAN BINDING. 
Silver binding. No. 266. 


DUTCH BINDINGS. 
Embroidered binding. No. 285. 
"Tortoise shell and silver bindings. 18th century. Nos. 185 and 286. 


ENGLISH BINDERS. 


Bedford. One hundred and sixty-four examples. 

‘Cobden-Sanderson. Nos. 219, 254, and 284. 

‘Gosden. No. 3434. 

Lewis. Nos. 787, 2434, 3420, and twenty-two other examples. 

Mearne (Charles). Nos. 209 and 252. 

Mearne (Samuel). Nos. 262 and 283. 

Payne (Roger). Nos. 169, 171, 174, 181, 2065, 2704 and 3170. 

Pratt. Forty examples 

Riviere. Nos. 780, 998, 1118, 1627, 1830, 1989, 2164, 2167, 2471, 2473, 
and 175 other examples. 

Zaehnsdorf. Forty-two examples. 


ENGLISH BINDINGS. 


Embroidered bindings. 17th century. Nos. 184 and 188. 
Silver bindings. 17th century. No. 217. 

Silver bindings. 18th century. No. 210. 

Silver bindings. 19th century. No. 197. 

‘Stag skin and silver binding. No. 289. 

Velvet binding. No. 288. 


FLEMISH BINDING. 


Silver binding. 17th century. No. 2478. Res . 
581 


FRENCH BINDERS. 


All6. No. 1371 and thirty-six other examples. 

Bauzonnet. Nine examples. 

Bauzonnet-Trautz. No. 45 and ten other examples. 

Belz-Niédrée. Forty-three Seton 

Boyet. Six examples. 

Bozerian Jeune. Six examples. 

Canapé. Twelve examples. 

Capé. Nos. 1999, 2178, 2466, 2567, and forty-five other examples. 

Chambolle-Duru. Nos. 387, 2097, 2662, 2834, and eighty-nine other 
examples. . 

Champs. Fifty-three examples. 

Cuzin.. Nos. 1097, 2087, 2349, 2525, and’ thirty-five other examples. 

David. Nos. 75, 3035, and eighty-two other examples.. 

Derome. Nos. 894, 1914, 2315, and thirty-three other examples. 

Derome Jeune. Ten examples. 

Duru. Fourteen examples. 

Duseuil. Seven examples. 

Eve (Clovis). Nos. 203, 281, 1695 and 1827. 

Gruel. Nos. 60, 1328, 1525, 1680, 2513, and five other examples. 

Hardy-Mennil. Sixteen examples. 

Joly. Nos. 1500, 2468, 2472, and fifteen other examples. 

Le Gascon. Nos. 190, 239, 250, 251, 259, 261, 280, 1696, 2530 and 3188. 

Lortic. Nos. 841, 1343, 2098, 2344, 3331, 3362, and forty-four other 
examples. 

Lyonnese (ancient) calf bindings. Nos. 1684 and 1686. 

Mercier. Nos. 143, 656, 757, 2423, 3355, and fourteen other examples. 
Michel (Marius). Nos. 1095, 2281, 2537, 2804, and nineteen other ex- 
amples. ae ; 

Monnier. No. 245. 

Padeloup. Nos. 234, 235, 282, 2088, 2357, and ite other ex- 
amples. 

Raparlier. Seven examples. 

Rousselle. Highteen examples. 

Thibaron. Seventeen examples. 

Thibaron-Joly. No. 1689 and nine other examples. 

Trautz-Bauzonnet. Nos. 275, 1323, 2465, 2849 and 107 other exer 


FRENCH BINDINGS. 


Embroidered binding. No. 223. 

Morocco bindings. 15th century. No. 2463. 

Morocco bindings. 16th century. No. 2421. 

Morocco bindings. 17th century. No. 2480. 

Painted calf bindings. 16th century. Nos. 1688, 1690, 1691 and 1692. 
Seal skin binding. 17th century. No. 2481. 

Silver bindings. 16th century. No. 2447. 

Silver bindings. 17th century. No. 3202. 


GERMAN BINDINGS. 


Calf bindings. 15th century. Nos. 2553 and 2577. 
Silver bindings. 18th century. Nos. 186, 189, 246 and 2452. 


582 


ITALIAN BINDINGS. 


Embroidered binding. No. 243. 

Marbled painted calf bindings. Nos. 2568 and 2569. 
Morocco. 15th century. Nos. 2417 and 2454. 
Morocco. 16th century. Nos. 2587, 2666 and 3015. 


PERSIAN BINDINGS. 


Lacquered bindings. 15th century. No. 2419. 
Lacquered bindings. 16th century. No. 2483. 

Lacquered bindings. 18th century. No. 2484. 
Lacquered bindings. 18th and 19th centuries. No. 2486. 
Lacquered bindings. 19th century. No. 2497. 

Morocco bindings. 18th and 19th centuries. No. 2485. 
Morocco bindings. 19th century. No. 2488. 


SPANISH BINDING. 
Mother-of-pearl binding. 19th century. No. 212. 


In addition to the binders and bmderies named above, the work of less 
important English, American and French binders and binderies is repre- 
sented by numerous examples. 


583 


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